Torvill va dekan - Torvill and Dean

Jeyn Torvill va Kristofer Din
Torvill va Dekan Muz ustida raqs tushish Manchesterdagi tur, 2011 yil
Shaxsiy ma'lumot
Mamlakat vakili	Birlashgan Qirollik
Tug'ilgan	Nottingem
Sobiq murabbiy	Betti Kallavay Janet Savrij
Pensiya	1984, 1994 (havaskor), 1998 (professional)
Medal yozuvlari Figurali uchish: muzli raqs Vakil  Buyuk Britaniya Olimpiya o'yinlari 1984 yil Sarayevo Muzli raqs 1994 yil Lillexammer Muzli raqs Jahon chempionatlari 1981 yil Xartford Muzli raqs 1982 yil Kopengagen Muzli raqs 1983 yil Xelsinki Muzli raqs 1984 yil Ottava Muzli raqs Evropa chempionati 1981 yil Insbruk Muzli raqs 1982 yil Lion Muzli raqs 1984 yil Budapesht Muzli raqs 1994 yil Kopengagen Muzli raqs Konkida uchish bo'yicha Buyuk Britaniya chempionati 1977 yil Nottingem Muzli raqs 1978 yil Nottingem Muzli raqs 1979 yil Nottingem Muzli raqs 1980 yil Nottingem Muzli raqs 1981 yil Nottingem Muzli raqs 1982 yil Nottingem Muzli raqs 1983 yil Nottingem Muzli raqs 1994 yil Sheffild Muzli raqs

Torvill va dekan (Jeyn Torvill va Kristofer Din ) ingliz muz raqqosalari va avvalgi Inglizlar, Evropa, Olimpiya o'yinlari va Jahon chempionlari. Da Sarayevo 1984 yilgi qishki Olimpiya o'yinlari juftlik oltin medalni qo'lga kiritdi va eng yuqori ko'rsatkichga aylandi figurali uchish sportchilari har doim (bitta dastur uchun) o'n ikki mukammal 6.0 va oltita 5.9 ball olgan, bunda har bir hakamdan 6.0 ballgacha badiiy taassurot to'plangan, skeykdan keyin Moris Ravel "s Bolero.^[1][2] Lardan biri hozirgacha Buyuk Britaniyada eng ko'p ko'rilgan televizion tadbirlar, ularning 1984 yilgi Olimpiadadagi o'yinlarini 24 milliondan ortiq odamni tashkil etgan ingliz televizion tomoshabinlari tomosha qilishdi.^[2]

1984 yilgi jahon chempionatidan keyin juftlik professionalga aylandi va o'n yil o'tgach, 1994 yilda yana bir bor Olimpiadada qatnashish uchun havaskor maqomini oldi. Juftlik 1998 yilda konkida uchish musobaqasidan butunlay voz kechishdi, ular oxirgi marta o'zlarining tomoshalari bilan sayohat qilishganida, Muz sarguzashtlari, qayta qo'shilishdan oldin Muz ustidagi yulduzlar yana bir mavsum uchun. Ularning oxirgi tartibi bajarildi Pol Simon Bir necha yil oldin ular raqobat uchun o'ylab topgan "Bu yillardan keyin hamon aqldan ozish". Qolgan yaqin do'stlari bo'lishiga qaramay, juftlik ITV telekanallarida ishtirok etish uchun nafaqaga chiqmaguncha yana birga konkida uchishmadi. Muz ustida raqs tushish. Ularning karerasi 2018 yilda tasvirlangan biopik Torvill va dekan.

Ikkalasi ham Nottingem, Angliya, qaerda mahalliy Milliy muz markazi ga ma'lum bo'lgan umumiy maydon orqali kirish mumkin Bolero Maydon, juftlikning Olimpiya yutuqlari sharafiga. Shuningdek, uy-joy massivi mavjud Vollaton Torvill Drive-dan narida joylashgan "Torvill Drive" va boshqa "Dean Close" nomli ko'cha bilan shaharning maydoni, ko'plab murabbiylar va juftlik raqslari nomidagi atrofdagi yo'llar bilan. Tomonidan o'tkazilgan Buyuk Britaniyada o'tkazilgan so'rovnomada 4-kanal 2002 yilda ingliz jamoatchiligi Torvill va Dekanning 1984 yilgi qishki Olimpiya o'yinlarida oltin medal bilan taqdirlangan tarixiy faoliyatini ro'yxatdagi 8-raqam sifatida ovoz berishdi. 100 ta eng zo'r sport lahzalari.^[3]

Ishga qabul qilish

Hamkorlik va Olimpiada

1975 yil atrofida Jeyn Torvill Britaniyaning Junior Pairs chempioni bo'lgan va Kristofer Din va uning sherigi Britaniyalik o'smirlarning muzda raqs tushish bo'yicha musobaqasida g'olib bo'lishgan. "Nottingem" ustozi Janet Savrij ularni birlashtirdi va ko'p o'tmay ular muz bilan raqsga tushish tarixini boshlashdi. Ular birinchi sovrinni 1976 yilda olishgan. Ular murabbiylarini o'zgartirgan Betti Kallavay 1979 yilda. Birinchi Olimpiya o'yinlarida 5-o'rinni egallagandan so'ng, yilda Plasid ko‘li ichida 1980 yilgi qishki Olimpiya o'yinlari va o'sha yili olamlarda 4-o'rinni egallaganlar, ular hech qachon qatnashgan musobaqalarda hech qachon birinchi o'rinni egallagan 1994 yilgi qishki Olimpiya o'yinlari.

Xonanda-aktyor Maykl Krouford murabbiyi bilan birga jamoaning to'rtinchi a'zosi edi. U 1981 yil atrofida ularga ustoz bo'lib, 1983 va 1984 yilgi Olimpiya o'yinlarini yaratishda yordam berib, ularga "qanday harakat qilishni o'rgatdi". Krouford ular haqida: "Men ularni zavqli yoshlar, agar iloji bo'lsa, sizga yordam berishni xohlasangiz, topdim", dedi. (The Times Noyabr 1982). U o'z murabbiyi bilan ring bo'yida bo'lgan, jamoa o'zlarining Olimpiadalarida eng yaxshi natijalarini qo'lga kiritganlarida Bolero muntazam.^[4]

Professional bo'lish

Garchi Torvill va Dekan o'zlarining ishlarini sug'urta kitoblari xodimi va politsiyachi sifatida tark etishlari mumkin bo'lsa ham - grantlar evaziga. Nottingem shahri - ularga Olimpiadada qatnashishni xohlagan vaqtlarida konkida uchish orqali biron bir pul ishlashga ruxsat berilmagan. 1984 yilda professionalga aylanib, ular nafaqat yangi maqomining moliyaviy, balki badiiy imkoniyatlaridan ham foydalanishdi. Ular avstraliyalik raqs xoreografi bilan ishladilar Grem Merfi dastlab ular nafaqat o'zlari uchun muntazam ishlarni, balki butun muzli shoularni tematik izchillik bilan yaratishga muvaffaq bo'lishdi, ular Avstraliya, AQSh va Evropani aylanib chiqishdi. Ularning loyihalari orasida "Olov va muz" suratga olingan ertak bor edi. Umuman olganda, Din o'zi bajarishni istagan ketma-ketlikni tasavvur qilar edi va Torvill u bilan birga uni texnik jihatdan takomillashtirish uchun ishlaydi. Ular bir guruh bo'lib boshqa muz raqqosalari va konkida uchuvchilar, xususan, kanadalik birodar-opa-singillar jamoasi uchun xoreografiya qilishdi. Izabel va Pol Dyusnay, Frantsiya uchun konkida uchgan Albertvill 1992 yilgi qishki Olimpiya o'yinlari, kumush medalni o'zlari bilan olib West Side Story muntazam.

