Bu (mini-seriyalar) - It (miniseries)

Stiven Kingning o'zi
Sarlavha belgisi logotipi
Janr	G'ayritabiiy dahshat Psixologik drama[1] Yoshga to'lgan
Asoslangan	Bu tomonidan Stiven King
Tomonidan yozilgan	Lourens D. Koen Tommi Li Uolles
Rejissor	Tommi Li Uolles
Bosh rollarda	Garri Anderson Dennis Kristofer Richard Masur Annette O'Toole Tim Rid Jon Ritter Richard Tomas Tim Kori
Rivoyat qilgan	Tim Rid
Bastakor	Richard Bellis
Ishlab chiqaruvchi mamlakat; ta'minotchi mamlakat	Qo'shma Shtatlar
Asl til	Ingliz tili
Yo'q epizodlar	2
Ishlab chiqarish
Ishlab chiqaruvchilar	Mark Basino Allen S. Epstein Jim Green
Kinematografiya	Richard Leyterman
Tahrirlovchilar	Devid Blangsted Robert F. Shugrue
Ish vaqti	192 daqiqa (asl nusxasi)[2] 187 daqiqa (DVD / Blu-ray versiyasi)
Ishlab chiqarish kompaniyalari	Lorimar televideniesi DawnField Entertainment Konigsberg & Sanitsky kompaniyasi Green / Epstein Productions
Distribyutor	Warner Bros. Televizion tarqatish
Byudjet	12 million dollar
Chiqarish
Original tarmoq	ABC
Rasm formati	480i (SDTV )
Asl nashr	18-noyabr (1990-11-18) – 1990 yil 20-noyabr (1990-11-20)

Bu (shuningdek, nomi bilan tanilgan Stiven Kingning o'zi) 1990 yilgi amerikalik ABC ikki qismli psixologik dahshat drama^[1] kichkintoylar rejissor Tommi Li Uolles va tomonidan moslashtirilgan Lourens D. Koen dan Stiven King "s 1986 yil shu nomdagi roman. Hikoya yirtqich hayvon atrofida sodir bo'ladi hayvon qobiliyatiga ega bo'lgan o'zini o'zgartiradi qurbonlarining fobiyalaridan foydalanishga imkon berib, o'ljasining eng dahshatli qo'rquviga tushdi. Bu asosan qorong'u komediyaning gumanoid shaklini oladi masxaraboz deb nomlangan Pennywise. Qahramonlar - "Baxtli Yetti" yoki "Yo'qotuvchilar klubi", Pennywiseni kashf etgan va uni har qanday usul bilan o'ldirishga qasam ichgan, eskirib qolgan bolalar guruhi. Serial ikki xil vaqt oralig'ida bo'lib o'tadi, birinchisi, 1960 yilda bolalar sifatida Pennywise bilan ziyon ko'rganlar, ikkinchisida esa 1990 yilda kattalar bo'lib qaytib kelib, uni qayta boshlagandan keyin uni mag'lub etish uchun.

Noyabr oyining maxsus kuni oyni tozalaydi 1990 yil, Bu televizorda dahshatning mashhurligi yo'qligi, tarmoq tomoshabinlarining pasayishi, mini-seriallar kabi yirik voqealar ta'sirining pasayishi, ABC uchun hali ham katta xavf edi, King asarining teatrlashtirilgan versiyalari esa kassa bombalari. Biroq, ular muvaffaqiyat tufayli uni ishlab chiqarishni tanladilar Men bilan tik tur (1986) va uzun kitoblarga asoslangan boshqa televizion dasturlar. Tomoshabinlar sonini ko'paytirish uchun prodyuserlar romanning sodiqligi va do'stligi va dahshatli janrdan tashqarida eng taniqli aktyorlar mavzusidagi ijobiy mavzularini bo'rttirib ko'rsatdilar. Ular orasida Pennywise aktyori bor edi Tim Kori va Losers Club aktyorlari Richard Tomas, Jon Ritter, Annette O'Toole, Garri Anderson, Dennis Kristofer, Tim Rid va Richard Masur. Miniseriyalarning bolalar aktyorlari tarkibida dastlabki rollar mavjud Jonathan Brandis, Set Grin, Emili Perkins, Gabe Xut, Laura Xarris va Chelan Simmons.

Green / Epstein Productions tomonidan ishlab chiqarilgan, Bu uch oy davomida suratga olingan Nyu-Vestminster, Britaniya Kolumbiyasi 1990 yil o'rtalarida 12 million dollar bilan odatdagi televizion byudjetdan ikki baravar ko'p. Pennywise va jonzotning haqiqiy gumanoid o'rgimchak shaklini o'z ichiga olgan titulli antagonist shakllarining effektlari va dizaynlari 12 haftalik muddatda ishlab chiqarilgan Gen Uorren ishlashdan oldin teatr ishlarida avvalgi portfeliga ega bo'lgan Fantasy II Bu. Eshittirish standartlari va amaliyoti u ko'rsatishi mumkin bo'lgan qon va gor miqdorini toraytirdi, natijada o'z vaqtida psixologik jihatdan dahshatli va xarakterga asoslangan dahshat paydo bo'ldi.

Xavfli omillarga qaramay, efirga chiqishdan oldin tanqidiy sharhlar va qamrovni aralashtirish Jorj H. V. Bush dasturga muvofiq chet el safarlari; Bu 1990 yilda ABC-ning eng katta yutug'i bo'lib, uning ikki qismi uchun 30 million tomoshabinni jalb qildi. Mukofotlar haqida gap ketganda, Bu ikki nomzodga nomzod bo'lgan Emmi mukofotlari, bitta Eddi mukofoti, bitta Filmdagi yoshlar mukofot va eng yaxshi miniseriallarni taqdirlash Xalq tanlovi mukofotlari; u nominatsiyalarning ikkitasida g'olib chiqdi, an Ajoyib musiqiy kompozitsiya uchun Emmi mukofoti uchun Richard Bellis "miniseries" tahriri uchun "ball" va "Eddi" mukofoti.

Tanqidiy istiqbollarga bo'lingan holda Bu keyingi yillarda ham davom etdi, miniseriyalar Penrywise-ning Karrining versiyasi bilan eng mashhur bo'ldi. Darhaqiqat, uning tasvirini bir nechta nashrlar kino va televideniedagi eng dahshatli masxarabozlardan biri deb hisoblashgan. Bu Bundan tashqari, an Indiegogo - mablag 'bilan ta'minlangan hujjatli film miniatyuralar ishlab chiqarishi to'g'risida, sarlavha bilan Pennywise: IT tarixi (2020); va an muqobil tarix davomi qisqa nomlangan Jorji, shuningdek, hujjatli film prodyuserlari va asl Jorgi aktyorini qaytarish Toni Dakota.

Uchastka

Kuchli yomg'ir paytida Derri, Men 1960 yilning bahorida Jorji Denbro o'zining duduqlangan akasi yasagan qog'ozli yelkanli qayiqda ko'chalarda o'ynaydi. Bill. U bo'ron drenajidan pastga tushadi, u erda Jorji o'zini eksantrik odam bilan uchratadi Pennywise Dancing Clown. Pennywise Jorjeni qayig'ini olib kelish uchun qo'lini yulib tashlab, qonini o'ldirish uchun qoldirishga majbur qiladi. Bir necha oy o'tgach, Bill va astmatik Eddi Kaspbrak tombul yangi bola bilan do'stlash Ben Xanskom. Keyinchalik ularga qo'shilishadi Beverli Marsh, uning shafqatsiz otasi bilan birga yashaydigan va u va Ben Bill va Eddi boshqa do'stlari bilan tanishishadi: kulgili Richie Tozier va yahudiy skaut bola Sten Uris. Ular bir-birlarini bilishni boshlaganlarida, Ben Beverliga nisbatan hissiyotlarni rivojlantiradi, ammo Billda his-tuyg'ulari borligini anglaydi. Genri Bouers va uning to'dasi tomonidan bezovtalanishdan tashqari, bolalar Pennywise bilan uchrashishadi. Iyul oyida guruhga Mayk Hanlon (Marlon Teylor) qo'shildi, u amerikalik afrikalik bolakay Bowers to'dasi tomonidan ta'qib qilinmoqda. O'zlarini "Yo'qotuvchilar klubi" deb nomlagan bolalar ularni toshbo'ron qilish bilan quvishadi. Maykning tarixiy albomini ko'rib chiqib, Yo'qotuvchilar o'zlari "Bu" deb atagan Pennywisening odam emasligini, aksincha har o'ttiz yilda bir marta bolalarni o'ldirish va yutish uchun uyg'otadigan jin ekanligini tushunishadi.

Bill bu Jorjini o'ldirganini tushunib, yo'qotuvchini jonzotni o'ldirish uchun Derrining kanalizatsiyasiga olib bordi. Sten guruhdan ajralib chiqadi va Bouers va uning do'stlari Viktor Kris va Belch Xuggins tomonidan pistirmada bo'ladi, ammo oxirgi ikkitasi uni o'ldiradi. Genri travmatizmda qolgan, sochlari oqarib ketgan. Stenli "Yo'qotilganlar" bilan qayta yig'iladi, ammo uni qo'lga kiritadi. Yo'qotuvchilar o'z tasavvurlariga kirish va unga qarshi foydalanish qobiliyatidan foydalanadilar. Eddi tasavvurida uning inhalatori akkumulyator kislotasi bilan to'la, u maxluq yuzining yarmini eritib yuboradi. Beverli Unga kumush sirg'alarni otadi, Yo'qolganlar bu jinni o'ldirishi mumkin deb hisoblaydilar. U Billning qo'lidan ushlab olishdan oldin drenajda orqaga chekinmoqda. U qo'lqopni yirtib tashlaydi va drenaj orqali yo'q bo'lib ketadigan katta uch barmoqli tirnoqni ochib beradi. Bu o'lik degan xulosadan so'ng, guruh kanalizatsiyadan chiqib ketadi va agar u yana tiklanishi kerak bo'lsa, qaytib kelishga va'da beradi. Uning do'stlarini o'ldirganini ko'rib, aqldan ozgan Bowers, qotillikni yolg'on tan oladi va institutsionalizatsiya qilinadi.

30 yil o'tgach, 1990 yil oktyabr oyida, u uyg'onib, o'z hovlisida bir qizchani o'ldirdi va bu yana bir bolani o'ldirishga sabab bo'ldi. Bir necha oydan keyin iyulda, Derrida qolgan yagona Mayk, yo'qolgan bolalar haqidagi xabarlarni eshitgandan so'ng, eski do'stlari bilan va'dasini bajarish uchun murojaat qildi. Muvaffaqiyatli karerasini boshlagan barcha Yo'qotilganlar qaytib kelishadi, faqat o'z joniga qasd qilgan Stendan tashqari. Boshqa Yo'qotilganlar Derriga qaytib, birlashadilar, keyinchalik Stenning o'z joniga qasd qilgani haqida bilib olishadi. Qaytib kelgach, ularning hammasi Pennywise tomonidan qo'rqitilmoqda. Bowers, Yo'qotilganlarni o'ldirish uchun Itning yordami bilan boshpana joyidan qochadi. Billning britaniyalik rafiqasi Audra Derriga sayohat qiladi, ammo uni qo'lga oladi, uni gadjetning "O'lik chiroqlari" gipnoz qiladi. Bowers Maykga hujum qiladi va pichoqlaydi, ammo buning o'rniga Eddi o'ldiradi. Mayk kasalxonaga yotqizilib, Billga kanalizatsiyadan olgan ikkita kumush sirg'asini berdi. Qolgan beshta ziyon ko'rganlar unga qarshi turish uchun kanalizatsiyaga qaytib kelishadi va Bill Audraning asirga olinganligini aniqlaydi.

Ular uning ichki muqaddas joyiga etib boradilar, katranik Audrani topadilar va bu ulkan, dunyodagi o'rgimchakning haqiqiy shakli ekanligini bilib oladilar. Bill, Ben va Richi "Deadlight" tomonidan kiritiladi, Beverli esa kumush sirg'alarni noto'g'ri ishlatganidan keyin qaytarib oladi. Eddi unga bolaligida etkazgan jarohatni takrorlashga urinadi, ammo o'lik holda yaralanadi. Beverli do'stlarini ozod qiladi, ammo Eddi vafot etadi. Boshqalar yaralangan jinni quvib, uning yuragini yulib olib, uni o'ldirmoqdalar. Ular Eddi jasadini va katatonik Audrani kanalizatsiyadan olib tashlashadi. Yo'qotuvchilar yana bir bor o'z yo'llariga borishadi, vaqt o'tishi bilan u va ularning xotiralari esdan chiqadi. Mayk shifoxonada davolanadi, Beverli va Ben turmush quradilar va birinchi farzandlarini kutmoqdalar va Richi filmda suratga tushdi. Bill - Derrini tark etgan so'nggi odam, Audrani katatoniyadan siqib chiqarib, bolaligida "Kumush" velosipedida ko'chada yuribdi. Audra sog'ayib ketadi va u Bill bilan shahar o'rtasida o'pishadi.

