Todd Manning - Todd Manning

Todd Manning
Todd Manning.jpg
Rojer Xovart Todd Manning sifatida
Yashash uchun bitta hayot belgi
Tomonidan tasvirlangan
Muddati
  • 1992–98
  • 2000–13
Birinchi ko'rinish1992 yil dekabr (1992 yil dekabr)
Oxirgi ko'rinish2013 yil 5-avgust (2013 yil 5-avgust)
Tomonidan yaratilganMaykl Malone
Tomonidan kiritilgan
Kitob ko'rinishiPatrikning daftarchasi
Krossover
tashqi ko'rinish		Umumiy kasalxona
TasnifiYakuniy, muntazam
Profil
Boshqa ismlar
  • Ted Lampley
  • Todd Lord
KasbManning Enterprises kompaniyasining egasi va asoschisi
Port-Charlzning egasi va noshiri Quyosh gazeta
Egasi va noshiri Quyosh gazeta
The gazetasining sobiq muharriri Banner
Todd Manning 2.jpg
Todd Manning sifatida Trevor Sent-Jon

Tomas Todd Manning[1] Amerika kunduzgi dramasidan xayoliy personajdir Yashash uchun bitta hayot (OLTL). Yozuvchi tomonidan yaratilgan Maykl Malone, roli 1992 yilda aktyor tomonidan paydo bo'lgan Rojer Xovart. Todd kollej talabasi va birodarlik ukasi edi Kevin Byukenen, Zak Rozen va Pauell Lord. 1993 yilda, u tanishgan voqeani ta'qib qildi Marti Saybruk, u boshlanadi to'da zo'rlash unga Zak va Pauell yordamida. Ushbu voqea televizion tanqidchilar tomonidan yangi bosqichga aylandi. Uning asosiy o'yinchilari - Xovart, Syuzan Xaskell (Marty) va Hillari B. Smit (Toddning advokati Nora Xenen )-yutuq Emmi 1994 yilda Malone va uning yozuvchilar jamoasi kabi. Xovart 2003 yilda rolni tark etdi; u qayta tiklandi Trevor Sent-Jon, plastik jarrohlik yo'li bilan jismonan o'zgartirilgan. 2011 yilda Xovart qaytib keldi OLTL; Todd garovga olingan va bu belgining Seynt Jonning versiyasi haqiqatan ham Toddning egizak ukasi bo'lganligi ma'lum bo'ldi. Viktor Lord, kichik, Todd o'rnini egallash uchun shartlangan.

Todd dastlab qisqa muddatli yovuz odam edi, ammo uning tomoshabinlar va tanqidchilar orasida mashhurligi yozuvchilarni uni o'ldirishdan yoki doimiy ravishda qamoqqa jo'natishdan ilhomlantirdi, xuddi o'tmishda aksariyat serapallar singari ko'p yillik operatsiyalar singari. Uning shaxsiyatiga oid jihatlarni qorong'i yoki zo'ravon tutishda, Todd vijdon va rahm-shafqat ko'rsatgan. Ular uni qutqarish uchun qadam tashladilar va uni ajralmas qismiga aylantirdilar OLTL"s Hovartning qutqarish haqidagi hikoyaga qarshi e'tirozlariga qaramay, tuval. Qutqaruvchi yoy uchun adabiy texnikadan foydalangan holda, yozuvchilar XIX asrdan qarz olishdi melodrama va Gotik an'analar kabi adabiyotlar Frankenshteyn. Todd otasi o'rtasidagi ishning mahsuliga aylandi, Viktor Lord va uning onasi, Irene Manning unga boylik va boshqa katta belgilar, shu jumladan opa-singillari bilan aloqalarni ta'minladi, Tina va Viktoriya lord. Xarakterning muhim jihati uning tashqi qiyofasi, xususan, o'ng yonoqidagi chandiq bo'lib, u unga sinonim sifatida paydo bo'ldi va Martiga qarshi o'tgan yomon harakatlarini eslatishga xizmat qildi. Toddning rivojlanishi uchun musiqa va hazildan foydalanish ham muhim rol o'ynagan. U ko'plab munosabatlarni o'rnatgan bo'lsa-da (shu jumladan, xotinlari bilan, Bler Kramer va Teg Delgado ) va otaliq bolalar, uning shaxsiyatining o'ziga xos xususiyati uning yaqin munosabatlarga va jinsiy yaqinlikka qarshilik ko'rsatishi edi.

Toddni qutqarish uchun harakat oxir-oqibat Toddni yovuz odam sifatida ko'rgan Xovartni shouni bir yilga tark etishga undadi; u qutqaruv voqealari va ko'plab muxlislarning Toddga bo'lgan ijobiy munosabatlari bilan bezovta edi. Toddni Seynt Jon bilan qayta tiklash, odatda tomoshabinlar va tanqidchilar tomonidan muvaffaqiyatli deb hisoblangan. Seynt-Jon, Xovartning obraziga taqlid qilish o'rniga, bu obrazga o'z spinini olib keldi. Keyin OLTL"s 2012 yilda bekor qilingan, Xovart Toddni olib keldi Umumiy kasalxona (GH), lekin Viktor Jr singari Sent-Jon bilan birga onlayn versiyasiga qaytdi OLTL 2013 yilda, bu bir yildan keyin bekor qilindi.

Todd ko'plab seriyali maqolalar mavzusi bo'lgan, feministik tadqiqotlar, va unga o'xshash qo'g'irchoqni yaratishga ilhom berdi. Yaratilishidan beri u taniqli va munozarali shaxs bo'lib qolmoqda va sovunli operalardan biri hisoblanadi buzilish belgilar.

Hikoyalar

1992–2003

Qo'shimcha ma'lumotlar: Todd Manning va Bler Kramer

1992 yilda Todd, a mudofaa orqasi uchun Llanview, Pensilvaniya Universitetning futbol jamoasi a bir kecha turish bilan Marti Saybruk (Syuzan Xaskell ), a yovvoyi bola. U unga o'qitgandan keyin hisob-kitob U imtihonni topshira olmadi, natijada u futbol jamoasidan chetlashtirildi, uni ayblaydi. 1993 yilda Todd va uning qardosh birodarlari Zak Rozen va Pauell Lord, Martini zo'rlash Kevin yotoqxona xonasi. Todd advokatni yollaydi Nora Xenen (Hillari B. Smit ), Kerol Svift ismli ayol Toddni ham uni zo'rlaganini ko'rsatguniga qadar uning aybsizligiga ishonadi; Nora sabab bo'ladi a noto'g'ri sud. Todd Martini qiynashda davom etmoqda, shu jumladan uni ikkinchi marta zo'rlashga urinish bilan ham, lekin u oxir-oqibat Toddni aybiga iqror etib, uni, Zak va Pauellni qamoqxonaga jo'natmoqda. Per Martining Pauell kim ekanligi haqidagi guvohligi tengdoshlariga bosim o'tkazildi uni zo'rlaganiga pushaymon bo'lib, Pauell yengilroq jazo tayinlaydi (imkoni bilan bir yil) shartli ravishda ozod qilish uch oy ichida Todd va Zakning sakkiz yiliga to'rt yil ichida shartli ozod qilish imkoniyati bilan). Bu Toddning qasos olishga bo'lgan ehtiyojini qondiradi. Qamoqda bo'lganida, u do'stlashadi Rebekka Lyuis (Reyko Elesvort ) va maslahat sessiyalarida qatnashadi. Todd va Rebekka bir-biriga nisbatan romantik tuyg'ularni rivojlantiradilar va Todd Rebekkani qamoqdan qochishga yordam berishiga ishontiradi. U qasos olish uchun orqasidan ketayotganida, Noraning ko'kragiga qaychi bilan pichoq uradi. Zobit Bo Buchanan (Robert S. Vuds ), Norani sevgisi, uni Todddan qutqaradi. Ikkalasi janjallashadi, ammo Todd qochib ketadi. Yashirin holda, uni Marti va uning sevgilisi Sued Pruitt topishadi. Ular jang qilganda Suedeni tasodifan o'ldirgandan so'ng, u Bo tomonidan otib tashlanadi; Todd Llantano daryosiga tushadi va o'lik deb taxmin qilinadi.

Todd omon qoladi va yashiringan Llanfair qaerda u ikki bola bilan do'stlashsa, C. J. va Sara Roberts. U yangi er-xotin Rebekka va Pauell bilan rashk qilganda hibsga olingan. Uning qamoqxonasi boshqa transport vositasida avariyaga uchraydi va u Marti, C. J. va Jessica (Erin Torpey ) mashinadan. Bu Toddni muddatidan ilgari shartli ravishda ozod qilishga olib keladi, ammo u maslahat so'rab murojaat qilishni davom ettiradi. Keyinchalik u bir necha ayol tomonidan zo'rlashda ayblanmoqda. Marti istaksiz ravishda unga hujumlardan biri uchun alibini beradi. Toddning boshida ekanligiga ishongan aqldan ozgan Pauell, keyinchalik paydo bo'ldi ketma-ket zo'rlash va Rebekkani o'g'irlaydi. Todd unga duch kelganida, Rebekka qochib qutulishi uchun, u Toddni o'g'irlaydi va Toddga Marti uni zo'rlaganda qanday his qilgan bo'lsa, shunday qiladi. Todd Pauell ustidan g'alaba qozonish uchun davom etmoqda. Pauell ushlanib, hibsga olingandan so'ng, Todd Martydan unga "azob edi" deb tan olgani uchun barcha azoblari uchun uzr so'raydi. U sevishni boshlaydi Bler Kramer (Kassi DePaiva ) u bilan barda uchrashgandan keyin. 1994 yil dekabrda Piter Manning vafot etdi va Todd uning asrab olinganligini bilib qoldi. Firibgar Devid Vikers (Tuc Uotkins ) Toddning biologik ota-onasini topadi, Viktor Lord va Irene Manning. Toddning hiyla-nayrangli biologik singlisi yordami bilan, Tina, Devid yo'qolgan Lord merosxo'ri deb da'vo qilmoqda, ammo Toddning haqiqiy ota-onasi oxir-oqibat oshkor bo'ldi va Todd 27,8 million dollarga boyroq bo'lib qoldi. U a sotib oladi tabloid qog'oz dan Dori Lord (Robin Strasser ) va uni qayta ishga tushiradi Quyosh, yangi tashkil topgan oilaviy gazetasining bevosita raqibi Banner. 1995 yilda Bler Toddni aldab, homiladorlikni soxtalashtirib turmushga chiqardi. Keyinchalik u haqiqatan ham homilador ekanligini biladi, ammo uni mahkamlagandan so'ng, u tushdi. Todd dastlab homiladorligi to'g'risida yolg'on gapirganini va nikoh bekor qilinganligini aniqladi. Bler yana homilador bo'lganida, ular 1995 yil noyabrda yana turmushga chiqadilar. Baxtli bo'lishlariga qaramay, Bler Toddning Martiga bo'lgan doimiy g'amxo'rligini yoqtirmaydi. U Martiga Llanvyuga uchib ketish uchun Irlandiyaga boradi. Uning do'sti, Patrik Tornxart (Thorsten Kaye ), Irlandiya terrorchilari tomonidan ov qilinmoqda. Todd Patrik rolini o'ynaydi, otilgan va o'lgan deb taxmin qilinadi. Bler Martini ayblaydi. Todd Blanni Patrik bilan birga yotoqda topish uchun 1996 yilda Llanvyuga qaytadi. Uning singlisi, Viktoriya "Viki" Lord (Erika Slezak ), uni qizi bilan tanishtiradi, Starr (Kristen Alderson ). Todd oxir-oqibat Bler bilan hayotini davom ettiradi. Ular turmushlarida juda ko'p qiyinchiliklarga duch kelishmoqda va Starrga tashxis qo'yish aplastik anemiya nikohni yanada kuchaytiradi.

"OLTL"s 1998 yilda Jorjini kim o'ldirgani sir bo'lib qoldi. Ushbu voqea bir nechta qiziqarli voqealarni keltirib chiqardi, shu jumladan Todd o'zining ko'plab shaxslarini soxtalashtirdi. Erika Peyjning hamraisi (Roseanne ) "Todd va uning ko'plab shaxslarni soxtalashtirishi tomoshabinlar uchun eng katta ajablanib bo'ldi deb o'ylayman. Ushbu hikoyani tomosha qilish juda qiziqarli bo'ldi. "[2]

— Soap Opera-ni yangilash Georgie Phillips qotilligi voqealari va uning ta'siri to'g'risida

Bler Patrikning Starr uchun donorlar o'yini deb topilgan chaqalog'idan homilador. U o'lik o'g'lini 1997 yilda dunyoga keltirdi. Todd Patrikni abortda ayblaydi va uni milliarder va Llanvuning yangi a'zosi Gay Armitajning qotilligida ayblaydi. Bler Todd Gining o'limiga sabab bo'lgan portlashga sabab bo'lganini bilib, iyun oyida u bilan ajrashdi. Bler komaga tushganda, Todd advokatga pul to'laydi Teg Delgado (Florensiya Lozano ) Starrni o'z qaramog'ida ushlab turishi uchun unga uylanish uchun besh million dollar. Bler uyg'onganida, Blerning tashrifiga ruxsat beradi. 1998 yilda Todd va Tea yaqinlashganda, Todd yana zo'rlashda ayblanmoqda; Bler va Sem Rappaport (Kale Braun ), Toddga advokat va ota-shaxs, uning aybsizligini isbotlashga yordam beradi. Toddning iltimosiga binoan shaharga qaytib, u Todga Tea bilan shiddatli nikohini saqlab qolishda yordam berishni ham niyat qildi. Vaqt oralig'ida Todd va Bler bir-birlariga yaqinlashadilar, Bler va Tea Toddning mehr-muhabbatlari uchun kurashadilar. Todd va Tea bir-birini sevib qolishganda, Bler Sem bilan davom etmoqda. Todd Jorji Fillips ismli ayolni o'ldirishda hibsga olinmoqchi bo'lganida, u qolgan o'n to'rt gumonlanuvchini garovga oladi Buchanan oilasi soxta dinamit bilan ko'kragiga bog'lab qo'yilgan idishni. Reychel Gannon qotillikni tan oldi, ammo Todd garovga olingan voqea uchun hibsga olindi. U soxta dissotsiativ identifikatsiyani buzilishi (bo'linadigan shaxslar) sudlanmaslik va Tea-ni hayotida saqlab qolish uchun. Tea mudofaa strategiyasining bir qismi sifatida u bilan ajrashadi, ammo ular noyabrda yana turmushga chiqadilar. Qabul paytida Todd tasodifan Starrning iltimosiga binoan, uning ajralib ketgan shaxslarini soxtalashtirganini tan olgan lenta ijro etildi. Tea unga uylanish uchun yana besh million taklifini rad etdi. Dekabr oyida u shaharni tark etdi va choy 1999 yilda bekor qilindi.