Olimpiadaga qaytish

O'n yillik professional sifatida Torvill va Dekan havaskorlar maydoniga qaytishga qaror qilishdi 1994 yilgi Olimpiada yilda Lillexammer, Norvegiya (1980-yillarning boshqa buyuk skaterlari bilan bir qatorda, masalan Brayan Boytano va Katarina Vitt, muvofiqlik qoidalari o'zgarganidan keyin). Er-xotin ko'chib o'tishdi Xamar, Norvegiya, yilda 1993 da mashq qilish uchun Hamar olimpiya amfiteatri mezbon bo'lgan figurali uchish voqealar. Ularning erkin raqsi o'zlari demontaj qilishda muhim rol o'ynagan muz raqsi haqidagi ba'zi g'oyalarni tiklash uchun mo'ljallangan edi; "Kelinglar, musiqa va raqsga duch kelaylik" filmida sevishganlar, teatr jihozlari va kuchli g'oyaviy xabar yo'q edi; Buning o'rniga asosiy e'tibor sof, engil raqsga tushdi Astaire va Rojers an'ana. Muntazam ravishda bitta harakat bor edi, ko'mak ko'tarildi, bu esa qoidalar konvertini itarib yubordi, garchi ular Evropa chempionatida muntazam ravishda raqsga tushishgan bo'lsa ham, hakamlar hech qanday muammoga duch kelmaslikdi. Ularning birgalikdagi tarjimai hollariga ko'ra, Musiqaga duch kelish, ko'tarish texnik jihatdan qonuniy edi, chunki qoida "yelkadan yuqoriga" ko'tarilishni taqiqladi va ular foydalangan ko'tarish shunday edi emas elkalaridan yuqorisida. Hakamlar Torvill va Dinni uchinchi o'ringa qo'yishdi, ikkinchisini ko'p yillik kumush medal sohiblariga berishdi Usova va Julin va oltin medal Grishuk va Platov, keyingi to'rt yil ichida oltin yutishni davom ettirgan.

Olimpiadadan keyingi hayot

Lillhammerda muvaffaqiyatsizlikka uchraganidan so'ng, Torvill va Dekan 1994 yil 2 martda "raqobatdosh konkida uchib ketishdi".^[5] Buning o'rniga ular rejalashtirilgan va juda muvaffaqiyatli "Face the Music" gastrol safari bilan davom etdilar, so'ngra boshqa ko'plab loyihalar amalga oshirildi: Dekan qo'shiqlariga raqslar to'plamini xoreografiya qildi. Pol Simon ingliz milliy baleti uchun, professional musobaqalar, gastrollar Muz ustidagi yulduzlar va violonchel ijrochisi bilan hamkorlik qilish Yo-Yo Ma va rejissyor Patrisiya Rozema videoda Baxdan ilhomlangan: olti ishoralar. 1998 yil oxirida ular muz namoyish namoyish etishdi "Uembli" stadioni Londonda "muzli sarguzashtlar", unda "uchadigan" muzli balet va boshqa mo''jizalar mavjud. Ayni paytda, ular xoreografiya bilan shug'ullanishdi, xususan, frantsuzlarning "Ice Dance Dance" dinamik jamoasi, 2000 yilda jahon chempionatida birinchi o'rinni egallagan Anissina va Peizerat.

1998 yilda juftlik rasman nafaqaga chiqdi, ularning har biri alohida murabbiy va xoreograflikni davom ettirdilar. 2006 yildan beri ular murabbiylar, xoreograflar va ijrochilar sifatida harakat qilishdi ITV "s Muz ustida raqs tushish va uning Avstraliya versiyasi Torvill va dekanning muz ustida raqsga tushishi. ITV-shou 2010 yilning yanvarida beshinchi seriyasiga qaytdi. 2007 va 2008 yilgi Buyuk Britaniyaning seriyalaridan keyin Muz ustida raqs tushish, Torvill va Dekan Britaniyaga sayohat qilish uchun yo'lda namoyishni olib borishdi; xuddi shunday tur, "25 yilligi" (ularning Sarayevo Olimpiadasidagi muvaffaqiyatlari) 2009 yilda bo'lib o'tgan.

2014 yilda Torvill va Deklar yana Olimpiya o'yinlarining 30 yilligini nishonlab, Bolero-ni yana bir bor raqsga tushirish uchun Sarayevoga qaytib kelishdi.^[6] Oldidan Sarayevo meri tomonidan taklif qilingan Yoshlar Olimpiya o'yinlari 2017 yilda ushbu tadbir doimiy muzlik maydoniga mablag 'yig'ishga yordam berdi va butun dunyoga Olimpiadani Sarayevoga qaytarish borasidagi sa'y-harakatlarini eslatdi.^[7] 2015 yilda Torvill va Dekan o'zlarini tayyorlashdi pantomima début da Manchester opera teatri, "Zolushka" da ijro etmoqda.^[8]

Uslub va yondashuv

Hikoyaviy va tematik musiqadan foydalanish

1981 yil g'olib chiqqanidan keyin Konkida uchish bo'yicha jahon chempionati (bu farqni keltirib chiqardi MBElar ) va Olimpiadadan yana uch yil oldin, ular bitta musiqiy asarni ishlatadigan va ba'zi bir rivoyat yoki tematik elementlarga ega bo'lgan tartiblarni rejalashtirishni boshladilar. O'sha paytda Ice Dance "uzoq" muntazam ravishda bir nechta musiqa asarlarini ishlatar edi, ko'pincha turli xil ritmlarda turli xil qadamlar buyrug'ini namoyish etishardi (shuning uchun ularning 1981 yildagi "Free Dance" ishlatilgan)Shuhrat ", "Karvon ", "Quyosh botishidagi qizil yelkanlar ", va"Qo'shiq ayt, qo'shiq ayt "Original Set Pattern" raqsida faqat bitta musiqa ishlatilgan, ammo butun tartib uch marotaba, xuddi shu tarzda ijro etilishi kerak edi. 1982 yilda ular musiqiy dasturdan uverturaga uzoq dastur taqdim etishdi. Mak va Mabel, bu shirin, ammo bo'ronli romantikaning his-tuyg'ularini uyg'otdi; 1983 yilgi jahon chempionatida ular sirkga musiqa bilan tashrif buyurishdi Barnum, ularga dunyodagi birinchi mukammal ball olish sharafini keltirgan spektakl,^[9] sahna namoyishi yulduzining yordami bilan, Maykl Krouford; 1984 yilda Olimpiadada ular dunyoni hayratda qoldirdilar Bolero va shuningdek, ularning dramatikligi bilan Paso Dobl (Capriccio Espagnol ) Torvill buqalar kurashchisining burni bo'lgan qisqa tartib. Ular musiqani sinchkovlik bilan tanlashni va tahrir qilishni, ham texnik, ham xayoliy jozibali tartiblarni ishlab chiqishni o'rgandilar va taqdimotning to'liqligi tematik jihatdan mos kostyumlarni o'z ichiga oldi.