Aktyorlar va obrazlar

Avvaliga yulduzlar aktyorlarim meni bir oz qo'rqitdi, ammo qo'rquvim asossiz edi - ularning barchasi saxiy va qo'llab-quvvatlaydigan jamoaviy o'yinchilar bo'lib chiqishdi. Bolalar aktyorlari ko'proq qiynalishdi [...] Men kattalar / bolalar juftliklari bilan faxrlanaman, chunki biz haqiqatan ham zukko qarorlar qabul qildik va haqiqatan ham omadga erishdik, chunki bu yetti boladan iborat guruh o'sganligi yetti kishidan iborat guruh bo'ling, bu oson ish emas.

— Wallace, 2015 yil^[3]

BuAsosiy ansamblda dahshatli darajada taniqli bo'lmagan aktyorlar, masalan, Jon Ritter, Tim Reyd, Garri Anderson va Tim Karri bor.^[4] Tomasning avvalgi dahshatli tashabbusi shu edi Kriptodan ertaklar; va Andersonning janrdagi tajribasi ketma-ket qismni o'z ichiga oladi^[4] va uning sehrgari qaerda tirik hayvonlarni yeyishini, burniga mix qo'yganini va tishlari bilan qurol o'qini tutishini ko'rsatmoqda.^[5] Ushbu kasting o'sha paytda dahshatli prodaktsiya uchun g'ayrioddiy edi, ammo prodyuser Jim Grin bu osonroq qo'rqib ketgan oddiy tomoshabinlarning ko'zlarini ko'paytirmoqchi deb o'ylardi.^[4] Filmdagi kattalar aktyorlarining aksariyati, shu jumladan Ritter, Dennis Kristofer, Rid va Anderson, Uolles va Koen tomonidan o'zlarining rollari uchun qo'lda tanlangan.^[6] Emili Perkins va yosh Beverli Marsh va Mayk Xanlon rollarini ijro etgan Marlon Teylor Vankuverdan chetlashtirildi Set Grin va Jonathan Brandis tashqariga chiqarib yuborildi Los Anjeles yosh Richie va Billning qismlari uchun.^[6]

Bu

"[Pennywise] ning qiziqligi shundaki, palyaço an'anaviy ravishda juda qulay, tasalli beruvchi obrazdir va Pennywise bu narsalarning birortasi emas."
—Tim Kori davomida e'lon qilingan intervyusida Buishlab chiqarish^[7]

Bu bu miniseriyalarning shakldiruvchi antagonisti bo'lib, uning asosiy shakli Pennywise ismli aqlli kloun bo'lib, u o'ynagan. Tim Kori. Kori ishlatilgan Robin Uilyams - Pennywise-ni o'ynab, o'ziga xos xarakterga ega bo'lgan tabiiy improvizatsiya Bronks aksenti Kori aytganidek, "eskirgan Catskills komiksi" ga o'xshab qolish uchun.^[8] Dastlabki roman namoyish etilgan bo'lsa-da, u ko'plab boshqa mujassamlashuvlarni o'z ichiga olgan, miniatyuralarda ulardan faqat to'rttasi (Georgie, Stan va Al Marsh shakllarini hisobga olmaganda) mavjud: keksa ayol Beverli xonim Kersh xonim bilan uchrashadi. Florens Paterson; Benning o'lgan otasi kapitan Xanskom, Stiv Makaj o'ynagan; tomosha qilgandan keyin Richie bilan uchrashadi Men o'spirin bo'ri edim (1957) noma'lum aktyor tomonidan ijro etilgan (1991 yil) Fangoriya aktyorning "bo'ri" rolini o'ynaganligi, ammo u kimligini aniq ko'rsatmadi^[9] va aktyor mini-seriyalarda hisobga olinmaydi); Va bu Brent Beyker tomonidan tasvirlangan haqiqiy o'rgimchak shaklidir.^[10]

Yozuvchining so'zlariga ko'ra Lourens D. Koen, u Pennywise roli uchun ma'lum bir aktyorni hisobga olmagan holda serial ssenariysini yozgan edi.^[6] Malkolm Makdauell, Roddi McDowall va Elis Kuper Pennywise o'ynashni o'ylashdi,^[8] ammo rejissyor Tommi Li Uolles Karrini ushbu rol uchun xohlagan.^[6] King, ekranda ekrandagi Kori Pennywiseni o'ynashda shubha borligini esladi, ehtimol aktyor ilgari kabi filmlarda kulgili rollari bilan tanilgan edi. Rokki dahshatli rasm namoyishi (1975) va Maslahat (1985).^[6] Biroq, Uolles boshqa tanlovlarning, xususan McDowallning muxlisi emas edi, chunki Uolles Pennywise singari rolni o'ynash uchun juda ko'p "shirinlik" topdi.^[6] Kori masxarabozning "qo'poruvchilik va qotillik" va "tabassum yomonlashib ketganligi" uchun "buzg'unchi tabiat" rolini o'ynadi.^[5] Dastlab u nafaqat masxarabozda, balki barcha It shakllarida o'ynashni rejalashtirgan edi; ammo, ekipaj boshqa aktyorlarni boshqa shakllarda o'ynashni tezroq deb o'ylagan, shuning uchun ular bo'yanish o'zgarishi bilan shug'ullanish uchun juda ko'p vaqt sarflamasliklari kerak edi.^[11]

Kari makiyajning ko'pligi sababli, u barcha aktyorlarning eng erta qo'ng'iroq vaqtiga ega edi.^[11] Har bir tortishish kuni u bo'yanishini olib, kostyumidan chiqib ketishi uchun kamida uch soat vaqt ketardi.^[7] Karrining ijrosi aktyorlar va ekipajni yomonlashtirdi, chunki ular suratga olish vaqtida undan imkon qadar qochishdi.^[12] Kadrlar o'rtasida kutib turganda, Kori zanjir chekib, agar aktyor bolalardan biri unga juda yaqinlashsa, o'tkir tishlarini ko'rsatgan bo'lar edi; Perkins eslaganidek: "U haqiqatan ham bizni qo'rqitmoqchi edi, chunki u bizning spektakllarda qo'rquv haqiqiy bo'lishini xohladi".^[6] Biroq, Uolles Karri bilan ishlash uchun qulay vaqt o'tkazganini esladi: "Tim har doim yaxshi tayyorgarlik ko'rgan, to'plamga oson, sabr-toqatli va past kalit bo'lgan".^[6]

Bittadan tashqari Fangoriya 1990 yilda intervyu,^[7] Kori hech qachon uning ishtirokini ochiq tan olmagan Bu bilan suhbatgacha Moviefone 2015 yilda u Pennywise rolini "ajoyib qism" deb atagan va vorisga o'z fotihasini bergan Will Poulter; Poulter rebootda belgini ijro etishi kerak edi, garchi oxir-oqibat tashlab qo'yilgan bo'lsa ham.^[13] Bill Skarsgard uning o'rnini egalladi va Kanadaning Fan Expo-da intervyu berayotganda "Men [Bill] Skarsgardni yaxshi ko'raman. Men uni juda aqlli deb bilaman. Uning qanday masxaraboz yuzini kiyganini bilish qiziq bo'ladi. chunki bu emas umuman ochiq-oydin masxaraboz yuz. [..] Shunday qilib, men uni ko'rishga maftun bo'ldim. "^[14]

Bu "Inkarnations" ning tarkibi va dizaynlari haqida ko'proq ma'lumot olish uchun qarang Maxsus effektlar.

Yo'qotuvchilar

Ritter ishlashdan oldin bir necha bor Qirolga moslashishda ishtirok etishga urinib ko'rgan edi Bu.

• Richard Tomas o'ynaydi Bill Denbro, Pennywiseni o'ldirish istagiga uning ukasi Georgining o'limi katta ta'sir ko'rsatadigan "Losers Club" ning dabdabali asoschisi. Voyaga etganida, u Buyuk Britaniyada yashaydigan, hozirgi paytda Derriga qaytib kelishdan oldin yashaydigan dahshatli yozuvchi. Stiven King Tomas o'zini osongina qo'rqitganligi va hayoliga ega bo'lganligi sababli, u o'zini juda hayratda qoldiradigan darajada hayajonli bo'lganligi sababli, u o'zini tasvirlaydigan obraz bilan osonlikcha bog'lagan. Va men hech qachon ilonlarni juda yaxshi ko'rmaganman.^[15] Jonathan Brandis, yosh Bill rolini ijro etgan, uning rolini u eng qiyin bo'lganini, xususan, duduqlanishni amalga oshirishda eng qiyin bo'lganini tasvirlab berdi.^[16]
• Annette O'Toole o'ynaydi Beverli Marsh, "Losers Club" ning yagona ayol a'zosi va shafqatsiz oilada ham, shafqatsiz munosabatlarda ham yashagan modelyer. O'Tool yaqinda birga suratga tushgan Ritterning taklifiga binoan filmda suratga tushgan Ozning xayolparastiva u juda tez sodir bo'lgan jarayonni esladi.^[6] O'Tul bu personajni tasvirlab berar ekan, men uning xarakterini juda yaxshi ko'rar edim, uning bu dahshatli, yolg'iz va shafqatsiz bolaligiga munosabati va boshqa bolalar bilan oilani topishi. U biron bir tarzda ushbu klubga kiradi va uning qiz bo'lishi muhim emas. Ular uni qabul qilishadi va u chinakam qarindosh qalblar guruhini topadi. ​​"^[17] Ritter O'Tul bilan tanaffuslar oralig'ida bo'lish tajribasini tushuntirib berganidek, "Annettani" deb atash juda qiziqarli edi "bu" qiz birga restoranlarga borganimizda. U biz bilan bo'lgan yagona ayol edi va odamlar olti erkakning bitta ayol bilan yurishi g'alati tuyuldi. "^[18] Emili Perkins yosh Beverli Marshni tasvirlaydi.
• Jon Ritter tasvirlaydi Ben Xanskom, shuningdek, a bo'lgan me'mor bodibilder bolaligida semirib ketganidan keyin. Ritter bundan oldin Tomas bilan ishlagan Uoltonlar. Benning roli bilan bog'liq bo'lgan Ritter; bolaligida u ham eng tushkun damlarida do'stlarini "yutqazganlar" deb atagan.^[15] Bu Ritterni hayajonga solgan birinchi dahshatli filmi edi: "Menga dahshat yoqadigan narsa, siz so'rashingiz kerak: men buni olsam bo'ladimi? Bu xuddi rollarda qirg'oq bo'ylab sayr qilgandek. Oldingizda siz chekka bo'ylab qancha masofani osib qo'yishingiz mumkin? orqaga tortish kerakmi? Bu g'oyat g'oyani shu tomoni bor ".^[19] Romandan keyin katta qirol muxlisi Kerri ozod qilindi, Ritter oldin King ekraniga moslashishda bir nechta urinishlarni amalga oshirdi Bu, barchasi muvaffaqiyatsiz tugadi; ularning eng so'nggilari bu bilan aloqada bo'lishga harakat qilar edi Jorj A. Romero yulduzcha keyinchalik rad etilgan teatr versiyasi ning Stend Romero rejissyorligi rejalashtirilgan edi.^[19][20] Keyin Ritter-ning uzunlikdagi versiyasi haqida eshitdi Bu Rivojlanish jarayonida menejeridan so'radi: "Ayting-chi [ABC] men xohlagan qismini o'ynayman. Men qizni o'ynayman".^[19] Dastlab, Ritter mini-seriyalarda ishtirok eta olmadi, chunki u filmni suratga olishni boshlagan kasting boshlandi Ozning xayolparasti: L. Frank Baum haqidagi hikoya (1990).^[19] Biroq, kasting Romero ketgandan keyin qoldirilgan edi Bu loyiha (qarang Rivojlanish ), bu unga Benning qismini olish uchun joy ochdi.^[19] Benning yosh versiyasida Brendon Kren o'ynaydi, u ham Ritter singari u o'ynagan obraz bilan bog'langan; u otasiz o'stirilgan va haqiqiy hayotda maktabda semiz ekanligi uchun bezorilik qilgan.^[21] Keyinchalik kran kameoga kirib keladi Ikkinchi bob (2019) tomonidan o'ynagan kattalar Ben Xanskom uchun ishlaydigan yordamchi sifatida Jey Rayan filmda.^[22]
• Garri Anderson bu Richi Tozier, komediya yengilligi televizion komediyachi sifatida ishlaydigan va bolaligida hayotiy shaxslardan kulgili taassurot qoldiradigan guruhning. Anderson o'z obraziga mos ravishda bitta layner etkazib berish bilan improvizatsiyadan foydalangan va hatto Uollzga bir lahzaga rejissyorlik taklifini bergan, shu erda Richi-dan tashqari barcha "Losers Club" a'zolari Billni quchoqlashgan; Dastlab Uolles bu qarorga ishonch hosil qilmadi, ammo Andersonning fikri yakuniy tanlovda amalga oshirildi, chunki Riti Stenning o'limidan keyin guruhning yagona kinoyali a'zosi edi.^[11] Set Grin yosh Richining rolini o'ynaydi.
• Dennis Kristofer bu Eddi Kaspbrak, kattalar hayotida haddan tashqari onasi bilan birga yashagan astmatik limuzin xizmatining yuguruvchisi. Jim Kerri dastlab Xristoper tanlanishidan oldin bu belgi uchun ko'rib chiqilgan.^[11] Adam Faraizl Yosh Eddi rolini o'ynaydi.
• Tim Rid Mayk Hanlon - "Yo'qotuvchilar" klubidagi yagona qora tanli va 1960 yilda "Yo'qotilganlar klubi" ning birinchi mag'lubiyatidan so'ng "Derri" da qolgan yagona odamni tasvirlaydi. Shaharda kutubxonachi bo'lib ishlaganida, u barcha yo'qotilganlarni qaytishga chaqiradi. 30 yildan keyin Derriga. Devid Alan Grier dastlab Reid suratga olinishidan oldin Maykning roli uchun ko'rib chiqilgan.^[11] Maykning yosh versiyasi Marlon Teylor tomonidan tasvirlangan bo'lib, u "menda yosh Maykning hissasi borligini aytishimdan oldin ikkita sinov va uch-to'rt marta qo'ng'iroqlarni" o'tkazganini esladi.^[6]
• Richard Masur yahudiy bo'lgan ko'chmas mulk vositachisi Stenli Uris skaut bola bolaligida Qahramonning erta vafot etganligi sababli, Masur boshqa Loser aktyorlariga qaraganda ekran vaqtini juda kam vaqtga ega. Yosh Xen rolini o'ynagan Ben Xeller faqat mahalliy teatr tajribasiga, kichik qismlarga ega edi 21 O'tish ko'chasi va Wiseguy va tinglashdan oldin tijorat yoki modellashtirish tajribasi yo'q Bu. U rolni kasting direktoriga uchinchi marotaba o'qiganidan so'ng, rolni o'n ettinchi tug'ilgan kunidan keyin olganini da'vo qilib, qo'ng'iroqni olganidan keyin u rol oldi.^[23]