2000 yilda Todd Tea Rohilaning amakisi bilan uchrashishni boshlagan Tea-ni saqlaydi, R. J. (Timoti Stikni ). Xursandchilikdan u miltiq o'qi bilan R. J.ni o'ldiradi va o'zini Téa-ga ochib beradi, uni o'zi bilan shaharni tark etishga ishontiradi. Tea uni tashlaganida, u bir necha oy o'tgach, u holda qaytib keladi. Todd va Bler yana yaqinlashadilar. Ramkalash orqali Skey Chandler (Robin Kristofer ), u unga g'azablanganini otishlarini yashirishga yordam beradi Maks Xolden (Jeyms DePaiva ). Ular qayta turmush qurishga qaror qilishadi, ammo to'ydan bir kun oldin, qasoskor Maks Blerni giyohvand qiladi va Toddni jinsiy aloqada bo'lganiga ishontiradi. G'azablangan Todd Blerni Maksning otuvchisi sifatida fosh qiladi. Haqiqatni aniqlash uchun Maksni tiriklayin ko'mib, ko'p o'tmay uni ozod qilganidan so'ng, u Blerga psixotik tanaffus qilganini aytib qamoqdan chetda qolishiga yordam beradi. U sodir etilgan uning irodasiga qarshi. Bir necha oy o'tgach, u Toddning bolasidan homilador ekanligini bilib, Meksikaga boradi. Todd ergashadi, u erda ularning o'g'lini etkazib beradi. Bola Maksga tegishli ekanligiga ishongan holda, u bolani Devid Vikersga beradi va Blerga bola o'lgan va ko'p o'tmay yoqib yuborilgan deb o'ylashiga imkon beradi. Uning qayg'usi paytida u va Todd yarashishdi va u nihoyat Toddga bola haqiqatan ham unga tegishli ekanligini aytdi. Todd go'dakni topib, bolani tashlab ketganini da'vo qilmoqda. Bler keyinchalik bolaning begona ekaniga ishonadi. 2001 yil dekabrda Todd Blerni qayta turmush qurishga ishontiradi. Ular o'g'liga ism qo'yishadi Jon "Jek" Kramer Menning va Todd uni o'zlariga asrab olganlarini ko'rsatmoqda.

"Men butun umr sovunlarimni kuzatib bordim. Ammo [Bler] jonli hafta davomida buzilish Toddning [o'lik va go'dakning yolg'onchiligini] bilib, men ko'rgan eng ajoyib sahnalardan biri bo'lgan."[3]

- Toddga duch kelgan Bler haqida sovun operasi sharhlovchisi Marlena De Lakroya

Jek Starr singari aplastik anemiyani rivojlantiradi. Bu oxir-oqibat Semni ularning biologik aka-ukalar ekanliklarini anglashga va Bleykga Jekning uning biologik o'g'li ekanligini ma'lum qilishga olib keladi. U g'azab bilan Toddga qarshi chiqadi. U Jekni berib yuborganini va uni hech qachon o'lmagan bolasi uchun qayg'urishga majbur qilganini tan olganida, u uning mavjudligini befoyda deb tasniflaydi va uni hayotidan chetlashtiradi, bu esa uning hissiy jihatdan beqaror bo'lishiga olib keladi. Bler bolalar bilan shaharni tark etadi, ammo Todd uning orqasidan Gavayiga boradi, u erda bolalarni yordami bilan o'g'irlashni rejalashtirmoqda. Ross Reyburn (Shoun Kristian ) Tea tomonidan to'xtatiladi. Todd va Tea Ross bilan orolda qolib ketishganda sevib qolishdi. Todd Blerga qaytish uchun qochib ketadi va qachon uni himoya qiladi Mafiya ularning ichidagi foshligi tufayli uning orqasidan keladi Quyosh. Todd va Bler yana turmushga chiqmoqchi bo'lishganda, Sem Todd Blerning mehrini qozonish uchun, mafiya qasosi natijasida o'lgan deb taxmin qilingan enagasiga zarba berganini aytadi. Todd enaning "o'limidan" Bler bilan birga qolish uchun bahona qilib, keyinchalik Blerning hayotiga zarba berib, qutqaruvchi sifatida u bilan birga bo'lgan. To'y to'xtatildi va Bler Todddan uzoqlashdi. Ko'p o'tmay, Mitch Lorens (Roscoe tug'ilgan ) Starrni o'g'irlaydi. Bler o'z hayotini qizining hayotiga almashtiradi. Todd Blerni jiyani o'g'irlab qutqaradi, Natali (Melissa Archer ) va o'z hayotini Bler bilan almashtirgan. Mitch taxmin qilingan o'lik Viktor Lord uchun ishlaydi, u yashashi uchun avlodning yuragini o'g'irlamoqchi. Natali qutqarildi va Todd zaif yurak bilan Viktor bilan yuzma-yuz keladi, u nihoyat yurak etishmovchiligidan vafot etadi. Mitch Todni o'g'irlaydi va Viktor Rappaportni o'ldirishda ayblash uchun Viktorning qasrida yashiradi. Todd shifrdan yo'qoladi va Bler oxir-oqibat uni vafot etgan deb e'lon qiladi.

2011–2013

Toddning bir xil egizak ukasi, Viktor Lord, kichik (Trevor Sent-Jon ), u hech qachon tanimagan, jismoniy o'zgargan va Todd ekanligiga ishonish uchun miyani yuvgan. 2003 yil maydan 2011 yil avgustgacha u Toddning shaxsini taxmin qiladi. 2003 yilda o'lik Irene Manning o'z agentligini oshkor qilmaslik uchun haqiqiy Toddga zarba berishni buyurgan edi. U Toddni stulga bog'lab qo'ydi va unga hayotidagi barcha tafsilotlarni ochib berishga majbur qildi. Dastlab u Viktor Toddning chandig'ini bergan, ammo keyinchalik uni Mitch Laurensning uzoq vaqt yo'qolgan ukasi Flinn Uolker Lorensga o'xshatish uchun uni rekonstruktiv jarrohlik yo'li bilan yuzi o'zgartirgan. Irene Viktorni Tod Lordning merosxo'ri sifatida merosdan o'z ulushini olishi va agentlikka bilmasdan yordam berishi uchun Viktorni Toddning o'rniga yubordi. U asl Toddni o'ldirish rejasini bajarish o'rniga, uni qamoqda ushlab turdi. Oxir-oqibat u Todd qochib uyga qaytgandan keyin bu faktlarni tan oladi. Todd sakkiz yillik hayotini yo'qotish bilan kurashmoqda va Viktorni bolalarini, shu jumladan Tea bilan birga bo'lgan qizini o'g'irlashda ayblaydi, Danielle (Dani). U Viktorni o'ldirishni rejalashtirmoqda va Viktor o'qqa tutilganida, u eng katta gumondor. U o'zining aybsizligini ta'kidlaydi va Starni Viktorni boyligi uchun oilani o'ldirmaslik uchun Ireneni qamoqdan qochishda yordam berishiga ishontiradi. Irene uni yaralasa ham, Todd uni o'ldiradi. Teaning akasi, Tomas (Ted King ), yaralangan Toddning qochib ketishiga imkon berganligi uchun kredit oladi. Todd Viktorni o'ldirganligi haqida yorqin xotiralarni boshlaydi. Tomas hukm qilinishidan oldin Todd Irene o'ldirilganligini tan oladi; Tea ayblovlarni o'zini himoya qilish uchun kamaytiradi. Todd Viktorni o'ldirishda ishlatiladigan qurolni topadi va uni Tomasni Irenega olib kelgani uchun qasos sifatida ishlatadi. Todd va Markaziy razvedka boshqarmasining yolg'onchi agenti Tomasni yolg'on aybiga iqror bo'lishga majbur qilmoqda. Todd Jek bilan bog'lanishda qiyinchiliklarga duch keladi, u Viktorni faqat otasi sifatida qabul qiladi, ammo u Starr bilan aloqani davom ettiradi va unga turli masalalarda yordam beradi. U ham yordam beradi Koul Tornxart u Starr va ularning qizlari bilan yashashi uchun o'limini soxta qilib, Umid, Kaliforniyada. Keyinchalik Todd Viktorning qotilligi uchun hibsga olingan.

2012 yilda Todd garovga sakrab kirib keladi Port-Charlz Starr Cole va Hope o'limiga sabab bo'lgan avtohalokatga uchraganligini bilib. Todd mahalliy mobster deb o'ylaydi Sonni Korintos (Moris Benard ) o'lim uchun javobgardir va qasos olishga intiladi. Viktorning qotilligi uchun unga qo'yilgan ayblov da'vo tufayli bekor qilindi travmatik stress buzilishi (TSSB) asirlikda bo'lgan yillaridan keyin, ammo Starr Sonni o'ldirishga uringani uchun qotillikda ayblanmoqda. Bler Starrni himoya qilish uchun qidirib topgan homilador Tea ayblovlarni bekor qiladi. Iyun oyida Todd kuchli bo'ron paytida Tea bilan birga bo'lib, u to'lg'oq paytida va javobsiz o'g'il tug'di. Sem Morgan (Kelly Monako ) shuningdek, motel xonasida o'g'il tug'moqda. Todddan keyin yordam izlash boshlanadi Xizer Uebber (Robin Mattson ) kulbada va u Toddga Teaning chaqasi vafot etganini aytganda, u Semning o'g'liga duch keladi. Xursand bo'lgan choy bolani ko'radi va uning unga ishonadi. Todd Teaga bolani unga tegishli ekaniga ishonishiga imkon beradi, Xezer Tea haqida haqiqatni aytgani uchun u bilan gaplashgandan keyin. Todd bilan yaqin munosabatlarni shakllantiradi Karli Korintos (Laura Rayt ), Sonining sobiq rafiqasi, Tomasga uylanmoqchi bo'lgan Blerning yana bir rad javobi tufayli. Toddning chaqaloqni almashtirishdagi roli oxir-oqibat aniqlandi. O'g'li Stivenni deyarli o'ldirganligi uchun tuzatish uchun Xezer sudya va prokurorlarga Toddning chaqaloqlarni almashtirishdagi roli to'g'risida yolg'on gapiradi. Keyin u qo'yib yuboriladi.

2013 yilda Todd Llanviewga qaytib, ilgari unga bir necha marta qo'ng'iroq qilgan Dani bilan uchrashdi. U Dani suiiste'mol qilganligi sababli giyohvand moddasi haddan tashqari dozada qulaganiga guvoh bo'lmoqda oksikodon. U kasalxonada davolanayotgan paytda tirik Viktor keladi. Ajablanadigan Tea, Dani va Jek Viktorni kutib olishdi, Todd esa bolalari bilan munosabatda bo'lishga harakat qilmoqda. Todd Jek va Danidan xavotirda bo'lib, o'zlarining mehrlarini pul bilan sotib olishga harakat qilib, ularni yutib olishning eng yaxshi usulini hal qilib, Viktor bilan sulh tuzishdir. Shuningdek, u Blerning mehrini qaytarishga harakat qiladi. Oxir-oqibat u o'zini Viktorni yolg'on xavfsizlik tuyg'usiga jalb qilish uchun u bilan yaxshi munosabatda bo'lganday qilib ko'rsatganini tan oldi. Viktor Toddning skotchini mishyak bilan zaharlaganini va keyin uni bo'g'ib o'ldirmoqchi bo'lganligini tan oladi. Jek Toddni kasalxonaga olib boradi, u shifo topadi, ammo uning oilasi Viktorni himoya qilishda davom etayotganida asabiylashadi. Viktor shaharni tark etish kerakligini tushunadi va oilasi bilan xayrlashadi. Todd Blerga barcha yaqinlarining ismlari yozilgan tahdidli yozuvni ko'rsatmoqda. Viktorni tutgan sirli tatuirovka tashkiloti Todddan Viktorni topib o'ldirishni talab qiladi. Todd, Bler va Tea ushbu tashkilotni Viktorni o'lgan deb ishonib aldash sxemasini ishlab chiqmoqdalar. Ular o'zlarining sxemalari ishlaganidan ishonchni his qilib, kelajakni rejalashtirmoqdalar. Todd Tatuirovka tashkiloti tomonidan yana bir eslatma keladi, bu safar unga ularni bajara olmaganligi va Viktorni qaytarib olganligi haqida xabar beradi. Toddga Llanvuni tark etib, yozuvda ko'rsatilgan manzilga borishi kerakligini aytishadi. Todd va Bler xafa bo'lishdi. Todd Viki va uning farzandlari bilan xayrlashmoqda, ammo ularga ketishining asl sababi ularning oilasini himoya qilish ekanligini aytmaydi. Todd ketishdan oldin, u va Bler so'nggi marta sevishgan va ular yana turmush qurganliklari aniqlangan.

