Brayan Uilson - Brian Wilson

Brayan Uilson ismli boshqa odamlar uchun qarang Brayan Uilson (ajralish).

Brayan Uilson
Uilson 2012 yilda
Uilson 2012 yilda "Beach Boys" bilan birga ijro etdi
Ma'lumotlar
Tug'ilgan kunning ismiBrayan Duglas Uilson
Tug'ilgan (1942-06-20) 1942 yil 20-iyun (78 yosh)
Inglvud, Kaliforniya, BIZ.
Kelib chiqishiXotorn, Kaliforniya, BIZ.
Janrlar
Kasb (lar)
  • Musiqachi
  • ashulachi
  • qo'shiq muallifi
  • rekord ishlab chiqaruvchi
Asboblar
  • Vokal
  • klaviaturalar
  • bosh
Faol yillar1961 yil - hozirgi kunga qadar
Yorliqlar
Birlashtirilgan aktlar
Veb-saytbrianwilson.com

Brayan Duglas Uilson (1942 yil 20-iyun kuni tug'ilgan) - amerikalik musiqachi, qo'shiqchi, qo'shiq muallifi va plyus prodyuseriga asos solgan plyaj bolalari. Bilan imzolagandan so'ng Capitol Records 1962 yilda Uilson yigirmadan ortiq yozgan yoki birgalikda yozgan Top 40 guruh uchun xitlar.[1] Uning odatiy bo'lmaganidan tashqari estrada kompozitsiyasiga yondashuvlar va yozuv texnikasini o'zlashtirish, Uilson umrbod kurashlari bilan tanilgan ruhiy kasallik. U tez-tez daho deb ataladi[2] va eng keng tarqalganlardan biri sifatida keng tan olingan innovatsion va ahamiyatli 20-asr oxiridagi qo'shiq mualliflari.[3]

Plaj bolalari Uilson tomonidan akalari bilan tuzilgan Dennis va Karl, ularning amakivachchasi Mayk Sevgi va do'stim Al-Jardin. 1950 yillarning ta'sirida o'sgan Brayan rok-roll va jazz Dastlab guruhning qo'shiq muallifi, prodyuseri, qo'shiqchi vokalist, basist, klaviaturachi va de-fakto etakchisi sifatida faoliyat ko'rsatgan vokal guruhlari. 1964 yilda u azob chekdi asab buzilishi va shunga o'xshash ko'proq shaxsiy ish olib boradigan guruh bilan gastrolni to'xtatdi Uy hayvonlari uchun tovushlar (1966) va tugallanmagan Tabassum. Uning ruhiy salomatligi yomonlashib, guruhdagi hissalari pasayib ketdi va keyingi o'n yil ichida u o'ziga xos turmush tarzi va giyohvand moddalarni suiiste'mol qilish.[4] 1992 yil sud qaroriga binoan psixolog qaramog'idan chetlashtirildi Eugene Landy, Uilson an'anaviy tibbiy davolanishni boshladi. 1990-yillarning oxiridan boshlab u yakka ijrochi sifatida doimiy ravishda yozib oldi va ijro etdi.

Uilson birinchi bo'ldi pop rassom o'zining materiallarini yozish, bezatish, tayyorlash va ijro etish uchun xizmat qiladi. U ushbu sohadagi yirik novator deb hisoblanadi musiqa ishlab chiqarish, ning asosiy asoschisi Kaliforniya ovozi, birinchilardan biri musiqiy prodyuser mualliflari va birinchi tosh ishlab chiqaruvchilar orasida studiyani o'z vositasi sifatida ishlating. G'ayrioddiy ijodiy nazorat Kapitoliy unga o'z yozuvlari ustidan berdi, boshqa guruhlar va san'atkorlarga o'z prodyuserlari yoki hammualliflari sifatida harakat qilishlariga imkon beradigan namunani yaratdi. Uilsonning muvaffaqiyati, shuningdek, Nyu-Yorkni mashhur yozuvlar markazi sifatida almashtirishga yordam bergan Kaliforniyadagi o'xshash fikr yurituvchilar ishlab chiqaruvchilarining ko'payishiga olib keldi. 1960-yillarning boshidagi zeitgeist odatda uning ilk qo'shiqlari bilan bog'liq va u retrospektiv jihatdan katta ta'sir ko'rsatgan "quyoshli pop "va Gul kuchi davom etgan musiqa.

