Muqaddas o'tin (O'lim vodiysi soyasida) - Holy Wood (In the Shadow of the Valley of Death)

Muqaddas o'tin (O'lim vodiysi soyasida)
Guruhning bosh qo'shiqchisining xochga mixlangan holatda, chap qo'lidan va tanasining chap qismidan qon tomchilari bilan tasviri. Uning pastki jag suyagi ham olib tashlangan.
Studiya albomi tomonidan
Chiqarildi2000 yil 11-noyabr (2000-11-11)
Yozib olingan1999–2000
Studiya
Janr
Uzunlik68:07
Yorliq
Ishlab chiqaruvchi
Merilin Menson xronologiya
Yerdagi so'nggi sayohat
(1999)
Muqaddas o'tin (O'lim vodiysi soyasida)
(2000)
Groteskning oltin davri
(2003)
Turmush qurmaganlar dan Muqaddas o'tin (O'lim vodiysi soyasida)
  1. "Bir martali ishlatiladigan o'spirinlar "
    Chiqarilgan: 2000 yil 7-noyabr
  2. "Fight Song "
    Chiqarilgan: 2001 yil 2-fevral
  3. "Hech kim "
    Chiqarilgan: 2001 yil 6-oktabr

Muqaddas o'tin (O'lim vodiysi soyasida) Amerikaliklarning to'rtinchi studiya albomi tosh guruh Merilin Menson. 2000 yil 11-noyabrda chiqarilgan Hech narsa yo'q va Intercope Records. A rok opera kontseptsiya albomi, bu a ning so'nggi qismi triptix shu jumladan Dajjol Superstar (1996), va ga qaytishni belgilab qo'ydi sanoat metall guruhning avvalgi ish uslubi, keyin glam rock - ta'sirlangan ishlab chiqarish Mexanik hayvonlar (1998). Chiqarilgandan so'ng guruhning ismli vokalist trilogiya doirasidagi asosiy voqea teskari xronologik tartibda berilganligini aytdi: Muqaddas Yog'och, shuning uchun rivoyat boshlanadi.

Keyinchalik Kolumbin o'rta maktabidagi qirg'in 1999 yil 20 aprelda milliy yangiliklar ommaviy axborot vositalari jinoyatchilar buzg'unchilik paytida guruhning futbolkalarini kiyishgan va ularning musiqasi ta'sirida. Qatlindan keyin ularning birinchi chiqarilishi sifatida bu yozuv Mansonning unga va guruhga qo'yilgan ayblovlarni rad etgani va vokalist tomonidan "urush e'lon qilinishi" deb ta'riflangan. Bu xonandaning sobiq uyida yozilgan Gollivud tepaliklari va bir nechta oshkor qilinmagan joylarda, shu jumladan O'lim vodiysi va Laurel Canyon. Uning ambitsiyalari Muqaddas Yog'och Dastlab uning tarixini o'rganadigan nomli film - shu paytgacha tark qilingan va hali nashr etilmagan filmga o'zgartirilgan loyiha Muqaddas Yog'och roman.

Albom odatda ijobiy sharhlar bilan chiqdi. Bir nechta yozuvchilar uni guruhning eng yaxshi ishi deb maqtashdi va ko'plab nashrlar 2000 yilgi eng yaxshi albomlardan biri sifatida baholashdi. Britaniyalik rok-jurnal Kerrang! uni o'n yillikdagi eng yaxshi albomlar ro'yxatiga kiritdi. AQShda, Muqaddas Yog'och guruhning avvalgi yozuvlari singari tijorat jihatdan muvaffaqiyatli bo'lmagan va 13-raqamda chiqish qilgan Billboard 200. Biroq, bu ularning eng yaxshi albomi bo'lib, xalqaro miqyosda eng ko'p yigirmatalikka kirdi milliy jadvallar. Kanada, Yaponiya, Shveytsariya va Buyuk Britaniyani o'z ichiga olgan bir nechta mamlakatlarda oltin sertifikatlangan.

Uchta singl yozuvdan chiqarildi: "Bir martali ishlatiladigan o'spirinlar ", "Fight Song "va"Hech kim "va guruh butun dunyoga yo'l oldi Qurol, Xudo va hukumat safari. 2010 yilda, Kerrang! 10-yilligiga bag'ishlangan esdalik asarini nashr etdi, unda ular albomni "Mansonning eng yaxshi soati ... O'n yil o'tib, hali ham ommaviy axborot vositalariga va asosiy madaniyatga musiqiy hujum juda ravshan va vahshiy bo'lmagan edi ... [Bu hali ham] o'tirishdan bosh tortgan, aksincha hilpiragan holda chiqadigan odamga shafqatsiz va tegishli kredit. "[1]

Fon va rivojlanish

1999 yil mening tug'ilgan yilim - 1969 yil kabi muhim yil bo'ldi. Ikki yil ko'p o'xshashliklarga ega. Woodstock '99 ga aylandi Altamont o'ziga xos. Kolumbin bo'ldi Menson qotilliklari bizning avlodimiz. Voqealar sodir bo'ldi, bu meni musiqa qilishni to'xtatish istagimni keltirib chiqarishi mumkin edi. Buning o'rniga, men chiqib ketishga qaror qildim va haqiqatan ham men bilan sikishga jur'at etgani uchun hammani jazolayman. Bu bahsda oldinda meni katta jang kutib turibdi. Va men buning har bir qismini xohlayman.

- Merilin Menson[2]

1990-yillarning oxirida, Merilin Menson va uning nomli guruh o'zlarini uy nomi sifatida tasdiqladilar,[3] va musiqa tarixidagi eng munozarali rok aktlaridan biri sifatida.[4] Ularning albomlari Dajjol Superstar (1996) va Mexanik hayvonlar (1998) ham muhim, ham tijorat yutuqlari bo'lgan,[5] va ularning vaqti bilan Rok - o'lik tur 1999 yilda frontman a madaniyat urushi ikonoklast va begonalashtirilgan yoshlar uchun miting belgisi.[6] Ularning mashhurligi oshgani sayin guruh musiqasi va obrazlarining ziddiyatli xususiyati g'azablandi ijtimoiy konservatorlar.[7] Ko'plab siyosatchilar o'zlarining chiqishlarini taqiqlash uchun lobbilar,[6] ular tarkibida hayvonlar qurbonligi, jonivorlik va zo'rlash borligi to'g'risida yolg'on va mubolag'a da'volarini keltirib.[8] Ularning kontsertlari muntazam ravishda diniy targ'ibotchilar va ota-onalar guruhlari tomonidan piket ostida bo'lib, ularning musiqasi "zo'rlash, qotillik, kufr va o'z joniga qasd qilish" ni qo'zg'atish orqali yoshlar madaniyatiga buzuvchi ta'sir ko'rsatdi.[7]

1999 yil 20 aprelda, Kolumbin o'rta maktabi talabalar Erik Xarris va Dilan Klebold o'z joniga qasd qilishdan oldin 12 talaba va o'qituvchini otib o'ldirgan va 21 kishini yaralagan.[9] Keyinchalik maktabda o'q otish, guruh qotillikka ta'sir qilgani haqida keng tarqalgan;[1][9] dastlabki ommaviy axborot vositalarida otishmalar muxlislar bo'lganligi va qirg'in paytida guruhning futbolkalarini kiyib olganliklari haqida da'vo qilingan.[10][11] Keyinchalik bu da'volar yolg'on ekanligi isbotlangan bo'lsa ham,[12] milliy ommaviy axborot vositalarida va jamoatchilik orasida spekülasyonlar Harrison va Kleboldni qo'zg'atishda Mansonning musiqasi va obrazlarini ayblashda davom etdi.[1][13] Keyinchalik xabarlarda ikkalasi muxlis emasligi va aksincha guruhning musiqasi yoqmaganligi aniqlandi.[14] Shunga qaramay, Merilin Menson (shuningdek, boshqa guruhlar va ko'ngil ochish turlari, masalan, filmlar va video o'yinlar) diniy tomonidan keng tanqid qilindi,[2] siyosiy,[15] va ko'ngilochar-sanoat namoyandalari.[16]

Kolumbindan keyingi kunlarda kuchaygan bosim ostida guruh qurbonlar va ularning oilalariga hurmat ko'rsatib, so'nggi beshta Shimoliy Amerika safari kunlarini keyinga qoldirdi.[17] 29 aprelda o'nta AQSh senatori (boshchiligida Sem Braunbek Kanzas shtatidan) ga xat yubordi Kichik Edgar Bronfman - prezidenti Seagramma (Interscope egasi) - o'z kompaniyasining bolalarga "zo'ravonlikni ulug'laydigan musiqa" ni tarqatishini ixtiyoriy ravishda to'xtatishni so'rab. Xatda Merilin Menson Xarris va Kleboldning harakatlarini "juda yaxshi aks ettiruvchi" qo'shiqlar yaratgani uchun nomlangan.[18] O'sha kuni, guruh qolgan Shimoliy Amerika shoularini bekor qildi.[19] Ikki kundan so'ng, Manson ushbu ayblovlarga javobini an op-ed qismi Rolling Stone, "Kolumbin: Bu kimning aybi?" deb nomlangan, u erda kasting qilgan Amerikaning qurol madaniyati, ning siyosiy ta'siri Milliy miltiq uyushmasi va ommaviy axborot vositalarining mas'uliyatsiz yoritilishi, bu ayblovni a-ga yuklashni osonlashtirganini aytdi gunoh echkisi, ko'proq dolzarb ijtimoiy masalalarni muhokama qilish o'rniga.[20]