Ushbu tortishish kattalar aktyorlari uchun bolalarning hamkasblari bilan ishtirok etishini nazarda tutgan holda, Uolles kattalar aktyorlarini o'zlarining qahramonlarining yoshroq versiyalarini ijro etayotgan bolalar bilan uchrashishiga intildi: "Biz kattalar va bolalar aktyorlarini bir necha kun davomida bir joyga to'plashimiz kerak edi, garchi bu qimmatga tushgan bo'lsa ham, chunki kattalar va bolalar birgalikda sahna ko'rinishlari yo'q. "^[6] Ritter va Kran uchun ikkalasi bir-biridan juda farq qilar edi, demak ular Benning yosh va kattalarga o'xshash harakatlarini va yuz ifodalarini o'xshash qilishlari kerak edi.^[24]

Yordamchi aktyorlar tarkibi

Oliviya Xussi Bill Denbrouning rafiqasi Audrani tasvirlaydi.

Chunki Bu Vankuverda suratga olingan, aksariyat aktyorlar Kanada ommaviy axborot vositalari va teatrlarida taniqli aktyorlardan iborat; istisnolar orasida Britaniya aktrisasi ham bor Oliviya Xussi Billning rafiqasi Audra sifatida, Toni Dakota uning ukasi sifatida Jorji Denbro va Maykl Koul Genri Bouers singari. Jarred Blankard Genrining yosh versiyasini ijro etdi; u personajni Mayk Xanlonni "deb atashni yomon ko'rardi n so'z, ko'pincha yosh Maykni o'ynaydigan aktyordan kechirim so'ragan Marlon Teylor, mashq paytida ushbu so'zni bir necha bor ishlatgani uchun, ikki aktyor filmni o'rashganidan keyin do'st bo'lib qolishdi.^[11] Bowers Gangning soni romandagi ettitadan miniserlar uchun beshtaga qisqartirildi: Gabe Xut Viktor Kris va Kris Istman Belch Xuggins rolida, Piter Gordon va Muz Sadler aktyorlari esa ishonchsiz yurishadi.

Yo'qotilganlar klublari a'zolarining boshqa qarindoshlari orasida Eddi onasi Kaspbrak xonim Sheila Mur; Maykl Rayan Beverlining haqoratli sevgilisi Tom Rogan sifatida; Frank C. Tyorner uning haqoratli otasi Alvin Marsh kabi; Keytlin Xiks Stenlining rafiqasi Patti sifatida; Stil Xilton va Sheela Megill Billning ota-onalari Zak va Sharon sifatida; Noel Giyer amakivachcha Bredli rolida; Syuzan Astli Jan xola rolida; Kler Vardiel esa Benning qiz do'sti Arlen Xanskom sifatida.

Chelan Simmons, Pennywisening birinchi qurboni Laurie Ann Winterbarger rolini o'ynagan, o'zining birinchi notijorat tajribasini boshdan kechirgan Bu; keyinchalik u 21-asrning bir necha byudjetli dahshatli filmlarida va a 2002 yil telefilm versiyasi Kerri.^[25] Palyaçolardan qo'rqqanligi sababli, u miniatyuralarni hech qachon ko'rmaganligini yoki romanning asl nusxasini o'qimaganligini tan oldi.^[25] Qizning onasi tasvirlangan Merrilyn Gann. Ikki Egizaklar mukofoti g'oliblar, Nikola Kavendish va Venera Terzo, ish stoli xodimi va Lyndi ismli ayol sifatida paydo bo'ldi. Terens Kelli, ofitser Nellni tasvirlaydigan, yana bir zobit rolida Egizaklar nomzodiga nomzod bo'lgan Reg Serj. Ikki faxriy X-fayllar ichida paydo bo'ladi Bu: Uilyam B. Devis janob Gedro kabi va Megan Leitch kutubxonaning yordamchisi Richi Pennywise tomonidan haqorat qilinayotganda suhbatlashayotganda. Miniseriyadagi boshqa taniqli kanadalik aktyorlar orasida Laura Xarris Loni sifatida; Garri bo'r, Eddi sport zalida murabbiy sifatida eng ko'p ovozli aktyorlik bilan tanilgan; Jey Brazo taksi haydovchisi sifatida; Pol Batten Eddi farmatsevti sifatida; Donna Peerless va Tom Xiton o'qituvchilar miss Duglas va janob Kin; va Kim Kondrashoff, Helena Yea va Charlz Siegl yutqazuvchilarning sinfdoshlari, Joui, Rouz va Nat.

Kontekst

Hozirgi kunda dahshatli ilmiy-fantastik mini-seriallar oy toshlari kabi juda kam uchraydi, ular ma'lum sayyoralar orasida juda kam va juda kam.

— 1990 yilgi sharh Bu dan Hollywood Reporter.^[26]

Televizorning o'ziga xos jur'atsizligi, uning haddan tashqari uzoqlashish va tomoshabinlarni haydab chiqarish qo'rquvi dahshat maqsadidan to'g'ridan-to'g'ri farq qiladi, shunchaki shunchaki uzoqroq borish, tomoshabinlarni qo'rqitadi.

— Zamonaviy Bu televizorda dahshatli qiyinchiliklarni tushuntirib beradigan sharh.^[27]

King televizorning cheklangan dahshat bozoridan qattiq norozi edi va mini-fabrikalar yashil rangga aylangandan keyin kam kutgan edi.

Ilgari Stiven King hikoyasining bitta televizion versiyasi bo'lgan Bu, bu 1979 yil moslashtirish ning Salemning loti (1975), rejissyor Tobe Xuper.^[6] Garchi tanqidchilar tomonidan tan olingan bo'lsa-da,^[28] u Kingning dahshatli televideniedagi salbiy qarashlarini o'zgartirmadi, chunki u hanuzgacha 1983 yilda format "juda dahshatli va xayoliy tasavvurga ega emas" deb ishongan.^[29] Ushbu shubha 80-yillarning o'rtalarida u yozgan va nashr etganida davom etdi Bu (1986) va u hech qachon kitobning televizion versiyasi muvaffaqiyatli bo'lishiga qaramay sodir bo'ladi deb o'ylamagan.^[29] Uning sababi shundaki, bu xavf ostida bo'lgan bolalarni xavf ostiga qo'ymaslik tsenzuraning qoidasi edi Bu.^[30]

Bu to'rt yil davomida yozilgan^[31] hikoyadan ilhom bilan King tomonidan "Uchta Billi echki Gruff "^[32] va afsonalar Bangor, Men kanalizatsiya tizimi.^[33] Ko'p sonli sahifalari va g'alati jinsiy ketma-ketliklari uchun qutblangan tanqidiy javobni olishiga qaramay,^[33] Bu ko'ra, 1986 yilda Qo'shma Shtatlarda eng ko'p sotilgan qattiq jildli badiiy kitob edi Publishers Weekly;^[34] va a British Fantasy mukofoti g'olib.^[35]

Kitobning televizion versiyasi amalga oshmayotgani haqidagi Kingning bashoratlari yolg'on bo'lsa-da, gazeta tanqidchisi Mett Roushning so'zlariga ko'ra ham o'zini oqladi.^[4] 1980-yillarning oxirida har qanday dahshatli mahsulot tarmoq uchun dargumon qimor o'ynadi.^[4] Televizion bozorda sitcomlar ustunlik qildi, Seriallar va hayotdagi voqealarning fantastik taqdimotlari; kabi seriyalar bor edi Freddining kabuslari (1988-90) va 13-juma: Seriya (1987-90), ammo ularga ko'pincha tarmoq tsenzurasi, tijorat tanaffuslari, kam byudjetlar va "jozibali ijro" to'sqinlik qilar edi.^[4] 1980-yillarning oxiridan 1990-yilgacha boshqa omillar tarmoqning "Qirol" hikoyasini film yoki mini-seriyalarda namoyish qilish xavfini oshirdi; teatrlashtirilgan King ekran transferlari yomon namoyish etilardi teatr kassasi,^[36] Videomagnitofon egalarining 1985 yildan 1990 yilgacha 20 foizga o'sishi tufayli mini-seriallar yoki filmlar singari katta televizion tadbirlar tomoshabinlar uchun ahamiyatsiz bo'lib qoldi.^[37] Natijada shunga o'xshash kanallar paydo bo'ldi ABC xarajatlarni kamaytirish uchun bir nechta choralarni ko'rish, masalan, uning tarkibiga muntazam seriyalar qo'shish.^[37]

Ba'zi tanqidchilar, shuningdek, dahshatli filmning efirga uzatilishini shubha ostiga olishdi Bu televizorda, ota-onalar va hukumat tomonidan kamroq cheklovlar tufayli bolalar uchun teatrlarga qaraganda bu format juda oson.^[38][39]

King miniatyuralar "podvalda bo'lishini kutgan edi. Mana, 1000 sahifadan iborat kitob bor edi va ular uni reklama roliklari bilan to'rt soat ichida bosib o'tirishmoqchi edilar".^[6]

Oldindan ishlab chiqarish

Sabab

Gollivud kassadagi muvaffaqiyatdan so'ng Kingning asarini ekranga moslashishga bo'lgan qiziqishini sezilarli darajada oshirdi Uy hayvonlari uchun seminar (1989) va bir nechtasi rivojlanishga kirishdi;^[30] shu vaqt atrofida ABC televizion mini-seriallar huquqini qo'lga kiritdi Bu va sakkizdan o'n soatgacha ishlaydigan mini-fabrikalar sifatida yashil rangda yondi. Bir sabab, ko'ra Lourens D. Koen, bu "uzoq romanlarni televizorga moslashtiradigan tarmoqlarning gullab-yashnashi" edi.^[6] ABC filmi rahbari Allen Sabinson prodyuserlik qilishni tanlaganliklarini tushuntirdi Bu a asosida yaratilgan avvalgi film sifatida Bolalar haqidagi qirol hikoyasi, Men bilan tik tur (1986), muvaffaqiyatli bo'ldi.^[40] Ishlab chiqaruvchilar ham hikoyaga bag'ishlangan drama jihatlari,^[40] 1990 yilda drama asarlariga moyil bo'lgan aksariyat tomoshabinlar tufayli.^[41]

Bu televizion landshaft g'ayrioddiy uslublarni biroz o'zgartirib yuborgan davrda ham amalga oshirildi, chunki bu kabi shoularning mashhurligi Devid Linch "s Twin Peaks (1990-91) va Kriptodan ertaklar (1989–96).^[4] Aslini olib qaraganda, Twin Peaks aktyorlar va ekipaj a'zolari o'rtasidagi munozaralarda doimo murojaat qilingan Bu tortishish paytida.^[4] Sifatida Tommi Li Uolles "Bu barchaning e'tiborini muvaffaqiyatga erishish uchun hamma narsaga o'xshashlik va o'xshashlik va boshqa narsalar kabi bo'lishi shart emasligiga qaratdi. Siz yangi zaminni buzishingiz mumkin - qattiq zo'ravonlik yoki yalang'ochlik bilan emas, albatta - lekin shunchaki Men boshqacha va g'alati bo'lib, buni albatta keltirmoqchi bo'laman Bu."^[4] Xuddi shu paytni o'zida, CBS dahshatli film bilan o'xshash imkoniyatlarga ega edi Psixologiya IV: Boshlanish (1990), xuddi shu oyda efirga uzatilgan Bu va shuningdek, taniqli Oliviya Xussi, kim Audrani o'ynagan Bu.^[4]

Rivojlanish

Jorj A. Romero dastlab rejalashtirilgan edi Budirektori, ammo uning rejadagi nizolari va mini-seriyalarning uzunligining qisqarishi uning loyihadan chiqib ketishiga ta'sir qildi.