Yaratish va rivojlantirish

Fon

Dastlab Todd qisqa muddatli rolni bajarishni maqsad qilgan edi, ammo Xovartning obrazini tasvirlashi muxlislarning katta reaktsiyasini ilhomlantirdi, bu esa ijodkorlarni Toddning shaxsiyatini qatlamlash va uni doimiy ravishda namoyish etishga undadi.[4][5][6] Maykl Malone, Toddning yaratuvchisi, ushbu obrazni tanadan chiqarib tashlash unga seriyali seriallarda sevgan narsalarini eslatishini aytib, shunday dedi: "Hikoyalar nafaqat yozuvchilar, balki aktyorlar o'rtasida hamjihatlikdir".[7] Malone Toddni Marti Saybrukning to'dasini zo'rlaganidan keyin u nima bo'lganiga qadar rivojlantirish uchun to'liq kredit ololmasligini his qildi va shuningdek Xovartning ta'sirini ta'kidladi:[6]

Todd Manningning yaratilishida hech kim ajoyib iste'dodlardan kattaroq rol o'ynamagan Josh Griffit, birinchi sherik bosh yozuvchi, keyin men hamraisi yozuvchi, Men qolish paytida Bir hayot. Josh Toddni sevar, yashar va nafas olardi va shouda o'z pozitsiyasi uchun jon kuydirib kurashardi. Ikkinchidan, Todd Rojer Xovartning qudratli iste'dodisiz hech qachon "birinchi bola" dan asosiy tarkib a'zosiga aylanmagan bo'lar edi. Rojer Toddning murakkabligini (jarohat, g'azab, o'ziga xos ishonchsizlik, shuningdek, xiralashganlik, miyalar, intilish, manipulyatsiya, shahvoniylik, yumshoqlik, xushomadgo'ylikni) etkazish qobiliyati tufayli biz bu ikkala chuqur qorong'u tomonni o'rganishga muvaffaq bo'ldik. xarakter (zo'rlashni qoplash uchun Martini yo'q qilishga urinish, uning advokati Noradan qasos olishga urinish, Lunaga hujum) va shu bilan birga uning asta-sekin o'sib borayotgan kurashi (odatda muvaffaqiyatsiz kurash) ni qutqarish. Romantik etakchilar ko'pincha o'zlarining kareralarini yovuzlar bilan o'ynashni boshlashdiValentino, Klark Geybl, Xemfri Bogart ular orasida). Ushbu belgilar jozibadorligi bilan ajralib turadi, chunki ular ayollarga ham "yomon" ning hayajonini, ham yashirin "yaxshi" ning jozibasini his qilishadi: ular erkakni sevgi orqali o'zgarishga olib kelishi mumkin. "Men uni qutqaraman!" Muxlislar Toddni boshidanoq yaxshi ko'rishardi, chunki u har doim shunday murojaatga ega edi.[7]

Malone dastlab Toddni ketma-ket zo'rlovchi sifatida yozgan. Qismi sifatida 1993 yilda zo'rlash haqidagi voqea, Todd Martini zo'rlashdan bir-ikki yil oldin Kerol Svift ismli ayolni zo'rlaganligi va Keroldan oldin boshqa yosh ayollarni zo'rlaganligi haqida maslahatlar bo'lganligi aniqlandi.[8] Xovart Todni Martini zo'rlash uchun asosini murakkab deb hisobladi. "Todd Martiga oshiq edi", dedi u. Marti Toddning bir kecha turishidan keyin ishqiy yutuqlarini rad etganda, shu sababli u jinsiy aloqada bo'lganidan keyin o'sha kuni unga sovuq munosabatda bo'lgan. Martining rad etishi Toddni xafa qildi va u bemalol. U o'qitgandan keyin imtihondan o'tsa, u uni muvaffaqiyatsizlikda ayblaydi va uni muammolari uchun sabab deb bilishni boshlaydi.[9] Xovart Toddni "imtiyozli va juda boy" deb atagan. Todd xohlagan narsasiga erishishga odatlanganligi sababli, Marti uni rad etish bilan qanday kurashishni bilmas edi.[9]

Todd Viktor Lord va Irene Manning o'rtasidagi munosabatlarning mahsuli bo'lsa-da, Malone Viktorning ma'shuqasi ismini bilmasdan unga "Manning" familiyasini bergan, bu esa yozuvchilarga keyinchalik Tina va Viktoriya Lordning ukasi sifatida oshkor bo'lishiga imkon bergan nazorat.[4][7] Dastlab u 18 yoshda,[10] ammo yillar davomida uning yoshi vaqti-vaqti bilan o'zgarib turdi tez qarish uning bolalaridan. Malonning ta'kidlashicha, Toddni Lord boyligining merosxo'ri qilish yozuvchilarga Xovartning xarakterini qisqa muddatli roldan asosiy aktyorlar a'zosiga aylanishiga yordam bergan "ulkan voqea" bo'lgan, bu esa Maloun Xovartning "kuchli iste'dodi" ga tegishli.[7] Toddni otasi deb o'ylagan Piter Manning vafot etdi; Todd farzand asrab olgan onasi tomonidan uning Lord merosxo'ri ekanligi to'g'risida yozgan va qiymati qariyb 30 million dollarga teng bo'lgan xatlar oladi.[11] Toddni nafaqat Viktoriyaning istamagan aka-ukasi sifatida rivojlantiradi, u uning qoni ekanligidan dahshatga tushgan, balki "o'zining sharafli" gazetasini yo'q qilish uchun shov-shuvli tabloid gazetasidan foydalangan "uning professional raqibi" sifatida. Banner Malonega murojaat qildi.[7]

Ijrochi prodyuser Syuzan Bedsov Xorgan Toddning psixologik motivlari haqida gapirganda, Piter Manning uni og'zaki ravishda kamsitdi va Todd yaxshi ko'rgan, ammo undan voz kechgan va ko'ngli qolgan asrab oluvchi onasini haqorat qildi va Toddni uning keyingi xatti-harakatlariga ta'sir qilgan jarohatlar bilan tark etdi.[12] Muallif Gerri Vagget Piter Manning Toddni butun hayoti davomida jismoniy zo'rlik bilan ishlatganligini aytdi.[13]

Imzo chandig'i, sochlar va yuz belgilari

Toddning vintage, uzun sochli qiyofasiga ega yosh Xovart (chapda). Toddning chandig'ini Xovartga qo'llagan vizajist (o'ngda); chandiq belgining o'ng yonog'i bo'ylab egri chiziqqa cho'zilib, sezilarli darajada davolangan versiyasida ingichka, o'rta qizil rangda ko'rinadi.

1993 yil oxirida Toddni yanada tahdidli qilib ko'rsatish uchun Martining do'sti unga o'ng yonoqidagi chandiqni berdi, Luna Moody, u Martini ikkinchi marta zo'rlashga urinishining oldini olib, uning yuziga lomber bilan urganida. Kamera tez-tez yopilib, Toddning chandig'ini ta'kidlar edi, keyinchalik bu belgi bilan sinonimga aylandi.[5]

Kasting rejissyori Xovard Meltzerga: "Todd chandiqni nishonga o'xshab taqadi. Bu boshqalarga ogohlantirish: men bilan aralashmang".[14] Meltzer Xovartning Toddning rolini o'ynaganini sezdi; Todd qo'rquvni qo'zg'ash uchun rant kerak emas edi. Meltzer qo'shib qo'ydi: "U qoshini ko'tarishdan ovozini balandlatishdan ko'ra ko'proq narsani oladi. Toddning aksariyat ijrosi uning atrofidagi muhitga ta'sir qiladi va Govartning ta'sirchanligi tufayli tomoshabinlar g'ildiraklarning burilishini ko'rishlari mumkin."[14] Bu chandiq, Toddga Martiga qarshi o'tmishdagi yovuzligini eslatishga ham xizmat qildi.[4] Uni yopishqoqroq qilib, chinakam ko'rinishga erishish uchun ozgina bo'yanish bilan bo'yashgan va odatda o'n daqiqa vaqt sarflagan.[15]

Toddning uzun sochlari ham xarakterga ajralmas edi. Tomonidan tasvirlangan "Soap Opera" jurnali "jumboqli, tug'ma hokimiyat havosi bilan".[14] Soch Toddning o'zini kamtar tutishini namoyish etishi va "Menga ahamiyati yo'q" munosabatini anglatishi aytilgan. Toddning "osilib turgan qoshi" tahdidli bo'lib tuyuldi, aksincha, "ostidagi shiddatli, zaif ko'zlar" ni, xarakterning "pushti, shahvoniy og'zi" bilan yaxshi farq qiladigan xususiyatlarini yashirdi.[14] "Jozibali, bolalarcha sifat" ga ega bo'lgan xususiyatlar, ba'zida Toddning o'ziga qaraganda xavfli emasligini anglatishi mumkin. Fotosuratchi Robert Milazzo Xovartning sochlari Toddning fe'l-atvorini yumshatganiga ishongan. "Siz shuncha intensivlikni buning uchun kutmaysiz", dedi u va Toddni yanada qiziqtirganini sezdi. Milazzo, shuningdek, Toddning yumshoq sochlari va intensivligining kombinatsiyasi Toddni "qarash uchun juda murakkab belgi" ga aylantirganini ta'kidladi.[14]

Suhbatdosh Xovart jismonan jozibali edi va bu belgi magnetizmiga hissa qo'shgan bo'lishi mumkin degan xulosaga keldi. Xovart shunday javob berdi: "Men chiroyli odamning konvensiyasi nima ekanligini bilaman va negadir hozir oriq oppoq yigitlar katta ekanligini bilaman. O'ylaymanki, siz bunga ayb qo'yishingiz mumkin".[16]

2008 yil noyabrda, Sent-Jonning obrazini namoyish qilish paytida Toddga yangi chandiq paydo bo'ldi Jon Makbeyn Jahon Toddni qurol bilan urgan jismoniy janjal paytida. Chandiq Toddning ramzi edi "Martini ikkinchi marta zo'rlash" va Todd tarixiga "she'riy nod" deb qaraldi. Chandiq asl nusxadan sezilarli darajada kichikroq edi, lekin xuddi shu joyga joylashtirilgan; Bu 2009 yil yanvarigacha yo'q bo'lib ketgan. Sent-Jon shunday dedi: "Men bilaman. Bu juda yomon. Men ular ushbu eslatmani Toddning yuzida nima uchun saqlamasliklari haqida men hech qanday tasavvurga ega emasman. Bu iqtisodiy narsa bo'lishi mumkin. Bilasizmi, uni qo'llash kerak. har kuni bunday bo'yanish. "[4]

Toddning Sent-Jon uchun paydo bo'lishining eng muhim jihati uning xarakterining sochlari edi. Uning afzalligi shundaki, Toddning sochlari biroz qisqaroq edi; u aytdi Soap Opera haftalik (SOW) u Toddning sochlari juda "mo'rt", bu uning shaxsiy uslubi emas deb o'ylardi va yozuvchilar va prodyuserlar uni biroz qisqartirishga imkon berishiga umid qilishdi. U birinchi marta rol o'ynaganida, Sent-Jonning sochlari dastlab Xovartning soqolini qisqartirganiga o'xshaydi, uni dastlab 2000 yildan 2003 yilgacha kiyib yurishgan va Seynt Jonga yozuvchilar va prodyuserlar qo'shimcha ogohlantirishgacha sochlarini o'zgartirmasliklarini aytishgan. Seynt Jon "[ijodiy tanlovni [o'zini qo'yib yuborish uchun] qildi, chunki [Todd] eski nogginada unchalik to'g'ri emas'", va rol uchun vazn ortdi.[17]

"Todd mavzusi" va shu bilan bog'liq musiqa

Bastakor Devid Nichtern, kim ko'p yozgan Yashash uchun bitta hayot Todd uchun musiqa

Yashash uchun bitta hayot prodyuserlarning ta'kidlashicha, shou musiqasining aksariyati maxsus yozilgan, vaziyatga mos va sahnada qanday belgilar o'ynashi mumkin. Todd uchun uning o'zgaruvchan tabiati kuchli qorong'i bilan ifodalangan edi mavzuli musiqa, uni ishlab chiqaruvchilar va muxlislar "Todd mavzusi" deb atashdi.[18][19] Musiqa dahshatli past akkordlardan iborat bo'lib, Toddning yovuz, xavfli yoki tahdid soluvchi harakat qilmoqchi ekanligidan darak berdi.[18]