4 may kuni televidenie, musiqa, kino va videoo'yin sohalari tomonidan voyaga etmaganlarga zo'ravonlik kontentini marketing va tarqatish bo'yicha tinglov o'tkazildi. Amerika Qo'shma Shtatlari Senatining Savdo, fan va transport bo'yicha qo'mitasi. Qo'mita avvalgisining ko'rsatmalarini eshitdi Ta'lim bo'yicha kotib (va asoschilaridan biri konservativ zo'ravonlik bilan o'yin-kulgini kuzatuvchi guruh Amerikani kuchaytirish ) Uilyam Bennet, Denver arxiyepiskopi Charlz J. Chaput, professorlar va ruhiy sog'liq bo'yicha mutaxassislar. Spikerlar guruhni, uning yorlig'ini tanqid qildilar To'qqiz dyuymli mixlar va 1999 yilgi film Matritsa Kolumbiyadagi otishmalar kabi zo'ravonliklarni keltirib chiqaradigan madaniy muhitga o'zlarining taxminiy hissasi uchun.[21] Qo'mita shuni talab qildi Federal savdo komissiyasi va Amerika Qo'shma Shtatlari Adliya vazirligi voyaga etmaganlarga ko'ngil ochish sanoatining marketing amaliyotini o'rganish.[21][22]

8 avgust kuni o'zlarining gastrol safarlaridagi Evropa va Yaponiyadagi o'yinlarni yakunlagach, guruh jamoatchilik e'tiboridan chetda qoldi.[1] Ning erta rivojlanishi Muqaddas Yog'och Mansonning uyidagi uch oylik tanholik davriga to'g'ri keldi Gollivud tepaliklari,[23] davomida u tortishuvlarga qanday javob berishni o'ylab topdi.[1] Mensonning aytishicha, buzilish unga karerasini qayta ko'rib chiqishga majbur qilgan: "Biroz qo'rquv paydo bo'ldi: [bunga] arziydimi? Odamlar mening nima demoqchi ekanimni tushunyaptimi? Hatto menga aytishga ham ruxsat beriladimi? shundaymi? Chunki mening yuzimda har bir eshik yopiq edi ... orqamda turadiganlar unchalik ko'p emas edi. "[24] U aytdi Muqobil matbuot u o'z xavfsizligiga tahdid solayotganini his qilishi mumkin Mark Devid Chapman uslubida o'q uzdi."[23] U albom ustida ishlashni qarshi hujum sifatida boshladi.[24]

Yozib olish va ishlab chiqarish

Ko'rsatilgan treklarning bir nechtasi Muqaddas Yog'och chiqarilishidan oldin 1995 yilga tegishli Dajjol Superstar,[25] garchi ushbu materialning katta qismi "tarqoq g'oyalar" dan iborat bo'lsa ham.[26] Guruhning vokalisti Manson uch oylik tanholik davrida ushbu materialni ancha mazmunli kompozitsiyalarga aylantirdi.[27] Shundan so'ng, to'liq guruh bir yil davomida materialni qayta yozish va ishlab chiqish ustida ishladi.[28] Yozuv - bu guruhning hozirgi kungacha eng ko'p hamkorlik qilgan harakatlari; barcha a'zolar qo'shiq yozish jarayonida o'z hissalarini qo'shdilar.[29] Kompozitsiya ishlarining aksariyati gitara chaluvchilar bilan birga Manson tomonidan bajarilgan Twiggy Ramirez va Yuhanno 5. Vokalist qo'shiq yozish mashg'ulotlarini ikkalasi o'rtasida taqqoslab, mashg'ulotlarni ikkinchisi bilan "juda diqqatli" deb atadi va ularning ko'pgina asarlari guruhning qolgan qismiga ko'rib chiqilishidan oldin tugallanishini aytdi. Aksincha, uning Ramirez bilan mashg'ulotlari unchalik talabchan bo'lmagan va juftlik tez-tez tajriba o'tkazgan absinthe. Barabanchi Zanjabil Baliq doimiy ravishda yangi material ustida ishlagan va ijro etganligi uchun munosib klaviaturalar va dasturlash, klaviatura paytida Madonna Ueyn Geysi "Prezident o'lgan" va "Kosmosdagi xoch-fantastika" haqida ma'lumot berdi. Umuman olganda, guruh 100 ta musiqiy parcha yozdi, shulardan 25-30 gacha qo'shiq bo'ldi.[30]

Columbine High School kutubxonasi
Umid Kolumbin yodgorlik kutubxonasi qurilgan Kolumbin o'rta maktabi kampusdan keyin fojiali maktabda otishma qurbonlarni xotirlash uchun.

Albomni yozish paytida guruh a'zolari past darajadagi profilni saqlab qolishdi. Menson ularning ekanligini ta'kidladi veb-sayt bu davrda ularning "insoniyat bilan yagona aloqasi" bo'lar edi.[31] Albom bir nechta joylarda, shu jumladan, yozib olingan O'lim vodiysi, Mensonning Gollivud tepaliklaridagi uyi va Rik Rubin "s Mansion studiyasi yilda Laurel Canyon.[32][N 1] Joylar, ular musiqa berishga mo'ljallangan atmosfera uchun tanlangan,[29] guruh "sahro tuyg'usini ularning ongiga singdirish" va sun'iy ovozli qo'shiqlar yaratmaslik uchun O'lim vodiysiga bir necha bor tashrif buyurgan.[34] Menson albomni birgalikda ishlab chiqdi aralashtirish muhandisi Deyv Sardi, esa Bon Xarris ning elektron tana musiqasi guruh Nitser Ebb dasturlash va ishlab chiqarishdan oldin tahrirlash bilan ta'minlangan.[31][N 2] Eksperimental ovoz effektlari va akustik qo'shiqlar yordamida yozib olindi jonli asbobsozlik.[N 3] Xarrisning dasturlash qobiliyatlari yozuvlar jarayonida bebaho bo'lishi mumkin edi, chunki u musiqa guruhi yozib olgan tabiiy tovushlarni qabul qilib, ularni qayta ishlangan fon effektlariga aylantirdi. Menson, shuningdek, akustik qo'shiqlarning "akustik" ekanligini, ular elektron asboblar yordamida yozib olinmaganligini tushuntirdi, ammo u albomning sonik manzarasi "ichki elektron" bo'lishini aytdi.[29]

Manson 1999 yil 16-dekabrda albom ostida rivojlanib borayotganini e'lon qildi ishchi nomi O'lim vodiysining soyasidava uning logotipi simob uchun alkimyoviy belgi bo'ladi.[31][36] Ramzning albom kontseptsiyasi bilan aloqasini kengaytirib, Manson "Bu ikkalasini ham anglatadi androgin va prima materia birinchi odam Odam Ato bilan bog'liq bo'lgan. "[37] Guruh Mansion studiyasida ancha vaqt o'tkazdi, u erda Ginger Fishning jonli barabanining asosiy qismi yozib olinadi, uning g'orli xonalari, ayniqsa, perkussiyani yozish uchun mos keladi. 2000 yil 23 fevralda Manson sun'iy yo'ldosh orqali 20 daqiqalik ma'ruzani "DisinfoCon 2000" konvensiyasida fosh qilishga qaratilgan o'tkazdi. dezinformatsiya u shu savolni berib: "Oq tanli o'spirinlar, nega ular aqldan ozishdi? Ular oq tanli. Ular buzilib ketishdi. Amerikaning yolg'onligini bilganliklari uchunmi? ... Kattalar ko'ngil ochish bizning bolalarimizni o'ldirayaptimi? Yoki bizning bolalarimizni o'ldirmoqdami?" kattalarga ko'ngil ochyapsizmi? "[38][39] Olti kundan so'ng, ularning albomlari qayta nomlanganligi e'lon qilindi Muqaddas o'tin (O'lim vodiysi soyasida).[25] Aprelga kelib, albom yozilishning so'nggi bosqichida edi va Manson studiyadan guruhning kadrlarini joylashtira boshladi.[40]

Roman va film

Mensonning loyihaga bo'lgan intilishlari dastlab albomning tarixini o'rganadigan nomli filmni o'z ichiga olgan.[41] Xabarlarga ko'ra 1999 yil iyul oyida u bilan muzokaralarni boshlagan "Yangi chiziq" kinoteatri filmni va uning soundtrackini ishlab chiqarish va tarqatish.[25] Da 1999 yil MTV Europe Music Awards yilda Dublin (guruh 11 noyabrda ijro etgan),[42] u filmning nomi va uning ishlab chiqarish rejalarini oshkor qildi.[41] Menson chililik bilan uchrashdi avangard kinorejissyor Alejandro Jodorovskiy tadbirda film ustida ishlashni muhokama qilish,[42] garchi yakuniy qaror qabul qilinmagan bo'lsa ham.[43] 2000 yil 29 fevralga qadar, Manson "New Line Cinema" filmini "badiiy qarashlarini saqlab qolmaydigan" yo'nalishga olib borishi haqida oldindan ogohlantirgandan so'ng, bu kelishuv bekor qilindi.[25]

Uning olib kelish urinishidan voz kechish Muqaddas Yog'och ekranga, Manson albomga hamroh bo'lgan ikkita kitobni nashr etish haqida e'lon qildi.[25] Birinchisi "grafik va fantasmagorik" roman tomonidan albomdan ko'p o'tmay chiqarilishi uchun mo'ljallangan ReganBooks (ning bo'linishi HarperCollins ).[27] Romanning uslubi ilhomlangan Uilyam S. Burrouz, Kurt Vonnegut, Aldous Xaksli va Filipp K. Dik,[29] va undan keyin a kofe stolidagi kitob loyiha uchun yaratilgan rasmlarning.[25] 2000 yil dekabr oyida Menson, yozuvchi bilan suhbatda Chak Palaxniuk zikr qilingan Muqaddas Yog'och roman (2001 yil bahorida chiqishi kerak) va uning uslubiga iltifot ko'rsatdi.[44] Ma'lumotlarga ko'ra, ikkala kitob ham nashr etilmagan, chunki nashr bilan bog'liq mojaro tufayli.[45]

Kontseptsiya va mavzular

Muqaddas Yog'och - bu hatto Amerikaning giperbolasi unchalik katta bo'lmagan joy - bu obro'ning navbatdagi sarlavhasi bo'lgan joy. Agar siz vafot etsangiz va etarlicha odamlar tomosha qilsalar, unda siz mashhursiz.

