Loni Mak - Lonnie Mack

Loni Mak
Mak 2003 yilda, Indiana shtatidagi Rising Sunda chiqish qildi
Mack Rising Sun, Indiana, 2003 yilda
Ma'lumotlar
Tug'ilgan kunning ismiLonni Makintosh
Tug'ilgan(1941-07-18)1941 yil 18-iyul
G'arbiy Xarrison, Indiana, Qo'shma Shtatlar
O'ldi2016 yil 21 aprel(2016-04-21) (74 yosh)
Smithville, Tennessee, Qo'shma Shtatlar
JanrlarBlyuz-rok, ko'k ko'zli jon, ko'k, mamlakat, Janubiy tosh, rockabilly, xushxabar, bluegrass
Kasb (lar)Musiqachi, qo'shiq muallifi
AsboblarVokal, gitara
Faol yillar1954–2004
YorliqlarBirodarlik, Elektra, Alligator, Kapitoliy, Marvarid, Qirol, As, Doston, Flying V, Sage, Dobbs
Birlashtirilgan aktlarStivi Rey Von

Lonni Makintosh (1941 yil 18 iyul - 2016 yil 21 aprel), sifatida tanilgan Loni Mak, amerikalik qo'shiqchi-gitarachi edi. Mack kashshof bo'lgan blyuz-rok musiqa va rok gitara ohangdor yakkaxonlik.

Mak 1963 yilda LP bilan paydo bo'lgan, Memfis odamining shafqatsizligi.[1] Albom unga uzoq vaqt davomida taniqli sifatida tanilgan ko'k ko'zli jon ashulachi[2] va rok gitara ixtirochisi sifatida.[3]

Albomning instrumental treklarida Mack "ashaddiy, tajovuzkor, baland va tezkor" blyuz musiqalarini ijro etdi va erta rok-gitara akkordlari va riflari formatiga o'tdi.[4] Ushbu treklar rok gitara mahoratining standartini oshirdi[5] va elektro gitara ko'tarilishining boshida rokda ohangdor yakkaxon asboblar tepasiga ko'tarildi.[4] 1960 yillarga kelib, ushbu treklar uslubiy modelni shakllantirdi[6] ikki yangi janrdagi etakchi gitarachilar uchun, blyuz-rok[7] va Janubiy tosh.[8]

Albom chiqqanidan ko'p o'tmay, ommabop "Britaniya bosqini "Amerika qirg'oqlariga urildi va Makning karerasi" tokda quridi ".[9] U 1968 yilgacha vaqtni belgilab qo'ydi, qachon Rolling Stone jurnal uni qayta kashf etdi va Elektra Records uni uchta albom bilan shartnoma imzoladi. Tez orada u yirik maydonlarda kontsert berishni boshladi, ammo uning ko'p janrli Elektra albomlari blyuz-rokni jalb qildi va rekord sotuvlar juda yaxshi bo'ldi.[10] Mak Elektradan 1971 yilda ketgan. Keyingi o'n to'rt yilni u past darajadagi obro'si sifatida o'tkazgan kantri musiqasi ovoz yozish rassomi, yo'l ustasi ijrochisi, sideman va musiqa maydonining egasi.[11]

1985 yilda Mack yana yuz berdi[12] muvaffaqiyatli blues-rock LP bilan, Chaqmoq kabi urish, taniqli gitara chaluvchilarning o'tirishlari bilan reklama safari,[13] va kontsert Karnegi Xoll.[14] 1990 yilda u yana bir yaxshi qabul qilingan blyuz-rok albomini chiqardi, Lonnie Mack Live! Qotil V ning hujumi,[15] keyin yozishdan nafaqaga chiqqan. U 2004 yilgacha asosan kichikroq joylarda ijro etishni davom ettirdi.[1]

Dastlabki hayot va musiqiy ta'sirlar

Mak tug'ilishidan sal oldin uning oilasi Appalachian sharqidan ko'chib ketgan Kentukki ga Dearborn okrugi, Indiana, Ogayo daryosi bo'yida.[16] Besh farzanddan biri, u ota-onasi Robert va Sara Sizemor MakIntoshdan 1941 yil 18 iyulda tug'ilgan G'arbiy Xarrison, Indiana,[17] Sincinnati yaqinida, Ogayo shtati. U yaqin atrofda katta bo'lgan ulush bilan ishlov berish fermer xo'jaliklari.

Yuk mashinasi akkumulyatori bilan ishlaydigan polda ishlaydigan radiodan foydalanib, uning oilasi muntazam ravishda tinglashdi Grand Ole Opry kantri musiqa shousi. Qolgan oila a'zolari nafaqaga chiqqanidan keyin tinglashni davom ettirib, Mak muxlisiga aylandi ritm va blyuz va an'anaviy qora xushxabar musiqa.[18]

U etti yoshida, velosipedini "bilan" almashtirgandan so'ng gitara chalishni boshladiYolg'iz qo'riqchi "akustik gitara modeli.[19] Onasi unga asosiy akkordlarni o'rgatdi,[20] va u tez orada o'ynay boshladi bluegrass oilaviy guruhdagi gitara.[21] Makk "etti yoki sakkiz yoshida" Texaslik amaki uni blues gitara bilan tanishtirganini esladi[22] va u o'n yoshga to'lganida, Ueyn Klark ismli "qariya" uni "bilan tanishtirdi"Robert Jonson Tez orada u o'zini barmoq bilan yig'adigan mamlakat gitarasini akustik blyuz yig'ish bilan birlashtirishga, hibrid uslubga o'xshash, lekin avvalgi shaklda ishlab chiqarishga o'rgatdi. rockabilly gitara.[23] Ushbu davrda unga mahalliy taniqli shaxslar ustozlik qilishdi mamlakat xushxabar ijrochi, ko'r qo'shiqchi-gitarist, Ralf Trotto.[24]

Uning musiqiy taassurotlari xilma-xil bo'lib qoldi, chunki u o'ynash va qo'shiq uslublarini yaxshilab oldi. U mamlakat tanlovchisi deb hisoblagan Merle Travis, pop / jazz gitara chaluvchisi Les Pol va elektro-blyuz gitara chaluvchisi T-Bone Walker uning etuk gitara uslubiga eng muhim ta'sir.[25] R&B qo'shiqchilari muhim vokal ta'siriga ega Jimmi Rid, Rey Charlz, Bobbi "Moviy" muloyim va Xank Ballard, mamlakat qo'shiqchisi Jorj Jons, mamlakat -xushxabar ashulachi Marta Karson va an'anaviy qora xushxabar ashulachi Archi Braunli.[26] Voyaga etganida, Makk ushbu san'atkorlarning har biriga tegishli kuylarni yozgan.

Karyera

1960 va 1980 yillarda Mack rok rassomi sifatida muhim savdo yutuqlarini boshdan kechirdi. Biroq, uning karerasida uzoq vaqt davomida oq va qora janubiy janubiy musiqa janrlarining musiqa janrlarini almashtirish va aralashtirish uslubi[27] uni "bozorni ta'riflashi kabi qiyinlashtirdi"[28] va doimiy tijorat yulduzligi uni chetlab o'tdi. U asosan karerasidagi ikki uzoq vaqt davomida (1971-1985 va 1990-2004) rok markazida yo'q edi,[29] shu vaqt ichida u asosan "kichik kult" sifatida "root-rock" sifatida kichik joylarda namoyish qilishni davom ettirdi.[30]

13 yoshida Mak o'qituvchi bilan bo'lgan janjaldan so'ng maktabni tashlab ketgan. O'zining yoshiga qarab katta va voyaga etgan u soxta guvohnoma olib, atrofdagi barlarda professional ijro etishni boshladi Sinsinnati barabanchi Hoot Smit boshchiligidagi guruh bilan.[31] 1955 yilda 14 yoshli professional elektro gitara chaluvchisi sifatida u "haftasiga 300 dollar ishlab topar edi - bu hududdagi kassa va viski zavodlarining ko'pgina ishchilaridan ko'proq".[32] U 1950 yillarning oxirlarida bir nechta past tirajli yozuvlarda gitara chaldi.[33]

1960-yillarning boshlarida u a sessiya gitarachisi bilan Birodarlik yozuvlari, kichik Cincinnati yorlig'i. 1963 yilda u "Birodarlik" uchun ikkita xit singlni, "Memfis" va "Wham!" Proto-blyuz-rok gitara asboblarini yozib oldi.[34] Tez orada u o'zining birinchi albomini chiqarish uchun qo'shimcha musiqalarni yozdi, Memfis odamining shafqatsizligi (1963). Keyinchalik Mak, ayniqsa, 1980-yillarda ba'zi bir muhim yozuvlarni yaratdi,[35] ammo uning 1963 yilgi debyut albomi tanqidchilarning ko'p yillik sevimlisiga aylandi va uning karerasining markaziy qismi hisoblanadi:

  • 1968: Gitara: "... o'zi sinfda." ... Vokallar: "... biron bir joyda topish qiyin bo'lgan samimiylik va intensivlik."[36] – Rolling Stone, Makning 1963 yilda to'xtatilgan debyut albomini qayta chiqarishga chaqirdi.
  • 1987: "Ko'pchilik shu uslubni nusxalashga urinayotgani bilan, ushbu albom hayratlanarli darajada zamonaviy bo'lib tuyuladi. Ammo ko'pchilik buni bajara olmagan.[37] - Gregori Xims, Washington Post
  • 1992: "Gitara-qahramonlarning birinchisi, shuningdek, eng zo'rlaridan biri, va ehtimol oxirgi marta bunday diskda kuylash gitara gistrionikasiga loyiqdir."[38] - Jimmi Guterman, 16-raqamli albomni reytingida Hamma vaqtdagi 100 ta eng yaxshi rok-n-rol yozuvlari
  • 2007: "... uyda o'tkaziladigan blyuz, xushxabar, ilmiy-tadqiqot va qishloq tovuq-pikkinining ajoyib bayrami ... Amerika blyuz-rokchilaridan besh yil oldinda bo'lgan Amerika musiqasi musiqasining noyob ko'rinishi".[39] Deyv Rubin, Ko'klar ichida, 1942-1982 yillar
  • 2016: "Mackdagi mavjud bo'lgan barcha materiallar orasida men [albom] ni juda zarur deb bilaman."[40] - Deyv Stivens, Eng yuqori

U 1963 yildan 1967 yilgacha birodarlik uchun ko'plab qo'shimcha tomonlarni yozib oldi, ammo ulardan faqat bir nechtasi chiqarildi va hech biri jadvalga kiritilmagan.[41] Bu davrda ularning tijorat istiqbollari (va Makkning yozuvchilik faoliyati) birodarlikning doimiy moliyaviy muammolari tufayli to'xtab qoldi.[42] va undan ham ko'proq, juda ommabop kelishi bilan Britaniya bosqini ozod qilinganidan atigi ikki oy o'tgach Memfis odamining shafqatsizligi. "Gitaralar ustasi musiqa olami qulog'iga burilib ketganda, uni o'chirishga tayyor edi. [1964 yil fevral oyida) Bitlz paydo bo'ldi Ed Sallivan Ko'rsating va Makning [yozib olish] karerasi uzumzorda qurib qoldi. "[43] Makning 60-yillarning o'rtalaridagi ko'plab yozuvlari shu paytgacha chiqarilmadi Ace Records (Buyuk Britaniya) Makning birodarlik mahsulotlarini (ilgari chiqarilgan, chiqarilmagan, muqobil tanlovlar va demolar) to'liq to'plamini 1992 yildan boshlab bir qator to'plamlarga qadoqlagan.[44]

Uning yozuvchilik faoliyati to'xtab qolgan bo'lsa-da, Mak ijrochi sifatida band bo'lib, mamlakatni bir kecha stendlari bilan kesib o'tdi. "O'tgan asrning 60-yillari, odam, biz siydik va sirka bilan to'lgan edik, bizni hech narsa bezovta qilmadi. Bizda yuk mashinalari singari benni bor edi va biz doimo yo'lda qoldik."[45] O'sha vaqt ichida "[biz] deyarli hamma bilan, shu jumladan] bilan ijro etdik. Jimi Xendrix, Everly Brothers, Chak Berri va Dik va Dei Di."[46] Shuningdek, u sessiya ishini olib bordi Jeyms Braun, Freddi King, Djo Simon, Albert Vashington va boshqa R & B / soul ijodkorlari.[47]

1968 yilda, blyuz-rok davri avjiga chiqqan paytda, Elektra Records Mackning uxlab qolgan "Birodarlik" yozuvlarini sotib oldi va uni uchta albomni yozish uchun Los-Anjelesga ko'chirdi.[48] Yangi tashkil etilgan Rolling Stone jurnal uning to'xtatilgan debyut albomini juda yaxshi ko'rib chiqishda yordam berdi va Elektrani uni qayta chiqarishga chaqirdi.[49] Tez orada u yirik rok maydonlarida, shu jumladan Fillmore Sharq, Fillmore G'arb, va Sigir saroyi. U ochdi Eshiklar[50] va Crosby, Stills & Nash bilan sahnani baham ko'rdi Johnny Winter, Elvin Bishop va o'sha davrning boshqa mashhur rok-blyuz rassomlari.[51]

Bu edi hippi Biroq, Makning rustik va ko'k rangli personaji tijorat roklari uchun mo'ljallangan demografik ko'rsatkichlarga juda mos edi. Jon Mortlend shunday deb yozgan edi: "Dunyodagi eng yaxshi pirzola Mack, chakalakzor, Mack mamlakati Kentukki yuk mashinalari haydovchilari bilan yangi rok-auditoriyaga qaraganda ko'proq o'xshashliklarga ega ekanligini yashirolmadi".[52] Bundan tashqari, blyuz-rokning kuchli tomonlarini, shu jumladan gitarasini kamsitadigan ikkita ko'p janrli "Elektra" albomlaridan so'ng (ikkalasi ham 1969 yilda yozilgan), Makning o'zi norozi bo'ldi: "Mening musiqam o'sha paytda unchalik yaxshi ishlamagan edi. Men juda xursand emasman. Men u erda qilgan ko'p narsalarim bilan. "[53]

U vaqtincha Elektraga boshqa rassomlarni jalb qilish va rivojlantirishga yordam berish uchun o'z karerasini ajratdi.[54] 1971 yilda Elektra bilan shartnomasini yakunlash uchun bitta albom qolganida, Makka ko'chib o'tdi Neshvill. U erda u yozib oldi Indiana shtatidagi tepaliklar, aksariyat hollarda vokalli ta'kidlangan LP.[55] Unda gitara mahoratini namoyish etadigan bitta trek bor edi, Asfalt qonunbuzar. Tepaliklar ozgina e'tiborni jalb qildi.