Bastakor Devid Nichtern Toddning tematik musiqasini yaratgan, u bu belgini juda yaxshi ko'rishini va Todd mavzusining turli xil versiyalarini amalga oshirishni yoqtirganligini aytdi. 1996 yilda Toddning taniqli "o'likdan qaytishi" (uning o'lik deb taxmin qilingandan keyin shaharga qaytishini hujjatlashtirgan) voqeasini tasvirlaydigan musiqani tasvirlar ekan, Nichtern ushbu kompozitsiyaning ushbu obraz uchun kengroq tomoniga murojaat qildi: "Toddning barcha musiqalarida ma'lum bo'lgan unga "tebranish", ayniqsa, xarakter juda yaxshi chizilganligi sababli ", dedi u. "Bu mening gitara uslubimga juda mos tushgandek tuyuldi, shuning uchun men musiqiy ravishda Toddga aylanishdan zavqlanardim. Asosiysi har doim uning qorong'i tomonini aks ettirish kerak, ammo hamma narsaning orqasida qutqarilish va kuch bo'lishi mumkin." Nichtern shunday dedi: "Aynan shu narsa uni juda qiziqarli personajga aylantiradi. Toddning ko'rsatmalari har doim buyurtma asosida ishlab chiqarilgan, shuning uchun uning sayohati haqida hozirgi hikoya chizig'idagi so'zlarning aniq ta'mini olishga harakat va kuch bor."[19]

Todd evolyutsiyasi davomida uchta asosiy musiqiy mavzu ijro etildi. 1993 yildan 1996 yilgacha bo'lgan Toddning asl mavzusi Toddning Martini zo'rlashi va uning dastlabki yomon harakatlarini qamrab olgan. Ikkinchi mavzu 1998 va 2000 yillar davomida, uchinchi mavzu esa 2001 yilda eshitilgan. Todd va Marti zo'rlash sahnasiga asosan rok qo'shiqlari yordam bergan. Orqa fonda past ovozda eshitildi, qattiq tosh qo'shiqlar zo'rlashgacha bo'lgan daqiqalarga yordam beradi; ular aksincha noaniq keskin, tajovuzkor muhitni kuchaytiradi va tomoshabinlar uchun sovuq ohangni o'rnatadi.[18] Todd Martini zo'rlashiga amin bo'lganida, u yuqori qavatda u joylashgan Kevin xonasiga borishdan oldin, fonda qo'shiqning balandligi (")Teshik kabi bosh ") ko'paytirildi, bu so'zlarga urg'u beradi:" Men o'lishni afzal ko'raman / Sizga boshqaruvni berishdan ko'ra. "Bu fon musiqasidan foydalanish Toddning zo'rlash uchun motivatsiyasini tomoshabinlar ro'yxatidan o'tkazishga imkon berdi.[18]

Todd sifatida o'ynagan tahlikali akkordlar 1993 yilda Norani sud jarayoniga noto'g'ri munosabatda bo'lganligi va uni qamoqxonaga jo'natgani uchun ta'qib qilgan va uni qo'rqitgan.[19] Todd uchun qo'shimcha musiqiy mavzular bo'lgan; masalan, 1994 yilda Rebekka bilan bo'lgan ishqiy munosabati paytida, uning dahshatli musiqasi bilan aralashgan, fojiali nuanslar bilan hamma narsani qamrab olgan romantik mavzu eshitildi. Martini va ikki bolani avtohalokatdan qutqarishi va Todd va Tea romantikasi, shuningdek, o'zlarining musiqiy mavzulariga ega.[19] 1994 yil o'rtalarida Todd Marti va bolalarni qutqaradi, musiqa uning yaxshiroq odam bo'lish qarorini aks ettirish uchun o'zgartirildi. Bu uning ustun mavzusiga aylanadi va unga ohangdor, oldinga siljigan musiqa yordam beradi. Ushbu musiqa, birinchi navbatda, Toddning 1994 yilda sotib olingan voqea va 1995 yilda Lord merosxo'ri bo'lgan voqeaning bir qismidir.[18] Nichternning so'zlariga ko'ra, Todd va Teaning do'sti klaviaturachi Kevin Bents bilan bastalagan musiqasi "biz Toddning" romantik "musiqasiga yaqinlashgandek", "bir oz shahvoniylik va romantikaga" ega bo'lganmiz.[19]

1996 yildagi "Todd o'likdan qaytadi" hikoyasi uchun aqldan ozgan musiqa Toddning ruhiyati yomonlashganini anglatadi. Ushbu mavzu Toddning hissiy buzilishi va qasos sxemasiga hamroh bo'ldi[20][21] Patri bilan jinsiy aloqada bo'lgan rafiqasi Blerni topgandan keyin.[18]

Shaxsiyat

Todd bilan tanishish paytida OLTL, u raqobatdosh sportchi edi. Uning birodarligi uning hayotidagi eng muhim qism edi; Xovart Todd "hayotida erkak figuralari tomonidan qattiq bosim ostida bo'lgan" deb ta'kidladi.[9] U Toddni tushunishning kaliti uning maqomi va boshqalar uni qanday qabul qilishi haqida qayg'urishida deb o'ylardi. U Todd odamlarga nisbatan yomon munosabatda bo'ldi, chunki bu uning o'zini yaxshi his qilishiga olib keldi va u o'zini zaif ko'rinishni istamadi, shuning uchun uning himoya mexanizmlari "nazoratdan chiqib ketdi".[9] Howarth, 1994 yil aprel oyida Soap Opera-ni yangilash intervyu, Toddni hayratga soladigan yagona narsa uning kiyim uslubi ekanligini aytdi. Uning suhbatdoshi Toddning dastlabki moda tuyg'usini "grunge," lattalar "singari Najot armiyasi" deb atagan va Xovart Toddning keyingi shkafini "barcha Ralf Lauren" va "[d] ouble RL 80 dollarlik shim va 400 dollarlik ko'ylagi" deb ta'riflagan. ".[16] Seynt Jon, Toddning ikkinchi tasvirchisi sifatida, bu obrazni "yaxshi va yomonning ham turi. U o'z farzandlari bilan yaxshi tomonlariga ega, shu bilan birga u jirkanch va shafqatsiz va shu kabi barcha salbiy narsalarni" ta'riflagan.[22]

Shou mualliflari Toddning shaxsiyatini qorong'u hazil, noo'rin xatti-harakatlar va qiynoqqa solingan qalb mohiyatining kombinatsiyasi sifatida namoyish etishdi; u tez-tez etkazib beradi bitta layner bu hazildan sadistikgacha.[23][24] Sovun operasi sharhlovchisi Jenn Bishop Toddning shaxsi "zo'ravon, muloyim, g'amxo'r, befarq, aqlli, obsesif, aqldan, mantiqsiz, shaytoniy, qahramonlik, g'azabga to'lgan, kulgili va boshqalar" ekanligini ta'kidlagan. va "u sevadi, lekin qilgan ishlari tufayli o'zini chinakam muhabbatga loyiq emas deb biladi. U o'zini sevmaydi va o'ziga ishongan, mag'rur o'yinchoqning fasadini loyihalashtiradi, lekin barchasi ostida u o'zini qidiradigan odam erishib bo'lmaydigan sevgi ".[24] Toddni haddan tashqari o'zini o'zi o'ylaydigan deb bilgan kolumnist Jill Berri, Todd sevishni juda xohlasa-da, uni berolmaydi va qabul qila olmaydi, sevganida esa uni yo'q qiladi.[25][26] U Toddni "buni isbotlash uchun aqldan ozgan va noqonuniy ishlarni" qilish orqali ifoda etgan bolalarini sevish qobiliyatini tan oldi,[27] lekin u boshdan kechirayotgan qiyinchiliklarning ko'pini o'zi olib kelishini va hatto sevgan insonlarini xafa qilganda ham xatolaridan saboq olishga qodir emasligini his qildi.[28] Uning so'zlariga ko'ra, Todd "intensiv terapiya" ga muhtoj, bu hech qachon ishlamaydi, chunki u o'zgarishni rad etadi.[26] Masalan, 2006 yilda Seynt Jon tasvirida u o'g'lining vasiyligi uchun kurashadi, Sem, lekin u bolasini qutqarish istagidan ko'ra ko'proq yolg'on gapirganligi va qasos olishiga g'azablantiradi.[22]

For several years on the series, a defining characteristic of Todd's personality was his resistance to close relationships and sexual intimacy, which were due to his mistreatment by others, especially his adoptive father, who may have raped him when he was fourteen.[29][30] It was also due to his horrific past misdeeds, including his rape of Marty and dysfunctional aspects of his relationship with Blair.[21] Surviving a near-death experience and being presumed dead in 1995 and, upon his return in 1996, finding Blair having sex with Patrick made Todd bitter; seeing Blair with another man sexually, soon after his presumed death, caused him to shut down emotionally.[21] The writers made Todd's fear of intimacy into a prominent obstacle for his relationship with his second wife, Téa.[21] When she at one point attempts to seduce Todd by stripping down naked in front of him and pleading with him to make love to her, he rejects her, explaining that he no longer trusts himself to be intimate in that way; he subsequently throws her out, practically naked, into the middle of a snowstorm.[31]

Bishop stated, "Though viewers were given an explanation for his repulsive actions (lots and lots of childhood trauma), his crime was never excused or glossed over. Todd began to care for people – Rebecca, then Blair and later Téa – something missing in his earlier sociopathic characteristics."[24] Soap opera commentator Kaydee Barnett stated that Todd's dark edges had been softened over a period of many years by Blair, Viki, and Starr.[32] Todd's deep love for his sister, Viki, was partly demonstrated by him supporting her during her battle with cancer, her difficulties with her daughter and his niece, Jessica, and by defending Viki to her enemies.[25] Berry enjoyed the vulnerability Viki brought out of Todd,[33] and felt that his self-hatred demonstrated itself in many ways, including when he refused to name his son, Jack, after himself because his name carried too much baggage.[34]

In the 1998 storyline where he fakes dissociative identity disorder (split personalities) to avoid a prison sentence for hostage and threat charges, he is given four personalities that represent his core being: A childlike personality named Tom, Italian playboy Rod, parental figure Miss Perkins, and the abusive Pete (the personality responsible for his worst misdeeds). The revelation that he is faking the personalities devastates Viki, who had actually suffered from the disorder; it also brings out remorse in Todd, and causes him to reflect on his mistakes. The storyline ends with the implication that the personalities may not have been as fabricated as Todd believed them to be.[2][13] The writers also made it so that his difficulties are manifested in his nightmares, which give him uyqusizlik and are designed as a look into his psyche; at multiple points within the series, Téa attempts to help Todd by encouraging him to open up to her about them, which he eventually does.[35] His opinions on his enemies are conveyed clearly; he remains one step ahead of them, and consistently out-smarts police, family, and others he targets, sometimes using weapons.[2]

Casting and portrayals

Umumiy

Following Howarth's 1992 casting as Todd Manning, he occasionally vacated the role. His 2003 departure was his longest absence from OLTL; he did not return to the series until 2011. Todd was recast in 2003 with St. John, and Howarth joined Dunyo aylanayotganda kabi Pol Rayan until it was cancelled in 2010.[36][37] Malone stated that because of Todd's appeal, which he credited to Howarth, "The network was therefore happy to have him return to Llanview whenever Roger would come back, and happy to have him move into story in major ways."[7] In April 2011, after several months of speculation, OLTL confirmed Howarth's return, although it was unclear if he would portray Todd Manning. He stated, "I am looking forward to returning to Yashash uchun bitta hayot".[38] Ijrochi prodyuser Frank Valentini said, "We are thrilled to have Roger return to Yashash uchun bitta hayot".[38] It was eventually revealed that St. John's version of the character was really Victor Lord, Jr., Todd's twin brother, conditioned to believe that he was Todd and assume Todd's identity, while the real Todd (Howarth) was held hostage for eight years.[36][39][40]

OLTL was cancelled in early 2012; Howarth brought Todd to Umumiy kasalxona (GH), along with his co-stars Kristen Alderson as Starr and Maykl Iston as John McBain.[41] All three actors were forced to briefly leave GH qachon Istiqbol parki, the company that bought the rights to OLTL and aired an online version of the show in 2013, sued ABC for breach of contract. Prospect Park argued that ABC sabotaged its efforts by killing off two characters, Starr's boyfriend Cole and her young daughter Hope.[42] Both St. John and Howarth appeared on the online version as Victor and Todd, but the suit prevented ABC from continuing to feature Howarth, Alderson, and Eastonas their original characters on GH; ABC's solution was to create new characters for the actors.[43] Ning onlayn versiyasi OLTL bir mavsumdan so'ng bekor qilindi.[44][45]

Xovart

Malone credited Howarth's versatility with the reason he was cast as Todd.[7] During a February 1993 interview with Soap Opera Digest (SOD), Howarth stated he was surprised he won the part. "I really don't know how I made it," he said.[46] He met a Yashash uchun bitta hayot casting director two years previously, while performing in a New York play, but, when the role of Todd opened up, he "auditioned just like everybody else". He "made it to callbacks, and [he] got the part".[46] Howarth said, "I was hired ... to plant drugs in Jason Webb's jacket. All I knew was that my first name was Todd. I don't know what happened next. They called me in again and suddenly I had a last name 'Manning.' Then I get called to read another day."[47]

Howarth stated, "I was happy to get the part of Todd, but it was the furthest thing from the fabric of my personality."[46] In an interview later that year, with Soap Opera haftalik, he grimaced when reminded of what he had said, and commented, "What a totally self-involved, pretentious thing to say."[9] He clarified his previous statement, saying that although he seemed to be consistently cast as a "bad guy"[46] and as a "Greek frat brother-type",[9] both his upbringing and experiences in college were different than those of Todd and his other roles.[9] For example, Howarth was not in a fraternity in college, and, unlike Todd and his previous soap opera roles, Kent in Sevuvchi and Jory on Yorug'lik, status was unimportant to him.[9][46]