Keyingi yillarda Uilson ruhiga ta'sirchan bo'lib qoldi pank-rok va "xudojo'y ota" sifatida qaraldi indi musiqachilari uning ohangdor sezgirligidan ilhomlanganlar, kamerali pop orkestrlar va izlanishlarni yozib olish. Uning sharafiga 1988 yilda qo'shilish kiradi Rok-Roll shon-sharaf zali sinf va g'alaba Grammy mukofotlari uchun Brayan Uilson tabassumni taqdim etadi (2004) va Tabassum sessiyalari (2011). Tomonidan nashr etilgan ro'yxatlarda Rolling Stone, Uilson 2008 yilda "Barcha zamonlarning eng zo'r 100 qo'shiqchisi" reytingida 52-o'rinni egalladi[5] va 12 "uchunBarcha zamonlarning eng zo'r 100 mualliflari "2015 yilda.[6] 2012 yilda musiqiy nashr NME o'zining "50 ta eng buyuk prodyuser" ro'yxatidagi Uilson 8-o'rinni egallab, "bir necha kishi 60-yillarning o'rtalarida Brayan Uilsonning studiya texnikasi qanchalik poydevor yaratganini o'ylaydi".[7] Uning hayoti 2014 yilda sahnalashtirilgan biopik Sevgi va rahm-shafqat.

Biografiya

1942–1962: Dastlabki yillar va spektakllar

Uilsonning katta yillik fotosurati, 1960 yil

Brayan Duglas Uilson 1942 yil 20-iyunda Centinela kasalxonasida tug'ilgan Inglvud, Kaliforniya, Audree Nevaning to'ng'ich o'g'li (nee Korthof) va Murri Uilson, musiqachi va mashinist.[8] Uning ikkita ukasi edi Dennis va Karl. Uning ajdodlari golland, ingliz, nemis, irland va shvedlarga ega.[9] Ikki yoshida,[10] oila Inglevuddan 3701 G'arbiy 119-ko'chaga ko'chib o'tdi Xotorn, Kaliforniya.[11] Uilsonning birinchi tug'ilgan kunidan oldin g'ayrioddiy musiqiy qobiliyatlari haqida gapirganda, uning otasi, go'dakligida, otasi tomonidan bir necha misra aytilganidan so'ng, "Kessonlar aylanib ketganda" qo'shig'ini takrorlashi mumkinligini aytdi. Murri Uilson "U juda zukko va tezkor edi. Men shunchaki uni sevib qoldim" dedi.[12] Taxminan ikki yoshida Uilson eshitdi Jorj Gersvin "s Rapsodiya ko'k rangda, bu unga juda katta hissiy ta'sir ko'rsatdi.[13] Bir necha yil o'tgach, uning o'ng qulog'idagi eshitish qobiliyati pasayganligi aniqlandi. Ushbu eshitish qobiliyatining aniq sababi noma'lum, ammo nazariyalar uning qisman tug'ilishidan kelib chiqadi kar otasining boshiga zarba berish yoki mahalla bezori aybdor.[14]

Uilsonning otasi, voyaga etmagan musiqachi va qo'shiq muallifi, bolalarini musiqa sohasida ko'p jihatdan rag'batlantirgan. Erta yoshda Uilsonga "o'yinchoq akkordeon" bo'yicha olti haftalik mashg'ulotlar olib borilgan va ettinchi va sakkizda cherkovda yakka o'zi bilan xor qo'shiqlari kuylagan.[15] Brayan edi yarim himoyachi uning o'rta maktabida futbol jamoasi da Hawthorne High School. U, shuningdek, beysbol o'ynagan va katta yoshida kross yuguruvchisi bo'lgan.[16] U maktabdagi turli xil o'quvchilar bilan va uyda oilasi va do'stlari bilan qo'shiq kuylab, ikkita akasiga uchalasi mashq qiladigan uyg'unlik qismlarini o'rgatdi. Shuningdek, u maktabdan keyin pianinoda uyg'unlikni buzgan holda obsesif tarzda o'ynadi To'rt birinchi kurs talabasi a-da ularning qo'shiqlarining qisqa qismlarini tinglash orqali fonograf, so'ngra birlashtirilgan tovushlarni klaviaturada eslatma bilan qayta tiklash ustida ishlash.[17] U oldi Wollensak magnitafon 16 yoshga to'lgan kunida, unga qo'shiqlar va dastlabki guruh vokallarini yozish bilan tajriba o'tkazishga imkon berdi.[18]

Uilsonning ilk jamoatchilik chiqishlaridan biri uning o'rta maktabida kuzgi san'at dasturida bo'lgan. U amakivachchasini va tez-tez qo'shiq aytadigan sherigini jalb qildi Mayk Sevgi va Karlni guruhga jalb qilish uchun yangi tashkil etilgan a'zolikni "Karl va ehtiroslar" deb nomladi. Ijroda kuylar ijro etildi Dion va Belmonts va to'rtta birinchi kurs talabalari ("Bu ko'k dunyo"), ikkinchisi ansambl uchun qiyin bo'lgan. Ushbu tadbir u tunda tomoshabinlarda boshqa bir musiqachi va Uilsonning sinfdoshida bo'lgan taassurotlari bilan ajralib turdi, Al-Jardin. Jardin bir necha yildan so'ng Plaj Boyzda uch aka-uka Uilson va Mayk Lovga qo'shilishdi.[19]