Elektra bilan tuzilgan shartnomada Mack rok-taniqli shaxs maqomini tatib ko'rdi va unga yoqmasligini xulosa qildi. "Sizni baxtli qiladigan narsadan farqli o'laroq, siz pulni qanchalik qadrlashingiz bilan juda ko'p bog'liq edingiz. Men baxtli emas edim. Shunday qilib, menda bo'lgan eng yaxshi daqiqalardan biri bu LA belgisi mening belgimda bo'lganida edi orqa ko'zgu va men yana ozod bo'ldim. "[56] Boshqa bir safar Mack shunday dedi: "Men har doim buni amalga oshirishga, tog 'cho'qqisiga chiqishga yaqinlashgandek tuyulaman, o'shanda men tortib chiqaman. Men shunchaki tortib yuguraman".[57] 2016 yilda Mack vafot etganidan so'ng, musiqa tarixchisi Dik Shurman Mackning qishloqdoshi fe'l-atvori "yulduzlikka mos emas edi. Menimcha, u ov va baliq ovi bilan shug'ullanishni afzal ko'rardi. U shaharlarni yoki (musiqa) biznesini yoqtirmasdi".[58]

1971 yilda Elektra bilan tuzilgan shartnoma tugagandan so'ng, Mak janubiy Indiana shtatiga jo'nab ketdi, u erda o'n yildan ko'proq vaqt davomida u past profilli mamlakat / bluegrass yozuvchisi, yo'l ustasi ijrochisi va sideman.[59] Bu davrda u Kentukki shtatidagi Kovington shahridagi tungi klubga va Indiana shtatidagi Do'stlikdagi ochiq havoda musiqa maydoniga egalik qildi va ish yuritdi.[60] 1977 yilda Mack ishdan tashqari politsiya xodimi bilan janjal paytida otib tashlandi. Ushbu tajriba Makning musiqasini ilhomlantirdi, Sinsinnati qamoqxonasi, keyinchalik karerasida jonli ijrolarda maqtovga sazovor bo'lgan gitarali va vokal-rok raqami.

1983 yilda Mak boshqa joyga ko'chib o'tdi Ostin, Texas blyuz-rok shogirdi bilan hamkorlik uchun, Stivi Rey Von.[61] Vaughan Mackni studiyaga qaytishga ishontirdi, Vaughan esa prodyuserlik va zaxira rollarda, lekin Mackning qaytishi uzoq davom etgan kasallik tufayli qoldirildi.[62] 1985 yilda Mak "to'liq qaytish" ni sahnalashtirdi[63] blues-rock albomi bilan, Chaqmoq kabi urish (Vaughan va Mack tomonidan ishlab chiqarilgan), Vaughanning mehmonlar ishtirokidagi gastrol safari, Riy Kuder, Keyt Richards va Ronni Vud va kontsert Karnegi Xoll bilan Albert Kollinz va Roy Byukenen.[64]

1986 yilda Mak Byukenen va Dikki Bets "Buyuk Amerika gitara hujumi safari" uchun.[65] Keyingi to'rt yil ichida u yana uchta albom chiqardi, shu jumladan 1990 yildagi so'nggi albomi ham Lonnie Mack Live! - Qotil V ning hujumi!. Keyin yozuvlarni sotish uchun zarur bo'lgan doimiy ekskursiyadan foydalaniladi,[66] u yozuvchilik faoliyatini yakunladi.[67] Biroq, u 2004 yilgacha yo'l va festival davralarida o'ynashni davom ettirdi.

"Memfis" va "Wham!"

1963 yil 12 martda,[68] zaxira nusxasini yozib olish sessiyasining oxirida Charmaines, Mackga qolgan yigirma daqiqali studiyani ijaraga berish vaqti taklif qilindi.[24] U baquvvat instrumental uchishni qayd etdi Chak Berri "Memfis, Tennesi ".[69] U bir necha yil oldin o'zining klaviaturachisi Denzil "Dumpy" Rays,[70] odatda Berri kuyini kuylagan va ijro etgan, ijro uchun namoyish etilmagan edi.[71] Mack qo'shiq so'zlarini bilmas edi, lekin asosiy ohangni juda bezatilgan elektro gitara asbobiga kiritdi. U buni jonli aktining bir qismi sifatida saqlab, uni oddiygina "Memfis" deb atagan.

1963 yilda yozilganidek, "Memfis" da rockabilly ramkasida tezkor melodik blyuz yakkaxoni ijro etilgan bo'lib, u rock baraban-ritmida ko'paygan.[72] Bu rok-gitara mahoratining sezilarli darajada oldinga siljishini namoyish etdi, bu ikkala rusumdagi akkordlar va rifflar standartidan ustundir. Chak Berri va shunga o'xshash "oddiy" melodik gitara yakkaxonlari Link Wray va Dueyn Eddi.[73]

Mack, musiqani yozib olgach, "Bu men uchun hech qanday ahamiyatga ega emas edi. Men yo'lga ketish uchun ketdim. Biz Sinsinnati va Mayami o'rtasidagi har qanday yo'lni urdik, ammo radio tinglashga ulgurmadik, shuning uchun men nima yuz berayotganini bilmadim [qadar] biz qo'llab-quvvatladik Chubby Checker bir kecha. [T] u diskli jokey menga etib keldi: "Siz bizning stantsiyada 1-raqamli yozuvni qo'lga kiritdingiz!"[74] Iyun oxiriga kelib, Memfis kuni 4-raqamga ko'tarilgan edi Billboard Ar-ge jadvali va Billboard pop-chartidagi 5-raqam.[75] Ga binoan Oltin disklar kitobi, u milliondan ortiq nusxada sotilgan.[76] "Memfis" ning mashhurligi katta joylarga buyurtma berishga, Buyuk Britaniyada kamida bitta sayohatga va Chak Berri bilan chiqishlarga olib keldi.[77][78]

Hali ham 1963 yilda Mack yana bir gitara vositasi bo'lgan "Wham!" Sentyabr oyida Billboard-ning Pop-chartida 24-o'rinni egalladi.[69] Garchi Memfis katta zarba bo'ldi, ko'pchilik tezroq templi sheriklar Vay! (va unchalik mashhur bo'lmagan, ammo baribir tezroq Tovuq-Pikkin '[79] 1964 yildan boshlab) gitara uslubi bilan kashshof bo'lgan.[80] Kimdan Rok gitara afsonalari:[81]

[In Vay!, Mack] erta rok gitara buyuklarining akkord licklari yordamida eshitilishi mumkin, ammo u tanaffuslarni torli burmalar, pentatonik yugurishlar va etuk blyuz pirzolalari bilan to'ldiradi, bularning barchasi oxir-oqibat Erik Klapton, Mayk Blyumfild va Stivi Rey Vonning savdo belgilariga aylandi. ..Bugi-vuji tezkor ritmiga qo'yilgan qattiq akkord rifi gitarada tanaffuslar, qo'llarning titrashi ta'kidlashlari, aks sado va bitta-bitta chiziqli chiziqlar va natijada Jeffda juda keng tarqalgan takrorlanadigan torlarni itarishlarni o'z ichiga olgan kesish ohangini belgilaydi. Bekning gitara uslubi.

Mackning dastlabki gitara yozuvlari virtuoz blues-rok gitara tongi bilan chambarchas bog'liq.[82] Musiqa tanqidchisi Bill Millar: "Bugungi kunda" ta'sirchan "atamasi deyarli har bir kishiga nisbatan qo'llanilmoqda, ammo blues-rok-gitara massivining eng ommabop janrini Lonni Makkning kuchi, qudrati va hissiy ehtirosidan kelib chiqqan holda izlash mumkin deb aytish uchun hali ham biron narsa mavjud. . ”[83]

Gitara uslubi va texnikasi

O'smirlik davrida Mack mamlakat va blyugrass gitara bilan yaxshi tanish edi,[84][85] blues gitara, rockabilly gitara va erta rokning eng nufuzli gitara chaluvchisining perkussiya akkordasi, Chak Berri.[86]

1963 yilda Makning "butun diapazondan tez foydalanish" qobiliyati[87] gitara rok musiqasida misli ko'rilmagan edi.[88] Uning oltita torni yaxshi bilishi bolaligida flot barmoqlari bilan yasalgan blugrass va mamlakat gitara uslublarini yaxshi bilishi bilan bog'liq.[89] Yilda Memfis, Vay!, Tovuq Pickin ', Suzie-Qva boshqa 1960-yillarning bosh cholg`u asboblarida u rok-gitara-ning o`sha paytlarda ustun bo`lgan akkordlar va rifflar qo`shilish uslubini odatdagidan tezroq blyuz ohanglari va ijrolari, ijro etish elementlari bilan ba`zan erta rok saksofonida va klaviatura sololarida topgan, lekin Makdan oldin rok gitara bilan umuman eshitilmagan. .[90] U tez-tez chaqqon melodik qo'rg'oshinlar va ritmik akkord riflari o'rtasida oldinga va orqaga o'girildi, keyinchalik bu naqsh boshqa ko'plab gitaristlar, shu jumladan blyuz-rok yulduzlari Jeff Bek va Stivi Rey Von tomonidan qabul qilindi.[91]

Mack gitara ovozini bir-birining ustiga yopishgan holda kuchaytirdi vibrato effektlar. U 50-yillardan foydalangan Magnatone doimiy ravishda elektron shaklda hosil bo'ladigan, suvli tovushli vibratoni ishlab chiqarish uchun kuchaytirgich,[92] uning do'sti, R&B gitarachisi tomonidan kashshof qilingan texnika Robert Uord (blyuz musiqachisi) Ogayo Untouchables (keyinchalik nomi bilan tanilgan) Ogayo shtati o'yinchilari ).[93] Bundan tashqari, u maydonni mexanik bilan tanlab egib oldi vibrato qo'l. Gitarachilar, odatda, parchaning so'nggi notasi yoki akkordini qo'llab-quvvatlagan holda, asbobni qo'li bilan almashtirishadi. Mack, odatdagidek, uni qo'lini to'rtinchi barmog'iga bog'lab qo'ydi va terishni davom ettirish paytida uni o'zgartirdi.[94] U tez-tez uni bir vaqtning o'zida tezligini tezlashtirdi tremolo yig'ish, avtomat, bitta yozuvli, "titroq" tovushini chiqarish.[95] Xabar qilinishicha, qurilmaga umumiy laqabi berilgan "qaltis bar ", Makning o'ziga xos mahorat namoyish etganligini e'tirof etish uchun Vay!.[96]

Makning dastlabki cholg'u asboblari, odatda, karnaylar, barabanlar, klaviaturalar va bas gitara bilan birga bo'lgan. Memfis Soul ning instrumental uslubi Booker T va M.G.lar, lekin "jon, rok, bemaqsad va rokabilly o'rtasidagi chiziqlarni xiralashtiradigan" tez gitara yakkaxonlari bilan.[97] Musiqa tanqidchisi Deyv Stivens Makning umumiy gitara ovozini "juda o'ziga xos, aytishga jur'at etadigan, noyob deb baholagan; erta rok davrida faqat Link Ray va Dueyn Eddi unga zudlik bilan tanib olishlari mumkin edi."[98]

Makning rok-gitara rivojlanishidagi roli

Garchi sezilarli savdo yutuqlari davriy va tezkor bo'lgan bo'lsa-da, Makning 60-yillarning boshlarida yozilgan yozuvlari rok-gitara tendentsiyalariga aylandi. Ular rok-gitara mahoratini oshirdilar, elektro gitara-ni yakka yakka asboblarning yuqori qismiga ko'tarishda yordam berishdi va blyuz-rok va janubiy rok janrlarida dastlabki uslubda etakchilar edilar.

"Southern Rock" gitara afsonasi tarjimai holi uchun intervyu Dueyn Allman, gitara chaluvchisi va Allmanning ilk sherigi Mayk Jonstoun Mackning misli ko'rilmagan olti qatorli mahoratining ta'sirini esladi:[99]

Endi [1963 yilda] radioda "Memfis" deb nomlangan mashhur qo'shiq bor edi - bu Lonni Makning instrumental vositasi. Bu men eshitgan eng yaxshi gitara chalish edi. Hamma gitara chalayotganlar: "Qanday qilib biron bir kishi bunchalik yaxshi o'ynashi mumkin edi?" Bu yangi bar. Hozir siz qanday yaxshi bo'lishingiz kerak ".