Jorj A. Romero Dastlab ABC sakkizdan o'n soatlik seriyani to'rt soatlik ikki blokni bosib o'tishni rejalashtirgan loyihani boshqarish uchun imzolangan edi.^[6] 1989 yil 1-iyun kuni ABC miniseriyalar olti soat bo'lishini va rejissyor Romero boshchiligida bo'lishini e'lon qildi, aktyorlar tarkibi rejalashtirilmagan.^[42] Da chop etilgan 1989 yil iyul oyidagi e'lon Xyuston xronikasi miniseriyalar dastlab Derri o'rniga "Massachusets shtatidagi kichik shaharchada" o'rnatilishi rejalashtirilganligini ko'rsatadi.^[43]

1990 yil yanvar oyida nashr etilgan intervyusida ABC telekanali Dan Doran so'zlab berdi Bu sifatida "uzoq muddatli rivojlanish loyihasi, va bu hatto qat'iy emas, hali 100% majburiyat."^[30] Shuningdek, u Romeroning aloqadorligini "taxminiy" deb topdi.^[30] Biroq, Romero o'zini ushbu loyihada juda ajoyib ishtirokchi deb ta'rifladi: "Men effektli bolalar bilan ishladim. Men [hikoya] taxtalarini qildim. Menda minglab sahifalar ssenariylar va eslatmalar bo'lishi kerak." Biroq, rejalashtirish uning bilan ziddiyatli 1990 yil qayta tuzilgan ning Tirik o'liklarning kechasi (1968)^[44] ABC mini-seriallar uzunligini to'rt soatga qisqartirgandan so'ng, u loyihani tark etishga majbur bo'ldi.^[45] Uning chiqishi dastlab uni xafa qildi, chunki bu uning tashlab yuborilgan vaqtini eslatdi Uy hayvonlari uchun seminar.^[44] Biroq, u 1993 yilda uning ta'tilini qadrlashini aytdi, chunki uzunlikning qisqarishi miniseriyalarning yakuniy mahsulotining "ta'sirini" kamaytirdi.^[45] Shuningdek, ishlab chiqaruvchilar Romeroning mini-seriallarni televizor uchun juda grafika qilishidan xavotirda edilar.^[46]

Ishlab chiqaruvchilar sakkiz-o'n soatlik miniseriyalarni bajarishda qancha ishlarga duch kelishlari mumkinligidan "asablarini yo'qotdilar".^[6] Shunday qilib, ABC uni ikki qismli miniseriyalarga aylantirgandan ko'p o'tmay, uni uch qismli qatorga qisqartirdi Tommi Li Uolles Koen stsenariysining birinchi qismi loyihasini o'qib chiqqandan so'ng to'g'ridan-to'g'ri imzolangan.^[6]

Yozish

Ilgari yozgan Koen filmni moslashtirish ning Kerri 1976 yilda yozish uchun yollangan Bu, kitob nashrdan oldin 1986 yilda Nyu-Yorkdagi kvartirasiga yuborilgan romanning qo'lyozmasini olgan.^[6] Kingga Koen tomonidan yuborilgan bir nechta stsenariy loyihalari bo'lgan bo'lsa-da, u mini-seriyalarni yozishda hech qanday aloqasi yo'q edi.^[6] Koenning dastlabki loyihalari birinchi kechada Yo'qotilganlarni bolaligida, ikkinchi qismini esa kattalar sifatida ko'rsatadigan kitobning orqaga qaytish formatini rad etdi.^[47] Dastlab u o'rgimchak shaklining birinchi qismida Pennywise tosh urganida ishora qilishni rejalashtirgan, ammo bu g'oya bekor qilingan.^[6] Koen dastlab ikkinchi epizodni, Uollesning so'zlariga ko'ra, "juda ichki melodrama" sifatida yozgan, bu romandan keskin farq qiladi va Tom Rogan syujetda juda katta rol o'ynagan.^[6]

Koenning qoralamasini o'qiyotganda, Uolles dastlab kitobni ob'ektiv ko'rish uchun uni o'qishdan qochgan: "Men ko'p yillar davomida kitob bilan chambarchas bog'liq bo'lgan odamlar bilan muomala qilayotganimni bilardim".^[48] Ssenariyda ko'plab masalalarni, ayniqsa, ikkinchi qismni ko'rgandan so'ng,^[6] Wallace Koenga o'z qoralamalarini qayta yozish uchun taklif beradi; ammo, bu Cohendan uch hafta davomida miniserlarning Vankuverdagi ishlab chiqarish joyiga borishini talab qilishi kerak edi, bu uning jadvaliga ruxsat bermaydi.^[48] chunki u boshqa loyihalarda ishtirok etgan.^[6] Bu Uollesni ssenariyni o'zi qayta yozishiga va kitobni mos yozuvlar sifatida ishlatishga majbur qildi, bu esa asl qoralamalarning barcha muammolarini hal qildi.^[48] Uolles tushuntirgandek: "Men o'zimni qayta yozishda o'zimning hissamni qo'shganman, bu kitobda esda qolarli narsalarning ko'pini yig'ish edi."^[48] U kitobdan stsenariyga qayta tiklanishni qo'shdi va ikkinchi qism ssenariysi birinchisining "bir oz ritmini saqlab turishiga" ishonch hosil qildi.^[48]

Romandagi o'zgarishlar

1138 sahifadan iborat "Qirol" romanining uzunligini hisobga olgan holda,^[49] Koenning 215 betlik ssenariysida juda ko'p materiallar qoldirilgan,^[5] shu jumladan, kattalar belgilarining shaxsiy hayotiga oid subplotlar, ulardan bittasida asosiy erkak belgilar har biri o'zlarini yo'qotgan bokiralik Beverliga.^[6] Koen, yakuniy tanlovda ishtirok eta olmagan materialdan xafa bo'lib, "kitobdagi eng yaxshi daqiqalar qisqartirishga imkon berdi, qolganlari urush qurbonlari".^[6] Dahshatli televizion tomoshabinlarga murojaat qilish uchun miniatyuralarda do'stlik va sadoqat mavzulari buzilgan.^[4] O'Tul Yo'qotuvchilarning orgiya sahnasini olib tashlashni yoqtirmasligini tan oldi: "Bu ularning bir-biriga bo'lgan eng katta aloqasi edi - u ularning hammasi o'ladi deb o'ylardi va bu ularning har biriga bergan sovg'asi edi va Men buni eng chiroyli, saxovatli muhabbatga to'lgan sovg'a deb o'ylardim va bu ularning barchasini shunday ajoyib tarzda bog'lab turardi ".^[17] Koen retrospektiv ravishda romanidan farqli o'laroq yakun yasashga ijozat berilishini xohlaganini tan oldi: "Agar men buni yana takrorlashim kerak bo'lsa, mening instinktim kattalar Pennywisega boshqa shaklda, o'z shaklini o'zgartirib, qarshi turishning yo'lini topish edi. shon-sharaf. "^[6]

Qirolga yoqmagan, ammo eng katta o'zgarishlardan biri bu bosh qahramonlarning chuqurligi, xususan, Los-Anjelesdagi DJ-dan televizion shou-komediya aktyoriga aylangan Richie Tozierning chuqurligi kamayishi edi.^[50] U mini-seriyalarning Richi versiyasini faqat ikkita o'lchovga ega deb topdi: "yaramas" va "mehribon odam" Buddy Hackett."^[50] Biroq, Uolles va Koen Pennywisening markaziyligini manba romanida saqlab qolishdi; kino olimi ta'kidlaganidek Toni Magistral yilda Gollivudning Stiven King, televizor uchun yaratilgan film "kattalar dunyosi Derri va Bu [qaysi] bundan tashqari, hayvonni ifodalovchi turli xil jonzotlar uchun birlashtiruvchi belgi sifatida karnaval klounini ustalik bilan tanlashda aniqlanadi. "^[51]

Ishlab chiqarish

Suratga olish

Biz haqiqatan ham Derrida bo'lganimizni his qildik. Barcha tashqi ishlar Stenli bog'ida amalga oshirildi va men uning juda o'rmonli ekanligidan va shu paytgacha olib tashlanganidan hayratda qolganimni eslayman.

— Kran, 2015 yil^[17]

The Yo'qotilgan Lagun sifatida xizmat qilgan BuKapitan Hanscom sahnasi uchun suratga olish joyi.

Bu uch oylik yozgi davrda otib tashlangan Vankuver, Britaniya Kolumbiyasi, Kanada.^[5][52] Yashil byudjetni 12 million dollarga belgiladi, odatdagi televizion filmni ikki baravar ko'paytiradi,^[18] bermoq Bu asosiy kinofilm hissi.^[40] Vankuverdagi suratga olish joylari kiritilgan Stenli parki, Beaver Leyk va Shimoliy Vankuverdagi Sent-Tomas Akvinskiy o'rta maktab monastiri.^[53] The Buntzen ko'li Kichik zavodlarning kanalizatsiya zavodi sifatida, xususan, Gidro zavodi ishlatilgan.^[11]

Laurie Winterbarger Pennywise tomonidan o'ldirilgan birinchi sahna uchun, Simmonsning zarbalari Kori tayyor bo'lmaganda amalga oshirildi; Uolles orqa hovlisidagi kir yuvish joyida turib, unga hissiyotlarga sodda ko'rsatmalar berdi.^[25] Biroq, u hali ham Kori bilan o'qish orqali va treylerda o'q otish paytida tanishgan: "trotuar bo'ylab ketayotib, Tim butun palyaço kostyumida yurar edi - u hammasi bo'lib. U menga o'girilib" Salom! "Dedi juda samimiy ovoz, lekin baribir meni yarim o'limga qadar qo'rqitdi! "^[25] Xuddi shu tarzda, Patti Uris erini vannada o'lik deb topgan sahna (birinchi otish kunida amalga oshirilgan) Urisni Keytlin Xiksning reaktsiyasini suratga olish uchun tayyor bo'lmaslik bilan bog'liq.^[54] Birinchi qismda kapitan Xanskom ketma-ketligi o'qqa tutildi Yo'qotilgan Lagun, bu Makajni suv sathidan pastda joylashgan platformada suv ustida turgan belgi illyuziyasini berish uchun jalb qilgan.^[55] Kapitanning jasadini o'qqa tutish Kren maydonga tushmagan paytda qilingan.^[56]

Suratga olish Bu qiyin ketma-ketliklardan holi emas edi. Beverli vannaxonasida qon bilan to'ldirilgan balon portlashi sahnasi portlash vaqtini to'g'ri keltirish qanchalik qiyin bo'lganligi sababli ko'p marta talab qilinadi.^[6] Teatr sahnasi ko'plab takrorlashlarni va kutishlarni talab qildi, shuning uchun Kori sahnaga chiqdi va bolaga qo'shimchalar qo'shdi singalonglar, hamma uning miniserliklarda yirtqich belgini o'ynayotganini bilmagan.^[11] Shooting the last sewer scene was tough for the adult actors, as they had to deal with walking in an area filled with rust likely infected with qoqshol.^[11] The final scene with Bill and Audra Denbrough took days to rehearse, a library scene with all the adult actors involved some slight injuries due to the amount of objects randomly flying around the place, while the photo album scene where Pennywise comes to life was the hardest scene to shoot for Wallace.^[11]

Rejissyorlik

Tommy Lee Wallace previously worked with John Carpenter (rasmda), and much of Wallace's directing for Bu was inspired by Carpenter's work.