1989 yilda duetning Avstraliyaga tashrifi davomida ular albom yozdilar Mana biz turibmiz,^[10] tomonidan ishlab chiqarilgan Kevin Stanton Warwick Bone tomonidan tayyorlangan^[11][12] va Derek Uilyams,^[13][14] va qayd etilgan Kristofer Din Sidneyda yotgan, yirtilgan ligamentdan tiklangan.^[15] Albomning savdosi yomon edi va bu albomda raqqoslar o'zlari raqsga tushgan musiqa o'rniga orqa vokalistlar tomonidan ruhlangan materialni kuylayotgani bilan bog'liq bo'lishi mumkin edi, ammo u omon qoladi. iTunes.^[16]

Olimpiya qoidalariga rioya qilish

Torvill va Dekanning 1984 yilgi Olimpiya o'yinlarida erkin raqs konkida uchishgan Moris Ravel "s Bolero. Ravelning asl nusxasi Bolero kompozitsiyasi 17 daqiqadan ko'proq vaqtni tashkil etadi. Olimpiya o'yinlari qoidalariga ko'ra, erkin raqs to'rt daqiqa (ortiqcha yoki minus o'n soniya) uzunlikda bo'lishi kerak. Torvill va Din konsentratsiya qilish uchun musiqa aranjirovkachisiga borishdi Bolero "skateable" versiyasiga qadar. Biroq, ularga bu minimal vaqt ekanligini aytishdi Bolero Olimpiada qoidalaridan 18 soniya ko'proq 4 minut 28 soniyani tashkil qilgan. Torvill va Din Olimpiya qoidalari kitobini ko'rib chiqib, konkida uchish tartibining haqiqiy vaqti konkida uchuvchilar konkida uchishni boshlagandan boshlanganligini aniqladilar. Shuning uchun, ular foydalanishlari mumkin Bolero agar ular dastlabki 18 soniyada konkilarining pichoqlarini muzga qo'ymagan bo'lsalar. Ular Torvill birinchi marta pichoqni muzga qo'yganda, ularda konkida uchish uchun maksimal vaqt qolishi uchun vaqtni belgilashdi.^[17]

Tanlov natijalari

Havaskor

Amatör raqs tartib-qoidalari

Professional

Professional raqs tartiblari

Manba:^[43]

1984-1998 yillar

Ushbu bo'limda bir nechta muammolar mavjud. Iltimos yordam bering uni yaxshilang yoki ushbu masalalarni muhokama qiling munozara sahifasi. (Ushbu shablon xabarlarini qanday va qachon olib tashlashni bilib oling) Ushbu bo'lim uchun qo'shimcha iqtiboslar kerak tekshirish. Iltimos yordam bering ushbu maqolani yaxshilang tomonidan ishonchli manbalarga iqtiboslarni qo'shish. Ma'lumot manbasi bo'lmagan material shubha ostiga olinishi va olib tashlanishi mumkin. Manbalarni toping: "Torvill va dekan"  – Yangiliklar  · gazetalar  · kitoblar  · olim  · JSTOR (Avgust 2020) (Ushbu shablon xabarini qanday va qachon olib tashlashni bilib oling) (Ushbu shablon xabarini qanday va qachon olib tashlashni bilib oling)

Hindiston qo'shig'i 1984 yil

• Musiqa: Rimskiy-Korsakov
• Ma'lum bo'lgan ishlash davri 1984-1987 yillar
• Video / DVD yoki Internetda mavjud bo'lgan versiyalar: ha
• Musobaqa: Vashington, 1984 yilgi jahon professional chempionatlari
  • Natija: 1-chi (10, 10, 10, 10, 10, 10, 10.) Texnik qism

1984 yil kuzida 1984 yil dekabr oyida bo'lib o'tgan professional jahon chempionati uchun mo'ljallangan (manba Facing the Music: 1995: 148).

Ushbu asar Jeyn va Kris o'rtasida birgalikda xoreografiya qilingan Grem Merfi, Bilan badiiy rahbar Sidney raqs kompaniyasi vaqtida.^[44] Kostyumlar Jeyn va Krisdan hindistonlik marvaridlar bilan bezatilgan qisqartirilgan to'q sariq va qizil shim kiyib olgan. Ushbu asar juda katta miqdordagi chizilgan ko'tarilishlardan, burilishdan, o'zaro bog'lanishdan va hattoki muz ustida o'tirishdan va dumalab ketishdan iborat bo'lib, ular hind haykallarini hayajonga solishda tasvirlaydigan balet asarini yaratmoqdalar.^[45]

Asar birinchi marta 1984 yilda ijro etilgan Qirollik estrada shousi Londonda, 1984 yilgi jahon chempionatida to'g'ridan-to'g'ri 10-lar bilan g'alaba qozonishdan oldin. Raqsning kengaytirilgan Kompaniya versiyasi 1985/1986 yilgi jahon safari uchun ishlab chiqilgan.^[46] Shuningdek, 1987 yilda Moskvadagi Lujniki muzeyida "Rossiyaning barcha yulduzlari" bilan bir martalik teledastur uchun yana ijro etilgani ma'lum.^[45]

Parcha juda katta muvozanat, dizayn va kuchning o'ziga xos harakatini o'z ichiga oladi, bu bilan dekan Torvillni oyoqlarini birinchi ko'tarib, unga pastki boldirini ushlab olishga imkon beradi. Keyin u bir oyog'ini oldinga siljitib ko'tarishni yakunlagach, Torvillni tanasi bo'ylab gorizontal holatda ushlab, bir oyog'ini orqaga ko'taradi. Ko'tarishning aniq qiyinligi va ajoyib simmetriyasi uni shou to'xtatuvchiga aylantirdi va ular 1993 yilda ko'tarishni takrorlashlarini ko'rish mumkin. Oltin konki ko'rgazmasi AQShning Boston shahrida havaskor davridagi tengdoshlari bilan muzga tushganda: Marina Klimova & Sergey Ponomarenko va Natalya Bestemianova va Andrey Bukin. Dekan va Torvill, xuddi shu ko'taruvchini Bolero-ning qayta ishlangan versiyasiga qo'shganda, yillar ularning mahorati, kuchi va muvozanatini pasaytiradigan hech narsa qilmaganligini ko'rsatdi. 2007 seriyasi Muz ustida raqs tushish.^{[iqtibos kerak ]}

Uchrashuv 1984 yil

• Musiqa: Jorj Otis Uinston tomonidan yozilgan va ijro etilgan "Yanvar yulduzlari"
• Ma'lum bo'lgan ishlash davri 1984-1995 yillar
• Video / DVD yoki Internetda mavjud bo'lgan versiyalar: ha
• Musobaqa: Vashington, 1984 yilgi jahon professional chempionatlari
  • Natija: 1-chi (10, 10, 10, 10, 10, 10, 10.) Badiiy asar
• Jahon jamoaviy chempionati 1994 yil
  • Natija: 1-chi

Uchrashuv olti daqiqadan ko'proq vaqtni tashkil etadi va Torvill va Dekanning eng professional faoliyati uchun bo'lib, 1984 yilda jahon professional chempionatida g'olib chiqqan va 1987 yilga qadar ijro asari sifatida tanilgan. 1994 yilda ular jamoaviy jahon chempionatida g'alaba qozonish uchun ushbu asarni tiriltirishgan. . So'nggi marta 1995 yil iyun oyida suratga olingan "Face the Music World Tour" uchun "Uembli" da ijro etilgani ma'lum bo'ldi.

Asarning mavzusi ko'chada bir-biridan o'tib ketayotgan, bir-birlarini payqagan, ikki martalik harakat qilgan va bir zumda sevib qolgan ikki kishini o'z ichiga oladi. Ikki kishining bir-birlarini juda qattiq sevishganligi, ammo alohida yashashga bag'ishlangan qisqacha uchrashuvi. 1980-yillarda Torvill uchun mini-yubka va dekan uchun kumushrang-kulrang kiyim kabi kesilgan mayda mayin och kulrang-ko'k libosdan iborat kostyumlar, asarning past bahosiga mos ravishda minimalist va ko'zga tashlanmaydigan edi. 1990-yillarda "Encounter" ijro etilganda, Torvill asl nusxaga o'xshash ko'rinishda kiyingan bo'lsa, endi Dekan Torvillning tashqi qiyofasi rangiga to'liq mos keladigan ko'ylak va shim kiygan.