Men o'zimni yaxshi ovozga ega ekanligimni o'n etti yoki o'n sakkiz yoshimda his qildim va yozuvlargacha yaxshi qo'shiq aytishga qodir edim To'rt birinchi kurs talabasi. O'sha yozuvlarga qo'shiq qilib, men falsetto kuylashni o'rgandim.

-Brian Uilson, 2013 yil[20]

Uilson psixologiya yo'nalishi bo'yicha o'qigan El-Camino kolleji Los-Anjelesda, 1960 yil sentyabrda, bir vaqtning o'zida musiqiy o'qishni davom ettirganda jamoat kolleji shuningdek.[21] 1961 yilda biron bir paytda u Dion va Belmonts versiyasiga asoslanib o'zining birinchi asl musiqasini yozdi "Yulduz istaganingizda ". Qo'shiq oxir-oqibat" nomi bilan tanilganSurfer qiz ". Qo'shiqning dastlabki namoyishi 1962 yil fevral oyida Jahon-Tinch okeani studiyasida yozilgan bo'lsa ham, u qayta yozilmadi va 1963 yilga qadar chiqdi, keyin u birinchi o'ntalik xitiga aylandi.[22]

Uilson, aka-uka Karl va Dennis, amakivachchasi Mayk Lov va ularning do'sti Al Jardin dastlab musiqa guruhi sifatida 1961 yil yozida paydo bo'lgan, dastlab Pendletones nomi ostida. Dennis mahalliy suv sporti jinnisi haqida qo'shiq yozishni taklif qilganidan so'ng, Uilson va Mayk Lov birgalikda guruh uchun birinchi singlga aylandi "Bemalol ". Mehnat kuni 1961 yil dam olish kunlari, Uilson ota-onasi bir necha kun Mexiko shahrida bo'lganidan va bolalar ota-onasi qoldirgan favqulodda pullardan kuchaytirgich, mikrofon va stend-bassni ijaraga olish uchun foydalangan. O'g'il bolalar Uilsonning musiqa xonasida ikki kun mashq qilgandan so'ng, uning ota-onasi safaridan uyiga qaytdi. Oxir-oqibat, Murri Uilson o'zini guruh menejeri deb e'lon qildi va guruh tegishli studiya mashg'ulotlari uchun jiddiy mashg'ulotlarga kirishdi.[23]

Uilson (ikkinchi chapda) Beach Boys bilan birgalikda chiqish qilmoqda Pendlton 1962 yil oxirida mahalliy o'rta maktabdagi kiyim-kechaklar

Xit va Dorinda Morgan tomonidan yozib olingan va kichkintoylarda chiqarilgan Candix Records "Surfin" yorlig'i Los-Anjelesning eng yaxshi mahalliy hitiga aylandi va milliy terma jamoada yetmish beshinchi raqamga erishdi Billboard savdo jadvallari.[24] Keyinchalik Dennis birinchi marta akasi radioda ularning qo'shig'ini birinchi marta eshitganligini uchta birodar Uilson va Devid Marks yomg'ir ostida Uilsonning 1957 yilgi Fordida yurgan: "Hech qachon hech qachon Brayanning yuzidagi ifodani to'ldirolmaydi ... bu hamma vaqt edi ".[25][26] Biroq, Pendletones endi yo'q edi. Guruhning bilimi yoki ruxsatisiz Candix Records o'z ismlarini Beach Boys deb o'zgartirgan.[27] Uilson va uning guruhdoshlari Ike & Tina Tyorner, o'zlarining birinchi yirik jonli shoularini namoyish etishdi Ritchi Valens 1961 yil Yangi yil arafasida Memorial Dance. Uch kun oldin, Wilsonning otasi unga elektr bosh va kuchaytirgich sotib olgan edi. Uilson shu qisqa vaqt ichida Al Jardine ritm gitara bilan harakatlanib, cholgu chalishni o'rgangan edi. Sahnada Uilson ko'plab etakchi vokallarni taqdim etdi va ko'pincha guruhdagi guruh bilan uyg'unlashdi falsetto.[iqtibos kerak ]