In explaining why directing a screen version of a King story was difficult, Wallace summarized, "Stephen King is so good with language that he can make almost anything sound incredibly scary. Some of King's images translate to film. Some are simply ethereal, like smoke."^[5]

A lot of Wallace's directing was influenced by films he worked on with John Carpenter, kabi Halloween (1978) va Tuman (1980).^[11] He made several technical and staging decisions just to make each scene scarier or weird.^[11] These included interesting camera tricks, such as the Chinese restaurant scene being shot with a handheld camera; and shots where It goes through pipes filmed as if they were from It's point of view, a decision inspired by Wallace's past experiences working with Carpenter.^[11] The Chinese restaurant sequence was shot in only one take and involved the actors not being aware what was going to happen so that "our expressions were all real," explained Reid.^[6] As Wallace explained, "The fortune cookie scene is an example of how to get great scare-power out of fairly humble, low-budget special effects. A trick table, puppeteers underneath, a handful of creepy little cookie models, a group of characters taken by surprise. So much depended on the details."^[6] When it came to the Ms. Kersh scene, Wallace place several incidental details, such as Mrs. Kersh's teeth being rotten like Pennywise's, to give the audience a clue something was up; the scene also ends with Beverly Marsh in the middle of the street, with intentionally no extras around to add to the creep factor.^[11] Wallace also chose to make the furniture in Stanley Uris' house odd to signify something being wrong with the character.^[11]

Maxsus effektlar

Gen Uorren 's effects company Fantasy II were in the middle of working on Yirtqich hayvon 2 (1990) when ABC assigned the company to work on Bu with a deadline of 12 weeks.^[9] The effects team of Bu included Warren, who handled the visual effects;^[57] Bart Mixon, who coordinated the makeup effects^[57] and Pennywise's animated deadlights;^[58] Jo-Anne Smith, who previously worked on Curry's make-up for his role in Afsona (1985);^[7] Salty Ray; J.C. Matalon; and the Fantasy II effects team run by Warren's son, Gene Warren Jr., and including Jim McLoughlln, Aaron Sim, Brent Baker, Norman Cabrera, and Joey Orosco.^[57] Fantasy II previously worked on a feature also directed by Wallace named Qo'rqinchli tun 2-qism (1988) and another King adaptation named Uy hayvonlari uchun seminar (1989).^[57]

The majority of the special effects were done practically without digital alteration,^[6] such as puppeteers being used to animate the fortune cookies in the Chinese restaurant scene.^[11] Some scenes were done with replacement animatsiya, an animation technique similar to harakatni to'xtatish animatsiya.^[6] Replacement animation was used for when Pennywise came out of the drain, killed Belch in the sewers, and did a somersault in the air.^[11] A lot of the effects Wallace planned to use while storyboarding didn't make it into the final version for budget reasons, such as the roots writhing around Pennywise in his ghostly encounter with the adult Losers in the sewer.^[11] Lindsay Craig, an artist who made a living doing prop work in film and television, created some of the blood for Bu foydalanish oziq-ovqat bo'yoqlari, water, and methacyl.^[5]

While It's lair features many pilla humans, Sally Ray and J.C. Matalon sculpted only six of them, four children and two adults, for close-up shots.^[59]

To work with the deadline, Mixon divided the design team of each It creature into four artists: "Each artist was given a considerable amount of freedom with his creations, with occasional input from Warren or myself to make sure we were adhering to Wallace's vision."^[60]

Pennywise

Tashqi ko'rinishi Pennywise asoslangan edi Lon Chaney yilda Opera fantastikasi (1925).^[6]

When designing Pennywise, Mixon focused on making him look as "friendly" as possible: "This creature is trying to lure children in, so he's not going to be a monster at first."^[6] He began drawing concepts for how Pennywise would look before Curry was cast, researching the looks of most other clowns in the process.^[61] Original storyboards for Pennywise featured exaggerated cheekbones, a sharp chin, and bulbous forehead.^[6]

The Losers Club watch as Pennywise goes down the drain after his head was cracked open. Multiple effect techniques can be seen in this shot, such as rotoscoping for Pennywise's deadlights, the incorporation of a stop-motion puppet into a live-action shot, and a visual of one of Mixon's original head designs for the clown that only can be seen on the puppet.

Mixon began working on a head cast for the Pennywise character after Curry was cast in the role; he also designed three clay molds for testing. According to Mixon, he based the shape of Pennywise's head on Lon Chaney yilda Opera fantastikasi (1925), "stylized into a clown."^[6] Three different versions of the clown's face were created, one of which resembled a hobo clown, another that was "a little meaner," and the final one seen in the series.^[6] Mixon then worked with Curry on the makeup and tested two concepts: one with just a nose, headpiece, and a make-up pattern Curry suggested; and another one that was closer to the original designs.^[61] The former was chosen, although the other make-up choice is featured in the final cut when Pennywise is sprayed with battery acid.^[61] Instead of traditional clown make-up, PAX paint was used for makeup^[61] that made Pennywise look "almost like a living cartoon."^[6]

According to director Wallace, "Tim [Curry] objected strongly to all the rubber. He had recently been in several movies which covered him in prosthetics and I'm sure he felt all the glue and latex would just get in his way. He was right, of course. With those eyes, and that mouth, and his crazy, sardonic sense of humor, less turned out to be more in the makeup department."^[6] However, the bulbous forehead was kept to give the character "a supernatural aspect without getting in the way."^[6] Getting the clown faces right also depended on some of the actor's own efforts, to the point where he had to do a day of training of not only getting into the character but also practicing the faces.^[62] Small adjustments to Pennywise's face, such as on his mouth and the eyebrows ("the hardest thing to get right" according to Curry), were still being made in the first five days of shooting.^[7]

In the scenes when the clown became vicious, Curry wore yellow lenses^[63] and two sets of sharp teeth throughout shooting: a smaller set he could talk while wearing, and a less flexible but far bigger set for more horrifying shots.^[6] The teeth were designed by Jim McLoughlin.^[64] Wallace originally didn't want Pennywise to switch into a "horror" look but rather maintain the "nice" clown look throughout the miniseries,^[63] but this idea was dropped.

Dan Platt sculpted a puppet replication of Pennywise specifically for the stop motion scenes, with painting done by Mixon and the hair by Jack Bricker.^[65] Rotoskopiya was used for Pennywise's "dead light" effects in the first part of the miniseries.^[63]

Kurt-bo'ri

Norman Cabrera sculpted the design of the werewolf.^[9] Because Wallace didn't want it to look like a usual "Howling type of creature," Mixon instructed Cabrera to make "a slicker, '90s version" of the wolf from the 1950s film Richie viewed.^[9] The makeup used for the werewolf character was kept simple, consisting only of a spandeks hood mask, gloves, and hair tied around the neck all put together through KY Jelly; this was done to suit the limited application time and "the nature of the shots."^[9] Jack Bricker created the wolf's hair, and Mimi Cabrera made stylistic additions.^[59] Aaron Sims painted three sets of false eyes for the wolf; a "beauty pair" for close-up shots, a "stunt pair" that had the pupils "drilled out," and a set of glowing eyes. Only the "stunt" and "beauty" pairs are seen in the final miniseries.^[9]

Mrs. Kersh

For the part when Mrs. Kersh is revealed to be Alvin Marsh's corpse, Florence Peterson was still playing the character.^[59] Cabrera was responsible for the Marsh part of Kersh's make-up, composed of two face pieces, one teeth piece, false fingernail pieces, one neck piece, two pieces on the back of the hands, and an "empty eyesocket" piece.^[59] Mixon handled a PAX paint layer of the makeup.^[59] As Mixon explained, "Director Wallace wanted an empty eyesocket look for Al, so Cabrera sculpted rot inside the sockets and then burned tiny holes through the foam for the actor to see through."^[59]

Stanley's refrigerator head

The scene when the Losers find Stanley's decapitated head in the refrigerator was done via a split ekran effekt; it consists of one shot of Masur wearing a Jim-McLoughlin-designed "severed neck" with black areas filled in by another shot of the refrigerator without the actor.^[64] McLoughlin also created a dummy head of Stan used for wide shots.^[64]

O'rgimchak

I had a problem with the spider. King was able to conjure it up in his head, but it was difficult to bring to the screen. We set the tone and parameters in the first part of the movie with Pennywise. But when you get to the spider, you move into a different world. Bu was supposed to be a horror movie, not Jeyson va argonavtlar.

— Warren, 2015^[6]

Producing and shooting It's final spider form required a budget of $200,000^[66] and 13 weeks of time.^[67] It began with Mixon coming up with the idea of a "soft and fleshy" spiderlike creature. Joey Orosco, with some help from Henry Mayo,^[68] used his idea to create a design that included the qorin va bir nechta oyoq-qo'llar of a spider; va yelkalar, kestirib va tanasi -attaching legs of a human; the body parts went through more than 16 concept sculptures.^[64] In addition to painting the entire creature, Orsco mold the torso, arms, and head;^[59] while the spider's legs and abdomen were sculpted by Sims.^[68] Sims also molded a to'xtash harakati replica of the spider, with an armatura built by Mike Joyce, used for nine split ekran, orqa proektsiya, and tabletop shots supervised by Warren.^[68][67]

As Wallace explained, the spider was far less "beefy and muscular" and more "lean and mean" then what was in the concept drawings; its face was also not suppose to be as visible as it was in the final cut, although he blames himself for letting that happen.^[6] As Mixon described the 500-pound,^[66] 250-foot^[15] radio boshqariladigan^[57] spider, "They've had some other creatures on TV but I can't think of anything just this big or this neat."^[66] It's odd design and unusually large size caught the attention of Canadian customs officials when it reached the US-Canada border of Oq tosh during its relocation from Los Angeles to a sound stage at Ko'prik studiyalari; the officials delayed the operation.^[66]

Brent Baker was inside the spider, previously going through three months of training in using it, where there was a video monitor showing him how the spider was moving: "It got a little stuffy, but they had a place where they could stick in a little hose if I wanted water or some fresh air."^[10] Baker got really uncomfortable when the spider had to do multiple shots of the roll-over movement, as he would have to lay on his side while the crew set up another shot.^[10] Dave Kindlon's mechanics of the spider required control by various operators for different body parts; the head was radio-controlled by three people, the legs were operated by six people, one person operated the arms, one handled the deadlights, and others handled the movement of the entire spider.^[67]

As Mixon described controlling the spider, "We used a certain amount of animatronics for the head, and the body had some of my crew members inside it. Once we got it into place, we couldn't move it around too much, because it was pretty unwieldy. For some reason, they shot it in super slow motion, so it's no wonder it looks like it's not moving! It was capable of more than what you saw onscreen."^[6]

The final spider figure disappointed both the cast and Wallace.^[6][14][12] On set, Thomas called the spider a "diva," Ritter mocked it as a "muppet from hell,"^[15] and O'Toole recalled most of the cast calling it the "Alaska shohi qisqichbaqasi."^[17] King also disliked the spider, mocking it as "three Chevy headlights on the bottom of a wheelbarrow." The effects artists made touches after King revealed his disappointment during production.^[29]

As the producers were about to throw away the spider, Bart's father Tom rushed to Fantasy II to obtain it; as of January 1993, the spider resided in a Xyuston, Texas warehouse owned by Bart's parents Tom and Barbara.^[58]

Musiqa

A dan foydalanish Soch quritgich gave Bellis the idea to use a major seventh as the first interval for Bu's title theme.

Bu bastakor edi Richard Bellis ' first score since his career "came to a screeching halt for some unknown reason" in 1984.^[69] He was in the fourth year of owning a woodwork business when getting the call to score the miniseries.^[69] The score took five weeks to compose and produce.^[69] Bellis recorded four-days worth of orchestra parts performed by various ensembles that had 55 players at most, and the electronic instruments were tracked at Rey Kolkord uy studiyasi.^[70]

Bellis' use of motiflar va ostinatos yilda Bu were inspired by the works of Bernard Herrmann.^[69]The music features motifs of not only each Loser and Pennywise but also themes of nostalgia and the difference between the past and the present.^[70] In presenting the story's varied tone, the score mixes together adventurous orchestra motifs (especially so for the music of the last showdown between It and the Losers^[71]), horror synthesizer pieces, sirk musiqasi, katta guruh jazz, creepy ovoz dizayni touches,^[70] and trumpet-heavy music accompanying the setting of Derry.^[71]

Bellis took a long time figuring out the first oraliq of the title theme, since he considered the use of a triton overused in horror.^[69] Then, one day, he spontaneously chose the interval to be a major seventh after he heard it on the Soch quritgich u foydalanayotgan edi.^[69] The scrapbook seen in the title sequence influenced how he composed the theme: "I do remember being struck by the fact that it was not like other scrapbooks, filled with happy memories. The pages were sparse and the sequence mostly in black & white."^[69] The producers and Wallace initially intended Taassurotlar "cover"Qanday qilib siz qilayotgan ishlarni qilasiz " to be the title song, but it's instead played in the sequence where the Losers build a dam in the final cut.^[69]

For Pennywise's circus theme, the choice of calliope, drums and bells performing it was obvious to Bellis; however, how he would use the bright-toned circus instruments was challenging in composing the theme for an evil clown. As Bellis described his thinking process, "does the music have to be evil too? Besides, calliope music is usually very busy— I use this instrument as a scoring instrument or will that just be distracting? Maybe I can use it in a register lower than an actual calliope is capable of playing and just with single notes. And what about a sort of "demented" carousel? Maybe I can create something that uses my major seventh interval?"^[69]

Ning boshida Bu, Winterbarger sings "Itsy Bitsy Spider " while riding on a bike,^[25] qaysi foreshadowes the titular antagonist's spider form.^[72]

Wallace and the producers disliked the score (particularly the title music) according to Bellis.^[69]

The first release of the score was in February 1996, but only as a 16-minute suite on the album Richard Bellis: Film Music Volume 1.^[73] Then, a 2-CD release of the TV movie's complete score by Richard Bellis was released on November 15, 2011 by Intrada yozuvlari,^[71] and is volume 184 of the label's special collection.^[70] On October 31, 2016, Warner Brothers, as part of their Archive Collection Series, issued the score in a shorter, one-tracklist version on CD and Spotify.^[69] In 2017, Waxwork Records issued the entire score for the first time on vinil.^[74] A six-minute suite of the score, along with a six-minute outtake recording of an orchestra session, can be heard on Bellis' website.^[75]

On October 18, 2016, guitarist Eric Calderone uni ozod qildi elektr gitara cover of Bellis' circus theme for Bu.^[76]

Trek ro'yxati

Bu's content in relation to television restrictions

You'll know that this is no slasher film where stupid teenagers almost volunteer to be victims and bleed all over the screen. This is the terror of the unnatural, delivered by threats and special effects, not by corpses.