Osmon va do'zax 1985 yil (guruh raqami)

• Musiqa: dan olingan Etti o'limga olib keladigan gunohlar baleti
• Ma'lum ishlash davri: 1985-1986 yillar
• Video / DVD yoki Internetda mavjud bo'lgan versiyalar: ma'lum emas

O'n daqiqalik guruh raqami, Torvill va Dekan "Osmon" qismida qatnashadilar, oq-oq rangdagi liboslarda.

Venera 1985 yil

• Musiqa: Gustav Xolst (Planet Suite )
• Ma'lum bo'lgan ishlash davri 1985-1986 yillar
• Video / DVD yoki Internetda mavjud bo'lgan versiyalar: ha
• Musobaqa: Vashington, 1985 yilgi jahon professional chempionatlari
  • Natija: 1-chi (10, 10, 10, 10, 10, 10, 10.)

Ushbu raqs birinchi Jahon sayohati doirasida ishlab chiqilgan va Planet Suite-da ijro etilgan bo'lib, Kompaniyaning turli a'zolari boshqa sayyora qismlarini va butun kompaniya Yupiterni ijro etishgan.

Veneraning old sharti shundan iboratki, Jeyn dunyoni boqadigan Sevgi ma'budasi (manba Facing the Music: 1995: 167). Dunyo aslida jismda jismonan aks ettirilgan bo'lib, unda butun dunyo bo'ylab Torvill va Dekan atrofida aylanib yurgan sim (boom operatori tomonidan boshqariladigan) katta globus yoritilgan. Raqamning ochilishi juda g'ayrioddiy bo'lib, juda baland bo'yli Jeyn katta hajmdagi plashda konkida uchib, dunyo / sharni orbitaga yuborishdan iborat edi. Aslida Kris plashning ichida yashiringan edi, Jeynni ochilish ketma-ketligi davomida ko'tarib, keyin raqs boshlanishi bilanoq ochib berildi. Raqs juda ajoyib, juda ko'p noodatiy ko'tarilishlar va murakkab harakatlar bilan. Kiyimlar oq edi, Jeyn oltin toj bilan bezatilgan oq ro'mol kiyib olgan edi.

Raqs 1985 yilgi jahon chempionati uchun badiiy asar sifatida ishlatilgan va ular ketma-ket ikkinchi yil g'olib bo'lishgan.

Yupiter 1985 (guruh raqami)

• Musiqa: Holst (The Planet Suite)
• Ma'lum ishlash davri: 1985-1986 yillar
• Video / DVD yoki Internetda mavjud bo'lgan versiyalar: ma'lum emas

Torvill va Dekan ishtirokidagi Torvill va Dekan ishtirokidagi birinchi Jahon sayohati uchun ajoyib yakuniy qism osmon jismlari singari aylanib yurib, simlar orbitasida atrofida yarim o'nlab varaqalar bor. Oxir-oqibat, ultrafioletdan tashqari barcha chiroqlar o'chib, ularni kosmosda aylantiradi (manbasi Facing the Music: 1995: 167).

Diablo Tango 1985 yil

• Musiqa: "Valentino Tango" Yanko Nilovich
• Ma'lum bo'lgan ishlash davri 1985-1987 yillar
• Video / DVD yoki Internetda mavjud bo'lgan versiyalar: ha
• Musobaqa: Vashington, 1985 yilgi jahon professional chempionatlari
  • Natija: 1-chi (10, 10, 10, 10, 9.9, 9,9, 10.) Texnik qism

Yana bir raqs birinchi Jahon safari doirasida ishlab chiqilgan va 1985 yilgi Jahon Professional chempionatida texnik qism sifatida g'olib chiqqan.

Ushbu raqs Torvill va Dinning hazilga bo'lgan birinchi haqiqiy tashabbusi edi. Keyinchalik Xatrik, Low Commotion va Trunk Tango kabi mashhur kulgili raqslar bo'ladi, ammo bu shubhasiz eng slapstick bo'lib qolmoqda. Dekan kostyumi tashqi ko'rinishida ispancha bo'lib, ispan musiqasini aks ettiradi, bo'sh qora galstuk, qora shim va beliga katta binafsharang qanotli ochiq bo'yinli oq ko'ylakdan iborat. Jeyn 1920-yillarning qora tanli kiyimida, qo'llari bilan qo'lqop va basseynli shlyapa bilan to'ldirilgan.

Cho'ponning qo'shig'i 1986 yil

• Musiqa: Baylero - Cho'ponning qo'shig'i Auvergne qo'shiqlari
• Bastakor: Jozef Kanteloub; Kiri Te Kanava tomonidan kuylangan
• Ma'lum ishlash muddati: 1986 yil
• Video / DVD yoki Internetda mavjud bo'lgan versiyalar: ha

Ushbu raqs 1986 yildagi Sport Aid Gala uchun maxsus ishlab chiqilgan bo'lib, uning daromadi Afrikadagi muhtojlarga sarflangan. Keyinchalik yana ijro etiladimi yoki yo'qmi, aniq emas, ammo "Muz ustida olov" (Uilson: 1994) ning 76-sahifasidagi fotosurat shundan dalolat beradiki, u hech bo'lmaganda Uembliga navbatdagi tashrifi uchun Jahon sayohati tarkibiga kiritilgan.

Bu so'zlar aslida cho'pon va cho'ponning tog 'yaylovlari bo'ylab bir-birlarini chaqirishi tasvirlangan juda oddiy eski xalq qo'shig'iga tegishli. CD bilan risola "La Francaise"qo'shiqning quyidagi tarjimasini beradi:

"Cho'pon, suvning narigi tomonida, siz deyarli dam olmaysiz,

Bailero, lero, lero kuylang.
Kam, va siz?
Bailero, lero kuylang.
Cho'pon, men u erga qanday etib boraman, katta oqim bor, bailero, lero kuylang.
Kuting, men kelib sizni olib ketaman,

Bayero, lero, nol ».

Raqs juda g'ayrioddiy tarzda boshlanadi va raqqosalar muz ustida uxlab yotgan holda boshlanadi. Kunduzi va oxiri tuni tasvirlangan ochilish. Boleroning teskari tomonida birinchi bo'lib muzga qadam qo'ygan va Jeynni oyoqqa turg'azgan Dekan. Raqs juda baletika, opera harakatlari kiritilgan. Raqsning bir qismida Torvill va Din bir-birlarini doimiy ravishda ketma-ket bir-birlarining muz konkilarini ushlab turishadi, bu juda chiroyli, murakkab va juda texnik suyuqlik harakatini yaratadi. Liboslar juda sodda, Torvill oq rangda, dekan esa qo'lsiz ko'ylak bo'lagida va oq oyoq bog'ichlari bo'lgan jigarrang shim.