Mackning "ashaddiy, tajovuzkor, baland va tezkor" blyuz gitara tovushi, shuningdek, elektro gitara rokda yakka o'zi ijro etuvchi asboblar cho'qqisiga ko'tarilishida muhim rol o'ynaydi. Ko'klar tanqidchisi Shoun Xeygud shunday yozgan:[4]

Uning o'ynashi odamlar eshitishga odatlangan narsalarga qaraganda tezroq, balandroq va tajovuzkorroq edi. U asosan elektro gitara uchun rok musiqasida yakka o'zi ishlashga imkon yaratdi. Haqiqiy blyuz-rok kashshofi, janr bir xil bo'lmas edi - haqiqatan ham, rok musiqasining aksariyati bir xil bo'lmasligi mumkin edi - uning elektro gitara-ni rokda ashaddiy, agressiv, baland va tez.

Oltmishinchi yillardagi Elektra Javob ijrochi Jeyms Uebber:[100]

Lonki rok gitara chalishni umuman boshqa darajaga olib chiqdi. Siz hozir chindan ham o'ynashingiz kerak edi. [B] oldin Lonni, sakslar barcha etakchi ishlarni bajarishdi. U gitara ustuvor etakchi asbobga aylandi.

Makning 60-yillarning boshlaridagi gitara treklari "blyuz-rok" gitara va "Janubiy rok" gitara uchun zamin yaratdi, bu uslub bir necha yil o'tgach keng ommalashgan. Memfis va Vay!. Kimdan Rok gitara afsonalari (1997):[101]

[Mack] asosan oltmishinchi yillarning o'rtalarida rokabillyaning bangli, simli itaruvchi pog'onalari orasidagi torli, ko'p simli riffing o'rtasidagi gitara aloqasi. Shuningdek, u o'zining etakchi asari orqali qora blyuz va tepalikdagi oq musiqa o'rtasidagi hal qiluvchi ko'prikni yaratdi ... Umuman olganda, Lonni Makk o'z davridan ancha oldinda edi, 1963 yilda edi, desak mubolag'a bo'lmaydi. Uning mavlono yakkaxon qo'shinlari kashshof blyuzdan oldinroq bo'lgan. - Jef Bek, Erik Klapton va Mayk Bloomfildning gitarada ikki yilga yaqin ishlashi. [Beri] ular "o'z vaqtidan oldin" deb hisoblangan, rok gitara dunyosi uchun Lonnie Mackning xronologik ahamiyati shunchalik ajoyibki.

Janubiy tosh (Allman birodarlar ) etakchi gitara chaluvchisi Uorren Xeyns shunga o'xshash bahoni bildirdi:[102]

Gitara chaluvchilari, haqiqiy musiqachilar va haqiqiy musiqa ixlosmandlari Lonni o'z davrining Jimi Xendrixsi bo'lganligini tushunishadi. Chak Berri va Xendrixlar davrlari orasida [qo'rg'oshin gitara] inqilobiga yo'l ochib bergan, musiqani chalayotgan Loni Mak kabi bir nechta gitarachilar bor edi. Dikki Bets va Stivi Rey Von singari odamlar sizga Lonnisiz ular kim bo'lishlari mumkin emasligini aytishadi. Bu hammamizga tegishli.

Makning 1963 yildagi debyut albomi "birinchi gitara qahramoni yozuvlari" deb nomlangan[38] va shunga o'xshash rok gitara "zamonaviy" davrini asos solgan deyishadi.[103] 1980 yilda "Memfis" (1963) rahbarlik qildi Gitara dunyosi Jurnalning rok-gitara-ning eng yaxshi beshta "diqqatga sazovor" yozuvlari ro'yxati, avvalgi albomlaridan oldinroq Jimi Xendrix, Erik Klapton, Elvin Bishop va Mayk Bloomfild,[104] blyuzga solingan yakka ashulalari rok gitara "inqilob" ini misol qilib keltirdi.[102] 1960 yillarning oxirlarida.

Ga binoan The New York Times, Mack gitara uslubi "ingliz va amerikaliklarning uzoq ro'yxatiga jiddiy ta'sir ko'rsatdi" rok gitara solistlari.[105] Makni katta yoki muhim ta'sirga ega deb hisoblagan gitarachilar kiradi Stivi Rey Von (blues rock), Jeff Bek (blues rock, jazz-rok), Ted Nugent (qattiq tosh), Dikki Bets (Janubiy tosh), Uorren Xeyns (Janubiy tosh), Rey Benson (G'arbiy belanchak), Bootsy Collins (funk), Adrian Belyu (progressiv rok) va Tayler Morris (ko'p janrli).[106] Shunga o'xshash ta'sir ko'rsatgan boshqalarga quyidagilar kiradi Djo Bonamassa (blues-rock), Erik Klapton (blues-rock), Dueyn Allman (Janubiy tosh), Gari Rossington (Janubiy tosh), Stiv Geyns (Janubiy tosh), Mayk Bloomfild (blues-rock), Jerri Garsiya (psixodelik tosh), Jimi Xendrix (psychedelic blues-rock), Keyt Richards (blues-rock), Jimmi Peyj (blues-rock) va Denni Gatton (blues rock; jazz rock).[107]

Mak rok-gitara rivojlanishidagi roli bilan faxrlanar edi. "Boshqa ijodkorlarni ilhomlantira olish imkoniyatiga ega bo'lish - bu juda katta sharaf. Siz bu biznesda nima qilsangiz, hamma narsa givin narsadir. Ammo bu sizni yaxshi his qiladi, sizni haqiqatan ham biron bir narsa qilgan kabi his qiladi."[108]

Mackning 1958 yil Gibson Flying V gitara, "7 raqami"

Mack o'ziga xos ko'rinishi bilan chambarchas aniqlangan Gibson Flying V birinchi marta 1958 yilda paydo bo'lgan gitara. U o'n yetti yoshida, birinchi sinf ishlab chiqarish liniyasidan ettinchi Flying V ni sotib olib, unga "7 raqami" deb nom bergan. Amerikaning tub amerikalik qismi bo'lgan Mack yoshligini kamon va o'q bilan o'tkazgan va gitaraning o'qga o'xshash shakliga ichki ta'sir ko'rsatgan.[109]

U "Flying V" ning eng qadimgi o'yinchilaridan biriga aylandi va uni deyarli butun faoliyati davomida o'ynadi.[110] Mackning so'nggi albomi, Qotil V ning hujumi, buning uchun nomlangan. Mack karerasining boshida u gitara Bigsby vibrato barini qo'shgan. Buning uchun "V" tepaligidan olti dyuym pastda po'latdan yasalgan to'siq o'rnatilib, gitara o'ziga xos ko'rinishga ega bo'lishi kerak edi.

1993 yilda Gibson gitara korporatsiyasi cheklangan miqdordagi 7-sonli "Lonnie Mack Signature Edition" ni chiqardi.[111] 2010 yilda u namoyish etilgan Yulduzli gitara: Dunyoni larzaga solgan 101 ta gitara.[112] 2011 yilda Valter Karter, muallifi Gitara to'plami, 7-raqamni dunyodagi "150 ta eng elita gitara" dan biri deb nomlagan.[113] 2012 yilda, Rolling Stone jurnali uni "20 ta ramziy gitara" dan biri deb nomladi.[114]

"Moviy ko'zli qalb" vokallari

O'zining butun faoliyati davomida Makning ashula uslubi oq va qora janubiy ildizlarning ta'sirini birlashtirgan. Sharhlovchilardan biri uning vokal orqali etkazib berishini "mamlakatga xos blyuz" deb ta'riflagan.[115] U xushxabar ilhomlantirgan "ko'k ko'zli qalb" balladalari bilan mashhur. Ularning aksariyati jadvalga kira olmadi,[116] Ammo ozod etilganidan beri yarim asr ichida ular tanqidchilar va taniqli musiqa tarixchilarining izzat-ikromiga sazovor bo'lishdi:

  • 1968: "Bu haqiqatan ham Lonni Makning ovozi bilan ajralib turadi ... birinchi navbatda xushxabar qo'shiqchisi ... samimiylik va intensivlikni biron bir joyda topish qiyin."[117] - Alec Dubro, Rolling Stone
  • 1983: "Oxir oqibat - doimiylik va tuyg'u chuqurligi uchun - eng yaxshi ko'k ko'zli jonni Loni Makning balladalari va" Odil aka-ukalar "yozganlarning hammasi aniqlaydilar. Lonni Mak har qanday qora xushxabar qo'shiqchisi singari ruhiy balladani ham oh-voh qildi. Iztirobga uchragan burilishlar uning eng yaxshi qo'shiqlari to'g'ridan-to'g'ri yo'naltirilgan edi, bu deyarli har qanday boshqa oq tanli vokalistning qo'lida sharmanda bo'lar edi. "[118] - Bill Millar, Rok tarixi
  • 1992: "Gitara-qahramonlarning birinchisi ham eng zo'rlaridan biri. Va, ehtimol, oxirgi marta bunday diskda kuylash gitara uchun munosib edi."[119] - Jimmi Guterman, Hamma vaqtdagi 100 ta eng yaxshi rok-n-rol yozuvlari
  • 2001: "" Nima uchun? ", Mack uni uch bo'g'indan iborat so'zga aylantirib chinqiradi." Nega-yy? "Bu terli sekin raqsga tushadigan narsalar, organ intro, gitara yakkaxon va oxirgi emotsional xordan keyin, Gitarada koda singari to'rtta oddiy nota. Butun Rokda bundan ham g'amgin, changliroq, beerer qo'shiq yo'q ".[120] - Jeyms Kertis, Baxt
  • 2002: "Men uchun uning vokal yozuvlari ruhiy musiqa uchun metafora bo'ldi; ularni eshitganimda, nihoyat bu atama nimani anglatishini angladim."[121] - Rendi Maknut, Gitara shaharchalari
  • 2009: "[Mackning" Nega? "(1963)] eng zo'ridir chuqur qalb hech qachon yozilmagan yozuvlar ... Siz [Makning] oyoqlari ostidan yer silkinayotganini his qilyapsiz ... iztirob faryodi shu qadar haddan oshiqki, siz bunga guvoh bo'lganingizdan uyalib ko'zingizni yumishingizga to'g'ri keladi ... Mackning oxiridagi qichqirig'i hech qachon topilmagan. Agar kimdir uni engib chiqsa, Xudo bizga yordam beradi.[122] – Greyl Markus, Nan Goldinning "Jinsiy bog'liqlik baladasi" dan qolgan qo'shiqlar
  • 2016: "2016 yil 21 aprelgacha, vafot etgan kunida, Lonni Mak dunyodagi eng yaxshi oq tanli jon kuychisi edi. U shu qadar yaxshi ediki, u hatto uning tarixidagi eng buyuk qora yulduzlarning ba'zilari bilan bir xil jumla bilan tilga olinishi mumkin edi. aslida qora tanli janr nima va ha, men Bobbi Bland, Uilson Pikket va boshqalar kabi kishilar haqida gapiryapman. "[123] - Deyv Stivens, Eng yuqori

Uning katalogidagi ko'k ko'zli jonli vokallarga quyidagilar kiradi:

  • Nima uchun ("O'sha Memfisning vahshiyligi", 1963)
  • Iroda bor joyda ("O'sha Memfisning vahshiyligi", 1963)
  • Chaqaloq, nima noto'g'ri? ("O'sha Memfisning vahshiyligi", 1963)
  • U boshqa bu erga kelmaydi ("Guruhda ekanligimdan xursandman", 1969)
  • Mening go'dakim ("Nima bo'lishidan qat'iy nazar", 1969)
  • Javob bo'lishi kerak ("Nima bo'lishidan qat'iy nazar", 1969)
  • Bo'ronli dushanba (yashash, "Coco's da yashang", rec. 1983 yil 1999)
  • Nima uchun (yashash, "Coco's da yashash", rec. 1983 yil 1999)
  • Men qiladigan narsalar (yashash, "Coco's da yashash", rec. 1983 yil 1999)
  • To'xta ("Chaqmoq kabi urish", 1985)
  • Men sevgimni topdim (yashash, "Qotil V hujumi", 1990)
  • To'xta (yashash, "Qotil V hujumi", 1990)

Yakuniy yillar

Mack o'zining so'nggi albomini chiqardi, Lonnie Mack Live: Qotilning hujumi, 1990 yilda, lekin 2000 yillarning boshlarida asosan kichikroq joylarda ijro etishni davom ettirdi. Uning so'nggi tijorat chiqishlari 2004 yilda bo'lgan.[124] Ko'p o'tmay u "sahnani sog'inishini, ijro etishni va odamlarni xursand qilishini" anglagan bo'lsa ham,[125] u keyingi bir necha yil ichida bir necha alohida izolyatsiya qilingan maxsus chiqishlarni hisobga olmaganda, nafaqada qoldi.