— John Hanauer, 1990^[77]

AllMovie taklif qildi Bu pushed the television barriers not only with its amount of blood, but also with its themes of child endangerment.^[78]

Sifatida Bu was a television production, its content had to follow Eshittirish standartlari va amaliyoti.^[6] This limited the amount of violence, gore, and blood displayed, and how it was presented. For instance, since blood couldn't come out of body orifices, blood instead had to come out of physical objects such as sinks and photo books.^[15] Mixon re-called that, when designing the skeleton Ben encountered, ABC didn't want the skeleton to be wet and have muscles hanging off of it. However, the skeleton was supposed to be wet cause it jumped out of a river.^[57][6] To get around the problem, Mixon decided to replace the skeleton meat with seaweed.^[57] As Mixon explained, "They just didn't want any [wet] gore, although rot and decay was okay."^[6] The biggest broadcast rule the makers of Bu had to loophole around was not to show kids in jeopardy, which was a major issue as kids facing deadly situations was a prominent theme of the story.^[6] An example of this is Georgie's death; he couldn't have his arm shown to be ripped off, so it had to only be implied through dialogue.^[6]

The censorship Bu dealt with made it more of a psixologik horror product, something different from most popular horror productions at the time.^[15] Most of this horror is executed through the titular villain and the scared expressions of the Loser Clubs actors.^[15] Fil Rozental wrote that in order to be scared of Bu, "it is necessary to embrace the fantasy that such an evil entity could exist and cloud minds the way It does."^[79] The lack of graphic content Bu could display also resulted its story to be very character-orientated for its genre.^[80][81] Asl roman singari, Bu deals with multiple themes related to childhood: children's safety issues,^[82] trauma adults unconsciously place on kids,^[83] the importance of friendship,^[18][84] and childhood fears that continue into adulthood.^[18] The Losers, as children, face problems of bullying, abusive parenting, racism, and adults not paying attention to a sudden increase of child deaths.^[85] They're connected together all by being outsiders dealing with similar levels of traumatic situations, and work together to overcome those traumatic feelings by defeating "It," a symbol of their inner fears.^[27]

Bu also features comic touches to its otherwise scary plot^[86][87] and was labeled by a 2019 retrospective review as being a qarorgoh production for its "fake-looking" It forms, the main cast's over-the-top performances, and bizarre story elements, such as adults being afraid of balloons.^[88] Most of the goofy vibe comes from Curry's performance of Pennywise.^[86] which mixes together elements of horror, qora komediya, and cheeriness.^[89] In addition to his odd methods of transportation, such as popping out of sinks, storm drains, and shower heads;^[86] Pennywise shows more of the look and behaviors of a regular circus clown than an extraterrestrial being.^[90][91] However, the clown is made terrifying through his corny lines, specifically how he delivers and adds subtext to them.^[90][91]

Qabul qilish

Eshittirish

Ikkinchi qism Bu eng ko'p edi Videomagnitofon -recorded television production of November 1990.

ABC originally did not want King seeing the footage of Bu until after it was broadcast; however, the author threatened the network that he would not do any promotional interviews if he did not see it first. King explained in a September 1990 Fangoriya interview that he had seen the first hour of the miniseries, and that the rest was currently being edited.^[50] His reasoning for checking on the miniseries' progress was, "It's my damn book and I worked on it for three years."^[50]

Bu was initially planned to air on ABC in May 1990^[92] before being moved to the "sweeps month " of November,^[93] specifically the nights of November 18^[94] and November 20.^[95] That weekend, Bu and other network programs had to contend with many cut-ins of coverage of president Jorj H. V. Bush 's European trips, such as meetings with Vatslav Havel va Helmut Kol; and his visit with troops in the Fors ko'rfazi.^[96]

Just before the broadcast, a variety of predictions were made by television writers about how big Bu's ratings would be. Journalist Janos D. Froelich analyzed the final product of Bu as looking cheaper than ABC's previous sweeps month big events, which made her less faithful about it being successful.^[37] Mike Drew suggested that while the star power could increase the miniseries' chances of succeeding, its content was "probably too tamed-down by TV requirements" to gain its primary target horror demographic.^[36] However, Joan Hanauer suggested the program would be "a natural ratings grabber" for its "good clean horror fun,"^[77] and Greg Paeth forecasted that it could bring in curious King fans.^[97]

Bu turned out to be the biggest success of 1990 for Capital Cities, owner of ABC, garnering nearly 30 million viewers over its two-night premiere.^[6] Part 1 was the fifth highest rated program of the week with an 18.5/29 rating/share, and being watched in 17.5 million households.^[94] Part 2 was the second highest rated program of the week with a 20.6/33 rating/share, and watched in 19.2 million households.^[95] During a time when recording television programs on tape with Videomagnitofon was becoming a commonly-practiced activity in family homes, the second part of Bu was the most taped program of the month of November, with 1.96 million tape machines detected by A. Nilsen to be recording it.^[98] In a year where traditional television films like Dekoratsiya kuni (1990) va Hodisa (1990) garnered the most viewers, Bu was the only non-safe fare on 1990 to obtain the high ratings it received.^[41]

In France, the miniseries aired on M6 on October 16, 1993 under the title Il est revenu, French for He Came Back.^[99] When it aired on BBC One in the United Kingdom in 1994, part one garnered 6.6 million viewers; and the second part became the eleventh-most viewed program of the period of May 29 to August 14, 1994 by attracting 7.6 million watchers.^[100]

Pre-broadcast reviews

Television experts reported "rave"^[41] and not-so-fond reviews of Bu from television critics.^[5] Farrell Peter Oregon sharaflangan Bu as "the best horror show ever made for network television, and among the better miniseries of any genre offered this year,"^[101] praising its multi-layered story and performances.^[102] Some critics called it one of the far better King films.^{[103][80][104][18]} Cincinnati Post labeled it "one of the creepiest productions put together for broadcast TV" (although opined it to be nothing more than for "thrills and chills"),^[105] va Sent-Luisdan keyingi dispetcherlik writer Eric Mink cherished it as "a gripping, bloody horror romp that will leave most of your major muscle groups aching from long stretches of constant tension."^[106] Matt Roush of USA Today tasniflangan Bu as "the mini-series equivalent of those Saturday matinee shockers that merrily warped a generation before Freddi va Jeyson began stalking their more graphic turf."^[107] Both David Zurawik of Baltimor quyoshi va Ron Miller Press-Telegram yoqdi Bu for working both as a straightforward scary miniseries and a very deep story,^[108][38] Zurawik highlighting its many "finely crafted" mythic and religious undertones.^[38]

Some critics highlighted its priority on character development over the typical horror traits of blood and gore,^{[80][109][81]} Richmond elaborating it was "all the more disturbing and believable by the fact that we are forced to care about these people as individuals."^[109] Many reviewers spotlighted some of the scare moments of the miniseries, often using the Chinese restaurant sequence as an example.^{[110][1][84][111]} A couple reviews particularly appreciated the miniseries' horrification of everyday objects and scenarios, such as shower heads and photo galleries.^[108][79] Times Union writer Steve Bornfeld recommended it for its freaky visuals and "effective cast," particularly Curry: "With his razor-sharp teeth and bloody balloons, Curry delicately balances clown-like cheer and pure evil, exploiting the freak show side of clowns that can terrify children."^[111] Julia Keller of Kolumbus jo'natmasi applauded the "solid production values" and "crisp direction," where "each moment is crafted and distinct as, layer upon chilly layer, an edifice of terror is painstakingly created."^[104] Reviewers also described the special effects as "exceptionally effective,"^[103] "jaw-dropping,"^[112] and "rival[ing] anything you've seen on the big screen."^[1]

However, many writers also panned Bu's long length and padding,^{[102][111][83][103][113]} Washington Times writer Rick Martin criticizing its lack of scary moments over a four-hour running time.^[114] Mayami Herald critic Hal Boedeker wrote that Bu was padded with the leads dickering around with confronting It, as if it was "a monster movie without the heroes confronting "the thing;"" and "trite" and "tasteless" dialogue, such as slurs targeted toward the black Mike and the Jewish Stan.^[113] Virginia Mann of Yozuv attributed the long length to the story's repetitive structure, where there are multiple scenes involving one Loser encountering the same villain: "After a while, even the scary stuff starts to seem silly."^[115] Some reviewers also criticized its out-of-nowhere undeveloped subplots and unexplained concepts,^{[112][116][103][82]} such as the lack of explanation for why only the Loser Clubs and none of the other adults see It's incarnations.^[116][103] Martin noted one plot error in particular: "[Bill] still feels responsible for his kid brother's being snatched by Ronald McDeath, and though he wasn't there at the time manages a detailed flashback of his brother's last moments."^[114] Some reviewers felt the miniseries failed the capture King's horror style,^[82] one of them included Dusty Saunders; he wrote that its terror wasn't "unrelenting" enough, as some of "the scenes and the special effects come across as routine, familiar work from predictable monster movies." He also was an outlier in dismissing the character of Pennywise, writing that he "comes across as a berserk, somewhat laughable circus character."^[117]

Birinchi qism

Bu's child cast, which included Jonathan Brandis (chap), Set Grin (o'rta) va Emili Perkins (to'g'ri), garnered praise from reviewers.

The most praise came towards Bu's first part, a common highlight being the performances of the child actors^{[118][84][119][103][114]} and its development of the Losers.^{[109][80][86][120]} Jonathan Storm described Crane as "awkward but adorable" and Perkins as having "a subtlety to the role that belies her years; her sidelong stare can be full of fear one second, contempt the next."^[120]

The part had the most "impact" of the miniseries because it focused on children, a very "vulnerable" demographic of people, analyzed San-Diego Ittifoqi writer Robert P. Laurence.^[110] Ed Bark Dallas Morning News wrote that, "We yearn to recapture what they had, and we also wince at the indignities they endured as members of their self-proclaimed "Losers' Club.'"^[119] Tim Funk of Sharlotta kuzatuvchisi explained, "Watching them, we can't help but recall our own childhood hurts and fears. But we're also reminded what a soothing salve friendship was."^[84]

Keller wrote the Losers' bonding "never lurch into the sentimental, but are deeply, powerfully moving all the same," also finding the back-and-forth flashback technique to be the miniseries' "most effective" aspect.^[104] However, Bodeker was less favorable towards the story's presentation of juvenile endangerment, made only more "distasteful" by its "hack filmmaking."^[113] Mink also called the introduction to the adult losers in the first part "ridiculously trite"^[106] and Bodeker a "monotonous" setup.^[113]

Ikkinchi qism

The second part garnered more criticism, a recurring con being the adult actors.^{[119][118][86]} Laurence opined the adult actors were "more willing to accept the story on its own terms," thus making the second half less interesting.^[110] Storm explained that the adult characters' "foolish" and "spoiled" behavior made their problems look more "trivial" than their younger counterparts, and called their activities less "interesting" as well: "The adults just sit around and eat Chinese food or whine through strange attempts at romance."^[120]

Mal Vincent felt the adult characters unintentionally looked like "psychopaths" seeing It's mind images, but also liked the performers of the grown-ups more than most other critics: "they do manage, just as importantly, to suggest camaraderie and friendship which, considering they are mostly stars of competing TV series, is an achievement in itself."^[18] He also called the premise of adults keeping to a vow they held for thirty years to kill a monster "silly."^[120] Chapman called Christopher's performance of Eddie "embarrassing,"^[86] while Tucker panned Thomas' performance for being more like his character for Uoltonlar than a horror novelist.^[82] Funk opined the miniseries' final half to be somewhat inferior for being "a bit silly at key points,"^[84] and Tucker disfavored the second part's predictable plot.^[82]

The ending of the miniseries garnered the most disappointment with critics, even those most favorable toward the miniseries.^{[106][112][84][1][102][79][104]} Bark dismissed it as a "hokey, feel-good" resolution,^[119] Keller called it "trite,"^[104] and Chapman described it as a "cop-out" as it ruined the "epic mind game" notion of It being in the characters' heads.^[86] It's spider form was particularly derided,^{[1][110][108][118]} called by Chapman a "cheap Chet ellik imitation,"^[86] described by Mann "as if it crawled out of a low-budget Japanese monster movie,"^[115] va tomonidan Richmond Times-Dispatch "more laughable than frightening."^[121]

Taqdirlar

Bu was ranked the tenth best television miniseries/film in 1990 by Orange County reestri;^[122] va USA Today honored Pennywise the best television clown of 1990, alongside Homey the Clown from Jonli rangda.^[123] Bellis won an award for Primetime Emmy Award for Outstanding Achievement in Music Composition for a mini-series or a Special uning ballari uchun Bu,^[124] the first time a composer won the award for a horror production.^[69] David Blangsted and Robert F. Shugrue was nominated for an Emmy for Outstanding Editing for a Single-Camera Miniseries or Special, ga yutqazish Belgilar film Sara, Oddiy va Baland (1991).^[124] Blangsted and Shugrue did, however, win an Eddi mukofoti for Best Edited Television Work on a Miniseries.^[125] Crane was nominated for a Filmdagi yoshlar award for "Best Young Actor Starring in a TV Movie, Pilot, or Special," but lost to Stiven Dorff yilda Men seni sevganimni doimo yodda saqla.^[126] Bu nomzodi a Xalq tanlovi mukofoti for Favorite TV Mini-Series,^[127] mag'lub bo'lish Fuqarolar urushi (1990).^[128]

Keyingi yillar

Uy ommaviy axborot vositalari

VHS and LaserDisc

Cover for the mininseries' home release. It first appeared on the VHS release and later DVD and Blu-ray versions.