Yong'in va muz 1986 yil

• Musiqa: Karl Devis
• Muallif: Tom Gutteridj
• Rejissyor: Tom Gutteridj
• Ishlab chiqaruvchi: Nik Elliot
• LWT uchun ishlab chiqarilgan va suratga olingan: 1986 yil
• Video / DVD yoki Internetda mavjud bo'lgan versiyalar: Dancing on Ice 2006 DVD-da mavjud

Torvill va Din Avstraliyada Grem Merfi bilan olov va muzni ishlab chiqdilar, uni LWT (London Weekend Television - ITVning bir qismi) ga sotdilar. Tom Gutteridj va Karl Devis tomonidan yozilgan va 1986 yil Rojdestvoda Buyuk Britaniyadagi televizion premerasiga tayyorgarlik ko'rish uchun Germaniyada mashq qilingan va suratga olingan.^[47]

Fire and Ice - bu muz ustida hikoya qiluvchi balet yaratadigan to'liq metrajli kompaniya. Yong'in sayyorasi va Muz sayyorasi o'rtasida joylashgan bo'lib, unda Yong'in shahzodasi va Muz malikasi o'rtasidagi sevgi tarixi tasvirlangan. Bu ikkita sayyoradagi turli xil joylarni aks ettiruvchi va voqeani aytib beradigan vizual dizayn va effektlarga ega to'liq to'plam. Parcha, Olov Zavodining katakombalari ichida aslida balet ijro etadigan Dekan bilan ochilib, Torvillni qurbongohining moviy alangasida ko'rmoqda. Sho'ng'in paytida u o'zini sayyorada ko'radi. U u bilan uchrashadi va sayyorasiga moslashish uchun biroz vaqt ajratgandan so'ng, ular sevib qolishadi. U Qirollik marosimiga chaqiriladi, ammo keyinchalik unga qo'shiladi. Ertasi kuni ertalab ular topildi va o'z xalqi tomonidan o't o'chiruvchi shahzodaga shafqatsiz hujum uyushtirildi. U otasidan rahm-shafqat qilishni iltimos qiladi, lekin u uni ko'zidan quvib chiqaradi va Olov shahzodasi muz qamoqxonasida qolib ketadi. Keyinchalik Muz malikasi uning yoniga yashirincha kiradi va muzni bor kuchi bilan eritib yuboradi va uni o'limga yaqin qoldiradi. Olovli Shahzoda uni tiriltiradi va ular yana bir bor birga bo'lishadi. Ayni paytda shahzodaning o'z xalqi uning alangasida uning taqdiriga guvoh bo'lishdi va Muz sayyorasiga etib kelishdi. Urush boshlanadi va u shahzodaning ham, malikaning ham otalarining o'limi bilan tugaydi. Vayron bo'lgan va yolg'iz, ular bir-birlarini yana bir bor topishadi va qayg'u chekishadi. Vaqt ularning yaralarini davolab, ularning muhabbatiga bardosh berar ekan, muzli tog'lar ustida olisdagi kamar paydo bo'ladi. Biz ularning kamar tomon sayohatlarini kuzatib boramiz va nihoyat kirib, erkinlik va yangi hayot uchun birgalikda tanaffus qilamiz.

Dunyo bo'ylab video va DVD-larda chiqarilgan Torvill va Dekan repertuaridagi noyob mahsulot - ularning badiiy filmi. Asarda ikkalasi o'rtasida ko'plab raqslar bor, ularning ba'zilari kulgili (shu qatorda Dekan aslida muzga odatiy poyabzal kiyib olgan, u moslashishni o'rganayotganda), ba'zilari romantik va ehtirosli, ba'zilari esa juda dramatik, shu jumladan, o'zlarining sayyoralaridan kelgan odamlar vakili bo'lgan kompaniya raqqosalari bilan alohida raqsga tushish. Ko'pincha Din o'zining "Hind qo'shig'i" kostyumiga deyarli o'xshash dizayndagi kostyumni kiyadi, faqat qizil va to'q sariq rangdan ko'ra, bu safar qizil va to'q qizil rangdan iborat bo'lib, uning otashin kelib chiqishini anglatadi. Torvill Muz qirolichasi kostyumini kiyib, toj, kumush sochlar va pastki qismida muzlar singari kesilgan kumush moviy ko'ylak kiyib olgan.

Fred Astaire va Ginger Rogers Medley 1987 yil

• Musiqa: Irving Berlin: "Steppin 'Out" / "Hamkorlarni o'zgartirish "va" Men bilan raqsga tushing "/"Yonoqdan yonoqqa " / "Rittda "/" Top shapka "
• Ma'lum ishlash muddati: 1987-1990 yillar
• Video / DVD yoki Internetda mavjud bo'lgan versiyalar: ha

Bu Irving Berlin raqamlari Fred Astaire va Ginger Rojersga bag'ishlangan holda raqsga tushishdi, Torvill va Dek 1987 yilda muzli kapitanlar bilan qilgan qisqa safari uchun ishlab chiqilgan,^[48] 1990 yilgacha davom etgan Rossiyaning barcha yulduzlar safari davomida so'nggi raqam sifatida davom etdi. Krislar uchun Kris to'la oq galstuk, ko'ylagi va dumini kiygan, Jeyn esa ko'k tukli boa bilan to'la uzun ko'k libos kiygan. Garchi ajoyib musiqa va yorug'lik effektlari bilan chiroyli xoreografiya qilingan bo'lsa-da, bu Fred va Ginger kabi unchalik yoqimli emas yoki ular 1982 yilda Skate Canada havaskorlar ko'rgazmasida namoyish etgan ajoyib "Puttin 'on the Ritz" tartib-qoidalari singari texnik jihatdan bajarmagan. ammo odatiy tartibda muz ustida bosish qadamlarini qo'shish edi. All Stars Tour (va ehtimol muzli kapitanlar ham) davomida ular so'nggi ta'zim uchun xuddi shunday mavzuni saqlab, kompaniya bilan konkida uchish uchun Ritm bor.

Eleanorning orzusi 1987 yil

• Musiqa: Eleanor Rigbi - Pol Makkartni
• Ishlash davri 1987 yil
• Video / DVD yoki Internetda mavjud bo'lgan versiyalar: Hech kim ma'lum emas

Ushbu asar haqida kam narsa ma'lum va u hech qachon tijorat sifatida chiqarilmagan va ehtimol yozilmagan. U 1987 yil uchun ularning qismlaridan biri sifatida yaratilgan Muzli kapitanlar Tur. O'zlarining tarjimai hollarida Dekan 1988 yilda Izabel va Pol Dyusnaylarning ijro etishlari uchun raqsni berganligini va bu raqs o'g'il va qiz o'rtasidagi munosabatlar haqida, o'g'il ayolning orzularini buzganligi haqida aytgan.^[49]

Iqtibos olingan: Torvill va dekan: Muzni romantizatsiya qilish - Ice Cycles 1988 y

Dekan ham, Torvill ham namoyishda o'zlarining yangi tartib-qoidalariga javob berishni xohlashadi va hamma narsa juda zo'r degan hukmdan mamnun bo'lib, maxsus maqtovlarga sazovor bo'lishdi. "Eleanor Rigbi "Bu ularning eng yangi tartibi edi va qo'shiqning juda qiziqarli versiyasi Pol Makkartni, avvalgi Beatles yozuvi bilan unchalik aloqasi yo'q. Amaldagi versiya Makkartni filmining saundtrekidan olingan Mening hurmatimni Broad Street-ga bering. Din va Torvill filmdan nafratlanishdi, lekin qo'shiqning ushbu versiyasi juda yoqdi.

"Bu bizning tushlar ketma-ketligining versiyasi", - deydi Din ularning odatiy ishlariga ishora qilib.

"Va men Eleanoraman", deydi Torvill oddiygina.

Torvill - kostyum bo'ylab pastel tovushlar bilan o'chirilgan oq rangga o'ralgan mo'rt titul belgisi. U asosan qora rangda kiyingan, unga bir xil orzu sevgilisi; u ham hayajonli, ham xavfli. U undan qo'rqadi, lekin u ham uni xohlaydi va oxir-oqibat uning istagi qo'rquvni engib chiqadi. Bu oxir-oqibat uni bekor qilmoqda, chunki u tanasini aylanib o'tiradi va u bu irodasi bilan harakat qilishdan boshqa hech narsa qila olmaydi. Tuman ichiga olib borayotganda, uning orqasida xoch shaklida xoch shaklida tugaydi. Axir u undan qo'rqishi to'g'ri edi ...