- Merilin Menson, albom konsepsiyasida[23]

Menson tasvirlangan Muqaddas Yog'och "urush e'lon qilish" sifatida.[46] Albomning syujeti a masal,[27] u aytdi Rolling Stone yarim avtobiografik edi. Buni bir necha darajalarda ko'rib chiqish mumkin bo'lsa-da, uning so'zlariga ko'ra, uning eng oddiy talqini - bu inqilob tijoratlashtirilib, uni "o'zi yaratgan narsani yo'q qilishga" olib boradigan idealist odam haqidagi hikoya sifatida ko'rishdir.[32] Bu zamonaviy Amerikaning "Muqaddas Yog'och" deb nomlangan ingichka pardali satirasida bo'lib o'tadi, uni Manson a Disney - asosiy diqqatga sazovor joylar o'lim va zo'ravonlik bo'lgan va iste'molchilik giperbolik darajaga ko'tarilgan shaharning kattagina attraktsion parki.[23] Uning adabiy folga bu "o'lim vodiysi" bo'lib, u "dunyodan chetlanganlar va nomukammallar uchun metafora" sifatida ishlatiladi.[47]

Markaziy belgi - bu qahramon Adam Kadmon[1][48]- ismidan olingan ism Kabala bu "asl odam" degan ma'noni anglatadi.[25] U o'lim vodiysidan va Muqaddas Yog'ochdan yaxshiroq hayot izlab ketayotganida, voqea unga ergashadi. Topganidan ko'ngli qolmay, u qarshi madaniyat inqilobini namoyish etadi,[47] faqat uni muqaddas Vudning iste'mol madaniyati egallab olgan va birgalikda tanlagan va u o'zini muqaddas Vudning "Celebritarianism" mafkurasi arbobi sifatida topgan: shuhrat mashhurlarga sig'inish bilan chuqur bog'langan dinning asosiy axloqiy qiymati bo'lgan mafkura. va shahidlik;[27][48] qayerda o'lgan taniqli kishilar avliyo sifatida hurmat qilinadi va Jon F. Kennedi zamondosh sifatida butlangan Iso Masih.[2][27][47] Muqaddas Vudning dini xristianlik bilan taqqoslanadi, chunki u Amerika madaniyatidagi taniqli odamlarning fenomenini va Isoni xochga mixlash.[2][23][27]

Qora fonda oq doira ichida oq belgi
Ning stilize qilingan versiyasi alkimyoviy belgi uchun simob, guruh tomonidan albom va belgisi uchun logotip sifatida ishlatilgan Adam Kadmon[37]

Albom davomida "qurol, xudo va hukumat" iborasi bir necha bor takrorlangan. Bu zo'ravonlikning asosiy sababi deb taxmin qilinmoqda va albom konservativ rolni ko'rib chiqadi Amerika madaniyati go'yoki Kolumbin qirg'inida o'ynagan: xususan, Manson qurol madaniyatini targ'ib qilish, nomuvofiqlik deb qabul qilgan narsa an'anaviy oilaviy qadriyatlar, Amerika tomon moyilligi urush olib borish faqat uchun foyda, va Xristian huquqi hayot uchun axloqiy vahima.[1] Asosiy Amerika madaniyati ichidagi zo'ravonlikni ulug'lash yozuvning asosiy mavzusi.[49] Yozuvning muhim qismida Iso Masihning madaniy roli, xususan, Mansonning xochga mixlangan tasviri taniqli shaxsning kelib chiqishi bo'lganligi haqidagi qarashlari tahlil qilingan.[50] Mensonning aytishicha, avvalgi ishi Muqaddas Kitobning mazmuniga qarshi chiqqan bo'lsa-da Muqaddas Yog'och, o'rniga u Muqaddas Kitobda o'zi bilan bog'liq bo'lishi mumkin bo'lgan narsalarni qidirdi.[29] U Masih inqilobiy shaxs - xavfli fikrlarga ega bo'lganligi uchun o'ldirilgan va keyinchalik uning obrazi ekspluatatsiya qilingan va moliyaviy manfaatlar yo'lida savdogar bo'lgan shaxs bo'lgan degan fikrni rivojlantirdi. erkin bozor kapitalizm.[27][29]

Masihning o'limi ham taqqoslanadi Ibrohim Zapruder "s film ning Jon F. Kennedining o'ldirilishi,[51] Menson buni "zamonaviy davrda xochga mixlashga teng keladigan yagona narsa" deb atagan.[23] U klipni bolaligida ko'p marta tomosha qilgan va bu hech qachon ko'rmagan eng zo'ravon narsa ekanligini aytgan.[27] Jon Lennon albomda shuningdek o'ldirilgan belgi tomonidan o'ldirilgan qayta tug'ilgan nasroniy, Mark Devid Chapman Lennon tomonidan g'azablangan "Isoga qaraganda ko'proq mashhur "eslatma.[2][52] Yozib olish paytida Muqaddas Yog'och, Mensonga jalb qilindi Bitlz ' 1968 Oq albom, ilhomlantiruvchi rolida Charlz Menson "Oila" qotilliklari va u ushbu voqea bilan Kolumbin o'rtasidagi o'xshashliklarni kuzatib, shunday dedi: "Mening bilishimcha, bu birinchi rok-n-roll yozuvlari ayblanib, zo'ravonlik bilan bog'liq. Agar qo'lingizda bo'lsa".Helter Skelter "[dan olingan Xuddi shu nomdagi "Bitlz" qo'shig'i ] kimningdir devoriga qon bilan yozilgan, bu meni ayblagan narsadan biroz ko'proq zararli ".[2]

Tarkibi va uslubi

The Jon F. Kennedining o'ldirilishi (chap) va Jon Lennonni o'ldirish (to'g'ri) albomning asosiy tematik elementlari bo'lib xizmat qiladi.

Yozuv birinchi navbatda sanoat metall albom,[53] u ham tasvirlangan bo'lsa-da qattiq tosh,[54] va gotik tosh.[55] Vokalist chiqishdan oldingi intervyusida da'vo qildi Kerrang! albomda ba'zi birlari bo'lishi kerak eng og'ir guruh shu kungacha yozib olgan material.[29] Muqaddas Yog'och birlashtiradi glam rock - ta'sirlangan ishlab chiqarish Mexanik hayvonlar bilan sanoat jinsi guruhning avvalgi ishlarining soundscape.[32] U shuningdek, yozuvni "mag'rur, in art rock sense "va lirik tarkib natijasida qo'shiqlarning aksariyati uch yoki to'rtta qismdan iborat bo'lganligini aytdi, garchi guruh" o'zini o'zi qondiradigan "bo'lmaslik uchun juda ehtiyotkorlik bilan harakat qildi. "sanoat Oq albom"va u yozgan Muqaddas Yog'och o'sha uyda Rolling Stones 1970 yildagi singlini yozgan "Qon ketishiga yo'l qo'ying "- boshqa ilhom manbai.[29]

Yoqdi Dajjol Superstar undan oldin, Muqaddas Yog'och foydalanadi qo'shiq aylanishi albomni to'rtta harakatga bo'lish. Ushbu harakatlar A: Soyada, D: Androgin, A: Qizil Yer va M: Yiqilgan deb nomlangan.[56] Menson yozuvni "men boshlagan triptixning so'nggi qismi" deb ta'rifladi Dajjol Superstar."[31] Chiqarilgan uchta albomning oxirgisi bo'lishiga qaramay, Manson triptixning hikoyasi teskari xronologik tartibda sodir bo'lishini tushuntirdi; Muqaddas Yog'och hikoyani boshladi va Mexanik hayvonlar va Dajjol Superstar davomi edi.[24] Hikoyalar metafora va tashbehlarning ko'p bosqichli seriyasida rivojlanadi; masalan, albomning nomi nafaqat Gollivud belgisi, shuningdek, "Odam Ato jannatdan tushganda birinchi mevani olgan bilim daraxtiga, Masih xochga mixlangan daraxtga, [Li Xarvi] Osvaldning miltig'i yasalgan daraxtga va shu qadar ko'p daraxtga. tobutlar yasalgan. "[27]