2007 yil 17 fevralda u organ transplantatsiyasi bo'yicha konsertda ishtirok etdi Sof Prairie ligasi qo'shiqchi-baschi Maykl Reyli.[126]

Makning so'nggi so'nggi ommaviy namoyishi 2008 yil 15-noyabr kuni bo'lib o'tgan Shtat teatri (Klivlend, Ogayo shtati). U erda u ijro etdi Vay! da Rok-Roll shon-sharaf zali O'zining gitara qahramonlaridan biriga tug'ilgan kunining 93 yilligi, Les Pol.[127] O'zining, Les Polning va boshqalarning chiqishlaridan so'ng, u taniqli rok gitarachilar safida blyuz jamida qatnashdi.[128]

2009 yil 4 aprelda 67 yoshida u o'z-o'zidan Tennessi shtatidagi yo'l binosida sahnaga chiqdi va uy guruhining etakchi pleyeridan olingan elektro gitara bilan "Sinsinnati qamoqxonasi" ni ijro etdi:[129]

U bir nechta tuzatishlarni amalga oshirdi va keyin RASMIY BOSHQARIShNI O'RNIDAN O'QITIShNI boshlashga kirishdi. U mening dastgohim bilan devorlardan bo'yoqlarni qirib tashladi. Uning (mening?) Gitarasi chekayotgan edi. Juda katta, yovvoyi hayvonning nafasi singari yangradi. Uning guruhning etakchi mahorati ham ajoyib edi. Odamlarga dinamikani va yakka yakka o'zgarishlarni o'zgartirish uchun ko'p ko'rsatmalar. U sahnaga egalik qildi va hamma xohlaganini aynan bajarishi kerak edi. Olomon yong'oqqa tushdi, odamlar kamerali telefonlari bilan rasmlar olishdi. Odamlar baqirishardi, hamma raqsga tushishni boshlashdi, bu juda zo'r edi. U mening boshqa etakchi o'yinchimning lichkalarini almashtirish paytida boshini kesib tashladi, (bu mening boshqa etakchi o'yinchim) katta bo'lgani kabi juda kulgili edi Eddi Van Xelen -style flesh-pleer. Xulosa - Uning o'yinlari hali ham ajoyib. Ohang barmoqlarda juda ko'p. U mening uskunamni men hech qachon eshitmagan yo'llar bilan jonlantirdi.

2010 yilda yana qarzga olingan gitara bilan u o'zining so'nggi uchrashuvida "Memfis" ni ijro etdi Memfis-era guruhi.[130] Mackning bundan keyin ishlashi haqida hech qanday ma'lumot yo'q.

2011 yilda u Internet orqali bir nechta oshxona-stol akustik yozuvlarini chiqardi.[131] Xabarlarga ko'ra, o'sha paytda u ham memuar ustida ishlagan[132] mukofotga sazovor bo'lgan mamlakat va blyuz musiqasi ustasi Bobbi Boyd bilan qo'shiq yozishda hamkorlik qildi.[133]

2012 yilda gitara chaluvchisi Travis Wammack Makdan taklif qilingan turda unga qo'shilishni taklif qildi, u "Double Mack hujumi" deb nomlanadi. Mack "... yaxshi holatda emas edi. U endi tik turib o'ynay olmasligini aytdi [va] Flying V ni o'tirib olish qiyin" dedi.[134]

Mack "tabiiy sabablar" tufayli 2016 yil 21 aprelda (74 yosh) Tennesi shtatidagi qishloqda joylashgan idishni uyi yonidagi kasalxonada vafot etdi.[135] Dafn marosimi bo'lgan Avora, Indiana, uning tug'ilgan joyidan bir necha chaqirim narida.[136] Uning orqasida katta birodarlar, bolalar, nabiralar va nabiralar oilasi qoldi.[137]

Diskografiya

Asl studiya albomlari

Jonli albomlar

  • 1990: Lonnie Mack Live: Qotilning hujumi (1989 yil dekabrda qayd etilgan)
  • 1998: Coco's Live-da (1983 yilda qayd etilgan)

Qayta nashrlar va kompilyatsiyalar

  • 1970 yil: "Faqat kollektsionerlar uchun" (1964 yildagi ikkita qo'shimcha kuy bilan "O'sha Memfis odamining Wham" ning qayta chiqarilishi)

Sessiya ishi (gitara)

YilRassomAlbom
1965Freddi KingFreddi King yana qo'shiq aytadi
1967Jeyms BraunJeyms Braun Raw Soulni kuylaydi
1970EshiklarMorrison mehmonxonasi (bas gitara)
1974Dobi GreyHey, Dixi
1981Ronni XokkinsUning bo'sh vaqtidagi afsona
1986Tim Krekel / SluggersPanjara ustidan
1996Ueyn PerkinsMendo mehmonxonasi
1998Jek HollandBosim butun meniki
1999Albert VashingtonAlbert Vashington Loni Mak bilan (1967 y.)
2000Birodarlar CrudupFrenktaun Blyuz
2006CharmainesGigi va Charmaines (1962-1963).
2007Stivi Rey VonYakkaxon, mashg'ulotlar va Encores ("Ikkala Whammy" ning 1985 yildagi jonli versiyasi)

Ishga qabul qilish va mukofotlar

YilMukofot yoki taqdirlash
1980Gitara dunyosi jurnal reytingida Memfis (1963) rok gitara tarixidagi eng muhim "belgi".[138]
1992Jimmi Guterman Makning 1963 yil birinchi debyut albomini 16-o'rinda, Hamma vaqtdagi 100 ta eng yaxshi rok-n-rol yozuvlari.[139]
1993Gibson gitara korporatsiyasi "7 raqami" ning cheklangan miqdordagi "Lonnie Mack Signature Edition" chiqarildi.[111]
1998The Cincinnati Enquirer Mackga "Hayotiy yutuqlar" uchun Pop musiqa mukofotini ("Cammy") berdi.[140]
2001Janubi-sharqiy Indiana musiqachilar uyushmasi Shon-sharaf induksiyasi.[141]
2001Xalqaro gitara shon-sharaf induksiyasi.[142]
2002Mackning ikkinchi "Umr bo'yi yutuqlari" Kemi.[143]
2005Rockabilly shuhrat zali induksiya.[144]
2006"Janubiy afsonalar" ko'ngilochar va sahna san'ati shon-sharaf zali induksiya.[145]
2010Deyv Xanter o'z kitobida "7 raqami" ni namoyish etdi, Yulduzli gitara: Dunyoni larzaga solgan 101 ta gitara[146]
2011Valter Karter o'z kitobida "7 raqami" ni ko'rsatdi, Gitara to'plami, uni dunyodagi 150 "eng elita gitara" dan biri deb atagan.[147]
2012Rolling Stone sarlavhali maqolada "7 raqami" ni namoyish etdi 20 Ikonali gitara.[148]

Shuningdek qarang

Qo'shimcha o'qish

  • Intervyular
  1. Jon Bruttonning Avstraliya radiosidagi intervyusi, 2000 yil.[149]
  2. McDevitt, "Gitara haqida aytilmagan qahramon Loni Mak", Gibsonning turmush tarzi on-layn, 2007 yil[109]
  3. Smit, "Gitara pleyerining gitara chaluvchisi: Gritz gitara qahramoni Lonni Mak bilan gaplashmoqda", 2000 yil iyun.[150]
  4. Larri Nager, "Gitara buyukligi", Cincinnati Enquirer (Cincinnati.com), 1998 yil 13 mart[151]
  5. Greg Shaber, "Xachir poyezdi", Sincinnati jurnali, 2000 yil oktyabr nashr, 74-83 betlar[152]
  6. Rendi Maknutt, "Makgonigal, Ogayo: Lonni harakatlanmoqda", 2002 y.[153]
  • Gitara va jihozlar
  1. O'Hara, "Lonni Makning uchib yurgan V", noyob gitara blogi, 2009 yil 23-dekabr[154]
  2. Fort, "Lonni Mak: U Memfis odam qaytib keldi", 1978, p. 20-da keltirilgan Gitara pleyeri xodimlar, "Biz yana bir gitara qahramonini yo'qotdik", Gitara pleyeri on-layn jurnal, 2016 yil 21 aprel[155]
  3. Fjestadt & Meiners, "Lonnie Mackning Bigsby-Enhanced Korina Flying V", 2007 y.[156]
  • Hujjatli filmlar
  1. "Blues-rock Virtuoso Lonnie Mack Rambles On", Ed Vard bilan, NPR radiosi, 2008 yil 31 iyul[157]
  2. Li Xey bilan "Lonnie Mack Special", WVXU Radiosi (Sincinnati), 2016 yil 25 aprel[158]
  • Vafotidan keyingi tahririyatlar
  1. Nyu-York Tayms: Grimes, "Loni Mak, blyuz-rokga pioner bo'lgan qo'shiqchi va gitarachi, 74 yoshida vafot etdi", Nyu-York Tayms on-layn, 2018 yil 22 aprel[159]
  2. Vashington Post: McArdle, "Lonni Mack, blyuz va rok-aktyorlarga ta'sir ko'rsatgan gitarachi va qo'shiqchi, 74 yoshida vafot etdi", Vashington Post on-layn, 2016 yil 25 aprel[160]
  3. Xyuston xronikasi: Dansbi, "Musiqa va o'lim 2016", Xyuston xronikasi on-layn, 2016 yil 29 dekabr[161]
  4. Rolling Stone: Kreps, "Lonni Mak, Blyuz-Rok gitara zo'r, 74 yoshida o'lgan", Rolling Stone onlayn, 2018 yil 23 aprel[162]
  5. Gitara dunyosi: "Kashshof gitarachi Loni Mak 74 yoshida vafot etdi", Gitara dunyosi on-layn, 2016 yil 22 aprel[163]
  6. Yomon: Rid, "Blyuz gitara ustasi Loni Mak 74 yoshida vafot etdi", Yomon on-layn, 2016 yil 22 aprel.[164]
  7. Amerika blyuz sahnasi: Kerzner, "Breaking: Kashshof gitarachi Loni Mak 74 yoshida vafot etdi", 2016 yil 22 aprel[165]
  8. Ko'klarni tirik saqlash: Hagood, "Lonnie Mack: Uning iztirobli blyuz-rok gitara fazilatini eslash", Blyuzlarni tirik tutish, 2016 yil 29 aprel[166]