Paganini 1987 yil

• Musiqa: Nikolya Paganini
• Ma'lum bo'lgan ishlash davri 1987 yil
• Video / DVD yoki Internetda mavjud bo'lgan versiyalar: ha

Paganini - Tatyana Tarasova tomonidan ijro etilgan Torvill va Dekan va bosh raqqosa Yuriy Ovchinikov bilan birga bosh xoreograflik qilgan "Kompaniya baleti". Spektakl Torvill va Dekan o'rtasidagi juda ko'p baletika raqslaridan va muzda bo'lgan boshqa kompaniya a'zolari bilan bir nechta yakkaxon chiqishlardan iborat. Bu asar an'anaviy rus baletini uyg'otadi va Torvill ham, Dekan ham juda chiroyli va noyob harakatlar bilan juda yaxshi ijro etishadi. Kiyimlar oddiy - yorqin oq ko'ylak kiygan Kris va Jeynning hammasi oq rangda, xuddi "Cho'pon qo'shig'i" dagi kostyumiga o'xshaydi. Dastlab 1987 yilda Moskvadagi Lujniki muzeyida "Rossiya barcha yulduzlari" bilan bir martalik televidenie uchun suratga olingan va ijro etilgan, u "Rossiya barcha yulduzlari" turining doimiy qismiga aylangani yoki yo'qligi aniq emas, lekin ehtimol u ijro etilgan bo'lishi mumkin Turning kamida besh oyi ichida. O'sha paytda ular Krisning xoreografiyasi ostida ishlaydigan La Ronde kompaniyasining yana bir namoyishi tugallanganmi yoki ijro etilganmi, aniq emas. Ehtimol, u tarqatib yuborilgan va uning o'rniga Axnaton bo'lgan.

Torvill va Dekanning tarjimai holidan olingan parcha:^[50]

Tatyana Paganinining hikoyasini, uning fe'l-atvorining ikki tomonini aks ettirmoqchi edi. Nikkolo Paganini ko'p narsalar edi: o'tgan asrning eng buyuk skripka virtuozi, bastakor, o'z davrining megastari va melankoliga yutgan romantik avantyur. U Tatyana uchun rus uchun eng zo'r qahramon bo'lib tuyuldi - o'zi bilan to'qnashgan ruh. Yuriy Ovchinikov Paganinining aqldan ozgan personajini, Kris ijodkorni raqsga tushirar edi, Jeyn esa buyuk insonning muzeyi sifatida. Hech birimiz raqamni olmadik, lekin tinch hayot uchun o'zimizni tiydik.

Yo'qolgan 1987 yil

• Musiqa: Dolencias - Jodu
• Ma'lum bo'lgan ishlash davri 1987-1994 yillar
• Video / DVD yoki Internetda mavjud bo'lgan versiyalar: ha

Janubiy Amerika musiqasi ostida ijro etiladigan ushbu tartib har doim ijro uchun juda xira edi, yugurishda ikki kishi taassurot qoldirar, tunda sayohat qilar va elementlarga qarshi kurashardi. Kris kulrang-jigarrang shim va ko'ylak kiyadi, Jeyn esa oddiy bitta rangli kuygan qizil kiyimda. Ushbu raqsdagi simmetriya ajoyib, ayniqsa, raqqoslar / belgilarning umidsizligini namoyish etish uchun maxsus aylanayotgan harakatlar. Ular buni Rossiyaning barcha yulduzlar turida va 1990 yilgi "Aid Aid Gala" ko'rgazmasida, shu jumladan turli ko'rgazmalarda ijro etishdi va 1994 yilda Amerika muzeyidagi rassomchilik hujjatli filmi uchun namoyish etishdi.

Torvill va Dekanning tarjimai holidan olingan parcha (Musiqaga yuzlanish: 1995: 201):

Bizning e'tiborimizni talab qiladigan narsa Krisning so'nggi yillarda Chili va Argentinada sodir bo'lgan dahshatli voqealarni, xususan rasmiy ravishda ruxsat berilgan o'g'irlashlarni eslatgan ba'zi bir And musiqalariga bo'lgan munosabati edi. Bu mavzu Folklend urushidan keyin juda yaqin bo'lgan va yaqinda Kosta-Gavras filmi, Yo'qolgan. Kris xayolida g'oyib bo'lganlarni, otalar, onalar, erlar, xotinlar, sevishganlar, do'stlar va bolalarni ko'rdi va do'st yoki aka-uka va singil sifatida ko'rilishi mumkin bo'lgan ikki kishini bir-biriga bog'laydigan bir qator harakatlarni o'ylab topdi. yo'qolgan yaqinlaringizni qidirib toping va qaerda boshlaganingizni oxiriga etkazing.

Axnaton 1987 yil

• Musiqa: Axnaten - Filipp Shisha
• Ma'lum bo'lgan ishlash davri 1987-1989 yillar
• Video / DVD yoki Internetda mavjud bo'lgan versiyalar: Ha (YouTube)

"Axnaton" - bu "Rossiyaning barcha yulduzlar safari" uchun ishlab chiqilgan yana bir kompaniya bo'lib, u hech qachon filmda reklama qilinmagan va ma'lum nusxalari mavjud emas. Kiyimlar Misrning an'anaviy qirollik dizaynida edi. Ushbu asar yaxshi baholarga sazovor bo'ldi, shu qatorda takrorlangan maqtovlar Nyu-York Taymsva ular o'zlarining tarjimai hollarida ushbu asarga muntazam ravishda murojaat qilishadi.

Torvill va Dekanning tarjimai holidan olingan parcha:^[51]

Kris bir muncha vaqt qadimgi Yaqin Sharq tarixiga qiziqib qolgan va Londonga sayohat chog'ida Britaniya muzeyining Misr xonasiga cho'mgan. U mifologiyani, Isis va Osirisni, fir'avnni xudo sifatida his qilishni, haqiqiy dunyoga qayta tug'ilish paytida o'lish g'oyasini, dafn marosimining boyligini, oltin lapis lazuli, rasmlardagi stilize pozalarni, iyerogliflarni, va, ayniqsa, Axnaton va uning malikasi Nefertitining sevgi hikoyasi. Keyin tasodifan biz Filipp Glasning "Axnaton" deb nomlangan yangi operasining diskini uchratdik. Bu aniq o'nta material emas - minimalist uslub, takrorlangan eslatmalarning juda uzun iboralari, lekin Kris izlayotgan kayfiyatda. Bizga kerak bo'lgan narsa, uch soatlik eposni 30 daqiqagacha qisqartirish edi. Buning uchun hikoya va obrazlarga to'liq singib ketish kerak edi. Filipp Glasning o'zi bilan bizning nomimizdan uzoq muzokaralarni o'z ichiga olgan bu g'alati narsa edi.

Raqs tomoshabinlarni ushlab qolish va ushlab turish uchun kuchli tasvir bilan ochildi. Ipakning ulkan piramidasi, uning poydevori 25 metr bo'lgan maydon zamonaviy sayyohlar tomonidan hayratda qoldirilgan. To'satdan tepaga bog'langan chiziq piramidani yuqoriga va uzoqqa qamchilab, miloddan avvalgi XIV asrda oddiy misrliklar dunyosini ochib berdi, ularning hammasi etak va sandalga o'xshash konkilarda. Fir'avn Kris o'z taxtiga o'tirgan Kris, Jeyn bilan Nefertiti sifatida sevgi ketma-ketligini keltirib chiqardi, keyin xalqning isyoni va qirol o'limi, Jeyn / Nefertitini motamda qoldirdi.