Javob: Soyada

"GodEatGod" bu yozuvdagi birinchi qo'shiq. A ovozi bilan ochiladi fokus-tekislik deklanşörü qo'shiqqa o'tishdan oldin tomoshabinlarning qichqirig'i fonida sekin-asta suratga olinayotgan qurol ovozlarida. Qo'shiq klaviatura, sintezatorlar va sint-bas.[47] "Sevgi qo'shig'i" Menson tomonidan "Amerikaning qurolli romantikasi" haqida tasvirlangan va uning nomi "Sevgi qo'shig'i" musiqaning eng keng tarqalgan sarlavhalaridan biri bo'lganligini kuzatishidan kelib chiqqan.[47] Matnlar qurollar haqida batafsil metafora atrofida yaratilgan. Menson quyidagicha tushuntirdi: "Men so'zlar bilan otasi - qo'l, onasi - qurol, bolalar esa o'qdir. Men ularni otib tashlagan joy - ota-onangizning mas'uliyati."[57][58] Xor - bu mashhur amerikalikni ritorik qabul qilish bamper stikeri: "Siz Xudoyingizni, qurolni, hukumatni sevasizmi?"[47] Kerrang! tasvirlangan "Fight Song "o'yin maydonchasi punk madhiyasi" sifatida,[59] va Menson uning mavzusi Odam Atoning Muqaddas Yog'och tarkibiga kirishni istashini ochib berib, gap "butun umri davomida o'sib-ulg'aygan kishi, o'tning narigi tomonida yashilroq, deb o'ylab, lekin oxir-oqibat [u erga etib borganida] haqida" ekanligini aytdi. , u qaerdan kelganidan ham yomonroq ekanligini tushunadi. "[47] "Bir martali ishlatiladigan o'spirinlar "bu" Merilin Mensonning imzo qo'shig'i "bo'lib, gitara riffidan tashkil topgan stakkato artikulyatsiya.[47] Uning so'zlari bilan zamondoshning huquqlari taqqoslangan ming yillik ularning inqilobiy idealizmi bilan yoshlar bolalar boomeri ota-onalar avlodi.[47][60] Bu qo'shiqda "Bitlz" ning ta'siri aniq ko'rinib turibdi;[36][51][60] xor ning umidsizligini aks ettiradi Oq albom"s "Inqilob 1 ".[36][60]

D: Androgin

Menson albomdagi eng sevimli qo'shig'i sifatida "Maqsadli auditoriya (Narcissus narkoz)" ni ajratib ko'rsatdi va bu har bir insonning xohishini tasvirlaydi o'zini o'zi amalga oshirish.[47][61] Qo'shiqda an optigan va tomonidan boshqariladi gardishli arpeggiated akkordlar, og'ir gitara chuglariga qurish va mag'lubiyatga egilish xor paytida.[62] Ovozda g'arq bo'lgan qo'shiqni yozuvdagi "yorqin lahza" deb ta'rifladi.[62] "President Dead" - bu gitara chaladigan qo'shiq bo'lib, Jon 5-ning texnik mahoratini va John 5, Twiggy Ramirez va Madonna Ueyn Gacy-dan yozgan kreditlarini namoyish etadi. Menson ham o'ynaydi mellotron.[59] U namuna bilan ochiladi Don Gardiner "s ABC News Radio Jon Kennedining vafoti to'g'risida e'lon qilgan. Qo'shiq 3:13 uzunlikda, bu ataylab numerologik havola ramka Zapruder filmining 313-qismi - Kennedini o'ldirgan halokatli bosh zarbasining ta'sirlanish momentini aks ettiruvchi kadr.[60] "O'lim vodiysining soyasida" - bu introspektiv qo'shiq, Odam Atoning hissiy jihatdan eng zaif tomoni.[60] Qo'shiq ikki qismga bo'lingan. Birinchi qism namunalar va "o'lim halqasi" dan iborat[N 4] oddiy ustida tosh Yuhanno 5 ning 1952 yilidan Gibson akustik gitara a uchun yo'l ochadigan bas gitara barabanlar tugadi uzilgan ikkinchi qismdagi akkordlar.[33][35] "Kosmosda xoch-fantastika" amerikaliklarning muqobil evolyutsion yo'lni bosib o'tganligi haqida postulyatsiya qilib, Amerikaning qurol madaniyatini yanada o'rganib chiqadi; maymunlardan erkaklarga qadar o'qotar qurolgacha.[27] Uning tarkibi sekin, ammo og'ir - "tezlik yoki murakkablik" dan mahrum. Unda aralash metr baraban urishi 4 / 4da o'rtacha 8 vaqt ikkita qo'shimcha bilan sakkizinchi eslatmalar oxirida; "bu 4/4 da boshlanmaydi, 4/4 da tugamaydi, shuning uchun bu chalkash".[35] "Kirdagi joy" - bu yana bir shaxsiy qo'shiq, Odam Atoning Muqaddas Vuddagi o'rnini o'zi tahlil qilishi bilan tavsiflanadi.[59]

Javob: Qizil Yer

"Hech kim "bu g'amgin, elegiya dirge a ustida qurilgan clavecin électrique va sintez qilingan barabanlar.[27][59] Uning nomi Mark Devid Chapmanning iqtibosidan olingan.[63] "Bugun men iflosman va men chiroyli bo'lishni xohlayman, ertaga men shunchaki axloqsiz ekanligimni bilib olaman" oyatida an bor Iggy Pop - uslubni vokal bilan etkazib berish, "adrenalin bilan ta'minlangan" xorga qurish.[9][27][59] CMJ qo'shiqni Kolumbin otishchilariga hurmat sifatida talqin qilish mumkinligini ta'kidladi, ammo uning maqsadi zo'ravonlikni ulug'lash emas edi; aksincha, bu bolalar qoniga botgan jamiyatni tasvirlash edi.[27] "O'lim qo'shig'i" - Odam Atoning burilish nuqtasi; u endi g'amxo'rlik qilmaydi.[60] Menson buni istehzoli va nigilistik deb ta'rifladi: "bu" bizning kelajagimiz yo'q va biz hech narsa bermaymiz "kabi."[60] Kerrang! uni albomning eng og'ir qo'shiqlaridan biri deb ta'rifladi.[59] The ko'prik "Xudoning Qo'zi" ning xorini "Olam bo'ylab "(1970-yillardan boshlab Tinch qo'y, hamma narsa o'z holidagiday qo'sin; shunday bo'lsin ), "Hech narsa mening dunyomni o'zgartirmaydi" lirikasi qo'shiqni ilhomlantirdi. Menson buni batafsil bayon qildi: "Mark Devid Chapman kelib, uning juda noto'g'riligini isbotladi. Bu har doim o'sadigan narsa men uchun juda achinarli va qayg'uli edi".[51] Qo'shiqda Jon Kennedi va Jon Lennonning suiqasdlari yordamida ommaviy axborot vositalarining o'limga bo'lgan hurmatini tanqid qilish va fojiani televizion tomoshaga aylantirish uchun foydalaniladi.[48] Bu klaviatura og'irligi va fortepianodan tortib turli xil asboblar bilan jihozlangan, a minipiano, a leslie spikeri va bir nechta sintezatorlar. Ritmi va akustik gitara qismlari uchun g'ayrioddiy yozuv texnikasi qo'llanildi.[N 5] "Born Again" - bu sint-basdan foydalangan yozuvdagi ikkinchi qo'shiq va "Nobodies" dan tashqari, baraban mashinasidan foydalangan yagona qo'shiq. Qo'shiqning gitara treklari Ramirez tomonidan boshqarilgan va 5-sonli Jon qo'shiqlari bilan to'ldirilgan. "Burning Flag" - bu amerikalik sanoat metall guruhini eslatuvchi og'ir metallarga tegishli qo'shiq. Vazirlik.[59]

M: Yiqilgan

Ramirez va Jon 5 "Koma qora" gitara kompozitsiyalarida hamkorlik qilishgan; qo'shiq Ramirezning "notekis gitara" si bilan almashinib turadi faze gitara John 5 tomonidan ishlagan, Manson qo'shimcha ritm gitara yordamini taqdim etgan. Albom "Sevishganlar kuni", "Odamning qulashi", "Qirolni o'ldiring 33 °" va "Oltiga qadar o'ling va o'ling (Vakuum cheksiz kosmosni o'z ichiga olgan)" qo'shiqlari guruhi bilan tugaydi, ularning har biri bir zumda bo'lishidan oldin to'satdan tugaydi. keyin kirish davom etayotgan trekning. "Sevishganlar kuni" Ramires va Menson tomonidan yozilgan bo'lib, Geysi mellotron o'ynaydi - bu ekssentrik asbob yozuvda ikkinchi marta paydo bo'ladi. Yuhanno 5 yomg'ir ostida "Odamning qulashi" gitara qismlarini noyob ovoz chiqarib olish uchun va qasddan yozib oldi yanglishgan uning Gibson qo'shig'i "yanada yoqimli ovoz chiqarish" uchun kirish so'zi uchun.[33][N 6] Bon Xarris "Count to Six and Die (Vacuum of Infinite Space Encompassing)" qo'shig'ining pianino ishiga hissa qo'shdi, Geysi esa o'z trekkasini mellotronini ushbu trekka almashtirdi. mag'lubiyat sintezatori. Bu xulosa a jarlik; u yakka o'qning a-ga yuklangan ovozi bilan tugaydi revolver uzoq davom etadigan pirotexnika fonida kamera qayta-qayta o'ralgan. Uning bolg'a olti marta xo'roz qilinadi, garchi uning qo'zg'atuvchi faqat besh marta tortiladi. Oltinchi va yakuniy xonaning natijasi tinglovchiga aniqlanishi kerak.[62]