Bu kuni ozod qilindi VHS va LaserDisc 1991 yilda.^[129] Warner Home Video released the VHS version in the United Kingdom on August 22, 1991; Samxeyn, Britain's longest running horror magazine, promoted it with a five-copy giveaway for readers who sent in when the original novel was published.^[130] In January 1992, a high-quality, digital-stereo LaserDisc version of Bu Yaponiyada chiqarilgan.^[72] On February 10, 1993, Warner Home Video released two VHS versions of Bu: a standard-play-speed set consisting of two tapes, as 193 minutes was too much time for a standard play tape to hold; and a one-tape, lower-quality, kengaytirilgan o'yin -speed version.^[131] Xyuston xronikasi writer Bruce Westbrook considered this a questionable business decision for Warner: The versions were being sold at a high rental price ($79.99); and many retailers were un-equipped to display "cumbersome two-tape" products or worried about customers not wanting to rent a long two-tape set for just one night.^[131] The VHS and LaserDisc releases feature Bu as originally aired. 1998 yilda, Bu was re-released on VHS on a single cassette tape and was altered, removing the end credits from part 1 and the opening credits of part 2. These edits carried over to all future releases of the miniseries.

DVD

The 480i DVD versiyasi Bu was released on October 1, 2002 in the United States,^[132] Yaponiya^[133] va Meksika;^[134] and on September 8, 2017 in Taiwan.^[135] Bu kuni ozod qilindi 576i PAL DVD in Denmark on October 4, 2002,^[136] Australia on October 22, 2002,^[137] Sweden on February 26, 2003,^[138] Spain on March 11, 2003,^[139] the United Kingdom on August 7, 2006,^[140] and Poland on October 17, 2018.^[141] Most international DVD versions only include English audio tracks and have subtitles in their respective languages.^{[133][134][138][135]} Exceptions are the Spain release, which includes Spanish and German soundtracks in addition to the English audio;^[139] and the Polish edition, which features an audio track of its native language.^[141]

The Japan and Taiwan releases include subtitles in Japanese, English, Portuguese, Spanish, Korean, traditional Mandarin, and Thai;^[133][135] while the American and Mexican versions include Spanish, English, and French subtitles.^[134][132] The UK DVD features English, French, Italian, Arabic, and Dutch subtitles;^[140] the Spain release including those plus Spanish, German, and subtitles for the deaf or hard-of-hearing in English and German languages.^[139] The Australian, Danish, and Polish DVDs contain the most subtitle language presets, featuring subtitles in English, Croatian, Czech, Danish, Finnish, Greek, Hebrew, Hungarian, Icelandic, Norwegian, Polish, Romanian, Swedish, Turkish, and a hard-for-hearing set in English.^{[137][136][141]}

Blu-ray and digital releases

On April 1, 2012, a full, 720p 193-minute version of Bu was released to Bosh video.^[142]

The Blu ray ning relizlari Bu comes with not just Blu-ray and DVD discs but also a t-shirt.^[143] While having video quality in 1080p, they depict the miniseries in its original TV aspect ratio, unlike other home releases that presented it in keng ekran.^[89] It was issued in Canada on September 20, 2016;^[144] Germany on September 22, 2016;^[145] the United Kingdom on October 3, 2016;^[146] Japan on October 12, 2016;^[147] the United States on October 14, 2016;^[148] Denmark, Norway, and Sweden on October 17, 2016;^{[149][150][151]} Ispaniya 2019 yil 19 oktyabrda;^[152] Finlyandiya 2016 yil 31 oktyabrda;^[153] Avstraliya 2017 yil 4 yanvarda;^[154] Italiya 2017 yil 12 oktyabrda;^[155] va Meksika 2017 yil 17 noyabrda.^[156]

Steelbook Blu-ray to'plamlari Germaniyada 2016 yil 22 sentyabrda tarqatilgan (cheklangan nusxada 1000 nusxada);^[157] Frantsiya 2016 yil 12 oktyabrda;^[158] Italiya 2016 yil 20 oktyabrda;^[159] Chexiya Respublikasi 2016 yil 7 dekabrda;^[160] Finlyandiya, Shvetsiya va Norvegiya 2018 yil 22 yanvarda;^{[161][162][163]} Daniya 2018 yil 25 yanvarda;^[164] va Buyuk Britaniya sifatida a Zavvi eksklyuziv 2016 yil 24 oktyabrda^[165] va 2019 yil 23 sentyabrda yanada qulayroq chiqish.^[166] Cheklangan nashr Digibook 2018 yil 19-yanvarda Germaniyada chiqdi va Blu-ray va DVD disklarini o'z ichiga oldi Bu.^[167]

Amerika Qo'shma Shtatlari va Avstraliyada po'lat daftar nashrlari chakana eksklyuziv sifatida chiqarildi. JB Hi-Fi berilgan sana Bu 2017 yil 4 yanvar va 2019 yil 4 sentyabrda Avstraliyada eksklyuziv po'lat kitoblar;^[168][169] va Eng yaxshi xarid AQShda 2018 yil 2 oktyabr va 2019 yil 29 avgust kunlari eksklyuziv po'lat kitoblarni chiqaring.^[170][89] 2019 yil 7-iyun kuni Italiyada Italiyaning Cinemuseum kompaniyasi Blu-ray-ning 400 nusxasini chiqardi Bu eksklyuziv lentikulyar slip, 44 betlik buklet va 5x5 postkartalarni o'z ichiga olgan.^[171] 2019 yil 30-iyulda Blu-ray versiyasi Bu shu jumladan a lentikulyar qopqoqni qoplash va ko'rish uchun chipta sotib olish uchun naqd pul taklifi Ikkinchi bob (2019) chiqdi.^[172]

Barcha Blu-ray Bu hech bo'lmaganda ingliz tilini o'z ichiga oladi DTS-HD master audio trek^{[152][154][148][144][149][150][151][156]} Shuningdek, AQSh, Buyuk Britaniya, Ispaniya va Avstraliyaning versiyalarida miniseriyalarning chex, frantsuz, nemis, italyan va ispan dublyajlarining mono versiyalari mavjud; subtitrlar ingliz, frantsuz, nemis, italyan, yapon, portugal, ispan, lotin ispan, chex, daniyalik, golland, fin, norveg, polyak, shved, tay va yapon tillarida.^{[148][146][154][152][156]} Frantsuz va italyan nashrlarida ushbu xususiyatlarning barchasi mavjud, faqat bir nechtasi bundan mustasno; italyancha versiyada chexiyalik audio dubl yo'q,^[155] va frantsuzcha nashrda Tailand va Yaponiya subtitrlari yo'q.^[158] Kanadalik Blu-rayda ingliz tili master audiosi bo'lsa, uning chet tilidagi mono audio va subtitr treklari tillari frantsuz va ispan tillari bilan cheklangan.^[144] Nemis tilidagi nashrlari ingliz va nemis audio va subtitrlari bilan cheklangan;^[145] va yapon tilida faqat yapon va ingliz tillari uchun subtitr sozlamalari bilan ingliz tilidagi audio trek mavjud.^[147] Shimoliy shimoliy Blu-raylarning aksariyati faqat ingliz tilidagi audio va subtitrlarni shimoliy mamlakatlarga tegishli barcha tillarda taqdim etadi;^{[149][150][151]} istisno - bu Finlyandiya versiyasi bo'lib, unda amerika va ingliz nashrlari bilan bir xil miqdordagi dublyaj treklari va subtitr tillari mavjud.^[153]

To'plamlarga qo'shilish

2012 yil 1 oktyabrda Warner Brothers DVD to'plamini chiqardi Uchlik terror to'plami uchta mini-seriyani o'z ichiga olgan: Bu, 2004 yildagi mini-seriyalar Salemning lotiva Yorqin (1997).^[173] 2017 yil 29 avgustda bu to'rtta filmli Blu-ray to'plamining bir qismi edi Dahshat qiroli, bu ham xususiyatli Salemning loti, Stenli Kubrik "s Yorqin (1980) va Mushukning ko'zi (1985).^[174] Shuningdek, u to'plamning kengaytirilgan DVD versiyasining bir qismi edi Shoshankni qutqarish (1994), Orzular ovchisi (2003), Yashil mil (1999) va Creepshow (1982).^[175]

Retrospektiv fikr va meros

Kulminatsion daraja biroz muqarrar ravishda qoniqarsiz bo'lishi mumkin bo'lsa-da, u o'zining kuchli tomonlari, jumladan, unutilmas dahshatli Pennywise tasviri, ichki vahima dahshatining unutilmas darajada hayratga soladigan daqiqalari [...] va har ikki avlod o'rtoqlik do'stligini to'liq ishonarli tasviri bilan nostaljik tarzda esda qoladi. Yo'qotuvchilar klubi.

— Hozir, 2015^[176]

Stiven Kingning o'zi aksariyat muxlislar tomonidan barcha zamonlarning eng dahshatli televizor uchun yaratilgan dahshatli filmi deb hisoblanmoqda.

— HorrorHound, 2009^[177]

Vizual effektlar bo'limiga ko'proq vaqt va ko'proq pul yordam bergan bo'lar edi, ammo menimcha, biz bor narsamizni yaxshi qildik, va bizda mavjud bo'lgan narsalar, avvalambor, ajoyib quyma va yorqin material edi. Stiven King va men haqiqatdan keyin yozishgan edik, u xuddi men shou dasturining kuchli va zaif tomonlarini his qilgandek edi, lekin umuman olganda juda iltifotli edi.

— Wallace, 2015 yil^[56]

2020 yil sentyabr oyidan boshlab^[yangilash], kuni Rotten Tomatoes, miniseries 67% darajasida tasdiqlash reytingiga ega 24 ta sharh, bilan o'rtacha vazn 5.59 / 10 reytingi. Saytning konsensusida "Garchi notekis ikkinchi bo'lim to'sqinlik qilsa ham, Bu Pennywise singari Tim Karridan juda ko'p qiziqarli va hayajonli hayot kechiradi. "^[178] Bu tepada Nyu-York kuzatuvchisi 2014 yildagi eng yaxshi Stiven King mini-seriallari ro'yxati; manba bu "ikki soat juda uzoq" bo'lsa-da, bu hali hamon eng dahshatli King mini-fabrikalari ekanligini tushuntirdi.^[179]

Miniserlarning paydo bo'lishiga asosiy sabab bo'lgan "Curry's Pennywise" ning turli xil kosmik o'yinlarining anjuman fotosuratlari " kultga rioya qilish yozuvchi Jeyms Smaytning so'zlariga ko'ra.

Ko'pgina retrospektiv qismlar Pennywise-ning Karrining versiyasini yoritgan,^{[180][181][182][8][49]} bir nechta nashrlar va olimlar tomonidan film va televideniedagi eng dahshatli palyaço belgilaridan biri deb nomlangan.^{[183][184][185]} Aslida, bu "[ning arxetipi sifatida keng ko'rib chiqilganyovuz masxaraboz ] janr ", deb yozgan Jessica Glenza.^[183] Sifatida Atlantika spektakl va xarakterdagi dahshatni sarhisob qildi: "U o'ziga xos ashula, guttural qichqiriq bilan gapiradi, uning tishlari o'tkir tishlarga o'xshaydi va uning kulgili sarg'ish zarbalari bilan bolalarning oyoq-qo'llarini yulib olishga moyilligi o'rtasidagi ziddiyat juda keskin".^[186] Rolling Stone yozuvchi Shon T. Kollinz buni "uyqusiz tunlar uyushtirilgan narsalar. U xursand, kuladi, xo'rlaydi, hayajon o'zi kabi o'rta maktab o'quvchilarini yutib yuborgan kabi manzaralarni yutadi - va u odatda miyasiga kirib boradigan yo'l" deb ta'riflagan. tomoshabin. "^[181]