Adabiyotlar

  1. ^ a b Quyidagi "Ishga qabul qilish xronologiyasi" bo'limiga qarang.
  2. ^ Ushbu bo'limdagi "Ko'k ko'zli jonli vokal" bo'limiga qarang, masalan. Stephens, Lonnie Mack, TopperPost № 522, 2016 yil aprel http://www.toppermost.co.uk/lonnie-mack/.
  3. ^ Bu erda "Makning rok gitara rivojlanishidagi roli" bo'limiga qarang.
  4. ^ a b v Xagud, "Lonni Mak: Uning blyuz-rok-gitara fazilatini eslash", Veb-sayt: "Ko'klarni tirik tutish", 2016 yil 29 aprel, soat https://keepingthebluesalive.org/lonnie-mack-remembering-his-trailblazing-blues-rock-guitar-virtuosity/ Arxivlandi 2018 yil 26-avgust, soat Orqaga qaytish mashinasi
  5. ^ Uchrashuv o'tkazildi Dueyn Allman 2006 yilgi biografiya, gitarachi Mayk Djonston o'n olti yoshli Allmanning hayratini esladi Memfis"Endi, o'sha paytda radioda" Memfis "deb nomlangan mashhur qo'shiq bor edi - bu Lonni Makning cholg'usi. Bu men eshitgan eng yaxshi gitara chalish edi. Barcha gitara chaluvchilar [aytayotgan edilar] ] "Qanday qilib biron bir kishi bunchalik yaxshi o'ynashi mumkin edi? Bu yangi bar. Endi sen shuncha yaxshi bo'lishing kerak." "Po, Skydog: Dueyn Allman haqidagi hikoya, Backbeat, 2006, p. 10.
  6. ^ "Loni Mak, blyuz-rokning kashshofi bo'lgan qo'shiqchi va gitarachi, 74 yoshida vafot etdi", Nyu-York Tayms, 2016 yil 22-aprel
  7. ^ (1) Guterman, "Barcha zamonlarning 100 ta eng yaxshi rok-n-rollari", 1992, Citadel Publishing, p. 34; (2) Brown & Newquist, Rok gitara afsonalari, "Lonnie Mack", Hal Leonard Publishing, 1997, p. 24-25; va (3) "Qo'shimcha o'qish" nomli quyidagi bo'lim ostida "Vafotidan keyingi tahririyatlar".
  8. ^ "Men [Mack] ni ... Janubiy toshning prototipi deb bilaman". Musiqa tarixchisi Dik Shurman, Makkardlning so'zlariga ko'ra, "Loni Mak, gitarachi va blyuzlar va rok-aktyorlarga ta'sir ko'rsatgan qo'shiqchi, 74 yoshida vafot etdi", Vashington Post, 2016 yil 25 aprel, soat https://www.washingtonpost.com/entertainment/music/lonnie-mack-guitarist-and-singer-who-influenced-blues-and-rock-acts-dies-at-74/2016/04/25/5c581f3c- 0a44-11e6-bfa1-4efa856caf2a_story.html. Mack Janubiy toshning bir necha asoschilariga kuchli ta'sir ko'rsatdi: (1) Allman birodarlar etakchi gitara chaluvchisi Uorren Xeyns: "Odamlar yoqadi Dikki Bets sizga Lonnisiz ular kim bo'lishlari mumkin emasligini aytadi. Bu hammamizga tegishli. "2016 yil 23 aprel, rasmiy Uorren Xayns veb-saytiga joylashtirilgan http://www.warrenhaynes.net/news/detail/warren_haynes_reflects_on_lonnie_mack; (2) Before finding fame as lead guitarist of the Allman birodarlar, seventeen-year-old Dueyn Allman honed his soloing skills by playing Memfis along with Mack's record, repeatedly stopping and starting the record with his foot, until he had mastered Mack's technique. (Poe, "Skydog: The Duane Allman Story", Backbeat, 2006, p. 10 va boshq.). (3) Remembering the unchallenging simplicity of early rock guitar, Allman Brothers co-lead guitarist, Dikki Bets, observed: "I was really gettin' tired of all the beach songs, and "Louie, Louie". Those are great songs, but I'm talkin' about guitar-playing. And then, here come Lonnie Mack, right down the middle of it all. God, what a breath of fresh air that was for me." Betts video commentary at https://www.youtube.com/watch?v=Ij-LTAFB9o8; (4) Mack was a significant influence on two founders of Lynyrd Skynyrd, Stiv Geyns va Ed King. Odom, Lynyrd Skynyrd: Remembering The Free Birds Of Southern Rock, Broadway Books 2002, at p. 142. Before Gaines' rise to Skynyrd fame, he practiced "playing (Memfis) by ear until he could imitate" Mack, who was one of Gaines' "favorite artists". Id. Gaines can be heard singing and playing Mack's "Why" here: https://www.youtube.com/watch?v=PAXU_-q3srs.
  9. ^ Puterbaugh, "The British Invasion: From the Beatles to the Stones, The Sixties Belonged to Britain", Rolling Stone Magazine, July 14, 1988, preserved at https://www.rollingstone.com/music/music-news/the-british-invasion-from-the-beatles-to-the-stones-the-sixties-belonged-to-britain-244870/; (2) (a) Mack's own popularity had been built mostly on his 1963 instrumentals, Memfis va Vay!. Davis & Parker, Instrumentals: When no words were necessary, Pt. 2018-04-02 121 2, Goldmine Magazine, December 29, 2010, preserved at http://www.goldminemag.com/features/instrumentals-when-no-words-were-necessary-pt-2. (b) "In February of 1964, the Beatles appeared on the Ed Sullivan Show, and Mack's career withered on the vine." Dave Rubin, Inside the Blues: 1942 – 1982, "Rockin' the Blues: Lonnie Mack & Michael Bloomfield", Hal Leonard (Updated Ed., 2007) at p. 124.
  10. ^ See, section of this article entitled "Career chronology".
  11. ^ See, section entitled "Career chronology".
  12. ^ "...full-fledged comeback...". Brown & Newquist, Rok gitara afsonalari, "Lonnie Mack", Hal Leonard Publishing, 1997, at p. 25.
  13. ^ Grimes, "Lonnie Mack, Singer and Guitarist Who Pioneered Blues-Rock, Dies At 74", New York Times on-line, April 22, 2018, at https://www.nytimes.com/2016/04/23/arts/music/lonnie-mack-singer-and-guitarist-who-pioneered-blues-rockdies-at-74.html.
  14. ^ (1) Grimes, "Lonnie Mack, Singer and Guitarist Who Pioneered Blues-Rock, Dies At 74", New York Times on-line, April 22, 2018, at https://www.nytimes.com/2016/04/23/arts/music/lonnie-mack-singer-and-guitarist-who-pioneered-blues-rockdies-at-74.html; (2) See also, section below entitled "Career chronology".
  15. ^ See, e.g., D'Onofrio, Don's Music Views, "Lonnie Mack/Live!-Attack of the Killer V", 1997, at djd3.tripod.com/mack.html: "...Great talent...exciting performance...responsive crowd...This is what live blues is all about!"
  16. ^ During the migration of refugees from the coal mine closures in Southern Appalaxiya oldin Ikkinchi jahon urushi, most sought jobs in industrialized cities. See, Wikipedia article entitled Hillbilly avtomagistrali. However, Mack's parents settled twenty miles downriver from Cincinnati, living and working on sharecropping farms.
  17. ^ "Lonnie Mack, July 18, 1941 – April 21, 2016". Alligator.com.
  18. ^ Sandmel, "Lonnie Mack is Back of the Track", Guitar World, May 1984, pp. 55–56.
  19. ^ (1) Forte, "Lonnie Mack: That Memphis Man is Back", 1978, p. 20; (2) Murrells, The Book of Golden Discs, Barrie & Jenkins, 1978, p.163
  20. ^ Grimes, "Lonnie Mack, Singer and Guitarist Who Pioneered Blues-Rock, Dies at 74", New York times, April 22, 2016, at https://www.nytimes.com/2016/04/23/arts/music/lonnie-mack-singer-and-guitarist-who-pioneered-blues-rockdies-at-74.html.
  21. ^ McCardle, "Lonnie Mack, Guitarist and Singer Who Influenced Blues and Rock Acts, Dies at 74", Washington Post, April 25, 2016, at https://www.washingtonpost.com/entertainment/music/lonnie-mack-guitarist-and-singer-who-influenced-blues-and-rock-acts-dies-at-74/2016/04/25/5c581f3c- 0a44-11e6-bfa1-4efa856caf2a_story.html.
  22. ^ Mack 2000 interview on Australian radio by John Broughton at https://www.youtube.com/watch?v=BLhZIMw99go
  23. ^ (1) Hear Mack interview at https://www.youtube.com/watch?v=1mYxmVf6Xik (2) Van Matre, "Lonnie Mack Back In The Swing Of Things", Chicago Tribune, May 2, 1985, at http://articles.chicagotribune.com/1985-05-0 2/features/8501270055_1_mack-doesn-t-stevie-ray-vaughan-lonnie-mack. Chicago Tribune, Lifestyle Section. 2014 yil 11-iyulda olingan.
  24. ^ a b Bill Millar, liner notes to Ace (UK) early Mack compilation album entitled "Memphis Wham!"
  25. ^ (1) Liner notes to Ace, UK, CD entitled "Memphis Wham!"; (2) Dahl, Bill. "Lonnie Mack profile at" (https://www.allmusic.com/artist/p438 ). allmusic.com. 2011 yil 27-iyulda olingan.
  26. ^ (1) "Unsung Guitar Hero: Lonnie Mack" at http://www2.gibson.com/News-Lifestyle/Features/en-us/Unsung-Guitar-Hero-Lo[doimiy o'lik havola ] nnie-Mack.aspx, July 14, 1985. Retrieved May 18, 2014; (2) McNutt, Guitar Towns, University of Indiana Press, 2002, p. 175.
  27. ^ His most popular albums, Memfis odamining shafqatsizligi (1963), Chaqmoq kabi urish (1985) va Attack of the Killer V (1990) were blues-oriented with a rock instrumental bent and a an'anaviy qora xushxabar vocal bent. Banjos bilan duellash (1973) was an album of traditional bluegrass tunes. Band ichida ekanligimdan xursandman (1969) va Whatever's Right (1969) were ecletic with an emphasis on country and soul. Hills of Indiana (1971) was almost entirely country, with a singer-songwriter emphasis. Coco's (1983) was a mix of traditional country, acoustic and electric blues, deep soul, blues-rock, and roots-rock. Janubiy (1978) was a mix of country-pop and bluegrass. Ikkinchi ko'rish (1986) va Roadhouses and Dance Halls (1988) were eclectic mixes of rockabilly, roots-rock, and noqonuniy mamlakat. Uy nihoyat (1977) was mostly country. Pismo (1978) was a mix of country, rockabilly and Southern rock.
  28. ^ Dansby, Music and Death 2016, Houston Chronicle, December 29, 2016, as preserved at https://www.houstonchronicle.com/entertainment/columnists/dansby/article/Music-and-death-2016-You-want-it-darker-10820590.php
  29. ^ 1971–1985 (became low-profile country artist) and 1990–2004 (ceased recording but sporadically appeared in small venues).
  30. ^ (1) Grimes, "Lonnie Mack, Singer and Guitarist Who Pioneered Blues-Rock, Dies at 74", New York Times, April 22, 2016. https://www.nytimes.com/2016/04/23/arts/music/lonnie-mack-singer-and-guitarist-who-pioneered-blues-rockdies-at-https://www.nytimes.com/2016/04/23/arts/music/lonnie-mack-singer-and-guitarist-who-pioneered-blues-rockdies-at-74.html?_r=0; (2) In the 1980s, Mack was "elevated to cult status as a blues-rock guitar hero". Greg Schaber, "Mule Train", Cincinnati Magazine, October 2000 issue, pp. 74–83, as preserved at https://books.google.com/books?id=2O0CAAAAMBAJ&pg=PA73&lpg=PA73&dq=schaber+mule+train&source=bl&ots=RvRWKnpiqs&sig=FbRq7LHkAnYBXnaJ70-m90WvOQI&hl=en&sa=X&ved=0ahUKEwjmkc-bwpLcAhUoxFQKHcecCdYQ6AEIaTAQ#v=onepage&q=schaber%20mule%20train&f=false
  31. ^ Larry Nager, "Guitar Greatness", Cincinnati Enquirer (Cincinnati.com), March 13, 1998, as preserved at http://www2.cincinnati.com/freetime/weekend/031398_weekend.html Arxivlandi July 29, 2017, at the Orqaga qaytish mashinasi. McNutt, Guitar Towns, Indiana University Press, 2002, p. 175.
  32. ^ McNutt, Guitar Towns, Indiana University Press, 2002, p. 175.
  33. ^ All but one have been unavailable for decades. "Hey Baby" (Sage, 1959), a bluegrass/rockabilly tune headlined by two of his older cousins, Aubrey Holt and Harley Gabbard, was reissued by Bear Family Records in 2010. It was included in the album "That'll Flat Git It! Vol. 27: Rockabilly & Rock 'n' Roll From The Vault Of Sage & Sand Records: Various Artists". ISBN  978-3-89916-577-7. On it, seventeen-year-old Mack can be heard providing a Travis-picking guitar accompaniment, punctuated by a brief rockabilly solo. It can be heard at Harley Gabbard & Aubrey Holt – Hey Baby ~ Rockabilly kuni YouTube
  34. ^ See, section below entitled "'Memphis' and 'Wham!'".
  35. ^ Chaqmoq kabi urish (1985) va Lonnie Mack Live: Attack of the Killer V (1990), were commercially successful and drew critical acclaim.
  36. ^ Alec Dubro, Review of "The Wham of that Memphis Man",Rolling Stone magazine, November 23, 1968
  37. ^ Himes, "Lonnie Mack", Washington Post, February 20, 1987
  38. ^ a b Guterman, "The 100 Best Rock 'n' Roll Records of All Time", Citadel Publishing, 1992, p. 34 (ranking the album No. 16).
  39. ^ Rubin, "Inside the Blues, 1942–1982", Hal Leonard, 2007, at page 124.
  40. ^ Stivenlar, Loni Mak, TopperPost No. 522, April 2016 at http://www.toppermost.co.uk/lonnie-mack/.