Chiqarish va san'at asarlari

Menson 1999 yil 16 dekabrda guruhning veb-saytida to'rt daqiqa davom etgan videoklipni joylashtirdi, unda ilgari chiqmagan ikkita qo'shiqning kliplari namoyish etildi. Birinchi klip rok qo'shig'idan iborat bo'lib, keyinchalik "Bir martali ishlatiladigan yoshlar" ga aylangan, ikkinchisi esa qo'pol demo qopqoqning Frenki Leyn va Jimmi Boyd 1953 yildagi "Kichkina bola va chol" (muallifi Ueyn Shanklin bir yil oldin "Kichik bola" nomi bilan; u 1964 yilgi filmda "Onajonim azizim" nomi ostida eng mashhur ijro etilgan Yalang'och o'pish ).[36] Kabi sevishganlar kuni Menson muxlislar uchun sovg'a, guruhning Charlz Mensonning "Kasal shahar" albomini 1970 yilgi albomidan ko'chirib oldi. Yolg'on: Sevgi va dahshat kulti.[64] Avgust oyida u ushbu yozuvni 24-oktabr kuni e'lon qildi va 13 ta qo'shiq nomini o'z ichiga olgan qisman treklar ro'yxatini e'lon qildi va shu bilan birga ularning veb-saytlari har hafta yangilanib turishini ko'rsatdi.[51] Uch hafta ichida albomning to'liq treklari ro'yxati aniqlandi va "Yonayotgan bayroq", "Kosmosdagi xoch-fantastika" va "Sevgi qo'shig'i" ning ovozli fayllari bepul yuklab olish uchun chiqarildi,[37] qopqog'i bilan birga Muqaddas Yog'och roman.[65]

18-sentabrda Menson albomning AQShdagi chiqishi 14-noyabrga (yakuniy aralashmani aniq sozlash uchun) qoldirilishini va uning birinchi singlisi "Bir martali ishlatiladigan yoshlar" bo'lishini ma'lum qildi.[51] Albom uchta formatda 13-noyabr kuni Buyuk Britaniyada nashr etildi Hech narsa yo'q va Interterskop yozuvlari.[66] Ning versiyalari yaxshilangan CD Buyuk Britaniyada chiqarilgan nashrda "Nobodies" ning akustik versiyasi bonusli trek sifatida taqdim etilgan,[62] yapon nashrlarida esa "Mexanik hayvonlar" ning jonli versiyasi ham mavjud edi.[67] Albom chiqarildi ikki baravar -LP va kasseta.[68][69] Universal Music Japan ozod qilingan qayta tiklandi albomning 2013 yil 23 martdagi Super High Material CD (SHM-CD) versiyasi.[70]

Tasvir biz butun hayotimiz davomida oddiy deb qabul qilgan narsaga zo'ravonlik va shahvoniy munosabat sifatida qarashni taklif qilishi kerak edi. Demak, o'yin-kulgilarni zo'ravonlik deb hisoblaydigan dindorlar bu g'alati narsa, chunki Masih birinchi taniqli odam bo'lgan va barcha o'yin-kulgilar dindan kelib chiqqan. Va mening jag'imni olib tashlash xavfli fikrlarga ega odamlarning jim bo'lishini anglatadi.

- Merilin Menson, munozarali albom muqovasida.[50]

Albom uchun badiiy asar Manson va tomonidan ishlab chiqilgan P. R. Braun. Menson qo'shiqlarni yozar ekan, uni kontseptsiyalashtira boshladi va Braun va Menson o'zlari ishlashga qaror qilgandan keyin tasvirni amalga oshirish uchun tandemda ishladilar. Mensonni xochga mixlangan Masihni jag 'suyagi yulib tashlangan holda tasvirlaydigan muqovalar, tsenzurani tanqid qilish va Amerikaning shahidlarga berilib ketishidan iborat. Bu qisqartirilgan qayta talqin qilish Osilgan odam Tarot karta.[59] Uning ostida Jon F. Kennedining tekshiruv xulosasining yashirin qismi, unda "klinik yozuv" va "otopsi" so'zlari ko'rsatilgan.[71] Guruh nomida ishlatiladigan shrift, xuddi shu shriftda ishlatilgan Disney dunyosi logotip 1960-yillarda.[60]

Muqova munozarali edi; sotilgan albom nashrlari O'chirish shahri muqobil qopqoqni o'z ichiga olgan karton yengiga joylashtirilgan, esa Walmart va Kmart albomni saqlashdan umuman voz kechdi.[72] Memfisdagi bir ruhoniy, Tennesi shtati a ga borishni qo'rqitdi ochlik e'lon qilish agar albom javonlardan tortib olinmasa.[50] Menson bu harakatlarni tsenzuraga urinish sifatida ta'rifladi: "Ajablanarlisi shundaki, mening albomdagi fotosuratdagi fikrim odamlarga Masihning xochga mixlanishi haqiqatan ham zo'ravonlik tasviri ekanligini ko'rsatish edi. Mening jagim juda mehribon ramz sifatida yo'qolgan. Tsenzuradan, bu meni xursand qilmayapti, chunki mening albomim muqovasidan xafa bo'lganlar mening fikrimni muvaffaqiyatli isbotladilar. "[72] 2008 yilda, Gigwise "Barcha zamonlarning eng munozarali 50 albomi" ro'yxatidagi o'ninchi o'rinni egalladi.[73]

Qayta ishlangan o'n to'rt kishilik to'plam Mayor Arcana asosidagi fol kartalari Rider-Waite kemasi, albomning badiiy asarlari uchun qo'shiqchi tomonidan buyurtma qilingan. Kartalarda guruh a'zolari tasvirlangan syurrealistik jadval. Albomning lirik tarkibidagi ikonografiyani aks ettirish uchun har bir karta qayta sharhlandi: Ahmoq tasvirlari tasvirlangan jarlikdan chiqib ketmoqda Jaklin Kennedi Onassis va fonda JFK kampaniyasi plakati; Imperator, oyoqlari protezlangan, Amerika bayrog'i oldida miltiqni ushlagan nogironlar aravachasida o'tirgan; adolat tarozida Muqaddas Kitobni miyaga tortadi. Albomning ichki yengida ushbu uchta rasm va yana to'qqiztasi mavjud: Sehrgar, Oliy ruhoniy, Ierofant, Zohid, O'lim, Shayton, Minora, Yulduz va Dunyo. Muqovaning o'zi osilgan odamni anglatadi.[44]

Aktsiya va singllar

Albomni targ'ib qilish uchun uchta singl chiqarildi, "Bir martali ishlatiladigan yoshlar" uning albomi sifatida chiqarildi etakchi singl.[74] Guruh o'zining birinchi chiqishini boshladi BBC One "s Poplarning tepasi qo'shiqni ijro etish.[75] Uning klipiga rejissyorlik qilgan Samuel Bayer debyut qilingan MTV "s Jami so'rov jonli 25 oktyabrda.[76] Singl 6-noyabr kuni Buyuk Britaniyada chiqdi va unda bir nechta B-tomonlar, shu jumladan Lennonning muqovalari "Ishchi sinf qahramoni "va Eshiklar ' "Beshdan bittagacha ", shuningdek" Diamonds & Pollen "va" original treklariOxirzamonning hayratlanarli panoramasi ". Ikkinchisi o'tgan yili chiqarilgan edi soundtrack ga Mashhurlarning o'limi.[75] Guruh sahnada "Bir martali ishlatiladigan yoshlar" ni ijro etdi MTV yangi yil 2000 yilgi Momo Havo bayrami, muqovasi bilan birga Arzon hiyla "Taslim bo'lish ".[77] Shuningdek, u da ijro etilgan 2001 Amerika musiqa mukofotlari.[78]

1 noyabrdan boshlab Buyuk Britaniyaning Interscope bo'limi albomni targ'ib qilish bo'yicha tanlov o'tkazdi. Tanlov muxlislarni har kuni guruhning veb-saytiga kirishga taklif qildi, ular yashirin xabarga sabab bo'lgan bir qator kodlangan ma'lumotni olishdi. Topishmoqni hal qilgan muxlislar eksklyuziv yuklab olishdi va Gollivudda guruh bilan uchrashish uchun ikki kishilik bir haftalik sayohat uchun rasmga tushishdi.[76] 14-noyabr kuni guruh "Guns, God and Government Tour" dan tanaffusga chiqib, albomning AQShda chiqish sanasini Saci tungi klubida taklif qilingan, faqat taklifnomaga bag'ishlangan qisqa akustik to'plami bilan nishonladi. Nyu-York shahri. Ko'rgazma uchun chiptalar o'z veb-saytlari orqali, radio tanlovlarida va birinchi 100 albom xaridorlariga berilgan Tower Records Nyu-Yorkdagi Broadwayda. To'plam to'rtta qo'shiqdan, shu jumladan ularning qopqog'idan iborat edi "O'z joniga qasd qilish og'riqsizdir "- filmning mavzusi (va TV seriallar ) M * A * S * H - ular yaqinda o'zlarining hissalarini qo'shdilar soundtrack ning Soyalar kitobi: Bler Jodugar 2.[79] Ertasi kuni vokalist paydo bo'ldi Jami so'rov jonli "Onalar Merilin Mensonga qarshi" deb nomlangan segmentda.[80]