Ragtime Poker 1987 yil

• Musiqa:
• Ma'lum bo'lgan ishlash davri 1987-1990 yillar
• Video / DVD yoki Internetda mavjud bo'lgan versiyalar: ha

1990 yilda namoyish etilgan "Rossiyaning barcha yulduzlari" videofilmida keng tarqalgan bo'lib, guruh raqami kartochkalar to'plamida kiyingan butun kompaniyani o'z ichiga olgan - har xil kostyumlar, raqamlar va sud belgilarini aks ettirgan. Bu juda yengil va ozgina mazmundagi qism bo'lib, boshqa talabchan guruh qismlaridan ochiq-oydin komik yordam sifatida taqdim etilgan. Jeyn va Kris oxirlarida belkurak bilan birga kelishadi. Har bir raqqosa katta vakillik kartasini olib yuradi, Jeyn - Spades malikasi va Kris - qirol. Jeyn konkida asosan konkida uchuvchi ayollar bilan birga, ularga Kris qo'shilib, ularni to'plamdagi Jokerning kulgili yutuqlaridan himoya qildi. Kris qora shim, oq ko'ylak va ko'ylagi kiyib olgan, uchqun qizil kamari va oltin ko'ylak bilan ko'ylagi bor. Jeynning o'rtasi belkurakka o'ralgan, juda qisqa, yorqin qizil ko'ylak bor.

Snow Maiden 1987 yil

• Musiqa: Tsar Berendining yurishi - Rimski-Koraskov
• Ma'lum bo'lgan ishlash davri 1987-1990 yillar
• Video / DVD yoki Internetda mavjud bo'lgan versiyalar: ha

Taxminlarga ko'ra "Yulduzlar safari" boshida ishlab chiqilgan, ammo ehtimol keyinchalik ham, bu "Rossiya barcha yulduzlari" videofilmida doimo mavjud bo'lsa ham, unutilgan asar. Ikkalasi ham moviy va mavimsi kashtalar bilan yaltiroq oq liboslarda kiyingan. Muz muzli ko'k rangda yonadi va harakatlar Husky tomonidan chizilgan chanalar, qishki tanlovlar va qor bilan qoplangan landshaftlar tasvirlaridan to'liq foydalanadi. The dance is immensely fast and yet graceful at the same time. It actually begins in a static lift already posed as the lights go up, and it contains many large lifts from then on. Jayne leaps effortlessly onto Chris's shoulders on a number of occasions and, in one move, even leaps all the way round him, going above his head, with seemingly very little assistance (they later incorporated this move into Mack and Mabel for their Face the Music Tour in the mid '90s). It contains many symmetrical dance steps and large sweeping arm gestures, with a succession of impressive lifts and a series of symmetrical jumps and leaps carried out in perfect unison with each other, giving the impression of animals running through the forest. Unique to this dance is a series of two symmetrical steps where they literally leap high into the air together but leaning forward with their inside leg bent as they plunge back to the ground, putting their outside leg straight out behind them. The move actually makes them look like two stags leaping and bounding and thrusting their antlers forward. The piece ends with Jayne throwing herself onto Chris, who bends with Jayne balanced on his knees and allows himself to fall flat on to his back, ending with Jayne suspended in the air held up by Chris, forming a dramatic and very beautiful final tableau as Chris continues to glide across the ice on his back.

Echoes of Ireland 1989

• Musiqa:
• Known performance period 1989–1992
• Versions available on video/DVD or internet: yes
• Competition: Challenge of the Champions Innsbruck Austria 1990
  • Result: 1st (10,10,10,10,10,10,10 – Artistic) (10,10,10,9.9,10,10,9.9 – Technical)

Devised initially as one of the new extra pieces for the second leg of the Russian All Stars Tour, this piece went on to be performed for competition to win the World Professional Championships in 1990, and they were still performing a section of it by their 1992 Ukrainian Tour. In the 1992 “Simply the Best” documentary, Chris states “in Echoes of Ireland we visited the country to get an idea of the people and their music before we choreographed this piece for the ice”. The finished piece is actually an ensemble of three quite separate routines, which they later performed in different orders or simply on their own. The first is a tradition lighthearted Irish jig with some very clever footwork. The second is a more sombre dance done to older tradition Irish Folk music. The third piece is a more modern piece, a very beautiful new age number done to a song sung by an Irish female artist. This final dance includes an unusual lift where Jayne jumps up and sits high upon one of Chris's shoulders facing the opposite way from him. The costumes consist of brown trousers, cream shirt, yellow neckerchief, and green-check waistcoat for Chris, and an off-orange dress with embroidered collar and sleeves and white apron for Jayne.

Revolution / Imagine 1989

• Music: Revolution – The Beatles / Imagine – John Lennon
• Known performance period 1989–1990
• Versions available on video/DVD or internet: yes
• Competition: World Professional Championships
  • Result: 1st (10,9.9,10,9.9,10,10,10)

Performed during the latter half of the All Stars Tour and also used to win the 1990 World Professional Championships, this piece is very different from any other they performed. It was highly technical, physically demanding with a lot of high and drawn-out lifts, and visually very impressive. True to the style of the music, Revolution is extremely fast-paced and performed with an aggression that neither had displayed before. The movements express violence, dissent, anguish, and entrapment. The costumes were very sophisticated in style: Chris wore back trousers, white open-necked shirt, and a smart black and purple waistcoat, while Jayne wore black trousers and a voluminous white ipak koftasi. What was particularly unusual about Jayne's costume was that she actually wore black skates to blend right in with her trousers. While Chris always wore skates the dominant colour of his costume, even when in trousers Jayne rarely did, consistently skating in white skates in nearly all routines.

Excerpt taken from Torvill and Dean's autobiography (Facing the Music: 1995:227–228):

Revolution was most ambitious. Its inspiration was a Montréal dance group we had seen in Sydney with the odd name of La La La Human Steps, whose rapid, machine-gun, staccato movements were unlike anything we had seen before. Chris thought the technique might be adapted for the ice, if we replaced the dancers’ lifts and throws with quick-fire upper-body movements. It was long, fast and very testing, not only of our abilities as dancers, but also as actors, in particular Jayne, who had to go completely against character, with vicious movements and displays of anger. That was new, not only for her: nobody to our knowledge had done anything like this on ice before.

In the 1991 Blade Runners documentary Jayne says:

“I didn't like Revolution at first because I'm not an aggressive person, so it was good that he pushed it because it brought out another side of me – another character that I could portray”. Chris then goes on to explain the theme of the piece, and explains how it leads into imagine and why the perform the two pieces together: “the idea is of it's a young couple that have been married for a few years and it's not that fairytale life of happiness. Which happens to a lot of people – that something goes wrong and tension builds and anger grows within that. And I wanted to put that onto the ice – this raw aggression – and overstate it – so that, for people sitting right the way back, it becomes literal though body. But it follows on in a sort of resolve – not necessarily a happy ending – it then goes into Imagine. Maybe there is something else, maybe there is a compromise or at least an understanding of their situation. They may not get back together or it may not be resolved but they've analysed that they have a problem and maybe there is something to work towards and achieve a happier solution”.

Arc of the Bell 1989

Music: Arvo PartKnown performance period 1989–1990Versions available on video/DVD or internet: none known

Little is known of this piece other than it is a modern piece by composer Arvo Part (source: Facing the Music: 1995:227). It has never been commercially available and no footage has come to light on the internet.^{[iqtibos kerak ]} It was the third routine designed in 1989 for the second leg of the Russian All Stars Tour.