  41. ^ Apart from "Memphis" (Billboard #5) and Wham!" (Billboard #24), only two additional Mack Fraternity singles charted: "Honky-Tonk '65" (#78) and "Baby, What's Wrong?" (#93). See, Billboard's "Chart History" list for Mack at http://www.billboard.com/artist/307816/lonnie-mack/chart.
  42. ^ The label and its intellectual property rights were ultimately sold for $25,000. "The Fraternity of Wham" (http://rubbercityreview.com/2013/08/the-fraternity-of-wham/ ). Rubbercityreview.com. 2017 yil 28 oktyabrda olingan.
  43. ^ Dave Rubin, Inside the Blues: 1942 – 1982, "Rockin' the Blues: Lonnie Mack & Michael Bloomfield", Hal Leonard (Updated Ed., 2007) at p. 124.
  44. ^ See, Ace's Lonnie Mack page and links at https://www.acerecords.co.uk/search?query=lonnie+mack. See also: Zero to 180 – Three Minute Magic – Discoveries of a Pop Music Archaeologist, October 18, 2018, at https://www.zeroto180.org/?cat=1271
  45. ^ Recorded interview by John Broughton on Australian radio, 2000, at https://www.youtube.com/watch?v=BLhZIMw99go
  46. ^ McNutt, Guitar Towns, University of Indiana Press, 2002, at page 176.
  47. ^ See, Mack discography at http://wdd.mbnet.fi/lonniemack.htm. See also: Zero to 180 – Three Minute Magic – Discoveries of a Pop Music Archaeologist, October 18, 2018, at https://www.zeroto180.org/?cat=1271
  48. ^ Mack's three Elektra albums were Band ichida ekanligimdan xursandman (1969), Whatever's Right (1969) va The Hills of Indiana (1971). These were eclectic collections of country and soul ballads, blues tunes, and updated versions of earlier recordings. Both 1969 albums emphasized Mack's vocals and de-emphasized his guitar work. They were modest commercial successes. Mack's final Elektra effort, The Hills of Indiana, was a country album recorded in Neshvill that attracted little attention.
  49. ^ (a) Alec Dubro, Rolling Stone magazine, November 23, 1968. (b) Elektra obliged, adding two bonus tracks from 1964 (Farther On Down The Road va Chicken-Pickin), under the title "For Collectors Only".
  50. ^ During that period, he famously played bass guitar on Eshiklar ' hit record, "Roadhouse Blues ". According to their drummer, Jon Densmor, author of the book "Riders on the Storm" (Dell, 1990), The Doors' personnel considered Mack a "living legend" of the blues. They recorded an instrumental in his honor, "Blues for Lonnie", that did not appear on any of their contemporary releases, but can be heard here: https://www.youtube.com/watch?v=4zpNnje-GRs
  51. ^ (1) Deccio, "Lonnie Mack Dead", April 24, 2016, http://www.inquisitr.com/3029420/lonnie-mack-dead-guitarist-and-vocalist-who-pioneered-blues-rock-dies-at-74/; (2) Poster for Mack's six-day run at the Fillmore West in July 1969 at http://www.classicposters.com/Johnny_Winter/poster/Bill_Graham/180; (3) Poster of Mack's Cow Palace appearance with the Doors and Elvin Bishop at http://www.classicposters.com/Lonnie_Mack; (4) Mack's reference to appearing with C, S &N at the Fillmore East in his 1985 Carnegie Hall interview at https://www.youtube.com/watch?v=CHAcMm8pxvo.
  52. ^ (1) Morthland, "Lonnie Mack", Chiqish, March 1984; (2) "Lonnie was a real country boy". Elektra producer Russ Miller, in Holzman, Musiqani kuzatib boring, First Media, 1998, p. 367.
  53. ^ Mack, as quoted in McDevitt, "Unsung Guitar Hero Lonnie Mack", Gibson on-line, September 5, 2007, at http://www.gibson.com/News-Lifestyle/Features/en-us/Unsung-Guitar-Hero-Lonnie-Mack.aspx Arxivlandi April 28, 2016, at the Orqaga qaytish mashinasi.
  54. ^ Upon completing his 1969 albums, Mack assumed a "Chet Atkins -Erik Klapton role at Elektra, doing studio dates, producing and A&R." (Rolling Stone, "Random Notes", February 7, 1970, p. 4,) In that role, he helped to recruit a number of country and blues artists from Nashville, Memphis, and Muscle Shoals, Alabama. Elektra considered the launch of a specialty label to record them. (Holzman, Musiqani kuzatib boring, First Media, 1998, pp. 366–67.) Mack was instrumental in signing Mikki Nyuberi, but could not generate much interest in some other prospects, including Roberta Flak. (Houghton, Becoming Elektra, 1st Ed., 2010, Jawbone Press, pp.244–246.) He then tried to sign Kerol King, but Elektra rejected her on the grounds that they already had Judi Kollinz. (Gettleman, Orlando Sentinel, "Guitar Hero Lonnie Mack", as reprinted in Tuz ko'li Tribunasi, August 3–4, 1993, p. 3.) Frustrated, he finally attempted to interest Elektra in gospel singer Dorothy Combs Morrison, the former lead vocalist for the Edvin Xokkins xonandalari of "Oh Happy Day" fame. Mack had recorded Morrison singing a gospel-esque version of Bitlz ' "Let It Be", and sought permission to release it; management's response was delayed, however, due to ongoing negotiations for the label's sale to Warner Brothers (Kot, Greg (December 13, 1989). "He Wrote The Book – tribunedigital-chicagotribune" (http://articles.chicagotribune.c[doimiy o'lik havola ] om/1989-12-13/features/8903170595_1_doors-morrison-hotel-memphis-man-lonnie-mack). Articles.chicagotribune.com. Retrieved August 18, 2015.), allowing a competing label to seize the initiative and release Areta Franklin 's own gospel version first. "That bummed me out" (Gettleman, Orlando Sentinel, "Guitar Hero Lonnie Mack", as reprinted in Tuz ko'li Tribunasi, August 3–4, 1993, p. 3), Mack said. According to a close associate, Mack "had no tolerance for the internal politics of the music business". (Hear, interview of Stuart Holman (Mack's bass-player in the early '70s), "Lonnie Mack Special", July 16, 2011, athttp://wvxu.org/post/lonnie-mack-special#stream/0.) He resigned from his A&R job. (Sandmel, "Lonnie Mack is Back on the Track", Gitara dunyosi, May 1984, pp. 59–60.)
  55. ^ Stephens, Lonnie Mack, TopperPost No. 522, April 2016 at http://www.toppermost.co.uk/lonnie-mack/
  56. ^ Greg Schaber, "Mule Train", Cincinnati Magazine, October 2000 issue, pp. 74–83, as preserved at https://books.google.com/books?id=2O0CAAAAMBAJ&pg=PA73&lpg=PA73&dq=schaber+mule+train&source=bl&ots=RvRWKnpiqs&sig=FbRq7LHkAnYBXnaJ70-m90WvOQI&hl=en&sa=X&ved=0ahUKEwjmkc-bwpLcAhUoxFQKHcecCdYQ6AEIaTAQ#v=onepage&q=schaber%20mule%20train&f=false. Mack's departure from the LA rock scene apparently also involved a threatening premonition. Towards the end of Mack's time at Elektra, the label had put together a musical whistle-stop touring group, including Mack, Don Nix, and others, billed as "The Alabama State Troupers and Mount Zion Choir". (Holzman, Follow The Music, First Media, 2000, p. 36.) According to Elektra producer Russ Miller, Mack disappeared six days before the tour was to begin. Miller found him hiding out on his rustic Kentucky farm. Mack refused to join the tour, citing a nightmare during his last night in Los Angeles, in which he and his family had been pursued by Satan. He had awoken in a sweat, finding his Bible opened to a passage warning him to "flee from Mount Zion". Miller, a former evangelist preacher (Houghton, Becoming Elektra, 1st Ed., 2010, Jawbone Press, pp.244–246), knew Mack's mind. Returning to California alone, Miller explained: "[Lonnie's] a real country boy. [T]hat was it for Lonnie". (Holzman, supra). Mack wrote a tune adverting to this experience. In "A Song I Haven't Sung" (1986), he equated the pursuit of "fortune and fame" with selling one's soul to Satan, allowing the "body to live while your soul is left to rot". The tune appears on Mack's 1986 Alligator album, "Second Sight".
  57. ^ Mack, as quoted in Guralnick, Pickers, "Lonnie Mack: Fiery Picker Goes Country", 1977, pp. 16–18).
  58. ^ (1) Dick Shurman, as quoted in McArdle, "Lonnie Mack, Guitarist and Singer Who Influenced Blues and Rock Acts, Dies at 74", Vashington Post April 25, 2016, at https://www.washingtonpost.com/entertainment/music/lonnie-mack-guitarist-and-singer-who-influenced-blues-and-rock-acts-dies-at-74/2016/04/25/5c581f3c-0a44-11e6-bfa1-4efa856caf2a_story.html.1 ). (2) Shurman's observation about Mack's dislike of cities finds support in the lyrics of two Mack tunes: (a) "L.A. made me sick." (A Long Way From Memphis, 1985); (b) (Mamlakat, 1976). (3) Shurman's observation about Mack's dislike of the music business was echoed by Stuart Holman, Mack's bass guitarist in the early 1970s: "Lonnie had no tolerance for the internal politics of the music business." Holman interview on the broadcast "Lonnie Mack Special", July 16, 2011, at http://wvxu.org/post/lonnie-mack-special#stream/0.
  59. ^ Mack went mostly unnoticed during this period, but he was not idle. (1) In 1973, Mack and Rusty York released an all-acoustic bluegrass LP, Banjos bilan duellash. (2) In 1974, Mack played lead guitar for country-soul artist Dobi Grey. Mack's guitar work from this period can be found on Gray's 1974 album Hey, Dixie. Mack wrote or co-wrote three tunes on the album, including the title track. See credits under "track listings"/"show track credits" for Hey Dixie da https://rateyourmusic.com/release/album/dobie-gray/hey-dixie/. In March 1974, he performed as Gray's lead guitarist at the last broadcast of Grand Ole Opry from Nashville's Ryman auditoriyasi. (3) In 1977, Mack recorded Uy nihoyat, an album of country ballads and bluegrass tunes. (4) A live version of "Cincinnati Jail" can be heard on Mack's final album, "Attack of the Killer V" (1990). (5) In 1978, he recorded Lonnie Mack with Pismo, a somewhat faster-paced album, of country, southern rock, and rockabilly tunes.
  60. ^ At the nightclub, Mack also served as bouncer. He broke up bar fights by swinging his guitar at the combatants. (See, posting of Mike Pumphrey near the bottom of comments at http://www.tributes.com/obituary/print_selections/103505970?type=6.) The outdoor music venue was known as "The Friendship Music Park". There, Mack hosted performances by local bluegrass and country artists. (Peter Guralnick, Pickers, "Lonnie Mack: Fiery Rock Picker Goes Country", 1977, p. 16.)
  61. ^ (1) Mack, as quoted in Gettleman, "Guitar Hero Lonnie Mack Is A Low-Key Yet Major Influence On Many Musicians", Orlando Sentinel, as reproduced in Desert News/The Salt Lake Tribune, Tues. PM/Wed. AM, August 3–4, 1993 at p.3. (2) Vaughan idolized Mack, calling him "the baddest guitar player I know" (Vaughan, as heard on DVD entitled "American Caravan: Stevie Ray Vaughan and Double Trouble", recorded in 1986at the Orpheum Theatre in Memphis. It can be seen and heard Bu yerga: https://www.youtube.com/watch?v=IkBqTWBIkKw.) and credited much of his own guitar style to Mack. ("Lonnie invented a lot of this stuff." Newton, "My First Interview With Stevie Ray Vaughan", at https://earofnewt.com/2015/08/26/my-first-interview- with-stevie-ray-vaughan-when-he-sang-me-three-lines-of-an-earl-king-song/.) Vaughan also said, "I got a lot of the fast things I do from Lonnie" (Menn, Secrets From The Masters, Miller-Freeman, Inc, 1992, p. 278, ISBN  0-87930-260-7). Three years before his death, Vaughan listed Mack first among the guitarists he had listened to, both as a youngster and as an adult. (Vaughan interview at https://www.youtube.com/watch?v=GcrkPrxj698 ). As a teen-ager, Vaughan honed his guitar skills by playing along with Vay!, starting and stopping the record-player repeatedly as he attempted to copy Mack's guitar. (Vaughan interview, https://www.youtube.com/watch ? v=GImi3eGVbSI, at counter 17:36; Patoski, "SRV: Caught in the Crossfire", 1993, Backbeat: 15–16.) In his teens, Dueyn Allman did the same with Memfis. (Poe, "Skydog: The Duane Allman Story", Backbeat, 2006, at p. 10 va boshq.) Vaughan went on to record Vay! several times, and called his own instrumental, Scuttle-Buttin, "just another way of playin' [Mack's 1964 instrumental] Chicken-Pickin." (Vaughan, as quoted in review of the album Couldn't Stand The Weather da http://www.musicradar.com/news/guitars/stevie-ray-vaughan-couldnt-stand-the-weather-legacy-edition-album-review-265255. Musicradar.com. Retrieved October 28, 2017.)