Uilson va Mayk Lov o'zlarining radio hitlari uchun qo'shiq izlaydilar "Surfin 'Safari ", va 1962 yil 8 fevralda Jahon Tinch okeanida, shu jumladan haddan tashqari ovozlarni qo'shib yozish uchun bir nechta boshqa musiqalarni, shu jumladan" Surfer Girl "ning dastlabki versiyasini yozib olishga urinishlar qilingan. Faqat bir necha kun o'tgach, guruhning moliyaviy ahvoli tushkunlikka tushdi. istiqbollari va ba'zilarini qo'shishga qarshi Chubby Checker Beach Boys jonli setlistiga qo'shiqlar, Al Jardine to'satdan guruhni tark etdi, ammo ko'p o'tmay yana qo'shildi.[28] Candix Records pul bilan bog'liq muammolarga duch kelganda va Beach Boys-ning asosiy yozuvlarini boshqa yorliqqa sotganda, Uilsonning otasi shartnomani bekor qildi. "Surfin" xit-listlardan o'chib ketar ekan, qo'shiq yozish bo'yicha sheriklik aloqalarini o'rnatgan Uilson Gari Usher, bir nechta yangi qo'shiqlar yaratdi, shu jumladan avtomobil qo'shig'i "409 ", deb yozadi Usher ularga yozishda. Uilson va Beach Boylar yangi yo'llarni kesib tashlashdi G'arbiy yozuvlar shu jumladan yangilangan "Surfin 'Safari" va "409". Ushbu qo'shiqlar Capitol Records-ni demolarni bitta singari chiqarishga ishontirdi; ular a ikki tomonlama milliy xit.[29]

1962–1964: muvaffaqiyat va rekord ishlab chiqarish

Uilson Beach Boys bilan elektr basda ijro etmoqda, 1964 yil

Guruhning birinchi albomini yozib olish sessiyalari bo'lib o'tdi Capitol's podval studiyalari ichida mashhur minora binosi 1962 yil avgustda, lekin erta Uilson Beach Boys treklarini kesish uchun boshqa joyni qidirib topdi. Katta xonalar kichik rok guruhlari emas, balki 1950 yillarning katta orkestrlari va ansambllarini yozish uchun qurilgan. Uilsonning talabiga binoan, Capitol Beach Boys o'zlarining tashqi yozuv sessiyalari uchun pul to'lashga ruxsat berishga rozilik berdi, unga Capitol barcha huquqlarga egalik qiladi. Buning evaziga guruh o'zlarining rekord savdosidan yuqori royalti stavkasini oladi. Bundan tashqari, birinchi LP Uilson lenta yozish paytida mahsulotni boshqarish uchun kurashish va g'alaba qozonish - bu albom laynerlari ishlab chiqarish krediti bilan tan olinmagan bo'lsa ham.[30]

1963 yil yanvar oyida Beach Boys birinchi o'ntalikni qayd etdi (Qo'shma Shtatlarda uchinchi o'rinda), "Surfin 'AQSh "Gollivudda uzoq vaqt davomida juda muvaffaqiyatli yozib olish ishlarini boshladi Birlashgan G'arbiy yozuvlar kuni Quyosh botishi bulvari. Aynan shu singling uchun mashg'ulotlar paytida Uilson shu vaqtdan boshlab ishlab chiqarish to'g'risida qaror qabul qildi er-xotin kuzatuv guruhning vokalida, natijada chuqurroq va jarangdor ovoz paydo bo'ldi.[31] The Surfin 'AQSh albom Shuningdek, Qo'shma Shtatlarda katta xit bo'ldi va 1963 yil iyul oyining boshlarida milliy savdo jadvallarida ikkinchi o'rinni egalladi. Beach Boys eng yuqori darajadagi yozuvlar va gastrol guruhiga aylandi.[8]

Uilson birinchi marta rasmiy ravishda Beach Boys prodyuseri sifatida tan olingan Surfer qiz 1963 yil iyun va iyul oylarida yozib olingan va sentyabr oyida chiqarilgan albom. Ushbu LP eng yaxshi 15 ta hit bo'lgan singllarni o'z ichiga olgan milliy jadvallarning ettinchi raqamiga yetdi. Sörf qo'shiqlari cheklangan bo'lib qolganini his qilib, Uilson Beach Boys-ning to'rtinchi albomi uchun asosan avtomobilga yo'naltirilgan kuylar to'plamini yaratishga qaror qildi, Kichik Deuce kupesi 1963 yil oktyabr oyida chiqarilgan, faqat uch hafta o'tgach Surfer qiz LP. Gitarachi Devid Marksning o'sha oyda guruhdan ketishi, Uilsonning ovoz yozish studiyasida vaqtini qisqartirgan holda Beach Boys bilan gastrolni davom ettirishga majbur bo'lganligini anglatadi.[32]