"Fight Song" albomning ikkinchi singlisi sifatida 2001 yil 19 fevralda Buyuk Britaniyada chiqdi.[81] A remiks tomonidan qo'shiq Joey Jordison ning Slipknot uning B tomoni sifatida paydo bo'ldi.[82] Uning musiqiy videosi Menson va V.I.Z.[77] va zo'ravonlik bilan tasvirlanganligi uchun tortishuvlarga sabab bo'ldi Amerika futboli o'rtasidagi o'yin hazillar va qotlar, bilan NME uni Kolumbin fojiasidan ekspluatatsiya qilganlikda ayblash.[83] Menson da'volarni shov-shuv sifatida rad etdi,[81] va shunday dedi: "Men sport bilan bir qatorda musiqa ham zo'ravonlik sifatida qaralishi mumkinligini ko'rsatishga harakat qilyapman, shuning uchun men video uchun an'anaviy qora va oq, yaxshi va yomon mavzuni tanladim".[83] Menson 2001 yil aprel oyidagi epizodda paydo bo'ldi O'Rayli faktori, u erda yana bir bor guruhning musiqasi Kolumbin uchun mas'ul bo'lganligini rad etdi. Bill O'Rayli "bezovtalanayotgan bolalar" mas'uliyatli ota-onalarning ko'rsatmalarisiz uning musiqasidagi xabarni noto'g'ri talqin qilishlari mumkin, deb ta'kidladilar: "Men o'lganimda [hamma] meni taniydi" degan e'tiqodni qo'llab-quvvatlaydi. Menson javob berdi:

Menimcha, bu juda o'rinli nuqta va menimcha, bu albatta ushbu dasturning emas, balki umuman televizorning aksi, agar siz vafot etsangiz va sizning shahid bo'lishingizni etarlicha odamlar tomosha qilayotgan bo'lsa, siz qahramon bo'lasiz, siz yaxshi bo'lasiz ma'lum. Shunday qilib, sizda Kolumbin kabi narsalar bo'lganida va sizda g'azablangan va ular aytadigan so'zlari bo'lgan va hech kim tinglamaydigan bolalar bo'lganida, ommaviy axborot vositalari agar siz baland ovozda biron bir narsa qilsangiz va bu bizning e'tiboringizni jalb qilsa, degan xabarni yuboradi. iroda buning uchun mashhur bo'ling. O'sha bolalar muqovada tugadi Vaqt jurnal ikki marta, ommaviy axborot vositalari ularga xohlagan narsalarini berdi. Shuning uchun men o'sha paytda meni hech qachon intervyu bermagan edim, chunki men aybdor deb topilgan narsaga hissa qo'shishni xohlamadim.[84]

2001 yil o'rtalarida, Universal Music Group epizodlari paytida albomni targ'ib qiluvchi reklama roliklarini namoyish etgani uchun tanqid qilindi Jami so'rov jonli. Menson bu avvalgisidan shubha qilgan Demokratlardan vitse-prezidentlikka nomzod Jozef Liberman tanqidda rol o'ynadi.[85] Liberman va Hillari Klinton yaqinda 2001 yildagi Media Marketing bo'yicha javobgarlik to'g'risidagi qonunni taqdim etgan edi 107-AQSh Kongressi.[86][87] Ushbu qonunchilik ko'ngilochar sanoatni voyaga etmaganlarga zo'ravonlik yoki ochiq-oydin materiallarni sotishni taqiqlashni taklif qildi.[88][89]

Menson "Fight Song" chiqmasidan oldin "Nobodies" albomning uchinchi singlisi sifatida chiqarilishini e'lon qildi, shu bilan birga uning videolavhasini Rossiyada suratga olish istagi paydo bo'ldi, chunki "atmosfera, xarobalik, sovuqlik va me'morchilik haqiqatan ham qo'shiqqa mos keladi. "[90] Yana bir dastlabki rejaga MTV seriyasini qo'shish kerak edi Jekass, chunki qo'shiq shou soundtrackiga kiritilgan. Keyinchalik, bu g'oya Libermanning g'azabiga duchor bo'lganida tark etildi.[85] Klipning rejissyori Pol Fedor va iyun oyida MTV-da namoyish etildi,[85] va singl 3 sentyabr kuni Buyuk Britaniyada chiqdi. Uning chiqishi guruhning The at the at the time bilan paydo bo'lishiga to'g'ri keldi Kitobxonlik festivali va guruhning veb-saytida yana bir musobaqa bo'lib o'tdi - g'olibga festivalga hafta oxiri ikkita yo'llanma berildi, shuningdek sahna ortiga cheklovsiz kirish va shaxsiy uxlash joyi berildi.[91] Keyinchalik qo'shiqning remiksi 2001 yilda paydo bo'lgan Jonni Depp film Jahannamdan.[92]

Tur

Albom dunyo bo'ylab qurollar, Xudo va hukumat safari tomonidan targ'ib qilingan,[15] Shimoliy Amerikada 3000-6000 o'rinli joylarda 2000 yil 27 oktyabrda boshlandi Orpheum teatri yilda Minneapolis.[93] Odatda guruh uchun kontsertlar juda teatrlashtirilgan edi.[94] Ekskursiya tasvirlari asosan albomda topilgan kontseptsiya va mavzulardan kelib chiqqan; uning logotipi miltiq edi, qurollari xristian xochiga o'xshash tarzda joylashtirilgan edi.[95] To'plamlar bilan ishlab chiqilgan kommunistik, diniy va "celebritarian" tasvirlar.[90] Menson har bir namoyish davomida bir qator kostyumlarni o'zgartirdi: episkop dalmatik va mitti (ko'pincha aralashtiriladi papa regaliyasi ); hayvonlardan tikilgan kostyum (shu jumladan polatlar otning dumidan va terisi echki boshlaridan va tuyaqush tikanlaridan tikilgan ko'ylakdan qilingan); uning imzosi qora charm korset, g-sim va garter paypoq; ishlab chiqilgan Rim legioner - imperator uslubi galea; an Allgemeine SS uslubida eng yuqori darajadagi politsiya kepkasi; qora-oq mo'ynali kiyim va uni 12 metr (39 fut) balandlikda ko'targan katta konusning yubkasi.[94][96][97]

The Ozzfest gastrol safari guruhning birinchi chiqishidir Denver, Kolorado (2001 yil 22 iyunda soat Mil baland stadioni ) after the Columbine High School massacre in Littleton. After initially canceling due to a scheduling conflict, the band changed their plans to play the Denver date.[98] The group's decision met resistance from conservative groups; Manson received death threats and demands to cancel the band's performance.[99] A group of church leaders, businesses and families related to Columbine formed an maxsus organization opposing the show.[98] Citizens for Peace and Respect, which was supported by Kolorado gubernatori Bill Ouens va vakil Tom Tankredo, claimed on their website that the band "promotes hate, violence, death, suicide, drug use, and the attitudes and actions of the Columbine killers".[100] In response, Manson issued a statement:

I am truly amazed that after all this time, religious groups still need to attack entertainment and use these tragedies as a pitiful excuse for their own self-serving publicity. In response to their protests, I will provide a show where I balance my songs with a wholesome Bible reading. This way, fans will not only hear my so-called, 'violent' point of view, but we can also examine the virtues of wonderful 'Christian' stories of disease, murder, adultery, suicide and child sacrifice. Now that seems like 'entertainment' to me.[101]

Two films of the concert tour were made. The Qurol, Xudo va hukumat DVD was released on October 29, 2002 by Eagle Rock Entertainment, and featured live footage taken from several different performances in Los Angeles, Russia, Japan, and throughout Europe.[102] It also included a 30-minute behind-the-scenes featurette, The Death Parade, dan kelgan mehmonlar ishtirokida Ozzy Osbourne va Eminem.[103] This was followed seven years later by a Blu ray sarlavhali Guns, God and Government – Live in L.A. Released by Eagle Rock on November 17, 2009, it depicts the band's entire sixteen-song set from their January 13, 2001 performance at the Katta Olimpiya auditoriyasi —the final headlining show of the North American leg of the tour.[104]

Tanqidiy qabul

Professional reytinglar
Umumiy ballar
ManbaReyting
Metakritik72/100[105]
Ballarni ko'rib chiqing
ManbaReyting
AllMusic4,5 / 5 yulduz[106]
Billboard8/10[107]
Ovozga g'arq bo'ldim10/10[62]
Ko'ngilochar haftalikB[108]
LA haftalik4,5 / 5 yulduz[109]
Los Anjeles Tayms2/4 yulduz[110]
Melodiya yaratuvchisi4/5 yulduz[111]
NME4/5 yulduz[28]
Q4/5 yulduz[105]
Rolling Stone3,5 / 5 yulduz[54]

Muqaddas Yog'och received generally positive reviews from music critics at the time of its release. Da Metakritik, belgilaydigan a normallashtirilgan reytingning 100 dan asosiy tanqidchilarining sharhlariga, albomga ega bo'ldi o'rtacha score of 72 based on 14 reviews, indicating "generally favorable reviews", and is the 88th best-reviewed album of the year.[105] The record was praised by several publications as being the band's finest work: Stiven Tomas Erlevin ning AllMusic described it as their definitive record;[106] uchun yozuvchi Ko'ngilochar haftalik called it their "most potent effort yet",[108] and April Long of NME said it was "by far the best thing Manson has ever set his warped mind to, [it] ultimately inspires something far more potent than fear or hatred—respect."[28]

The band received acclaim for the quality of their songwriting. Daniel Durchholz of Ovoz devori deb nomlangan Muqaddas Yog'och their most ambitious and musically accomplished record to date.[112] LA haftalik said that "almost all [of the songs] contain a double-take chord change or a textural overdose or a mind-blowing bridge, and they'll be terroristic in concert."[109] Hot Press praised the band for their inventive musiqiy aranjirovkalar va shunday dedi "Muqaddas Yog'och is a far better record than many would have dared to expect."[113] Drowned in Sound rated the album 10 out of 10 and praised the band's performance, saying that they "play tighter than [ever] before (looking at the credits show it to be much more of a team effort) ... and, musically, it has a lot more variation and scope than the Limp Bizkits dunyoning. "[62] The band's vocalist was also applauded for his lyricism; Barri Uolters Rolling Stone commended him for "addressing real-life issues with a theatrical verve and genuine vitriol that no other mainstream act can match."[54] Billboard magazine was similarly impressed, calling Manson one of the most skilled lyricists of his generation.[107] Revolver editor Christopher Scapelliti compared his lyrics to those of John Lennon's, writing: "What comes across loudest on the album is not the music, but the sense of injury expressed in Manson's lyrics. Like Plastik Ono tasmasi, Muqaddas Yog'och screams with a primal fury that's evident even in its quietest moments."[30]