  62. ^ (1) Mike Joyce, "Lonnie Mack, Making His Mark On Music", Washington Post, July 9, 1985, as preserved at https://www.washingtonpost.com/archive/lifestyle/1985/07/09/lonnie-mack-making-his-mark-on-music/e91f0750-e622-4878-8040-3b037a60a19b/ (2) During Mack's recuperation, Vaughan put on a benefit concert to help pay his medical bills, and Vaughan and his bass-player, Tommy Shannon, personally installed an air-conditioner in Mack's house. "Michael Smith, "Gritz Speaks With Guitar Hero Lonnie Mack", June 2000" (http://swampland.com/articles/view/all/50 1). Swampland.com. 2011 yil 27-iyulda olingan.
  63. ^ Brown & Newquist, Legends of Rock Guitar, "Lonnie Mack", Hal Leonard Publishing, 1997, at p. 25.
  64. ^ (1) See, July 1985 photo of Richards and the Wood backing Mack's performance at New York's Lone Star Cafe at https://www.iorr.org/talk/read.php?1,2317009; Ishtirokchilar kiritilgan Mik Jagger, Pol Simon va Bob Dilan. See, review of Mack's appearance at the Lone Star, NY Times, Sunday, July 14. 1985. (2) The tour culminated in a Karnegi Xoll concert with Collins and Buchanan. Qarang: (a) Lonnie Mack – Satisfy Susie kuni YouTube; (b) Lonnie Mack Stop kuni YouTube; va (v) Lonnie Mack, Albert Collins & Roy Buchanan kuni YouTube
  65. ^ Scott Mervis, "RIP Blues Guitar Great Lonnie Mack", Post-Gazette.com, April 21, 2016, at http://blogs.post-gazette.com/arts-entertainment/pop-noise/46490-rip-blues-guitar-great-lonnie-mack
  66. ^ (1) Lonnie Mack, as quoted in Nager, "Guitar Greatness", Cincinnati Enquirer (Cincinnati.com), March 13, 1998, as preserved at [1] Arxivlandi July 29, 2017, at the Orqaga qaytish mashinasi; (2) See also, Mack interview in Greg Schaber, "Mule Train", Cincinnati Magazine, October 2000 issue, pp. 74–83, as preserved at https://books.google.com/books?id=2O0CAAAAMBAJ&pg=PA73&lpg=PA73&dq=schaber+mule+train&source=bl&ots=RvRWKnpiqs&sig=FbRq7LHkAnYBXnaJ70-m90WvOQI&hl=en&sa=X&ved=0ahUKEwjmkc-bwpLcAhUoxFQKHcecCdYQ6AEIaTAQ#v=onepage&q=schaber%20mule%20train&f=false
  67. ^ Although he never recorded again as a solo artist, he made guest appearances on two albums of other artists. (1) Baber, Bo (May 31, 2000). "Review of Franktown Blues" (http://www.warehousecreek.com/frank/reviews.htm ). Warehousecreek.com. Retrieved July 27, 2011. (2) "Lonnie Mack – Biography – Amoeba Music" (http://www.amoeba.com/lonnie-mack/artist/161293/bio ). Amoeba.com. 2017 yil 28 oktyabrda olingan.
  68. ^ 1963 Stewart Colman, liner notes to album From Nashville to Memphis, 2001 yil mart
  69. ^ a b "We Lost Another Guitar Hero on April 21—Lonnie Mack Passes at 74". GuitarPlayer.com. Olingan 28 oktyabr, 2017.
  70. ^ Rice was a close friend of Mack's and a member of Mack's band for many years. He also played on "over 300 albums" and "countless singles" of other artists, including Konvey Twitty, for whom he co-wrote the country hit (also recorded by Elvis Presli ) "There's A Honky-Tonk Angel (Who'll Take Me Back In)".
  71. ^ McNutt, Guitar Towns, Indiana University Press, 2002, at page 178.
  72. ^ Interviewed in 2011, the recording engineer on "Memphis", Chuck Seitz, recalled that it took ten minutes to "set up" and less than ten minutes to record the tune twice. "Lonnie Mack Special", http://wvxu.org/post/lonnie-mack-special#stream/0
  73. ^ (1) "...chords-and-riffs...": See, (a) articles collected under "Posthumous editorials" in the section below entitled "Further reading"; va (b) Brown & Newquist, Rok gitara afsonalari, "Lonnie Mack", Hal Leonard Publishing, 1997, pp. 24–25. (2) Calling the pre-Mack melodic rock guitar solos "inherently simple": Brown & Newquist, Rok gitara afsonalari, "Instrumental and Surf Rock", Hal Leonard Publishing, 1997, p. 22. (3) Poe, Skydog: Dueyn Allman haqidagi hikoya, Backbeat, 2006, at p. 10.
  74. ^ McNutt, Guitar Towns, Indiana University Press, 2002, at page 175.
  75. ^ "Memphis" was the fourth rock guitar instrumental to reach Billboard's "Top 5", preceded by "Twang" and "Surf" classics, including Fazilatlar ' "Guitar Boogie Shuffle" (1958), Korxonalar ' "Walk, Don't Run" (1960) va Dueyn Eddi "s "Chunki ular yosh" (1960).
  76. ^ Murrells, Jozef (1978). Oltin disklar kitobi (2-nashr). London: Barri va Jenkins Ltd. p.163. ISBN  0-214-20512-6.
  77. ^ "Swampland:Lonnie Mack". Swampland.com. Olingan 29-noyabr, 2017.
  78. ^ "Remembering Lonnie Mack and his visits to Pike – Milford PA – Letters to the Editor". Pikecountycourier.com. Olingan 28 oktyabr, 2017.
  79. ^ Years later, Stevie Ray Vaughan recorded a tribute to Chicken-Pickin huquqiga ega Scuttle-Buttin. The Rock Musician – 15 Years of Interviews, St. Martin's Press, 1994 (ed., Sherman), ISBN  0-312-30461-7 (pbk), at p. 216.
  80. ^ Jigarrang, Rok gitara afsonalari, "Lonnie Mack", Hal Leonard Publishing, 1997 at p.25.
  81. ^ Brown & Newquist, Legends of Rock Guitar, "Lonnie Mack", Hal Leonard Publishing, 1997, pp. 24–25.
  82. ^ See, e.g., (1) "Talkin' Blues: Lonnie Mack and the Birth of Blues-Rock". Gitara dunyosi. Olingan 18 may, 2014.; (2) Guitar Player, "101 Forgotten Greats and Unsung Heroes", January 2, 2007, at https://www.guitarplayer.com/players/101-forgotten-greats-andamp-unsung-heroes; va (3) Brown & Newquist, Rok gitara afsonalari, "Lonnie Mack", Hal Leonard Publishing, 1997 at p.25. (4) They were not his only early demonstrations of soloing skill, however. Suzi Q (1963) va Lonnie on the Move (1965) are often mentioned, but the former was not promoted as a single and the latter was lost in the tidal wave of the Britaniya bosqini. Uchinchisi, Chicken-Pickin (1964), widely considered Mack's greatest early demonstration of fret-board speed, suffered a similar fate. More recently, Jeff Beck regularly performed Lonnie on the Move during his 2015 and 2016 tours. He can be seen playing it at https://www.youtube.com/watch?v=RX4J0bbE5cY va https://www.youtube.com/watch?v=qQa99- hWTnQ. It is a direct copy of Mack's own live, 1990 version, which can be heard here: https://www.youtube.com/watch?v=PpU2UqaeULw. Beck probably first heard the tune when it was issued in Britain on the Stateside label in 1964. See, photo of that pressing with date 1964 at http://www.ebay.co.uk/itm/Lonnie-Mack-Lonnie-On-The-Move-1964-UK- 45-STATESIDE-DEMO-/352182827062.
  83. ^ Bill Millar, as quoted in Stephens, "Lonnie Mack", Topperpost #522, April 2016, at http://www.toppermost.co.uk/lonnie-mack/
  84. ^ "YouTube". www.youtube.com. Olingan 4-fevral, 2019.
  85. ^ 2/features/8501270055_1_mack-doesn-t-stevie-ray-vaughan-lonnie-mack Matre, Van (May 2, 1985). "Lonnie Mack Back In The Swing Of Things". Chicago Tribune, Lifestyle Section. 2014 yil 11-iyulda olingan.
  86. ^ Jigarrang, Rok gitara afsonalari, entries on Chuck Berry and Lonnie Mack, Hal Leonard Publishing, 1997, at p. 13–14 (Berry) and 24–25 (Mack).
  87. ^ Richard T. Pinnell, PhD, "Lonnie Mack's Version of Chuck Berry's 'Memphis' — An Analysis of an Historic Rock Guitar Instrumental", Guitar Player Magazine, May 1979, p. 41.
  88. ^ Notably, however, Mack's name is conspicuously absent from Rolling Stone magazine's current and oft-updated list of "100 Greatest Guitarists". However, in 1968, when such artists as Jimi Hendrix and Eric Clapton were already household names, Rolling Stone proclaimed Mack "in a class by himself" as a rock guitarist. Alec Dubro, Review of "The Wham of that Memphis Man", Rolling Stone magazine, November 23, 1968.
  89. ^ (1) Bluegrass: (a) "I started off in bluegrass, before there was rock 'n' roll.". Grimes, "Lonnie Mack, Singer and Guitarist Who Pioneered Blues-Rock, Dies at 74", New York times, April 22, 2016, at https://www.nytimes.com/2016/04/23/arts/music/lonnie-mack-singer-and-guitarist-who-pioneered-blues-rockdies-at-74.html. (b) "Mack began performing guitar in the family bluegrass band at 7." McCardle, "Lonnie Mack, Guitarist and Singer Who Influenced Blues and Rock Acts, Dies at 74", Washington Post, April 25, 2016, at https://www.washingtonpost.com/entertainment/music/lonnie-mack-guitarist-and-singer-who-influenced-blues-and-rock-acts-dies-at-74/2016/04/25/5c581f3c- 0a44-11e6-bfa1-4efa856caf2a_story.html; (v) "...a guitar style that owes as much to Bluegrass as The Blues...". "Lonnie Mack", Website: "All About Blues Music", April 2016 at https://www.allaboutbluesmusic.com/lonnie-mack/. (2) mamlakat: (a) Mack interview at https://www.youtube.com/watch?v=1mYxmVf6Xik. (b) Mack told this same story as early as 1985, when interviewed by the Chicago Tribune. See, "Lonnie Mack Back In The Swing Of Things", Chicago Tribune, Lifestyle Section, May 2, 1985.
  90. ^ (1) "Before Lonnie, the horn guys did all the lead work. He made the guitar the pre-eminent lead instrument". Former Elektra executive James Webber, in Schaber, "Mule Train", Cincinnati Magazine, October 2000 issue, pp. 74–83, preserved at https://books.google.com/books?id=2O0CAAAAMBAJ&pg=PA73&lpg=PA73&dq=schaber+mule+train&source=bl&ots=RvRWKnpiqs&sig=FbRq7LHkAnYBXnaJ70-m90WvOQI&hl=en&sa=X&ved=0ahUKEwjmkc-bwpLcAhUoxFQKHcecCdYQ6AEIaTAQ#v=onepage&q=schaber%20mule%20train&f=false; Shuningdek qarang, Sandmel, Gitara dunyosi, 1984 yil may, 55-56 betlar. (2) Makning etakchi gitara uslubi bir kechada asosiy oqimga aylanmadi. 1968 yilning noyabrida, a Rolling Stone sharhlovchi o'zining yakkaxon yugurishlarida "o'ziga xos" deb topdi. Alek Dubro, "O'sha Memfis odamining vahshiyligi!" Sharhi, Rolling Stoun, 1968 yil 23-noyabr.
  91. ^ Qarang: Brown & Newquist, Rok gitara afsonalari, "Lonnie Mack", Hal Leonard Publishing, 1997, 24-25 bet.
  92. ^ "Lonni Mak 1960 yillarning o'rtalarida klublarda o'ynab yurganida. U o'zining ovozini olish uchun dastlab Magnatone 260 dan foydalangan. Bu amperda haqiqiy FM vibrato bor edi, ammo hech qanday reverb yo'q edi. Keyinchalik Lonni o'zining" Flying V "ni eski sariq sochli" Fender Reverb Unit "ga urdi. Magnatone kuchaytirgichiga, bu yo'l uchun Gen-Layson ismli hamkori tomonidan o'zgartirilgan Magnatone M-9 edi. Louson kuchaytirgichlarning karnayini olib tashlab, preamp pastga tushdi. Magnatondan kelgan signal sariq sochga yuborildi. Ikkita sarg'ish Fender Bandmaster 2 x 12 "shkafi bilan ishlaydigan Fender Bandmaster boshi. Menga Fenderning barcha jihozlarida "bug'doy panjara matolari bor edi. Va shu tariqa Lonni o'zining noyob ovozini shu kunning o'zida qaytarib oldi. Oxir oqibat Lonni u ikkita tepaga joylashtirgan Roland JC 120 kuchaytirgichi yordamida joylashdi. So'ngra Lonni katta maydonlarni o'ynay boshlaganida, u katta kuchaytirgich orqali Boss xor pedalidan foydalangan. " Mark O'Hara, "Lonni Mak - 74 yoshida vafot etdi - Rokning birinchi gitara qahramonlari", Noyob gitara blogi, 2016 yil 23 aprel, soat https://uniqueguitar.blogspot.com/2016/04/lonnie-mack-dead-at-age-74-rocks-first.html
  93. ^ Qarang, Stivenlar, "Lonni Mak", TopperPost # 522, 2016 yil aprel, soat http://www.toppermost.co.uk/lonnie-mack/.
  94. ^ Nikson, "Bu yulduz vaqti!", Gitara dunyosi, 1985 yil noyabrda p. 82.
  95. ^ Mack 2:09 da peshtaxtani tanlashda davom etayotganida va Karnegi Xoll kontserti videosining 2:13 peshtaxtasida "qaltirash" texnikasidan foydalangan holda, "Staisfy Suzie" ni o'ynab, qurilmani tortayotganini ko'rish mumkin. https://www.youtube.com/watch ? v = xhX1lfWZaNw & ebc = ANyPxKpQ8Db4nyyibTLxE14xV4- KfgochEdNE8Cmg4OvLKjsjm7_E3llRU18Wnl25OTs5oXmtK30Md9-ROCrO0KFFWV.