O'n yillikning ko'p qismida Uilson turli xil rassomlar bilan ishlash orqali o'zini rekord ishlab chiqaruvchi sifatida ko'rsatishga urindi. 1963 yil 20-iyulda "Surf Siti "deb yozgan Jan Berri ning Jan va Din, uning AQSh xit-paradida birinchi o'rinni egallagan birinchi kompozitsiyasi edi. Olingan muvaffaqiyat Uilsonni xursand qildi, ammo Murrining ham, Capitol Recordsning ham g'azabiga sabab bo'ldi. Murri to'ng'ich o'g'liga Jan va Din bilan bo'lajak hamkorlikni to'xtatish to'g'risida buyruq berishga qadar bordi. Bu davrda Uilsonning plyajda bo'lmagan boshqa ishi treklarni o'z ichiga olgan Castells, Donna Loren, Sharon Mari, Taymerlar va omon qolganlar. Bu davrda Uilson o'zini bog'laydigan eng taniqli guruh bo'ladi asallar, Uilson Beach Boys-ga ayol hamkasbi sifatida va raqobatlashishga urinish uchun mo'ljallangan Fil Spektor kabi qizlar guruhlari kristallar va Ronettalar.[33] U Beach Boys bilan yozib olish va boshqa rassomlar uchun yozuvlar yaratish o'rtasida janjallashishni davom ettirdi, ammo ikkinchi darajali muvaffaqiyatsizlikka erishdi - Jan va Dindan tashqari.[34]

1964-1967: badiiy o'sish

Turistik va o'zgaruvchan sahnadan iste'fo

Beach Boys-ning qat'iy ijro jadvali Uilsonga tobora og'irlashdi va 1964 yil 23-dekabrda LA-dan Xyustonga uchib ketayotgan samolyotdagi vahima hujumidan so'ng,[35] u faqat qo'shiq yozish bilan shug'ullanish maqsadida guruh bilan jonli ijroni to'xtatdi[36] va studiya ishlab chiqarish.[35] Uilson 1971 yilda quyidagicha tushuntirdi: "Menda boshqa iloj yo'qligini his qildim. Men ruhiy va ruhiy tushkunlikka tushib qoldim, chunki atrofda yugurib, bir kecha stendlarida samolyotlardan sakrab boshqa shaharga sakrab, shuningdek, prodyuserlik, yozish, aranjirovka, qo'shiq, rejalashtirish , o'qitish - shu paytgacha mening ko'nglim tinchlanmadi va aslida o'tirib, o'ylash yoki hatto dam olish imkoniyati yo'q edi. "[37] Glen Kempbell jonli chiqishlari uchun vaqtinchalik yordamchisi sifatida chaqirilgan,[38] oldin Bryus Jonston uning o'rnini egalladi. Rahmat sifatida Uilson Kempbellning singlini ishlab chiqardi "O'ylaymanki, men soqovman ".[39]

Men juda yaxshi deb bilgan narsam bor edi diniy tajriba. Men oldim LSD, LSD ning to'liq dozasi, keyinroq, yana bir marta, men kichikroq dozani oldim. Va men sabr-toqat, tushunish kabi ko'p narsalarni o'rgandim. Men sizga o'rgatolmayman, yoki men uni olganimdan nimani o'rganganimni aytib berolmayman. Ammo men buni juda diniy tajriba deb bilaman.

-Brian Uilson, 1966 y[40]

Aynan o'sha dekabrda Uilson bilan tanishdilar nasha ikkilanib, uning yordamchisi Lorren Daroning (sobiq Loren Shvarts) yordamchisi Uilyam Morris agentligi.[41] Preparatning stressni engillashtiradigan va ijodga ilhom beradigan qobiliyatiga jalb qilingan Uilson Beach Boys-ning kelgusida yakuniga etdi Bugun! 1965 yil yanvar oxiriga qadar albom va tezda keyingi ishlarida ish boshladi, Yoz kunlari. Aprel oyida bir vaqtlar Uilson o'zining birinchi tajribasini boshdan kechirdi kislota safari, bu uning musiqiy va ma'naviy tushunchalariga katta ta'sir ko'rsatdi.[40] Shunga qaramay, Daro Uilsonga dori berishda ikkilanib turdi, u o'zini tayyor ekanligini sezmadi, lekin uning dozasi "bir yuz yigirma besh" ekanligini aytib berdi. mikrofonlar toza Ousli, "va u" u to'liq narsaga ega edi ego o'limi. Bu juda chiroyli narsa edi. "[42] "Uchun musiqaKaliforniya qizlari "bu birinchi LSD tajribasidan kelib chiqdi, keyinchalik kompozitsiya # 3 charting singl sifatida chiqdi.[43]