Although Howarth was familiar with campus fraternity life while attending Jorj Vashington universiteti, he did not base Todd or his other roles on anyone he knew. When asked about his roles, he was unable to explain why he was consistently cast as a bad guy, but said that he enjoyed it. "I would never want to come in now and play a nice guy for three months. That would be dreadfully boring. This suits me fine. It's just as easy to pretend I'm a bad guy as it is to pretend I'm a good guy," Howarth said.[9] Playing a rapist was like playing any other role because "[he knows] it's all make-believe".[9] He was perplexed by writers' need to redeem villains. "Todd's a pretty interesting character just the way he is," Howarth said in late 1994. "There's no need to fix it if it's not broken. I don't know where the whole notion of redeeming characters comes from. People used to say to me, 'I hope you get redeemed so you can stay on the show.' Well, Todd hasn't been redeemed, and he's still on the show." He added, "I don't love the character I play. If I met Todd on the street, I wouldn't say 'Hi' to him, but I do love playing this character."[48]

Howarth said of starring on a soap opera, "Every actor at one time passes through daytime. I wouldn't have said yes to the offer if I didn't want to stay a while on daytime." He added, "I don't crave fame. It's kind of goofy. I didn't want to be a public figure. I wanted to be an actor, not a movie star. But I love rock 'n' roll-there, I'd rather be a rock star. That would be cool."[47] He said that "like all soap actors," he sticks with the script the majority of the time, "but every now and then he goes off the page," commenting, "You get to direct yourself. You come up with a little bit. It's improvisational. Maybe you're doing it just for your castmates, but the audience catches on."[47]

In 1997 and 1998, Todd was given comedic partners similar to the set-up in comedy teams, in which the "funny guy" usually has a "straight man" who either sets up the joke or simply does not understand it. Todd's first partner was Charlie Briggs, portrayed by actor Robert J. Hogan. Hogan was first seen as Briggs in 1995, working for the rival publication Banner before Todd "[steals] him away" to work at his newspaper. Hogan said, "Briggs had been on the show for 17 years, but they never showed him."[23] Scenes between Todd and Briggs typically involved Todd issuing "some bizarre order" to Briggs, or Todd asking Briggs a "way-out question" that was often "way out of line".[23] During these scenes, Briggs would often respond with a stupefied look on his face. Though Briggs appeared lost at some of Todd's comments, Todd was sometimes unable to realize that the joke was about him. Hogan felt Briggs was "more than a match" for Todd. "You look at a kid yelling at you," he said, "and you can't take him seriously."[23]

Howarth on set with Todd's pet parrot Moose; the bird was portrayed by two South American blue and gold macaws.

Another of Todd's comedic pairings is his friendship with a parrot he names Moose. Todd is closer to Moose than he is to most humans. He tells the bird his private thoughts and secrets, which causes conflict and antagonism between Moose and his wife at the time, Téa. Florencia Lozano, Téa's portrayer, stated, "My character ... has a very adversarial relationship with the bird ... It's sort of jealous of me, I'm jealous of the bird. We're both trying to get close to Todd."[49] The bird was portrayed by two South American blue and gold macaws named Flash and Lucky, and an Hayvon sayyorasi documentary stated that they had developed an "impressive résumé" by the time they appeared on OLTL. They were trained by Ed Richman, who had worked with the birds for fifteen years in TV shows such as Magnum, P.I. va Jeyk va Fatman. Richman stated that Howarth caught on "real quick" regarding his interaction with Flash and Lucky and said that he was the best actor he had worked with in the industry.[49] The parrots were used for different purposes: for intimidating scenes where it looked like Moose "was going to kill somebody", Richman used Flash, and Lucky was used for the "loving, very caring, physically close" portrayal of Moose.[49] Like other actors, the parrots were able to connect, in character, with their fellow castmembers and achieve comedic timing with them. Ovozli aktyor Ron Gallop was hired to deliver Moose's lines, which were crafted to help demonstrate Todd's train of thought, signified Todd and Moose's close bond, and consisted of funny or insulting remarks aimed at anyone causing problems for Todd.[49]

Seynt Jon

Howarth's departure from the series motivated OLTL"s writers and producers to do what many considered impossible: recast Todd.[50][51] During Michael Malone's second stint as head writer of OLTL, he had to decide if Todd would remain. Malone said that he and the other creators could not allow Todd to permanently leave the show's canvas, so they chose to recast the role.[4] They offered the role to Easton, who had portrayed the vampire Xolib Morli sovun operasida Port-Charlz, but he turned it down because he did not want to be affiliated with a role played by another established actor.[52][53] Malone said that St. John's audition was "extraordinary", and that although a committee was involved in the recast, everyone agreed "he was Todd". Malone felt that they made a risky decision, but St. John made it work and that he had made the character his own.[4] Initially, St. John, in his first role in daytime television, was introduced as Walker Laurence, younger brother of Mitch Laurence.[54][55]

Author Gerry Waggett stated that Walker was "reinvented as Todd with plastic surgery" after the show's viewers accepted St. John as a part of the cast.[54] The soap opera press and fans speculated for several months that Todd had been recast with St. John. Website Soap Central.com stated that despite executive producer Frank Valentini neither confirming nor denying it, St. John's character exhibited "Todd-like" behavior.[53] Televizion qo'llanma confirmed the speculation and reported that St. John, when asked about it, stated, "That would be fascinating, though I don't see how it would work," and added, "Todd [had] a different voice and height, but this is a soap world and anything can happen."[56]

St. John's version of Todd had undergone plastic surgery after being severely beaten during a murder attempt on his life ordered by Mitch Laurence. While recovering in the hospital, Todd conducts research and learns Mitch has a brother named Walker (also portrayed by St. John), who goes by the name Flynn Laurence. Todd pays Flynn for information on Mitch, and has extensive plastic surgery in order to physically resemble Flynn and get revenge on (as well as protect his family from) Mitch.[57] The writers revealed Walker's true identify slowly, allowing Walker to develop as a new character before hinting that he could be Todd.[51]

St. John was unaware that Malone and the producers of OLTL were considering him as Todd, but had no strategy in his performance once he won the role.[4] When speaking of the recast, he stated, "It's nice, because I had instant concrete relationships."[58] He liked that he could consult old scripts and his fellow castmembers to gain information about his character, resources he did not have when playing Walker. He was able to use these resources to figure out his relationship to other characters, which helped him analyze how to play a scene.[58] St. John stated that as an actor, he let the audience interpret the character, and believed in exploring and portraying the moment as it was written in the script. He said, "Todd is already written on the page, so it's my job to bring him to life in that moment."[4]

St. John was instructed by the show's directors to watch about fifteen episodes of Howarth's performances of Todd because they wanted him to portray Todd like Howarth did. St. John reported that he watched two episodes, but never tried to mimic Howarth's style because he felt that it was limiting, uncreative, and destructive. He said, "I needed to get a sense of who Todd was first, and that has to happen organically." He did not care if Marlon Brando portrayed the role before him,[4] and said that even actors who portray Hamlet do it differently, adding, "I don't care what the other guy did. That's his time." St. John felt that it was up to him to decide how to perform Todd. "I know that sounds very arrogant and overconfident," he stated, "but it would be no fun to try to mimic somebody."[59]

Unlike how most actors are trained, St. John believed that it was not up to the performer to interpret the character, but that a character existed regardless of how an actor played him, which he realized was "an unusual way to approach acting".[4] He also thought that playing Todd was fun and "never boring to watch"[22] because Todd, although popular with the audience, is an unlikable character. St. John told Branco that when people asked him if Todd was capable of harming his loved ones, like his long-time love Blair or daughter Starr, St. John would say that Todd was capable of anything, even being sexually attracted to Starr or one of her friends, because to state otherwise meant that he was "limiting the character". He added, "Todd is a marvelous character to play because he could commit genocide, or find a cure for AIDS. He's full of possibilities—good and bad ... See, as an actor that always gives you conflict to play—and that subtext enriches a performance."[4]

Early writing and literary analysis

Archetypes and rape

Howarth said writers go with a recognizable arxetip when creating soap opera characters.[9] Writer Jennifer Hayward felt the same, stating that like 19th century melodrama and serials, soap operas draw on powerful archetypes.[5] Writer Dianne L. Brooks states that the storyline conforms to many of the same conventions of how rape has been presented in soap operas.[60] According to Hayward, the OLTL writers "had a terrific time camping up Todd as the embodiment of evil".[5] She said that the writers who created Todd's first major storyline, the gang rape of Marty Saybrooke and its aftermath, treated rape like most soap operas had done in the past, by using archetypes such as the fight between good and evil and the contrast between the weak and strong.[5] Author Gerry Waggett said, "The close-ups of the rapists' faces during the assault, distorted to capture Marty's scared and drunken perspective, rank among the show's most graphic images."[61] An attempt was made to dramatize the rape and present it differently than the typical voyeuristic perspective, and the scenes were designed to disturb the audience.[62] Waggett added: "Marty's subsequent quest to bring her rapists to justice dominated the show" throughout the summer of 1993.[61]

Up to this point, soap operas used rape and its related archetypes to, like their nineteenth-century melodrama counterparts, "critique power relationships, especially the oppression of the poor by the rich and of women by men".[5] Hayward believes that the storyline was initially flawed because two of the rapists, Todd and Zach, were demonized, which oversimplified rape and "failed to capture the complex power relations underlying ... violence towards women". The perpetrators were "simply evil or out control", so they and their mindsets they represented could be rejected.[63] The three characters represented three archetypes of the rapist: "the evil instigator" (Todd); "the good resister" (Powell), and "the mediator between these polarized figures" (Zach), but also represented a departure from how rape was treated in soap operas.[5] Brooks called the rapists "a complicated alternative to the standard soap opera rapist", because they had a different relationship with their victim than in previous rape narratives and because they were multiple. Todd, whom Brooks called the "evil 'other'", was the leader and most villainous of the group and had a previous physical relationship with Marty.[60] Hayward said, "What becomes especially clear is that for these characters the act of rape is not about sex, about women, or even about Marty. It is about what takes place ... between men."[5]

Like serials throughout history, soap operas use the unstable identity as a literary device, which is evidenced by the genre's use of mistaken identities, evil twins, and characters that suffer from multiple personality disorder and whom come back from the dead. Identity is used in the rape storyline as well. Before the rape, Todd was crude yet still human, but afterwards, he became a dehumanized embodiment of rage, demonstrated by Todd's bizarre and dangerous behavior after his conviction. Powell Lord, whose name is full of the same kind of symbolism Dikkens used when choosing his characters' names and who initially urges his friends to let Marty go yet ultimately gives into peer pressure, is a "relative 'good'" character as compared to Todd's "'absolute evil' identity".[64] In Hayward's opinion, "The show also departs from the rape paradigm not only by insisting on the essential 'goodness' of Powell Lord ... but even more startlingly by redeeming the evil Todd".[5] Initially, "the increasingly guilt-ridden" Powell is the only rapist who has a conscience. He attempts to convince Todd and Zach to confess their crime, and comes close to confessing to his lawyer.[65] Hayward calls Powell, like Todd, "redeemed",[66] but unlike Todd, was so guilt-ridden that he attempted suicide, was forgiven by Marty, and received a much lighter jail sentence than Zach or Todd.[67]

Redeeming Todd

Initially, Todd, as described by Hayward, was written as "unequivocally bad: sullen, remorseless, charmless".[5] As Todd's popularity grew with the audience, mostly due to Howarth's abilities to portray Todd as more than a one-dimensional rapist, Malone and executive producer Susan Bedsow Horgan chose the controversial option of redeeming Todd rather than killing him off or permanently sending him to prison, which is what soap operas had usually done with irredeemable rapists in the past.[5][68] The writers began to redeem Todd, or change him so that he could be incorporated into the show, in the spring of 1994, a year after the rape. Hayward states that it required "a whole arsenal of symbolic weaponry," something that had never happened in soap operas before.[69] Malone was intrigued by crafting the story in this way, and saw it as the spiritual journey of a man who wanted forgiveness for his past misdeeds.[7]

Malone stated that Todd believes that he does not deserve forgiveness, which contributes to him embracing his worst qualities, something Malone felt worked better due to Howarth's acting choices, which prevented Todd from acquiring redemption easily. Malone felt the most important part of Todd's redemption was to have him re-confront Marty in order to better deal with the fact he initiated her rape. As well as having Todd risk his freedom from prison and save Marty from a car crash,[4][7] Todd donates his own blood to Marty to ensure she survives.[7] A year later, he risks his life to save Patrick, Marty's lover, from death; this act leads to Todd's presumed death.[4] Despite having the character yearn to be thought of as a decent human being, the writers felt his good deeds should never make him feel any less horrible for having raped Marty.[7] Initially, Howarth disagreed, and did not consider the storylines to be redemptive. "[Todd's] not being redeemed at all," he said. "Todd, as I see it, is looking for a way to overcome this rage so he can live in society again. From now on, his menace will be on the surface, not exploding. It's more interesting if his violence is on the surface and that he play against it. That's where the subtlety is."[47]