Kollinz va Jeyms Smayt The Guardian miniseriyalarga ega bo'lishni talab qildi sig'inish holati,^[181][182] Smit, Kori tasvirini asosiy sabab sifatida ishlatmoqda: "Bugungi kungacha odamlar qo'rqinchli masxarabozni suratga olishni iltimos qilsangiz, ular Pennywisega murojaat qilishadi. Kitobni har doimgidan ham ko'proq o'qiganlar Kori Pennywise-ning rasmlarini ko'rgan yoki kliplarni tomosha qilgan, yoki birodarlari ularni o'zlari bilan birga ko'rishga majbur qilganlarini eslang. "^[182] Karrining obrazini tasvirlashi uni a ga aylantirdi dahshat belgisi.^{[177][187][188]} Sifatida Qonli jirkanch "Uning yoqimli jozibasi va quvnoq dahshat bilan aralashishi bizning ongimizdagi xarakterni mustahkamladi va bizning uyqumizni kabuslar bilan to'ldirdi".^[187] 2015 yilda manba uning kloun versiyasini eng yaxshi Stiven Kingning yovuz odami deb topdi.^[189] Perkins bo'lganligini esladi Hal-Kon "va ko'p odamlar bu haqda gapirishni xohlashdi Bu men bilan, ayniqsa, Beverlini chindan ham yaxshi ko'radigan va u o'zini bo'lishni xohlagan ayollar, chunki ular o'zlarini chetda qolgan kabi his qildilar va uni juda kuchli xarakterga ega personaj sifatida ko'rishdi. "^[6]

Biroq, miniseriyalarning boshqa qismlari ko'proq turli xil fikrlarga duch kelishdi. Smit, mini-seriyalarni umuman yoqimli deb bilar ekan, yozuvni "jirkanch" deb, qolgan spektakllarni esa "sovunli" deb topdi.^[182] Sandra Xarris of Moviepilot mini-seriyalarning "ajoyib manzaralari" va "oddiy sahnalar bilan yuzma-yuz gaplarni chiroyli to'qish" ni ta'kidladi.^[190] Yan Jeyn esa DVD munozarasi va Jon Kampopiano Qonli jirkanch bolalik nostalgiyasining dahshat elementlari bilan birlashishini maqtadi.^[180][191]Dan Stiven Buyuk Britaniya veb-sayt Eng yaxshi 10 ta film miniseriyalarning birinchi qismini hikoyasi, xarakterini rivojlantirish va noaniqligi uchun maqtadi. Biroq, u ikkinchi qismni umidsiz deb topdi, birinchi qism paytida mavjud bo'lgan asosiy belgilarning "do'stlik va hamjihatlik" etishmasligini va klişe tugashini yoqtirmadi.^[192] Meri Sue tanqidchi Keyt Gardner buni qadrladi Bu lager qiymati uchun, ammo miniatyuralar romanning "xarakterlarni o'rganish" jihatlarini uch soatlik ish vaqtiga mos kelishini rad etishlaridan xafa bo'ldi. Rozsa, shuningdek, bolalar ijrochilarini yoqtirmagan kam sonli sharhlovchilardan biri bo'lib, ularning yo'nalishini etkazib berishni "ishonarli emas" deb ta'riflagan.^[88]

Jonathan Barkin, 2016 yilgi sharhda, birinchi qism miniseriyalarning eng yaxshisi bo'lsa-da, "hamma narsani bir-biriga bog'lash uchun noqulay urinishlar" dan aziyat chekkanligini yozdi, bu erda faqatgina "eng kichik parchalar" va aslida biron bir qattiq narsa yo'q. birlashtiruvchi chiziqlar. " Shuningdek, u ikkinchi qismni katta yoshdagi Yo'qotuvchilarning qiziq bo'lmagan taqdimotlari bilan to'ldirish uchun yopib qo'ydi. Uning umumiy tanqidlari uning tezkor tuzilishi va arzon televizion ko'rinishini o'z ichiga oladi, ayniqsa, bu o'rgimchak haqida va Pennywisening qo'rqinchli yuzlari uchun yaqin masofadan tortishishlarni "dangasa" tanlash haqida.^[85]

Bir necha bor edi Internet-memlar Pennywise Georgie bilan uchrashadigan sahna giflaridan foydalangan holda.^[91]

King mini-seriyalardan zavqlanishni tan olgan bo'lsa-da, uni "haqiqatan ham uzoq kitobning haqiqatan ham shuhratparast moslashuvi" deb atagan.^[6] Romanni tugatgandan so'nggina yillar o'qigan Uolles Bu, 2003 yilda miniseriyalarni uning manbalaridan pastroq deb topganini aytgan.^[12] Ammo 2015 yilda u "juda faxrlanayotganini va juda xursandligini" ta'kidladi Bu."^[56]

Bu'tijorat muvaffaqiyati Stiven Kingning asarlari kabi mini-seriyalarni moslashtirish to'lqinini boshladi Tommiknockers (1993), Koen ssenariy yozgan yana bir mini-seriyalar; Gumbaz ostida (2013–15); 11.22.63 (2016); va Gul qizil (2002).^[6] Bu, shuningdek, ABC-ning keyinchalik Kingga o'z asarlari mini-seriyasining versiyalari ssenariylarini yozishga ruxsat berish to'g'risidagi qarorlarining og'ir qismi edi. Stend (1994)^[193] va Yorqin (1997).^[194]

Boshqa ommaviy axborot vositalarida

2013 yilda Pennywise Andreas Roth tomonidan ishlab chiqarilgan Herbaria organik oziq-ovqat kompaniyasining reklamasida paydo bo'ldi. Jung von Mett / Neckar va Tempomedia.^[195]

The 2010-yillarning oxiridagi ikki qismli film versiyasi Bu (Birinchi bob va Ikkinchi bob ) mini-seriyalarga havolalar. Karrining Pennywise-ning qo'g'irchoq nusxasi ko'rinadi Birinchi bob Richi Neibolt ko'chasidagi uyda masxaraboz qo'g'irchoqlar xonasini uchratgan sahnada;^[196] qo'g'irchoq ham film treyleriga kiritilgan.^[197] Ikkinchi bob nafaqat Kranning epizodini, balki Pennywise-ni ham namoyish etadi (tasvirlangan Bill Skarsgard ) "Kiss me, semiz bola" miniatyuralari chizig'ini va Curry's Pennywise liboslari bilan bir xil naqshli palyaço uyining palyaço sumkalarining naqshlarini takrorlab.^[196] Skarsgard miniserlar haqida bergan intervyusida "Men hammasini tomosha qildim va ... yoqimli. Juda eskirgan, bilasizmi?"^[198] 2017 yilgi filmning Genri Bouers aktyori Nikolas Xemilton va muharriri Jeyson Ballantin 2017-yilgi versiyada ishlashda mini-seriyalardan mos yozuvlar sifatida foydalanishni tan oldi.^[199][200]

Hujjatli va qisqa metrajli film

2017 yil may oyida an Indiegogo aksiya uchun yaratilgan Pennywise: IT tarixi, an mustaqil hujjatli film ning ishlab chiqarilishi va doimiy ta'siri haqida Bu kichkintoylar.^[201][202] Loyiha unga mos keldi kraudfanding maqsad 2017 yil iyun oyida, keyingi oyda ishlab chiqarish boshlanishi bilan.^[203][204] Rejissyor Kris Griffits va Jon Kampopiano va Gari Smart tomonidan suratga olingan filmda mini-seriyalar tarkibi va ekipaj a'zolari, jumladan Tim Karri, Tommi Li Uolles, Bart Mixon, Set Grin, Richard Tomas va Emili Perkins bilan suhbatlar bo'lib o'tadi.^[205][206] 2018 yil 27 oktyabrdan 28 oktyabrgacha, soat Scotiabank anjumanlar markazi Falls in the Falls 2018 tadbirida Campopiano rekvizitlar, kostyumlar, esdalik buyumlari va parda ortida ko'rgazma o'tkazdi Bu hujjatli filmni targ'ib qilish.^[207] 2019 yil 22 fevralda filmning kengaytirilgan treyleri yuklandi YouTube.^[205]

2018 yil avgust oyida bu haqda e'lon qilindi Pennywise: IT tarixi birgalikda ishlab chiqaruvchi Campopiano ishlab chiqargan qisqa muqobil tarix sarlavhali miniseriyalarga filmning davomi Jorji.^[208][209] Rayan Grulich tomonidan suratga olingan qisqa metrajli filmda Toni Dakota o'zining Jorji Denbrou rolini takrorlaydi Bu miniatyuralar va agar Georgie Pennywise tomonidan o'ldirilmagan bo'lsa, rivoyatni qanday davom ettirish mumkinligi haqida fikr yuritadigan markazlar.^[210] Qisqa filmda yosh Stenli Urisning miniatyuralarida tasvirlangan Ben Xeller ham bor.^[210] 2018 yil 27 avgustda a tizer treyleri uchun Jorji YouTube-ga yuklandi.^[211] Qisqa premyera Boston metropolitenidagi kinofestivali 2019 yil 22 martda va 2019 yil 10 iyun kuni onlayn tarzda debyut qildi Fangoriya Facebook sahifa.^[212][213]

Mahsulotlar

2015 yil 22-maydan 29-maygacha Horror Decor kompaniyasi Pennywise qo'g'irchoqlarini o'zlarining bir qismi sifatida sotgan Killer Carnival Punks shuningdek, masxarabozning qo'g'irchoq versiyalari namoyish etilgan to'plam Poltergeist (1982) va Gunther Funhouse (1981).^[214]

Factory Entertainment mini-seriyalar asosida bir nechta mahsulot chiqardi: tushlik qutisi,^[215] Pennywise-ning 15 dyuymli Premium Motion haykali, Curry-ning ba'zi qatorlarini o'ynaydigan audio karta bilan,^[216] va masxarabozning peluş qo'g'irchog'i.^[217] Kompaniyaning Pennywise raqamlari va tushlik qutisi 2017 yilda oldindan ko'rib chiqilgan Amerika Xalqaro o'yinchoqlar ko'rgazmasi.^[215] Qismi sifatida Mezco Toyz ' Tirik o'lik qo'g'irchoqlar line, kompaniya Pennywise-ning 2017 yil noyabridan 2018 yil yanvariga qadar 10 dyuymli qo'g'irchoq nusxasini sotgan.^[218]

2017 yil 25 iyulda HalloweenCostumes.com Gollivud effektlari kompaniyasi Immortal Masks bilan hamkorlikda Pennywise-ning 1990 yildagi versiyasining 100% silikon niqobini ishlab chiqardi va chiqarib yubordi va uni juda yuqori narxda - 899,99 dollarga sotdi.^[219]

2018 yil 16 fevral kuni Milliy ko'ngilochar kollektsiyalar assotsiatsiyasi "Pennywise" miniseriyalarining turli xil o'yinchoqlarini chiqardi, masalan Pennywisening 2 dyuymli skaler mini "^[220] 8 " boshcha belgi,^[221] 6,5 dyuymli akkumulyator bilan ishlaydigan Pennywise, yorug'lik ta'sirida harakat qiladi.^[222] Ertasi kuni (xaridorlarning so'rovlari bo'yicha) u 7 "" yakuniy "ni chiqardi harakat shakli Pennywise-ning qo'llari va to'rtta boshlari, shuningdek, sharni ushlab turishi uchun qog'oz qayiq.^[223] To'liq bir yil o'tgach, Pennywise-ning yana ikkita figurasi chiqdi: bir-birining o'rnini bosadigan uchta yangi bosh, uch o'lchovli "paydo bo'layotgan qo'l" kitob ob'ekti va "Endi orqaga buriling" yozuvi yozilgan sharni qo'shgan ikkinchi shakl.^[224] va a "ning 6" figurasi Shanba kuni ertalab multfilm - Freddy Kreuger, Jeyson Voorxes va Pennywise-ning 2017-yilgi film versiyasini o'xshash qiyofadagi multfilm figuralarini o'z ichiga olgan to'plam tarkibiga kiritilgan palyaçoning uslubi dizayni.^[225] 2020 yil yanvar oyida NECA Pennywise-ning 8 "" kiyingan harakat figurasini "chiqardi, u erda u o'zining kostyumining tikilgan versiyasini kiyadi, uning qo'lida qo'lqop va hayvonlar qo'llari bo'lgan bir-birining o'rnini bosadigan va almashtiriladigan ikkita qo'l bor edi.^[226]

2020 yil mart oyida Yaponiya kompaniyasi Kotobukiya, ularning birinchi mahsuloti sifatida Dokodemo dahshat haykali seriyasi, takrorlanadigan 3 "ARTFX raqamini chiqardi BuDush sahnasi, xususan Pennywise drenajdan chiqadigan qism.^[227]

Qayta ishlash

1998 yilda Hindistondagi mini-seriallarni 52 qismli televizion moslashuvi, Voh, efirga uzatildi.^[228]

2004 yil sentyabr oyida, JB ning ikki soatlik telefilmini qayta tuzilishini e'lon qildi Bu Piter Filardi tomonidan yozilgan va Mark Vulper tomonidan ishlab chiqarilgan mini-seriyalar, ikkalasi ham ilgari ishlagan ning 2004 yilgi versiyasi Salemning loti.^[229] 2006 yil 7 iyunda loyihaning rejasi 1990 yilgi moslashtirishni to'rt soatlik miniseriyalarni qayta ishlashga aylandi va u efirga uzatiladi. Ilmiy-fantastik kanal.^[230] Boshqa e'lon yo'q edi.

Shuningdek qarang

• Zanjabil (2013), Kari yovuz masxaraboz rolini o'ynagan yana bir asar
• "Qat'iy qalay askari, "hikoyani 1992 yilga moslashtirish Xanna Barbara shuningdek, Kori palyaço rolida ishtirok etdi

Adabiyotlar

Iqtiboslar

Bibliografiya

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