Uilson tajribalarini davom ettirdi psixotroplar keyingi bir necha yil ichida.[44] U aniqlandi psixodeliya, o'zlarini jargon o'ylab topgan deb da'vo qilib, "psixedelika",[45] va buni oldindan bilish "psixedel musiqasi dunyo yuzini qoplaydi va butun mashhur musiqa sahnasiga rang beradi ".[46] LSDga birinchi safaridan bir hafta o'tgach, Uilson azob chekishni boshladi eshitish gallyutsinatsiyalari, uning hayoti davomida saqlanib qolgan.[47] 1966 yilgi intervyusida u 1965 yilni "sabr [va] tushunish kabi ko'p narsalarni” o'rgangan davr deb atagan bo'lsa, 1977 yilgi intervyusida u 1965 yilni "paranoyakka teng" deb atagan. .[48]

Uy hayvonlari uchun tovushlar, "daho" targ'iboti va Tabassum

Asosiy maqolalar: Uy hayvonlari uchun tovushlar va Tabassum (Beach Boys albomi)
Uilson 1966 yilda

1965 yil oxirida Uilson yangi loyiha uchun material ustida ishlay boshladi, Uy hayvonlari uchun tovushlar. U lirik muallifi bilan vaqtinchalik qo'shiq yozish bo'yicha sheriklik munosabatlarini o'rnatdi Toni Asher, Uilsonga do'sti Daro tomonidan taklif qilingan.[49] Albomning asbobini yozib olgan Uilson halokat ekipaji, keyin vokalni yozish uchun Beach Boys-ni yig'di overdubs, Yaponiya bo'ylab gastrol safarlaridan qaytgandan so'ng. 1965 yilda Uilson birinchi marta nima yaratganini eshitib,[35] guruh, xususan Mayk Sevgi, ularning rahbarlari musiqasini bir muncha tanqid qilgan,[38] va o'zlarining noroziligini bildirdilar.[35] Ayni paytda, Uilson hali ham guruh ichida katta nazoratga ega edi va Uilsonning so'zlariga ko'ra, ular oxir-oqibat dastlabki salbiy reaktsiyasini engib chiqdilar, chunki uning yangi yaratilgan musiqasi tugallana boshladi.[35] Albom 1966 yil 16-mayda chiqdi va o'sha paytdagi savdo ko'rsatkichlari kam bo'lganiga qaramay, o'sha paytdan beri taniqli tanqidlarga ega bo'lib, ko'pincha eng yaxshi albomlar qatoriga kiritilgan. Yozuv guruh nomi bilan chiqarilgan bo'lsa-da, Uy hayvonlari uchun tovushlar munozarali ravishda Brayan Uilsonning yakkaxon albomi sifatida qaralmoqda. Uilson hattoki ozod qilish orqali bu g'oyani o'ynadi "Kerolin, Yo'q "1966 yil mart oyida yakkaxon singli sifatida 32-raqamga yetdi Billboard grafikalar.[50][tekshirib bo'lmadi ]

Davomida Uy hayvonlari uchun tovushlar sessiyalarda Uilson boshqa qo'shiq ustida ishlayotgandi, bu qo'shiqni yozuvga kiritilishidan to'xtatib qo'yilgan edi, chunki u uning to'liq emasligini his qildi. Qo `shiq "Yaxshi tebranishlar "musiqachilar uchun yangi standartni o'rnatdi va ovoz yozish studiyasida qanday yutuqlarga erishish mumkin. Bir necha seanslarda va ko'plab studiyalarda yozib olingan ushbu qo'shiq oxir-oqibat olti oy davomida yozib olish uchun 50 ming dollarga (2019 yilda 394 ming dollarga teng) sarflandi.[51] 1966 yil oktyabr oyida u singl sifatida chiqarildi va Beach Boys-ga AQShda uchinchi raqamini berdi ".Men atrofga aylanaman "va"Menga yordam bering, Rhonda ". Bu milliondan ortiq nusxada sotilgan.