Hayward stated that the writers turned Todd from a realistic soap opera character into "the villain appropriated from nineteenth-century melodrama" and Gotik fantastika urf-odatlar.[69] After Todd is sent to prison for Marty's rape, he vows he will escape, and does so by drugging himself and forcing himself to wake up from a coma, which allows him to escape from a speeding ambulance. He returns to Llanview to stalk and terrorize Nora, the lawyer who threw his court case, who had gone temporarily blind. He tries to rape Marty for the third time, later inadvertently kills Marty's boyfriend Suede during a scuffle, kidnaps the evangelist Rebecca Lewis, and is shot by the police, but survives.[12] The writers also began to deepen his character by emphasizing his tenderness towards Rebecca and showing flashbacks of the abuse he experienced from his adoptive father, which Hayward states does not "historicize the problem but simply removes the cause of violence one step".[69] Laurie Stone of the Qishloq ovozi commented that Howarth's performance steered Todd away from cartoon villainy, "heightening the character's wildness as a dodge from sentimentality and high-mindedness". Instead of killing Todd off as other soap operas had done to other unrepentant rapists, OLTL chose, as Stone put it, "to renovate the genre: maintaining Todd as a rapist, while enlarging his human dimension".[12]

Stone addressed how the writers kept Todd on the OLTL canvas, stating, "Characters as dangerous as Todd go up in flames on soaps. You can see little coffins on their eyelids, leaving only one question: how will the fiend get whacked?" Stone said that "Todd was this close to being offed, but Howarth made that choice laughable. Rampaging through fictional Llanview, he injected ambiguity into the bluntest dialogue, his sneers averting cynicism to reveal depression and humor" and "transformed Todd into a soul-wrenched Lucifer, his rage ripped from abuse and bathed in vengeful glee, his sexiness rising off his instinct for survival and his outlaw impulse to disrupt." She added, "Even the ragged scar he acquired on one cheek only heightened his animal appeal. No soap would jettison such gold and electricity—a figure simultaneously furious, ironic, melancholy, and horny."[12]

The writers used strong imagery to redeem Todd. Malone, who had been a novelist and was known for his "Dickensian" plots on OLTL, was influenced by nineteenth-century literature.[70] Malone told Stone that he compared Rebecca's decision to marry Powell instead of Todd to Cathy's decision to marry Edgar Linton o'rniga Xitliff yilda Wuthering balandliklari. According to Stone, Todd is a classical character−"a soap character of unprecedented psychological complexity, a being whose feelings are intrinsically mixed and mostly unresolvable".[12]

Hayward stated that Malone and his team of writers used four techniques drawn from the conventions of Victorian sentimental fiction to redeem Todd: his unhappy childhood with an aloof but caring mother and abusive father; sending Todd to church to confess his past sins and present impulses; his love for Rebecca, "an innocent and highly religious virgin"; and his friendship with two children, C.J. and Sarah Roberts.[71] Hayward calls Rebecca, with her "open-mouthed passivity" and "pre-Raphaelite curls", "almost a caricature of Dicken's more sentimental and less felicitous heroines".[72] She believes that many of Todd's scenes with Rebecca are heavily iconic, with symbolic representations of the Bokira Maryam va Freyd images of Todd's own feminization.[72]

The show's writers used aspects of Frankenshteyn to add more depth to Todd, and to make him more sympathetic to the audience.[24][72]

Hayward compares Todd to Mary Shelley's monster (Frankenshteynning hayvoni ), especially his friendship with C.J. and Sarah.[72] Shelley's monster watches two children playing, and saves a young girl from drowning. Similarly, Todd rescues C.J. and Sarah's cousin, Jessica, from being manhandled by an older boy; this leads to him meeting C.J. and Sarah. Like Shelley's monster, Todd observes the family's happy moments from afar, and wishes to be part of their lives. He uses his time alone to make toys for the children. Once they accidentally discover him, he manipulates them into keeping his whereabouts a secret by telling them he is "a genie on the run from an evil master". Hayward said, "The stories he tells them function as clear metaphors for his feelings about his father."[72] Stone added that Todd's counseling sessions in prison were the writers' attempts to redeem Todd, and both she and Hayward include one of the final techniques the writers used: Todd's rescue of Marty, Jessica and C.J. soon after a car crash.[12][73] Hayward calls the writers' attempts to use powerful narrative and visual techniques to redeem Todd "dubious at best".[74]

Writer Mary D. Dutta believed that OLTL, in order to "assuage the moral qualms associated with a sympathetic rapist", added "mitigating reasons for Todd's sexual abuse of Marty"; namely, that he was raped at the age of fourteen by his adoptive father, Peter Manning, though whether or not he was raped is disputed.[29][30] Dutta feels that the gang rape storyline invokes many of the zo'rlash haqidagi afsonalar that have appeared in literature since the 18th century, which includes "only bad girls get raped," "women ask for it," and "women 'cry rape' only when they've been jilted or have something to cover up". Dutta also includes the myth of the "reformed rake", or "the rapist redeemed by the woman who loves him, not uncommonly the same woman he raped", which "deny or reduce perceived injury, or ... blame the victims for their own victimization".[75] Dutta states, "Todd's redemption begins with his rescue of Marty and two children from a car wreck and ends with the discovery that he is the rightful heir to a huge fortune."[75]

Qabul qilish va ta'sir

General popularity

Todd's impact is varied. The rape storyline inspired feminist studies,[1] and, in 1994, OLTL was awarded several Kunduzgi emmi in writing and acting for all the principles involved.[76] Michael Malone and Josh Griffith's team won an Emmy for yozish, Susan Haskell won an Emmy for Drama turkumidagi eng yaxshi yordamchi aktrisa, and Hillary B. Smith was awarded the Drama turkumidagi eng yaxshi bosh aktrisa uchun kunduzgi Emmi mukofoti. Howarth g'olib bo'ldi Drama turkumidagi eng yaxshi yosh aktyor uchun kunduzgi Emmi mukofoti.[77][78] In 1995, Howarth was nominated for an Drama turkumidagi eng yaxshi yordamchi aktyor va Soap Opera Digest (SOD) named him Outstanding Leading Actor. SOD also named him Outstanding Villain in 1998.[78][79] While Howarth has been called a "fan favorite, and one of the best actors in soaps",[80] Todd has been called "one of the greatest characters of all-time"[80] and Howarth's portrayal of him has been called "iconic".[1][78] Hollywood Reporter stated that even though Todd was a convicted rapist, he was the most popular character and Howarth was the most popular actor on OLTL.[81] According to Waggett, the rape storyline propelled Todd "onto the list of OLTL"s most despicable villains".[82] He said that due to the storyline and to Howarth's talent, Todd "became the show's next centerpiece villain and eventually the show's male lead".[83] Howarth appeared on several interview shows following his Emmy win in 1994, including the Phil Donahue Show in May, with six other male soap stars,[15] and later that month, on Jonli! with Regis and Kathie Lee. Xost Regis Filbin commented on the fact that Howarth was receiving more fan mail than any other American soap opera star,[84][85] and called him "a terrible villain, who's become a heartthrob to thousands of wildly adoring fans".[84] Televizion qo'llanma referred to Todd as a buzilish belgisi.[1]

Susan Haskell (Marty) and Hillary B. Smith (Nora), who, along with Howarth, won acting Emmys in 1994 for their roles in the gang rape storyline.

At the height of Todd's popularity, which was called "Todd-mania" and "the Todd Manning phenomenon",[85][86] Howarth was disturbed that so many women were attracted to Todd and that the show's writers had begun to redeem the character. In a September 1995 interview with Hollywood Reporter, the publication stated that Howarth was troubled that "his villainous character became such a fan favorite".[81] In October 1995, Howarth told SOD, "People have come up to me and said, 'My 7-year-old loves you.' What do I say to that? I'm not going to tell them, 'Don't let your 7-year-old watch TV.' But I have to say, it's disturbing."[78] He gave credit to the show's writers for Todd's popularity, saying that the rapists' trial was well constructed and added, "I think, right now, we're just riding the wave of something that started last summer. Beyond that, I don't really know why people like Todd".[86]

Todd's rampant popularity intruded on Howarth's life. "It's really starting to frustrate me because I can't just go to work anymore," he said.[16] He stopped doing a lot of press interviews after female fans screamed "Rape me, Todd" at fan events,[68][87] and because of his disagreement with Todd's redemption arc.[78] His comings-and-goings from time to time throughout the years, even though the role of Todd had been re-cast with St. John, were greeted with anticipation, excitement, and speculation from the fans.[37][88] At one point in 2000, Howarth returned for a week, accompanied by significant fanfare, in order to assist with the departure of Florencia Lozano (Teá).[88][89] During the ten years he was on the show, rumors of his departures were reported sometimes weekly by the soap opera press.[50]

"Soap Opera" jurnali attributed the success of Todd to Howarth's face and skill as an actor. In February 1998, the magazine stated, "Although the scar that traverses his face while he plays Llanview's dark prince isn't real, the menacing intensity Roger Howarth can so effortlessly convey with his eyes and furrowed brow are frighteningly authentic."[14] Soap Opera haftalik called his presence "hypnotic" and stated that his eyes relayed his focus. The magazine added that Howarth "has given Todd such a deliciously frightening edge we hope he wreaks more havoc in Llanview".[90] Marla Xart Chicago Tribune stated that "it has been an unexpected pleasure to watch actor Roger Howarth as a lost soul in search of spiritual redemption". Hart speculated that the darkness Howarth brought to the role made him interesting to watch and was responsible for his Emmy win in 1994.[47]

St. John and the writers received praise for the recast, and for successfully re-integrating Todd into the show's canvas. Soap Opera haftalik stated, "They said it couldn't be done. Yashash uchun bitta hayot Todd (previously played by Roger Howarth) could not be recast. But with an appealing actor and the right pacing, Yashash uchun bitta hayot may just have done it".[51] The magazine stated that the writers revealed Todd's identity slowly, letting Walker develop as a character before dropping hints that he might be Todd. By the time he disclosed who he really was to his daughter Starr, the audience had already suspected the truth. Soap Opera haftalik called the reveal scene between St. John and Alderson, who played Starr, "one of those great (and, these days, rare) must-see moments".[51] Soap Opera Digest said that despite the recast, a difficult situation in and of itself, "St. John aptly distinguished between Walker, who's really Todd, as well as Flynn, who pretended to be Walker". The magazine stated that St. John revealed glimmers of Todd to the audience: "We could see Todd when Walker lowered his eyes while holding back from telling his sister, Viki; with fiancee Blair, Walker's gaze was always shifting, making sure nothing could clue her in to his secret". The article also credited St. John with maintaining "the [uniquely scheming] relationship of Todd and Starr" and for keeping their scenes touching and delightful.[39]

On May 29, 2006, in what the soap opera section of U biladi described as "one of the most memorable moments" for OLTL, and "breathtaking, nerve-racking, heart wrenching",[91] St. John portrayed Todd being executed for a crime he did not commit. At the last moment, after the lethal injection has been administered, John McBain rushes in declaring Todd's innocence, with proof: the woman Todd is accused of killing (Margaret Kokran ) is at his side, clearly still alive. Todd is revived soon afterward.[91][92] During the execution episode, a montage a little over four minutes in length was shown while a song played in the background. The song was called "Forsaken" (or "Todd's Song") and written by Mixal Towber especially for the show.[93] The montage included reaction shots of those witnessing the execution, shots of Starr crying in the presence of a lynch mob outside the prison, and flashbacks of Todd's children and of Blair during both St. John and Howarth's tenures as Todd, with Howarth's face unseen. The scenes were called "unbearable" by viewers, and their responses were varied. Much of the audience was infuriated by Blair's unwillingness to believe that Todd was innocent. Many viewers thought that Todd's death was permanent; Soap Opera Digest speculated that this was due to limited Internet access or to a lack of interest in spoilers.[94]

Although fans and St. John's co-workers felt that he deserved an Emmy nomination for his o'lim jazosi performances, he did not receive one, but OLTL nominatsiyasini oldi Ajoyib Drama Seriali by submitting the episode.[91][95] One soap opera website criticized St. John's Emmy snub, stating that it was incongruous that the show's Best Show nomination was due in large part to St. John's performance.[96] Soap opera commentators Nelson Branco and Michael Fairman called St. John's execution performances the best on any daytime drama in the early 2000s.[97] Towber and other composers for the show were nominated for Outstanding Achievement in Music Direction and Composition for a Drama Series.[98]

Controversy and fan debate

Rape and redemption

Although the gang rape storyline was well-received, it was also criticized. Jennifer Hayward, in her literary analysis of the rape and its similarity to nineteenth century melodrama, stated that this storyline not only polarized "the gap between rapists and the raped but also the figure of the rapist himself", and that insisting on "the 'essential' goodness" of Powell Lord implied that peer pressure "could be an adequate (or even physiologically possible) excuse for rape".[5] Scholar Mary Buhl Dutta, arguing that the storyline perpetuated rape myths, commented on how the series especially used Marty, who fulfilled the stereotype of "the bad girl" who was the rape victim. Dutta stated that "Marty had once 'cried rape'" when the Rev. Endryu duradgor "rebuffed her romantic overtures, falsely accusing him of sexually abusing a boy he was counseling".[75] After she was actually raped, she falsely yet unintentionally accuses Kevin Buchanan, who was innocent. Marty, according to Dutta, "is a 'bad girl' because she had a one-night stand with Todd before the rape, bolstering his later claim she 'asked for it' in their second sexual encounter".[75]