The album also received some mixed reviews. Several publications criticized its length, as well as the band for abandoning the glam rock-influenced production of Mexanik hayvonlar. PopMatters argued that the album was too long, and claimed it would have been a more consistent record if subject matter was addressed literally, instead of through a 'concept album' format.[48] Joshua Klein A.V. Klub baholangan Muqaddas Yog'och a B−, but was overall critical of the lack of glam rock-influenced songs on the album.[114] Robert Xilbern, in a review for the Los Anjeles Tayms, was also disappointed that the album did not live up to "the promise of Mexanik hayvonlar". He viewed the musical cross-pollination of Dajjol Superstar va Mexanik hayvonlar as confusion on the band's part as to which of the two albums appealed most to casual listeners.[110]

Taqdirlar

A decade on, there has still not been as eloquent and savage a musical attack on the media and mainstream culture as Manson achieved with Muqaddas Yog'och... perhaps that's where Muqaddas Yog'och achieved its greatest success. In deflecting the attention that was targeted at him back onto the media, they reacted exactly as he knew they would: by blustering and further exposing their own inadequacies ... The shame of it all, though, is that so little has changed. That the album is still so relevant today suggests it failed in its task of changing attitudes. That it exists at all, though, is a credit to a man who refused to sit and take it, but instead come out swinging.

Kerrang!, on the impact of Muqaddas o'tin (O'lim vodiysi soyasida)[1]

The album appeared in numerous publication's lists of best albums of 2000. It appeared at number nine on Kerrang!'s list of albums of the year,[115] and went on to rate it the 11th best album of the 2000–2009 decade,[116] esa NME ranked it at number 34 in their critic's pick of the 50 best albums of 2000 in their "Decade in Music" series.[117] Nemis jurnali Musik Express / Ovozlar listed the album at number 30 in their critics' top 50, and at number nine in the popular poll of their "Albums of 2000" list.[118][119] The French edition of British magazine Rok-tovush tartiblangan Muqaddas Yog'och 15th in their Le choix de la rédaction (editors choice) and 5th in Le choix des lecteurs (readers choice) of their 2000 Albums de l'année (albums of the year).[120] Yozuvlar to'plami also included it on their "Best of 2000" list.[121] It went on to win the "Best Album" accolade at the 2001 Kerrang! Mukofotlar.[122]

Retrospective commentary on the album has been highly positive. 2010 yil noyabr oyida, Kerrang! published a tenth-anniversary commemorative issue dedicated to Muqaddas Yog'och sarlavhali Screaming For Vengeance, calling it "Manson's finest hour".[1] 2014 yilda, Metall bolg'a identified the album as a modern classic, calling it the band's "creative zenit ".[123] Manson said in a June 2015 Reddit AMA that he considered the record to be his best work,[124] and, that same month, NME referred to it as the band's best album.[5] A 2016 feature in Xyuston Press deb nomlangan Muqaddas Yog'och "the album that really cemented the band as more than just shock-rockers, but true musical mavericks with an intelligent perspective on social issues."[125] Metall bolg'a referred to the record as "perfect", saying: "Manson has yet to better Muqaddas Yog'och and that's fine—nobody's really bettered it. The flow of the record, the delivery of its concept, the clarity with which it strikes its opponents. A gargantuan artistic feat that will go down in history as Manson's defining statement."[126]

Tijorat ko'rsatkichlari

Prior to the record's release, several critics and retailers openly questioned whether the band still had significant commercial appeal with mainstream consumers, with rap-rok emerging as the predominant rock genre of the early 2000s.[127] Bundan tashqari, ko'ra Metall bolg'a, "By the turn of the century, Manson was no longer America's demon dog. Oq axlat superstar Eminem had clocked his position and supplanted him."[128] A clean version of the album was never manufactured. Bu natijaga olib keldi Muqaddas Yog'och being banned from sale at major retailers such as Walmart and Kmart, who enforce a strict policy on not stocking albums labeled with a Ota-onalarga maslahat stiker. Eng yaxshi xarid 's sales projections estimated its first-week sales at about 150,000 units nationally, significantly less than the 223,000 copies sold by Mexanik hayvonlar during its first week.[127]

Muqaddas Yog'och debuted and peaked at number 13 on the Billboard 200 with first-week sales of 117,279[129]—an initial commercial disappointment.[130] It spent 13 consecutive weeks on the chart before dropping off – far short of the 52 and 33 weeks Dajjol Superstar va Mexanik hayvonlar spent on the chart, respectively – making it the shortest-charting full-length LP by the band until Pastning yuqori oxiri (2009).[131] It took over two years to be certified gold by the RIAA (in March 2003), denoting shipments in excess of 500,000 units.[132] The album sold over 573,000 copies in the US by 2010, according to Nilsen SoundScan.[133] Manson attributed its lack of commercial appeal to the musical climate of the time, and argued that, at the height of the band's popularity, their US album sales peaked between one and two million units, so "it's not such a disaster as if we were coming down from seven or eight million records." He also said that the drop in US sales was off-set by increasing international success.[134]

The record reached the top 20 of numerous international markets, including Canada, where it peaked at number 13 and was certified gold by the CRIA for shipments of over 50,000 units.[135][136] The record was more successful in Evropa qit'asi than preceding albums, peaking at number nine on Billboard's Evroxart.[137] It entered the top 10 of the national charts Avstriyada,[138] Italiya,[139] va Shvetsiya,[140] and the top 20 in a further six countries: France,[141] Norvegiya,[142] Polsha,[143] va Ispaniya.[144] It debuted at number 11 on the Nemis albomlari jadvali and spent over five months on the chart—their second-longest chart run there, behind Groteskning oltin davri (2003).[145] It also reached the top 20 in Switzerland,[146] where it was certified gold by the IFPI almost five years after its release for shipments in excess of 25,000 units.[147] Similarly, despite peaking at number 23 and spending just four weeks on the Buyuk Britaniya albomlari jadvali,[148] it would be certified gold by the BPI in July 2013 for sales in excess of 100,000 copies.[149]

Yilda Avstraliya, Muqaddas Yog'och peaked at number eight on the Avstraliya albomlari jadvali,[150] and reached the top twenty in New Zealand, peaking at number 18.[151] The album also peaked at number 13 on the Japanese Orikon jadval,[152] where it was certified gold by the Yaponiya ovoz yozish sanoat assotsiatsiyasi 100000 donadan ortiq yuklarni etkazib berish uchun.[153]

Trek ro'yxati

Barcha so'zlar yozilgan Merilin Menson.[68]

A: In the Shadow
Yo'qSarlavhaMusiqaUzunlik
1."GodEatGod"Menson2:34
2."Sevgi qo'shig'i"3:16
3."Fight Song "52:55
4."Bir martali ishlatiladigan o'spirinlar "
  • 5
  • Ramires
3:01
D: The Androgyne
Yo'qSarlavhaMusiqaUzunlik
5."Target Audience (Narcissus Narcosis)"
  • Ramires
  • 5
4:18
6.""President Dead""3:13
7."In the Shadow of the Valley of Death"
  • Ramires
  • 5
4:09
8."Kosmosdagi xoch-fantastika"
  • Ramires
  • 5
  • Gacy
4:56
9."A Place in the Dirt"53:37
A: Of Red Earth
Yo'qSarlavhaMusiqaUzunlik
10."Hech kim "
  • Menson
  • 5
3:35
11."The Death Song"
  • 5
  • Menson
3:29
12."Xudoning Qo'zi"Ramires4:39
13."Yana tug'ilgan"
  • Ramires
  • 5
3:20
14."Burning Flag"
  • Ramires
  • 5
3:21
M: The Fallen
Yo'qSarlavhaMusiqaUzunlik
15."Coma Black"
  • a) "Eden Eye"
  • b) "The Apple of Discord"
  • Menson
  • 5
  • Ramires
5:58
16."Sevishganlar kuni"
  • Ramires
  • Menson
3:31
17."The Fall of Adam"
  • Ramires
  • 5
2:34
18."King Kill 33º"Ramires2:18
19."Count to Six and Die (The Vacuum of Infinite Space Encompassing)"53:24
Umumiy uzunligi:68:07
Muqaddas o'tin (O'lim vodiysi soyasida) - Buyuk Britaniyaning bonus treki[62]
Yo'qSarlavhaMusiqaUzunlik
20."The Nobodies" (Akustik versiya)
  • Menson
  • 5
3:35
Umumiy uzunligi:71:42
Muqaddas o'tin (O'lim vodiysi soyasida) - Yaponiyalik bonus trek[67]
Yo'qSarlavhaMusiqaUzunlik
21."Mexanik hayvonlar" (Jonli versiya)
4:41
Umumiy uzunligi:76:23

Izohlar

Xodimlar

Credits adapted from the liner notes of the vinyl edition of Muqaddas o'tin (O'lim vodiysi soyasida).[68]

Merilin Menson

Ishlab chiqarish

Diagrammalar va sertifikatlar

Chiqarish tarixi

MintaqaSanaFormatlashYorliqKatalog №Ref.
Yaponiya2000 yil 11-noyabrUICS-1002[67]
Birlashgan Qirollik2000 yil 13-noyabr490 859-2[62]
Qo'shma Shtatlar2000 yil 14-noyabr490 790-2[24]
Yaponiya2013 yil 23 martSHM-CDUniversal musiqaUICY-25382[70]