Oscar Tango 1990

• Musiqa: Simon Jeffes & Piers Harry
• Known performance period: 1990–1992
• Versions available on video/DVD or internet: yes
• Competition: World Professional Championships
  • Result: 1st

When Torvill and Dean decided to compete professionally again in 1990, they used three pieces already designed for both the Ice Capades and the Russian All Stars, but Oscar Tango was the one new piece specifically designed as the technical routine for the World Professional Championships, which they went on to win. The piece is entirely unique in that the first minute and a half is skated in total silence, with the music only beginning after this time. In that time Jayne and Chris stamp out a series of extremely precise, sharp, and fast tango steps entirely separately from each other, but in complete unison and perfect split-second timing. In the “Story So Far...” video released in 1996, Chris explains that “the movements in the silence represent the typical tango, but as the music begins we wanted to express the inner feelings of these two dancers”. However, it could also be interpreted that they are dancing with other partners during the silence (both hold a stance as if miming holding an invisible partner) for whom they feel no connection, only to lose all rigidity when they find each other, instead experiencing total connection, fluidity of movement, and emotion through dancing with each other. The costumes were a patterned blend of sky, royal, and navy blues starting light at the top and getting gradually darker. A lot of new moves were created for this piece, many of which they would call upon again throughout the routines they devised from 1994–1998. This included a whole series of moves that were lifted direct from Oscar Tango and placed within the Olympic version of ‘Lets Face the Music’, moves that were to be repeated in ‘In My Life’, and a highly strenuous move whereby Chris lifts Jayne upside down and she puts her legs vertically in the air high above his head before swinging them back down to lie vertically across Chris balancing on his bent knees. This move was used again in ‘In Trutina’ during their 1995–96 World Tour and again for ‘Bridge Over Troubled Water’ also devised in 1995. They created the move once more in 2006, this time incorporating it into their shortened and redesigned version of Bolero.

Iceworks / Tilt 1991

• Musiqa: Endi Sheppard
• Known performance period: 1991
• Versions available on video/DVD or internet: yes

In 1990, the BBC programme Omnibus approached Torvill and Dean to do a programme on their choreography. The documentary focused on how their choreography had advanced during their professional years, away from the rigid rules of amateur competition, focusing on the comic performance of Hat Trick, the political expression of Missing, the technical accomplishment of Oscar Tango, and the stylistic performance of Revolution / Imagine. The documentary also scored a first by persuading Chris and Jayne to produce an entirely new dance especially for it. The piece was named Iceworks for the documentary but later named Tilt when performed at events. As a televisual piece Iceworks was able to have dry ice effects, an artistic backdrop, and highly evocative lighting effects. The up-and-coming Jazz composer Andy Sheppard was asked to compose an entirely new piece of music specifically for the routine, and Chris worked closely with him on the composition process. The music was derived initially by blending saxophone with the sound of Chris and Jayne's blades gliding across the ice; thereafter a beat kicks in together with a slightly ethereal simple tune. The costumes consisted of matching (though not identical) all-in-one tight-fitting pieces consisting of a mix of pastel colours: yellow, pink, mauve, and blue.

Designing this dance was fraught with difficulty for both Chris and Jayne:

“I couldn't relate to the stark, modern music that had been commissioned by the Omnibus people. To be frank, I couldn't understand Chris's ideas for the music, couldn't understand what he was trying to get me to do” (source: Facing the Music: 1995:227–228). They were working to a tight deadline for the programme but in the end the pressure became too much and the programme was delayed with the BBC's agreement. Jayne took a two-week break with her just-married husband Phil Christensen before returning to start work with Chris on Oscar Tango. Iceworks was later completed for transmission as part of Omnibus in 1991, and achieved the highest viewing figures ever for the programme.

Skater's Waltz 1992 (Group Number)

• Musiqa: Waldteufel
• Known performance period: 1992
• Versions available on video/DVD or internet: none known

This was the opening number of the 1992 Best of Torvill and Dean Tour that they performed with a Ukrainian ice dancing company. Only a small clip of it is known to be available on the internet, so not an awful lot is known about the dance except that it is a group number with Torvill and Dean performing with the whole company. Their costumes in this piece are possibly their most unusual of any of their performances. Jayne wears a white fur hat and a blue velvet dress with white fur finish and ornate and decorative gold ties and buttons pattern in the middle. Chris similarly wears a blue velvet top piece with the same gold effect, white trousers with a single blue stripe on each leg, and a velvet blue jacket with fur finish slung over his shoulder throughout the routine. The final section of this show had a weather theme, and the final bow call was done to Over the Rainbow which has the whole company skate on, with Torvill and Dean arriving last to take their bow last with the whole company.

Stormy Weather 1992

• Music: Harold Arien and Ted Koechier
• Known Performance Period: 1992
• Versions available on video/DVD or internet: yes

A love-on-the-rocks number, with similarities in theme to Revolution, but this piece is more suggestive of heartbreak and rejection, possibly that of a couple going through divorce or the discovery of an affair or some other deception. Chris wears the same pale grey-blue outfit that he wears for the later performances of Encounter, while Jayne wears a stunning silky grey-silver dress that swirls out at the bottom and genuinely does conjure an image of storm clouds. It is a very fluid piece with a lot of swinging motions.

Low Commotion 1992

• Musiqa: Riy Kuder
• Known Performance Period: 1992
• Versions available on video/DVD or internet: yes

Another unique piece where Chris and Jayne really experiment with a new type of music and a very different type of footwork. The routine is very fast and demanding, including a section where they skate backwards away from each other and back in a series of three, each time bringing their inside blades within inches of each other, relying on absolutely perfect judgement. Many of Torvill and Dean's routines involve the display of one particular move three times in a row and this routine plays a joke on this concept when Chris flips Jayne over 360 twice in a row, with Jayne flipping Chris the third time and then flexing her muscles at the audience. They perform the routine in Texas-style barn dance costumes, both in straw hat and blue denim dungarees, Jayne with a red and white check lumberjack shirt, pigtails, and freckles, and Chris wearing a neckerchief. In the 1992 Simply the Best documentary Jayne explains that the characters are based loosely on those in The Tales of Tom Sawyer. The dance is extremely fast, but then when the music peters out at the end, the dancers seem to lose interest or even remember what they were doing and they just stroll off the ice. There was a company piece called Hoedown which either preceded or followed this routine, but it is not clear whether or not Torvill and Dean were actually in the group number.

Drum Duet 1993

• Music: Genesis
• Known Performance Period: 1993
• Versions available on video/DVD or internet: yes

This was the last new routine that they choreographed before they began work on their Olympic routines. The costumes are extremely colourful and deliberately clashing. Torvill wears pink leggings, red shirt, and orange waistcoat, and Dean wears blue trousers, purple, pink, and blue shirt, and garish blue waistcoat. The music is a series of drumbeats/percussion to which they skate in a long series of intricate steps at speed across the ice. This includes a lot of fast backwards sections, separate jumps, twists, and turns in complete unison. The piece was designed for their stint as guest artists on the Tom Collins Tour of World Figure Skating Champions.

1994 yildan 1998 yilgacha

Muz ustida raqs tushish spektakllar

Torvill and Dean have performed several times during each TV series.

Hujjat

2018 yil iyul oyida bu haqda e'lon qilindi Torvill va dekan a biopik docudrama, had been commissioned by ITV, written by William Ivory and produced by Darlow Smithson. The movie was broadcast on 25 December 2018, with actor Will Tudor rolini o'ynash Kristofer Din va aktrisa Ko'knori Li Friar playing the role as Jeyn Torvill. Nottingham actress Cassie Bradley delivered a scene stealing performance as Leanne, Dean's first partner. Bradley performed all her own skating for the role. ^[52]

Izohlar

Tashqi havolalar

• Torvill va dekanning rasmiy sayti
• TandDTalk – A Torvill and Dean Forum
• Unreality TV – News of Torvill and Dean on ITVs Dancing On Ice
• Video Footage: Barnum – Torvill and Dean – 1983 World Championships
• Video Footage: Bolero – Torvill and Dean – 1984 Olympics
• Televizor namoyishi of Bolero 2008