Critics have wondered why Todd is popular. Soap opera journalist Marlena De Lacroix, who acknowledged that she neither liked nor understood Todd, expressed her inability to understand his popularity among so many fans, even during his several hiatuses from the show. She asked, "Why has the show devoted years of storyline time to him and all but made a hero out of a criminal?"[99] Hayward, who said that her own response to Todd's redemption was ambivalent, called the writers' attempt to redeem Todd controversial[5] and stated that the role of Rebecca, the woman the writers paired Todd with during the redemption process, "seems to encourage both female and male fantasies about the power of a 'good woman' to save a man from his own violent impulses".[74] Uning kitobida Insonga qarang, Edisol Dotson suggested that viewers accepted Todd's redemption because he was physically attractive. Dotson stated, "Were Todd an ugly man, he would have never been forgiven, and female fans would not crowd the studio's backdoor shouting his name."[100]

Soap opera commentator Jenn Bishop said she found it difficult to explain Todd's popularity, and that if she is perplexed about her feelings regarding him, it is understandable that others would be as well. "If I were to give a surface level assessment of Todd, I'd say he's an abhorrent character with little to no redeeming qualities," she said. "His actions, which span from the immoral to criminal, can be downright heinous. I wouldn't want to know Todd, let alone be around him in real life. Nor would I want any woman to have any sort of relationship with him."[24] Instead of seeing Todd as an qahramon, she saw him as more of "an anti-anti-hero" and stated that what added to his appeal was that his rape storyline was authentic. "While Todd is not the first (or the last) soap character to have committed this crime, the realness of this particular storyline didn't leave a lot of room for rewrites," Bishop commented. "For example, Luke's rape of Laura on Umumiy kasalxona was rewritten and for years was referred to as a 'seduction.' There was no 'grey area'. Buni [Toddning Martini zo'rlashi] shunchaki romantik firibgarning xatti-harakati deb atash mumkin emas edi. "Bishop uchun bu jihatning yakuniy natijasi va yozuvchilar Todd odatda uning jinoyatlari uchun pul to'lashgan", bu dinamik rivojlanish edi. , oldindan aytib bo'lmaydigan, bir-biriga zid keladigan ko'plab xususiyatlarga ega ko'p qirrali belgi "va" bu bitta tartibsiz yigitni tomoshabinlarni qiziqtirib qo'yadi va menga yoqmasa kerak ".[24]

Xeyvord Toddning qutqarilishida ishtirok etgan yozuvchi jamoani "odatda erkak yozuvchilarning ko'pligi" deb tasniflagan va g'ayrioddiy holat sifatida, chunki tarixiy jihatdan ko'p sonli seriallar mualliflari ayollar bo'lgan.[70] Bilan 1994 yil iyun oyida bo'lib o'tgan intervyusida Televizion qo'llanma, 1990-yillarning boshlarida sovunli operalarda qutqarilgan tajovuzkorlarning tendentsiyasi haqidagi maqolada bosh yozuvchi Malone "ayol va buzg'unchining aloqasi badiiy va filmlardagi buyuk tarixiy an'ana" deb ta'kidladi va shunday dedi. Rudolph Valentino, Xemfri Bogart, Kirk Duglas va Klark Geybl "barchasi butunlay tuzatib bo'lmaydigan yovuzlar sifatida boshlandi."[101] Garchi u aksariyat ayollar zo'rlashni yoki zo'ravonlikka moyil bo'lishni xohlaydi deb o'ylamagan bo'lsa-da, u tomoshabinlar "ehtiros shiddati va sizni azobga qo'yadigan aktyorga javob berishyapti. Ba'zilar [ayollar] ularni supurib tashlashga ishonishadi. Ular shunday deb o'ylashadi: "Men bilan u boshqacha bo'lar edi'".[101] Maqola muallifi, Maykl Logan, Malonening bayonotlarini qo'llab-quvvatladi va quyidagicha izoh berdi: "Kelinglar belkurakni belkurak deb ataymiz. Amerikalik sovun tomosha qiladigan ayollarning katta kontingenti bor, ular tajovuzchilarga nisbatan juda jozibali narsa topishadi".[101] Xeyvordning ta'kidlashicha, ko'plab ayol tomoshabinlar Logan ularni shunday ta'riflaganidan g'azablanishgan va Toddga jalb qilishlari uni tasvirlaydigan aktyorning mahorati bilan bog'liqligini ta'kidlashgan.[70]

Todd singari tuzatib bo'lmaydigan yovuz odamlarni o'ynashni boshlagan Kirk Duglas

Xovart, qutqarilgan Toddni tasvirlash istagi yo'qligini va namoyish "materialga e'tiroz bildirmaydigan Todd" ni topgandan ko'ra yaxshiroq bo'lishini aytdi.[102] Keyinchalik u serialni bir yilga tark etdi. 1995 yil 24 oktyabrda Soap Opera Digest masala, dedi u:

Dastlab Toddning xarakteri muvaffaqiyatli bo'lgan. Men bu voqeadan har doim faxrlanaman, chunki bu haqiqiy jamoaviy mehnat samarasi edi. Bu yozuvchi, prodyuser, rejissyor, tutqich, muhandis va aktyorlarning barchasi bir xil to'lqin uzunligida bo'lgan ajoyib paytlardan biri edi. Hamma bitta maqsad sari harakat qilar edi. O'sha paytda mening vazifam, asosan g'ayriinsoniy odamning insoniyligini ko'rsatish edi. Todd bir o'lchovli emas edi, lekin u jiddiy edi psixopat. Todd ketma-ket zo'rlagan. U Kerol Sviftni zo'rlagan. Keyin u Marti Saybrukni zo'rladi va bu zo'rlash shafqatsiz, shiddatli, zo'ravon va realistik edi. Ilgari u boshqa ayollarni zo'rlagan. U Norani ta'qib qildi, u ta'qib qildi va Lunani zo'rlamoqchi bo'ldi. [Keyin-ijrochi ishlab chiqaruvchi] Linda Gotlib menga aniq ishonch bilan aytdi:Yashash uchun bitta hayot] Toddni sotib olishga urinmasdi. Shunday qilib, xarakter o'zgaradi deb o'ylamagan edim. Taxminan bir yil oldin, ular menga bu belgini boshqa yo'lga olib borishayotgani ayon bo'ldi - ular uni qutqarishdi. Mening fikrimcha, men Todd Manningni o'ynashga yollandim, bu juda aniq, jiddiy psixopat. Ammo endi, kuchlar menga Todd Lordni o'ynashimni xohlashdi. Todd Lord haqidagi voqea real emas - bu ertak. "Men ketadigan bo'lsam, tomosha uchun eng yaxshisi bo'ladi" deb o'yladim. O'shanda men iste'foga chiqish to'g'risida ariza berganman.[8]

Xovart shuningdek, Todd va Marti to'satdan bog'lanishni, hatto istamasalar ham, mantiqqa to'g'ri kelmasligini va u vijdonan Toddni qutqarishni qo'llab-quvvatlay olmasligini, uni yoqimli personajga aylangan Todd Lord sifatida o'ynashda davom etishini aytdi. Zo'rlash, u aytganidek, "shunchalik chuqur va shafqatsiz" bo'lganligi sababli, u Todd va Martiga bir-birlari bilan g'alati ichimliklar ichish kabi bir narsa qilishlarini ko'rdi.[8] Ko'ngilochar haftalik bu haqida xabar berdi Yashash uchun bitta hayot Xovartni o'n ikki oy davomida boshqa seriyali serialda chiqmaslik sharti bilan qo'yib yuborishga rozi bo'ldi.[102] Indiya haftaligi "Todd qisman o'zini o'zi yo'q qiladigan anti-qahramonga aylandi, u shou tugaguniga qadar mashhur bo'lib qoldi, ammo uning tasvirchisi va ko'plab tanqidchilar uni romantik etakchiga aylanishidan ehtiyot bo'lishdi".[6]

Savdo-sotiq

2002 yilda ABC o'zining seriyali seriallaridan tovarlarni sotishga intilishining bir qismi sifatida, o'z veb-saytida Toddga o'xshagan qo'g'irchoqni sotishni boshladi, ammo reaksiya tufayli ular to'xtatildi.[103][104] Starr ba'zan tasavvur qiladigan Manning oilasining multfilm versiyalari asosida ishlab chiqarilgan qo'g'irchoq 19,95 dollarga sotildi.[104][105][106] Saytdagi tavsifga ko'ra, bu "jigarrang kigiz sochlari va ko'k ko'zlari bilan barcha matolardan yasalgan qo'g'irchoq edi. U 20 dyuym uzunlikda. U ko'k ko'ylak va qora shim kiyib olgan".[105] Qo'g'irchoqning yuzida Toddning chandig'i ham bor edi. Garchi bir necha yil o'tgach, to'dani zo'rlashdan va Todd "joylashgandan beri",[105] va xayrixoh xarakterga ega bo'lib, zo'rlash qurbonlari advokatlari guruhlari qo'g'irchoqni sotish jinsiy tajovuzni ulug'laydi deb o'ylashdi; shuning uchun ABC qo'g'irchoqni onlayn-do'konidan olib tashladi.[107] Qo'g'irchoqning rasmlari Internetdan tortib olingan va qo'g'irchoqning mavjud bo'lishiga to'sqinlik qilingan eBay yoki boshqa har qanday onlayn-do'kon.[104][105]

Mojaro sanoatdagi "Jek Mayersning hisoboti" byulleteni ABC-ni qo'g'irchoqni sotgani uchun qattiq tanqid qilganidan va boshqa yangiliklar nashrlari snafu haqida xabar berganidan boshlandi.[103][105] Bob Tedeschi The New York Times "Elektron tijorat daromadlari bo'yicha ABC o'tgan hafta foydali saboq oldi: qotilni zo'rlaganlar tasvirlangan yumshoq latta qo'g'irchoqlarini sotishga urinmang". ABC prezidenti Anjela Shapiro "Men befarq edim va bu uchun to'liq javobgarlikni o'z zimmamga oldim. Men personaj tarixiga sezgir bo'lishim kerak edi va men bunday bo'lmaganman" dedi.[103] ABC kompaniyasining boshqa bir rahbari "Biz Todd obrazining tarixiga nisbatan sezgirlikni qo'llamadik. Biz qayta ko'rib chiqdik va qo'g'irchoqni sotmaslikka qaror qildik" dedi.[108] Toddning qizi Starrning qo'g'irchog'i ABC do'konlarida qoldi.[105][107] Richard Roeper ning Chikago Sun-Times "ABC-da mahsulotni tortib olishdan boshqa tanlov imkoniyati yo'q edi, deb o'ylayman - lekin men bu noroziliklarni bildirgan odamlar haqida hayron bo'lishim kerak." U yana qo'shib qo'ydi: "Bu SABUN OPERA Xarakteriga asoslangan ahmoq paypoq qo'g'irchog'i edi. Agar bundan xafa bo'lgan bo'lsangiz, har besh daqiqada isterik g'azabga duchor bo'lmasdan kunni qanday o'tkazasiz?"[108]

Qayta tiklash

Xovart ketganidan keyin Todd Seynt Jon bilan qayta qurilganida, ko'plab muxlislar o'zlarini rollar kabi his qilishdi Lyuk Spenser (Entoni Giri ) ustida Umumiy kasalxona va Erika Keyn (Syuzan Luchchi ) ustida Hamma bolalarim, Toddni faqat rolni yaratgan aktyor tasvirlashi kerak.[109] Sifatida Soap Opera Digest "Bir nechta qayta tiklanishlar ko'proq shov-shuvga sabab bo'ldi" deb qo'ying.[110] Soap Opera Digest "Xovartni faqat o'zlarining sevimli Toddlari deb biladigan" muxlislar bo'lgan bo'lsa-da, Seynt Jon ko'plab muxlislarni xarakterga engilroq aylantirib qo'ydi.[110] Soap Opera haftalik ular "Sent-Jon bilan bortda" bo'lganliklarini ta'kidladilar.[51] Soap Opera Digest rozi bo'lib, Seynt Jon belgiga yangi qirralar qo'shganda, o'tishni ishonchli qilib qo'yganini izohladi. Jurnal shuningdek Toddning yangi paydo bo'lishi uning doimiy ravishda qutqarilishiga yordam berganligini ta'kidladi.[39] Sovun operasi sharhlovchisi Djil Berri "Trevor Todd meni hayratda qoldirishda davom etmoqda. U Toddga men uchun juda yoqimli tuyulgan biron bir shirinlik sovg'a qildi" deb aytib, qayta qurishni ma'qullashini bildirdi.[111]

2006 yil oxirida Seynt Jon va Xovart bir vaqtning o'zida o'zlarining shoulari bilan shartnoma bo'yicha muzokaralarni boshladilar, bu esa Seynt Jonning ketayotgani haqidagi mish-mishlarga sabab bo'ldi. OLTL, sovunli opera bilan birga bo'lgan Xovartga joy qoldirdi Dunyo aylanayotganda o'sha paytda, Todd sifatida qaytish uchun. Televizion qo'llanma masalani aniqlab olishga intildi va ijrochi prodyuser Frank Valentinini so'roq qildi, u shartnomalar to'g'risida izoh berolmasa ham, prodyuserlar "biz tomoshabinlar tomonidan to'g'ri ish qilishimiz uchun barcha imkoniyatlarni ishga solamiz" deb aytdi.[95] 2007 yilda, Televizion qo'llanma Xovart seriyaga qaytmasligini rasmiy tasdiqladi.[112] Jurnal o'z veb-sayti TV Guide.com-da so'rovnoma o'tkazdi va shuni ko'rsatdiki, tomoshabinlarning 82 foizi Xovartning qaytib kelishini xohlamoqda. TV Guide.com-dan Daniel R. Kolodj natijalarga qo'shilmadi: "Ehtimol men ozchilikni tashkil qilyapman, lekin men Trevor Sent-Jonni juda yaxshi ko'raman", u Todd obrazini "juda kulgili, mag'rur va hazilkash deb topdi" shahvoniy yo'l ".[112]