  96. ^ (1) Vitale, "RIP Lonnie Mack", Veb-sayt: WTTW (Chicago Tonight ustun, 2016 yil 22 aprel, soat https://chicagotonight.wttw.com/2016/04/22/rip-lonnie-mack; (2) "Qaytish mashinasi" (https://web.archive.org/web/20080510181805/http://www.gibson.com/en-us/Lifestyle/Features/ O'qilmagan% 20Gitara% 20Hero% 20Lonnie% 20Mack /). Web.archive.org. 10-may, 2008-yil. 10-mayda asl nusxasidan arxivlangan. 2017-yil 28-oktabrda qabul qilingan.
  97. ^ "Ufqlarni kengaytiring" veb-sayti, "Lonnie Mack - Stop", 2010 yil 5-fevral, https://499songs.wordpress.com/2010/02/05/475-lonnie-mack-stop/: "U karerasini" Booker T "va" MG "uslubidagi ruhiy asboblarni chiqarish bilan boshladi, eng mashxur" Wham! ". U" Soul "," Rock N Roll "," Surf "va" Rockabilly "uslublari o'rtasidagi xiralashgan albomlarni yaratishda davom etdi."
  98. ^ Stephens, "Lonnie Mack", TopperPost # 522, 2016 yil aprel, soat http://www.toppermost.co.uk/lonnie-mack/. Mackning o'zi bergan bahoga o'zini o'zi ta'sir qildi: "Men uslubga ega bo'ldim, ammo bu juda soddalashtirilgan va juda aniq". Mak, 2002 yilda McNutt, Guitar Towns, Indiana Press Press universiteti, 173-betda keltirilgan.
  99. ^ Po, "Skydog: Duane Allman hikoyasi", Backbeat, 2006, p. 10. Shuningdek qarang, Ben Vindxem, "Sharh: Loni Mak o'z vaqtida boshqa gitara chaluvchilarni taqqoslash bilan uyg'otdi", Tuscaloosa News, 2003 yil 14 noyabr, on-layn rejimida saqlanib qolgan https://www.tuscaloosanews.com/article/DA/20031114/News/606116659/TL
  100. ^ Greg Shaber, "Xachir poyezdi", Sincinnati jurnali, 2000 yil oktyabr, 74-83 betlar, saqlanib qolgan https://books.google.com/books?id=2O0CAAAAMBAJ&pg=PA73&lpg=PA73&dq=schaber+mule+train&source=bl&ots=RvRWKnpiqs&sig=FbRq7LHkAnYBXnaJ70-m90WvOQI&hl=en&sa=X&ved=0ahUKEwjmkc-bwpLcAhUoxFQKHcecCdYQ6AEIaTAQ#v=onepage&q=schaber%20mule% 20train & f = false
  101. ^ Brown & Newquist, Rok gitara afsonalari, "Lonnie Mack", Hal Leonard Publishing, 1997, p. 24.
  102. ^ a b "Uorren Xeyns - yangiliklar". Warrenhaynes.net. Olingan 28 avgust, 2018.
  103. ^ (1) Kot, "U kitob yozgan", Chikago Tribune, 1989 yil 13-dekabr ("Lonni Mack 26 yil oldin zamonaviy gitara davrini boshlagan."), At http://articles.chicagotribune.com/1989-12-13/features/8903170595_1_doors-morrison-hotel- memfis-man-lonni-mak) va (2) Vinson, "Kechiktirmang - Rok Solid", MurfreesboroPost.com, 6-fevral, 2010-yil (Makni "Zamonaviy gitara otasi" deb atash), http://www.murfreesboropost.com/archive/2010/06/06.
  104. ^ "Landmark Recordings", Gitara dunyosi, 1980 yil iyul, qayta nashr etilganidek Gitara dunyosi, 1990 yil iyul
  105. ^ "Loni Mak, blyuz-rokning kashshofi bo'lgan qo'shiqchi va gitarachi, 74 yoshida vafot etdi". Nytimes.com. Olingan 28 avgust, 2018.
  106. ^ Von: (1) Jozef, "To'fondan oldin", Guitar World Magazine, 1983 yil sentyabr; (2) "Yo'qotilgan Stivi Rey Voning intervyusi" da https://www.youtube.com/watch?v=hhffhhnibQY; Bek: Miller, "Jeff Bekning gitara sehrlari Bostonning Orpheum teatrini mag'lub qiladi", Patriot Ledger on-layn, 2015 yil 20 aprel, soat http://www.patriotledger.com/article/20150420/blogs/304209997; Nugent: Nugent intervyu http://www.musicradar.com/news/guitars/ted-nugent-picks-the-11-greatest-guitarists-of-all-time-533304; Tikish: Sandmel, "Birodarlar Allman: 1970 yilda Clifton Garage-da yashanglar" http://www.spectratechltd.com/extrapages/Allman%20Brothers%20-%20Live%20at%20Ludlow%20Garage%20CD%20-%20cover%20&%20notes.pdf Arxivlandi 2016 yil 4 mart, soat Orqaga qaytish mashinasi; Xeyns: http://www.warrenhaynes.net/news/detail/warren_haynes_reflects_on_lonnie_mack ); Benson: Benson intervyusi, VHS-DVD, "Yo'lda yana", Flying V, 1985; Kollinz: Kollinz intervyu, https://www.youtube.com/watch?v=US1658nBJow; Belyu: Munro, "Ex King King Crimson Man Belew Lonnie Mack uchun hurmat bajo keltirdi", 2016 yil 29 aprel, soat http://teamrock.com/news/2016-04-29/ex-king-crimson-man-belew-pays-tribute-to-lonnie-mack ); Morris: Tayler Morris Makning unga bo'lgan ta'sirini muhokama qilmoqda https://www.youtube.com/watch?v=cy-Yr9PrJ08.
  107. ^ (1) Ko'pchilikka kelsak: (a) Jigarrang, Rok gitara afsonalari, Hal Leonard Publishing, 1997 yil, 24-25 betlarda; (b) Herbert, "Lonni Mack vafot etdi: Blyuz gitara juda yaxshi 74 yoshida vafot etdi, Djo Bonamassa aytmoqda", 2016 yil 22 aprel, soat http://www.syracuse.com/celebrity-news/index.ssf/2016/04/lonnie_mack_dead_blues_guitarist_joe_bonamassa.html; (v) Santoro, "Ikki karra", Gitara dunyosi, 1986 yil yanvar, p. 34; (d) "Landmark Recordings", Gitara dunyosi, 1980 yil iyul, qayta nashr etilganidek Gitara dunyosi, 1990 yil iyul; (e) Eskow, "Shahzodaning va Loni Makning o'limi", Counterpunch.org, 2016 yil 3-may, soat http://www.counterpunch.org/2016/05/03/the-death-of-prince-and-the-death-of-lonnie-mack/; (2) Garsiyaga kelsak: (a) Nash, "Bu hafta ko'klarda", American Blues Scene veb-sayti, 2014 yil 4-avgust va (b) "Yo'qotilgan jonli o'liklar" Blogspot, 2010 yil 10-fevral, Legs Lambert sharhi, 2010 yil 15 mart, soat http://lostlivedead.blogspot.com/2010/02/grateful-deadjerry-garcia-tour.html; (3) Geynesga kelsak: (a) Odom, Lynyrd Skynyrd: Janubiy Rokning bepul qushlarini eslash, Broadway Books 2002, p. 142. (b1974 yilda Makning "Nega" (1963) ijrosidagi yutuqlarni bu erda eshitish mumkin: https://www.youtube.com/watch?v=PAXU_-q3srs. (4) Gendrixga kelsak: (a) Greg Shaber, "Xachir poyezdi", Cincinnati jurnali, 2000 yil oktyabr, 74-83 bet, saqlanib qolgan https://books.google.com/books?id=2O0CAAAAMBAJ&pg=PA73&lpg=PA73&dq=schaber+mule+train&source=bl&ots=RvRWKnpiqs&sig=FbRq7LHkAnYBXnaJ70-m90WvOQI&hl=en&sa=X&ved=0ahUKEwjmkc-bwpLcAhUoxFQKHcecCdYQ6AEIaTAQ#v=onepage&q=schaber%20mule% 20train & f = false. (b) Xendrixning taniqli davrining boshlarida, Xendrix Makning Nyu-Yorkdagi klubida o'ynashini ko'rish uchun kelgan va ishdan keyin Makk, Jerri Garsiya va Yanis Joplin bilan tiqilib qolish bilan shug'ullangan. Vinson, Mayk. "" Possum "jannatga ketdi" (http://www.murfreesboropost.com/vinson-the-possum-h osmonga ketgan-cms-35390). Murfreesboro Post. 2015 yil 18-avgustda olingan. (5) Gattonga kelsak: McArdle, Blyuz va rok-aktyorlarga ta'sir ko'rsatgan gitara chaluvchi va qo'shiqchi Lonni Mak 74 yoshida vafot etdi, Washington Post, 2016 yil 25 aprel, saqlanib qolgan https://www.washingtonpost.com/entertainment/music/lonnie-mack-guitarist-and-singer-who-influenced-blues-and-rock-acts-dies-at-74/2016/04/25/5c581f3c- 0a44-11e6-bfa1-4efa856caf2a_story.html (6) Rossingtonga kelsak: "Lonnie Mack - Stop - nufuzli blyuz gitara", 2016 yil 3-avgust, "Smokin 'gitara blyuz" veb-saytida https://smokinbluesguitar.com/blues-legends/lonnie-mack-stop-influential-blues-guitar/.
  108. ^ "Arxivlangan nusxa". Arxivlandi asl nusxasi 2017 yil 29 iyulda. Olingan 16 iyun, 2017.CS1 maint: nom sifatida arxivlangan nusxa (havola)
  109. ^ a b McDevitt, "Gitara o'qilmagan qahramoni Lonni Mak", Gibson on-layn, 2007 yil 5 sentyabr, soat http://www.gibson.com/News-Lifestyle/Features/en-us/Unsung-Guitar-Hero-Lonnie-Mack.aspx Arxivlandi 2016 yil 28 aprel, soat Orqaga qaytish mashinasi
  110. ^ McDevitt, "Gitara o'qilmagan qahramoni Loni Mak", Gibson onlayn http://www.gibson.com/News-Lifestyle/Features/en-us/Unsung-Guitar-Hero-Lonnie-Mack.aspx Arxivlandi 2016 yil 28 aprel, soat Orqaga qaytish mashinasi, 2007 yil 9-may.
  111. ^ a b Meiners, Larri [2001-03-01], Flying V: Modernistic gitara-ning tasvirlangan tarixi, Flying Vintage Publishing, p. 13.
  112. ^ Ovchi, Yulduzli gitara: Dunyoni larzaga solgan 101 ta gitara, "Lonnie Mack: 1958 Flying V", Voyageur Press 2010, 152-betda, va boshq.
  113. ^ Karter, "Gitara to'plami", Epic Ink Publishing, 2011, ISBN  978-1603801690. Makning gitarasi tasvirlangan kitobning sahifasini bu erda ko'rish mumkin: https://uncrate.com/the-guitar-collection/
  114. ^ Sallivan, "20 ta gitarali gitara" Rolling Stone on-layn, 2012 yil 23 may, soat https://www.rollingstone.com/music/pictures/20-iconic-guitars-20120523.
  115. ^ Suvli, "Lonni Makk gitara uslubidagi melanjda", Nyu-York Tayms, 18 sentyabr, 1988 yil. Shuningdek qarang, Devis, Ko'klar tarixi, Da Capo Press, 1995, p. 246, Makning vokallarini "ruhida qora Memfis teginishi bo'lgan oq Xosier" deb ta'riflagan.
  116. ^ (1) "Chaqaloq, nima yomon?" 1963 yil dekabrida 93-chi jadvalning eng past pog'onasini egalladi. Mack uchun Billboard-ning "Chartlar tarixi" ro'yxatiga qarang. http://www.billboard.com/artist/307816/lonnie-mack/chart. (2) Mackning birinchi albomidagi ko'k ko'zli vokal, Memfis odamining shafqatsizligi (1963) Amerika madaniyatidagi irqiy bo'linish qora va oq estrada musiqasi uslublari o'rtasidagi farq bilan epitomizatsiya qilingan paytga to'g'ri keldi. (Kirkus kitobiga sharh, Country Soul, Charlz L. Xyuz tomonidan, Shimoliy Karolina Press shtatining U., 2015 yil, soat https://www.kirkusreviews.com/book-reviews/charles-i-hughes/country-soul/ ). 1963 yilda Makning birinchi vokal yozuvlari chiqarilganda, Makning xushxabar ilhomlantirgan versiyasi ("Where will Will Will") nomli ruhiy ballada chuqur Janubdagi R&B radiostansiyalarida yangradi. Ko'p o'tmay, u Alabama shtatidagi Birmingemdagi irqiy qutblangan taniqli R&B disk-xokkeychisi bilan radioda jonli intervyu berishga taklif qilindi. Mackning aytishicha, u termadio stantsiyasida paydo bo'lganida, DJ: "Chaqaloq, sen ranging noto'g'ri", deb aytdi va suhbatni joyida bekor qildi. Shundan so'ng, Makning vokallari R&B radiostansiyalarida ozgina ijro etildi. (a) "Biz 21-aprel kuni yana bir gitara qahramonini yo'qotdik - Loni Mak 74 yoshida vafot etdi" (http://www.guitarplayer.com/artists/1013/we-lost-another-guitar-hero-on-april-21-lonnie-mack-passes-at-74/57726 ). GuitarPlayer.com. 2017 yil 28 oktyabrda olingan. (b) Sandmel (1984 yil may). "Lonni Mak yana yo'lga qaytdi". Gitara dunyosi. p. 59.
  117. ^ Makning 1963 yildagi debyut albomi "Alek Dubro" ning retrospektiv sharhi, Rolling Stone jurnal, 1968 yil 23-noyabr.
  118. ^ Musiqa tanqidchisi Bill Millar, 1983 yil "Moviy ko'zli qalb: Mening jonim" nomli insho (https://web.archive.org/web/20071122194241/http://www.soul-s/ ource.co.uk/soul-words/blue-eyed-soul-colour-me-soul.htm). "Qoya tarixi" dan olingan. Asl nusxadan arxivlangan (http: // w Arxivlandi 2013 yil 15-iyul, soat Orqaga qaytish mashinasi ww.soul-source.co.uk/soul-words/blue-eyed-soul-colour-me-soul.htm) 2007 yil 22-noyabrda olingan. 2007 yil 14-noyabrda olingan.
  119. ^ Guterman, "Barcha zamonlarning 100 ta eng yaxshi rok-n-rollari", 1992, Citadel Publishing, p. 34.
  120. ^ Kertis, Yo'qolgan rok-roll asarlari Baxt, 2001 yil 30 aprel
  121. ^ McNutt, Guitar Towns, Indiana Press Press Universiteti, 2002 yil, 174 bet.
  122. ^ (1) Eng buyuk chuqur ruh ... bunga guvoh bo'lishdan uyat: Musiqa va madaniyatshunos Griel Markus, Makning izohlari Nima uchun (1963), "Nan Goldinning Jinsiy bog'liqlik balladasidan qolgan qo'shiqlar" nomli inshootida, 197-sonli diafragma (2009 yil qish). https://aperture.org/blog/songs-left-nan-goldins-ballad-sexual-dependency/. (2) Mackning qichqirig'i ... uni engib chiqadi: Markusning o'sha yilgi ma'ruzasidan va yuqoridagi insho nomi bilan; The Experience Music Project muzeyida taqdim etilgan (hozir Pop madaniyati muzeyi ) Sietlda. Bu darhol ostidagi sharhda keltirilgan Nima uchun YouTube videosi, Bu yerga: https://www.youtube.com/watch?v=GJgoZV0qiLE.
  123. ^ Deyv Stivens, "Lonnie Mack" da rok musiqasi bo'yicha ikkita kitob muallifi, TopperPost, № 522, 2016 yil aprel http://www.toppermost.co.uk/lonnie-mack/
  124. ^ Ushbu maqola bilan birga kelgan fotosurat o'sha mavsumdagi spektakldan olingan.
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