Birozdan keyin Uy hayvonlari uchun tovushlar "Bitlz" ning matbuot agenti chiqdi Derek Teylor Beach Boys uchun publitsist sifatida ish boshladi. U asta-sekin Uilsonning musiqachi do'stlari orasida daho sifatida obro'sidan xabardor bo'ldi, bu e'tiqod o'sha paytda keng tarqalmagan edi.[52] Uilsonning musiqiy xizmatlaridan kelib chiqqan holda, Teylor guruhning eskirgan bemaqsad qiyofasini tiklaydigan kampaniya bilan javob berdi va birinchi bo'lib Uilsonni daho sifatida tanitdi.[52][53] Van Deyk Parksning so'zlariga ko'ra, bu "Brayanni xijolat qilgani juda ko'p edi".[53]

"Yaxshi tebranishlar" ning muvaffaqiyatli muvaffaqiyati davrida Uilson o'zining navbatdagi loyihasi bilan shug'ullanayotgan edi, Tabassum, Uilson buni "Xudoga bo'lgan o'smirlik simfoniyasi" deb ta'riflagan. "Yaxshi tebranishlar" modulli uslubda yozilgan, alohida-alohida yozilgan bo'limlar alohida-alohida kuzatilgan va birlashtirilgan va Uilsonning yangi albom uchun kontseptsiyasi ko'proq bir xil bo'lib, u o'sha paytdagi studiya yozuvlariga xos bo'lgan standart jonli musiqiy spektakllardan ketishni anglatadi. vaqt. Tanishtirildi Van Deyk bog'lari bog 'ziyofatida Terri Melcher Uyida, Uilsonga Parksning "ko'rgazmali nutqi" yoqdi va u bilan 1966 yilning kuzida ish boshladi.[54] Uilson o'zining yashash xonasida taniqli sandbox va chodirni o'rnatgandan so'ng, juftlik bir nechta bilan yaqin hamkorlik qildi Tabassum treklar. Guruh ichidagi mojaro va Uilsonning shaxsiy muammolari ushbu loyihani o'z ichiga olgan terminal tartibsizliklari. Dastlab 1967 yil yanvar oyida chiqishi rejalashtirilgan, chiqish sanasi matbuot xodimiga qadar doimiy ravishda orqaga qaytarilgan Derek Teylor bekor qilinganligini 1967 yil may oyida e'lon qildi.[iqtibos kerak ]

1967-1975 yillar: Ishda pasayish

Uy studiyasi, institutsionalizatsiya va guruhning kam ishtiroki

Men o'lishga tayyor ekanligim sababli biz ushbu ishlab chiqarish sur'atlaridan chiqib ketdik. Men juda ko'p harakat qilardim. Shunday qilib, men birdaniga endi boshqa urinmaslikka qaror qildim va bunday ajoyib narsalarni, bunday katta musiqiy narsalarni sinab ko'rmaslikka va qilmaslikka qaror qildim. Va biz juda xursand bo'ldik. The Smiley tabassumi davr juda ajoyib edi, ishonib bo'lmaydigan edi. Shaxsan, ma'naviy jihatdan hamma narsa juda zo'r edi. Paranoyalik hissiyotlarim yo'q edi.

-Brian Uilson, 1968 yil yanvar[55]

1967 yilga kelib, Uilsonning hayoti jiddiy tanazzulga yuz tutdi. Bekor qilinganidan keyin Tabassum, Beach Boys Uilsonning yangi qasrining yashash xonasida joylashgan studiyaga ko'chib o'tdi Bel Air (bir marta uy Edgar Rays Burrouz[iqtibos kerak ]),[56] Bu erda guruh asosan 1972 yilgacha ro'yxatdan o'tishi mumkin edi. Buni ba'zi sharhlovchilar "Beach Boys birinchi bo'lib avangarddan nostalgiyaga siljiy boshlagan payt" deb qabul qilishdi.[35][57] 1967 yil o'rtalarida va oxirlarida Uilson o'zining musiqasi bilan davom etadigan bir nechta og'ir orkestr qilingan qo'shiqlarni ishlab chiqarishni nazorat qildi. Uy hayvonlari uchun tovushlar va Tabassum "kabi ishJuda uzoq kutish mumkin emas "va"Yolg'iz qolish vaqti ". Uilsonning" Beach Boyz "ga bo'lgan qiziqishi susay boshladi. Karl quyidagicha tushuntirdi:" Biz qachon Yovvoyi asal, Brayan mendan yozuvni oxiriga ko'proq jalb qilishimni so'radi. U tanaffus qilishni xohladi. U charchagan edi. U buni juda uzoq vaqtdan beri qilar edi. "[58]

Bekor qilishdan hali ham psixologik jihatdan g'amgin Tabassum va birinchi farzandining yaqinda tug'ilishi Karni Uilson 1968 yilda Beach Boys-ning moliyaviy nochorligi yuzaga kelayotgan bir paytda, Uilsonning guruhdagi ijodiy direktorligi tobora susayib bordi; qo'shimcha ravishda, kokain Uilsonning amfetaminlar, marixuana va psixedellardan muntazam foydalanishni to'ldirishni boshlagan edi.[59] Mayk Lovning tashabbusi bilan Kern va Hammershteynning "Ol 'Man daryosi" ning murakkab tartibini tark etganidan ko'p o'tmay,[60] Uilson a psixiatriya kasalxonasi qisqa vaqt davomida. Biograf Piter Ames Karlin Uilson o'z-o'zini tan olgan va shu bilan bir qator davolash usullarini qo'llagan bo'lishi mumkin deb taxmin qildi gaplashadigan terapiya dozalariga Lityum va elektrokonvulsiv terapiya bu qolish paytida.[61]