2009 yilda, bu e'londan keyin Dunyo aylanayotganda Xovartning qaytishi haqidagi mish-mishlar 2010 yilda bekor qilinadi OLTL qayta kuchga ega bo'ldi. Mish-mishlarni 2010 yil avgust oyidagi epizod yanada kuchaytirdi OLTL, unda Xovartning surati namoyish etilgan va aqldan ozgan Tea hozirgi Todd (Sent-Jon) Todd Manning emasligini aytgan. Buning natijasida Dan Kroll Soap Opera Central.com veb-saytining muxlislari "sahnaning ma'nosini aniqlash uchun o'z kompyuterlariga qarab" muxlis deb ta'rifladilar. Kroll bu sahna "shunchaki muxlislarning gaplashishi uchun qilinganmi yoki tomoshabinlarga paykdan katta narsa tushayotganiga ishora bo'lganmi?" Deb taxmin qildi.[37] Soap Opera Network noma'lum manbalarga iqtibos keltirgan holda va 2010 yildagi epizodga ishora qilib, o'zlarining veb-saytlarida "kelajakda faqat Xovartning qaytib kelishini bilib oldik" deb xabar berishdi. Soap Opera Digest sharhlovchi Kerolin Xinsi hisobotni unga rad etib, rad etdi Facebook sahifa, "jiddiy ravishda, iltimos, Xovartning noto'g'ri ma'lumotlari bilan to'xtab turing. U qaytib kelmaydi OLTL. Ish yopildi. "[37] Ba'zi muxlislar Seynt Jonning xarakteri yolg'onchi ekanligiga amin bo'lishdi, boshqalari esa bunday emas; Xovart oxir-oqibat 2011 yilda Todd sifatida qaytgan bo'lsa-da, uning qaytishi dastlab u qanday rol o'ynashi, Todd Manning yoki yangi belgi haqida muxlislar munozarasi bilan birga kelgan.[37]

O'smirlarga nisbatan zo'ravonlik

Nelson Brankoning so'zlariga ko'ra Televizion qo'llanma, OLTL 2008 yil mart oyida "kunduzgi paytgacha namoyish etilgan eng portlovchi va xunuk sahnalarni namoyish qildi"[113] Todd o'spirinni kaltaklaganida Koul Tornxart (qizining sevgilisi va Martining o'g'li) va Starr va Koulning do'stlarini tarsaki bilan urishdi Markko Rivera va Langston Uayld.[99] Todd birinchi marta to'shakda Starr va Koulni birga surib, Koul uni zo'rlagan degan xulosaga kelib, "va zo'rlash qurbonining o'g'lini tinimsiz kaltaklamoqda".[113] Hech bo'lmaganda bitta seriyali blogger g'azablandi va Toddning jazolanishini xohladi.[114]

Brankoning fikriga ko'ra, bosh yozuvchi Ron Karlivati Toddni qorong'i ildizlariga qaytarish uchun "Karlivati ​​o'zining marquel belgilaridan biri bilan o'ziga xos, jasur va tavakkal qiladigan ishni tanladi" deb aytib, Toddni qorong'i ildizlariga qaytarish uchun foydalanmoqchi edi, Toddning shikastlangan shaxsini namoyish qilib, uning shubhasini keltirib chiqardi. aqliy barqarorlik. Karlivatining aytishicha, Todd Starrning zo'rlangani karmik to'lov ekanligiga amin bo'lgan, hatto Starr uni zo'rlamaganligini ta'kidlaganida ham. Branko Toddning xulosasi va to'shakda yotgan ikkalasini birga ko'rishga bo'lgan qattiq munosabat Toddning "Bu holda Todd tishsiz, paranoyakka aylandi va nazoratsiz bo'lib qoldi" deb aytib, jinsiy aloqani zo'ravonlikdan ajrata olmasligi deb taxmin qildi. Todd rad javobini bergan va hatto uning e'tiqodiga qarshi chiqqanida Starrni deyarli ikki marta urgan.[113] Sahnalar "perçinleme" deb maqtandi.[113] Sovunning sharhlovchisi Marlena De Lakroix, o'zini "Todd nafratlanuvchi" deb ta'riflagan va o'zini bu personaj psixotik ekanligini his qilgan, ular "Toddning ongiga singib ketadigan va tomoshabinlarni yoritadigan personajning murakkabliklari haqida hikoya qiladigan voqeaning boshlanishi" ekanligiga umid bildirdi. ruhiy kasal ». De Lakroix voqealar rivoji esda qolarli bo'lish imkoniyatiga ega bo'lsa-da, bu Toddga hamdardlikni rivojlantirishning yana bir usuli bo'lishi mumkinligidan xavotirda edi.[99]

Martini qayta ko'rib chiqish

Asosiy maqola: Todd Manning va Marti Saybrooke zo'rlashning syujetlari § 2008-2009: "Qayta zo'rlash"

2007 yilda zo'rlash haqidagi voqeani qayta ko'rib chiqishga qaror qilib, Karlivati ​​shu yilning oxirida avtohalokat paytida Marti furgondan uloqtirilgan hikoya yozdi. Furgon portladi va u o'lik deb taxmin qilinmoqda.[115] 2008 yil iyun oyida Todd uni tiriklayin topdi va amneziya bilan og'riganligini va halokatdan beri nogiron bo'lib qolganini aniqladi. U uni sog'lig'i bilan boqishni boshlaydi, unga kimligi va sevgan insonlari uchun ahamiyati haqida yolg'on gapiradi va u uchun romantik tuyg'ularni rivojlantira boshlaydi.[116] ABC "Hech qachon ko'rmaysiz deb o'ylagan hikoya" deb nomlangan reklamalarni efirga uzatib, voqealarni targ'ib qildi.[117] Karlivati ​​voqeani xavotirga solgan va unga qarshilik ko'rsatgan tomoshabinlarga, agar Marti xotiralarini yo'qotmasa, yozilmasdi, deb ishontirib, voqeani himoya qildi. Uning ta'kidlashicha, u bu belgilarni romantik jihatdan qanchalik jiddiy birlashtirganidan xabardor, ammo ular Marti xarakteriga zarar etkazayotganini sezmagan. Karlivati ​​voqealar rivoji asta-sekin rivojlanishiga, aktyorlar va personajlar kimyosidan foydalanishga sodiq edi.[116] Oxir-oqibat, Todd va Marti jinsiy aloqada bo'lishadi; Todd u har doim Martiga oshiq bo'lganini va qizining chaqalog'ini (u ham Martining nabirasi) o'g'irlashni, Marti va chaqalog'idan qochib, u bilan birga bolani tarbiyalashni rejalashtirganini ta'kidlamoqda.[118]

"Har qanday romantik janrda, birgalikda qutulish uchun qilingan sa'y-harakatlar, oxir-oqibat, romantik munosabatlarga olib keladi. Demak, bu Marti va Todd 98 yoshga to'lganida yoki siz aytgandek, ularning farzandlari yoki nabiralari bilan sodir bo'lishi mumkin edi , bu yozuvchiga bog'liq ... Oxir oqibat, faqat muhabbat shifo topishi va oxir-oqibat kechirilmas narsani kechirishi mumkin. Aslida, agar siz qahramonlarga sodiq bo'lsangiz, ular sizga yo'l ochishadi. Va siz yozuvchi sifatida shunchaki ergashasiz. Yozuvchi kerak personajlarni tinglang va ular ustidan fitna uyushtirmang. "[4]

- Maykl Malone, 2008 yilda, kuni OLTL ketma-ketlikda Todd va Martini juftlashtirish

Brankoning so'zlariga ko'ra, shouning o'tmishdagi yozuvchi jamoalari Marti va Toddning sevgi hikoyasini yaratishni taklif qilishgan, ammo bu hech qachon ro'y bermagan, chunki Xaskell va Xovart ishtirok etishdan bosh tortgan. Brankoning fikriga ko'ra, voqea chizig'iga intilish Xovartning ketishiga sabab bo'ldi OLTL uchun Dunyo aylanayotganda.[119] Aksincha, 2008 yilda muxlislar yig'ilishida Seynt Jon Karlivati ​​voqeasi paytida Todd va Marti bilan bog'lanish haqida hazillashib, "Men hammam to'daga tajovuz qilish tarafdoriman" deb aytgan. Keyinchalik u sharh uchun uzr so'radi: "Men har doimgidan ham ko'proq jiddiy mavzu haqida hazil qilishni sinab ko'rishni yaxshi bilishim kerak edi. Men hech qanday norozilik va xafa bo'lgan odamdan kechirim so'ramas edim".[120]

De Lakroya Karlivatining hikoyasini ekspluatatsiya ekanligini aytib, uni "jirkanch" deb topdi, misogynistic, tomoshabinlarni haqorat qilgan va "men ko'rgan eng uydirma, ahmoqona uydirma hikoya". Bundan tashqari, u bu asl voqeaga jiddiy zulm bo'lganligini his qildi.[117] Hikoyaga qarshi bo'lgan muxlislar buni "qayta zo'rlash" deb atashdi,[121] va ABC efirga uzatildi jamoat xizmatlari to'g'risida e'lonlar (PSA) Todd va Marti seks sahnasi davomida o'z tomoshabinlari uchun. Berri ABC-ning PSA-lardan foydalanishini qo'llab-quvvatladi, ammo ular voqeani asoslash uchun foydalanilganligini his qildi va buni avvalo taqdim qilmagan yaxshiroq edi.[122] Vakili Linn Parrish Zo'rlash, suiiste'mol qilish va qarindoshlar bilan aloqa qilish milliy tarmog'i Shou mualliflari bilan maslahatlashmagan (RAINN) "qayta zo'rlash" haqidagi voqealarga qarshi chiqdi. U Brankoga: "Zo'rlashda romantik narsa yo'q", va "kim zo'rlagan va uning qurbonlari o'rtasida har qanday holatda ham romantikani yozgan bo'lsa, zo'rlash va zo'ravonlikni aniq tushunmaydi - va ehtimol bu haqda yozmasligi kerak", dedi.[119]

Branko zo'rlash haqidagi asl voqeani "zo'rlash haqidagi hikoyalarning oltin standarti" deb atadi va Carlivati ​​uni sovunli opera klisheiga o'zgartirdi. Karlivatining personajlar tarixiga qo'shilishi unga xiyonat qilish, xafa bo'lish, tushkunlikka tushish, g'azablanish, haqoratlanish va nafratlanish hissiyotlarini qoldirdi va u o'zining zo'rlash haqidagi voqealar ssenariysiga sarmoya kiritganiga va unga ishonganiga deyarli 20 yil sarf qilganini aytdi.[119] "Qayta zo'rlash" hikoyasining xulosasida Branko to'lovni keskin daqiqalarga loyiqligini ta'kidladi. "Biroq, so'nggi xotiralardagi behayo yoki buzuq voqealar qatori, - dedi u, - bu voqea hayratlanarli darajada jonlantirmoqda - bosh yozuvchi Ron Karlivati ​​Toddning o'ziga xizmat qiladigan va jinoiy harakatlarining barcha psixologik zarbalarini o'ynayotgani tufayli". Branko, shuningdek, Sent-Jonga kredit berdi. "2009 yildagi" Soap Opera Spirit "mukofotiga eng yaxshi bosh rol ijrochisi sifatida nomzod bo'lgan Seynt Jon shubhasiz, har qanday aktyorning har qanday janrdagi eng qiyin topshirig'iga duch keldi", dedi Branco. "Va shunga qaramay, qandaydir tarzda, Seynt Jon buni amalga oshirdi. Kichikroq aktyorning qo'lida, voqea chizig'i, albatta, barcha ishtirokchilar uchun kariyerada o'z joniga qasd qilishiga olib kelishi mumkin edi."[1]

Izohlar

  1. ^ Todd va Bler uchun birinchi marosim 1995 yil fevral oyida bo'lib o'tgan. Bir necha oy o'tgach, avgust oyida nikoh bekor qilingan. Ikkinchi nikoh o'sha yilning noyabrida 1997 yilda ajralishigacha bo'lgan. Ammo ular 1995-97 yillarda ketma-ket turmush qurishgan.
  2. ^ Todd va Tea uchun birinchi marosim 1997 yil 15 iyulda bo'lib o'tgan. Nikoh 1998 yilda bekor qilingan. Ikkinchi nikoh 1999 yilda ajralishdan 1999 yilgacha bo'lgan. Ammo ular 1997–99 yillarda ketma-ket turmush qurishgan.

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Asarlar keltirilgan

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  • Dutta, Meri Buhl (1999 yil bahor). "Jabrlanuvchini tamirlash: sovunli operada zo'rlash". Mashhur kino va televidenie jurnali 27 (1): 34–39
  • Xeyvard, Jennifer (1997). Xursandchiliklarni iste'mol qilish: Dikkensdan Soap Opera-ga qadar faol tomoshabinlar va seriyali fantastika. Leksington, Kentukki: Kentukki universiteti matbuoti. ISBN  0-8131-2025-X
  • Vaggett, Gerri (2008). 40 yillik yubiley trivia kitobida yashash uchun bitta hayot: qiziqarli, faktlar bilan to'ldirilgan, siz bilishni xohlagan hamma narsalar - sevimli sovuningiz uchun qo'llanma. Nyu-York: Hyperion kitoblari. ISBN  1-4013-2309-X.