Adabiyotlar

Izohlar

  1. ^ John 5: "Instead of going into a regular studio, we rented the Houdini house in Laurel Canyon. We brought in an old-school analog tape machine and a vintage Neve konsol uchun kuzatib borish, and we used Pro Tools for editing."[33]
  2. ^ Fish credited Sardy with introducing him to a superior method of recording drums:"Sardy was an opposite of what I was used to [...] getting a great drum sound. Working with Maykl Beynxorn kuni [Mexanik hayvonlar] and people in the past, people would say, 'Hit harder, hit harder, hit harder.' The harder you hit, all you end up doing is choking a drum or breaking a head or a stick, and Sardy was sworn on hitting a drum really lightly, and [still] getting a thick, warm sound from it. So what ended up happening was I would track first thing in the morning. To begin with, I'd be playing very lightly and very quietly, and the more excited I would get, the more blood pumping through my veins, I would start hitting hard. In the middle of the day when I'd start getting pissed off, he'd cut me off and we'd start in the morning again. I would take it. I knew where he was going with it. I could hear the drums, and I knew the sound he was looking for early in the morning."[35]
  3. ^ John 5 on the equipment used during recording: "We had lots of equipment in the studio—all sorts of weird stuff I would never use live. For amps, we had an old European Davoli, some '70s Marshalllar, a Fender Twin, a Lane va bir nechta Apelsin. For guitars, we had several '70s Gibson Les Pols va doublenecks. But the main guitars used on the album were Manson's Ibanez Artist, a Les Paul, and a Jekson Rendi Rhoads model from Twiggy's collection. Also, the second engineer had a great '70s Les Paul [...] For effects, we had all these old Foxx and Elektro-harmonik effects pedals from the '70s. We would just experiment with everything until we found the perfect sound."[33]
  4. ^ Ginger Fish: "There's a song that's very creepy and slow, it starts off with the 'Death Loop', it sounds like you're frying a baby on a frying pan. And stuff like that. I take a lot of things from environments of where I am. Anything that reminds me of a sound or a beat, I will screw with the sound and put it into a time frame. So just by speeding things up and slowing things down you can speed it into a texture or a beat."[35]
  5. ^ John 5: "For "Lamb of God," we miked the guitar in a very unusual way. There were about seven mics set up around me and then more mics set up around the guitar. There were so many mics that I couldn't move an inch. To make things even worse, they put this big blanket over me to deaden the sound. It was so hot under there that I was sweating and couldn't breathe. I knew I'd have to get the part right, or I was going to die if I had to keep doing it over. Luckily, I was able to cut the track quickly."[33]
  6. ^ John 5: "I used a few open tunings for certain parts. In "Godeatgod" I used a very strange tuning -- [low to high] B, D, D, G, B, E, and for the intro of "The Fall Of Adam," I tuned [low to high] F, A, F, Ab, C, F. Having played in a lot of country bands, I've learned that alternate tunings sometimes sound better because the strings ring out on certain chords and produce a sweeter sound."[33]

Adabiyotlar

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  3. ^ Pearlman, Mischa (2015-01-21). "Marilyn Manson interview: 'I just think you have to be astonishing'". Taym-aut; turib qolish; tanaffus. Time Out Group. Arxivlandi from the original on 2015-01-26. Olingan 2017-04-24.
  4. ^ Gasparek, Brian (2015-02-06). "25 Unexpected Facts About Marilyn Manson (Only One of Which Involves Mario Kart)". Huffington Post. Verizon. Arxivlandi asl nusxasidan 2016-08-19. Olingan 2016-07-25.
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  7. ^ a b Strauss, Neil (1997-05-17). "A Bogey Band to Scare Parents With". The New York Times. A.G.Sulzberger. Arxivlandi asl nusxasidan 2016-03-06. Olingan 2011-05-03.
  8. ^ Mikkelson, Barbara (2007-05-15). "Marilyn Manson Kills Puppies". Snopes.com. Proper Media. Arxivlandi asl nusxasidan 2013-10-05. Olingan 2017-06-04.
  9. ^ a b v France, Lisa Respers (2009-04-20). "Columbine left its indelible mark on pop culture". CNN. Turner Broadcasting System, (Time Warner). Arxivlandi asl nusxasidan 2016-05-14. Olingan 2010-11-17.
  10. ^ Cullen, Dave (1999-09-23). "Inside the Columbine High investigation". Salon. Arxivlandi asl nusxasidan 2017-05-17. Olingan 2012-05-15.
  11. ^ O'Connor, Christopher (1999-04-27). "Colorado Tragedy Continues To Spark Manson Bashing". MTV. Viacom media tarmoqlari. Arxivlandi asl nusxasidan 2016-10-08. Olingan 2011-05-03.
  12. ^ "Marilyn Manson: Media Storm After Columbine 'Really Shut Down My Career Entirely'". Blabbermouth.net. 2015-06-24. Arxivlandi asl nusxasidan 2015-06-27. Olingan 2017-06-04.
  13. ^ Jons 2002 yil, 126–127 betlar
  14. ^ Merilin Menson (1999-04-24). "Kolumbin: Bu kimning aybi?". Rolling Stone. Wenner Media. Arxivlandi from the original on 2012-07-21. Olingan 2017-06-20.
  15. ^ a b Burk, Greg (2001-01-18). "Marilyn: A Re-Examination". LA haftalik. Qishloq ovozli media. Arxivlandi asl nusxasidan 2016-05-29. Olingan 2017-05-10.
  16. ^ Uhelszki, Jaan (1999-08-13). "Lynyrd Skynyrd Threaten Marilyn Manson With a Can of Whoop Ass". Rolling Stone. Wenner Media. Arxivlandi asl nusxasidan 2017-05-19. Olingan 2011-06-09.
  17. ^ "Marilyn Manson Postpones U.S. Tour Dates". MTV. Viacom media tarmoqlari. 1999-04-28. Arxivlandi from the original on 2011-08-13. Olingan 2011-03-21.
  18. ^ O'Connor, Christopher (1999-05-01). "Politicians Go on Offensive Against Marilyn Manson". MTV. Viacom media tarmoqlari. Arxivlandi asl nusxasidan 2017-05-19. Olingan 2011-05-04.
  19. ^ Sterngold, James (1999-04-29). "Terror in Littleton: The Culture; Rock Concerts Are Cancelled". The New York Times. A.G.Sulzberger. Arxivlandi asl nusxasidan 2016-07-01. Olingan 2010-11-22.
  20. ^ "Marilyn Manson: The Write To Be Wrong". NME. Buyuk Britaniyaning Time Inc. 1999-05-01. Arxivlandi asl nusxasi 2012-01-19. Olingan 2011-03-31.
  21. ^ a b O'Connor, Christopher (1999-05-04). "Senators Criticize Marilyn Manson, Nine Inch Nails at Hearing". VH1. Viacom media tarmoqlari. Arxivlandi asl nusxasi 2012-04-11. Olingan 2011-05-03.
  22. ^ Tapper, Jake (2000-08-29). "Hollywood on trial". Salon. Salon Media Group Inc. Olingan 2012-05-15.
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  24. ^ a b v d Childers, Chad (2016-11-14). "16 Years Ago: Marilyn Manson Emerges From the Eye of the Storm With 'Holy Wood' Album". Loudwire. Townsquare Media. Arxivlandi asl nusxasidan 2017-01-28. Olingan 2017-04-26.
  25. ^ a b v d e f g Basham, Devid (2000-02-29). "Merilin Menson" Muqaddas Yog'ochni "Rejalarini" o'zgartirdi. MTV. Viacom media tarmoqlari. Arxivlandi asl nusxasidan 2012-11-07. Olingan 2011-03-22.
  26. ^ Michael, Ibrahim (August 2000). "Welcome To Hollywood". Metall bolg'a. Kelajak. ISSN  0955-1190.
  27. ^ a b v d e f g h men j k l m Rushfild, Richard (2000 yil noyabr). "The Antichrist's Cross". CMJ yangi musiqa oyligi. No. 87. College Media. 46-51 betlar. ISSN  1074-6978.
  28. ^ a b v Long, April (2000-11-10). "Holy Wood (In the Shadow of the Valley of Death)". NME. Buyuk Britaniyaning Time Inc.. Arxivlandi asl nusxasidan 2017-05-19. Olingan 2010-12-02.
  29. ^ a b v d e f g h McCaughey, Brian (2000-08-05). "This Is My Holy Wood". Kerrang!. No. 813. Bauer Media Group. 4-7 betlar. ISSN  0262-6624.
  30. ^ a b Scapelliti, Christopher (Winter 2000). "Dark Angel". Revolver. Kelajak AQSh. 72-77 betlar. ISSN  1527-408X.
  31. ^ a b v d Basham, David (1999-12-16). "Manson To Walk in The "Valley of Death" For Next LP". MTV. Viacom. Arxivlandi asl nusxasidan 2016-10-08. Olingan 2012-05-15.
  32. ^ a b v Hochman, Steve (2000-07-20). "The Third Face of Marilyn Manson". Rolling Stone. № 845. Wenner Media. ISSN  0035-791X.
  33. ^ a b v d e f Sharken, Lisa (2000-01-01). "Glam-O-Rama-John 5 talks about recording Holy Wood, Tuning, & Technique". Gitara pleyeri. Kelajak AQSh. ISSN  0017-5463.
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