U yo'qligida, 1969 yil 20/20 asosan kalitdan iborat edi Tabassum yutuqlar (""Cabinessence "va"Bizning ibodatimiz ") uzoq vaqtdan beri serhosil bo'lgan" Yolg'iz qolish vaqti "bilan birga. Albomning etakchi qismi, Wilson / Love-muallifi"Yana takrorlang ", guruhning avvalgi sörf-hitlariga bevafo qaytish edi va 1968 yil yozida xalqaro xitga aylanib, AQSh chartlarida 20-o'ringa, Buyuk Britaniya va Avstraliyada 1-o'rinni egallab, shu bilan birga boshqa mamlakatlarda yaxshi natijalarga erishdi. Uilson, shuningdek, otasi (Reggi Dunbar taxallusi bilan yozilgan) bilan hamkorlik qilgan "Ajralib chiqish; uzoqlashish ", ularning asl shartnomasi bo'yicha Capitol Records uchun guruhning so'nggi singli; AQShda nisbatan muvaffaqiyatsiz bo'lishiga qaramay (63-o'rinda Billboard), qo'shiq Britaniyalik singllar jadvalida 6-o'rinni egalladi.[iqtibos kerak ]

Ko'p o'tmay "Break Away" ni Evropa ommaviy axborot vositalariga targ'ib qilish uchun chaqirilgan matbuot anjumanida Uilson "Biz hammamizga qarzdormiz. Agar biz o'zimizni orqamizdan olib tashlamasak va tez orada rekord o'rnatgan bo'lsak, biz ham dahshatli muammo ... Men har doim: "Muxlislaringiz bilan halol bo'linglar", deb aytganman. Nima uchun yolg'on gapirishim kerakligini tushunmayapman, agar yo'q bo'lsa, hamma narsa pushti ". Ushbu qo'zg'atuvchi so'zlar oxir-oqibat uzoq vaqt davomida davom etayotgan shartnoma muzokaralarini to'xtatdi Deutsche Grammophon.[62] Murri Uilsonning sotuvi bo'lsa-da Kuylar dengizi nashriyot kompaniyasi (shu qatorda Uilson ijodining aksariyati) ga A&M Records 1969 yilda guruhning tijorat nadirida 700 ming AQSh dollari evaziga nashriyot bo'limi uzoq yillik animatsiyani yangiladi[63] Ota va o'g'il o'rtasida, yosh Uilson, Sevgi kasallikdan xalos bo'lgan paytda, 1970 yilgi shimoli-g'arbiy safari paytida Mayk Loveni qo'llab-quvvatladi. Shuningdek, u Beach Boys bilan tez sur'atlarda yozish va yozishni davom ettirdi; 1970 yilgi albomdagi o'n ikkita yangi qo'shiqdan etti tasi Kungaboqar Uilson tomonidan yozilgan yoki birgalikda yozilgan. Shunga qaramay, albom (retrospektiv ravishda "ular postdan keyin chiqarilgan eng kuchli albom" deb baholandi)Uy hayvonlari uchun tovushlar"tomonidan Pitchfork )[64] AQShda tijorat muvaffaqiyatsizligi bo'lib, to'rt hafta davomida 151-raqamga erishdi Billboard chartda qolish 1970 yil oktyabrda. 1969 yilda Kapitoliy shartnomasi bekor qilingandan so'ng, guruhning o'sha paytdagi ou kurant bilan yangi shartnomasi. Reprise Records (Van Deyk Parks vositachiligida, o'sha paytda kompaniyada multimediya rahbari sifatida ishlagan) Uilsonning barcha albomlarda guruh bilan faol ishtirokini nazarda tutgan,[65] kelgusi yillarda guruh uchun juda muammoli bo'lib qoladigan omil.

Yotoq xonasi lentalari, Amerika bahori va nurli turp

Hatto yakkama-yakka bo'lgan yillarda ham, Brayan har doim pastga tushar edi, bu xalat kiygan buyuk yigit. Va biz joylarga bordik. Brian va men unga kirardik Mercedes va haydash nurli turp, yoki biz borardik Redondo plyaji va o'rta maktab do'stlari bilan yurish yoki qidirishga boring Kerol tog'i. Brayan men uchun boshqalar kabi odatdagidek edi.

- Stenli Shapiro[66]

1969 yilda, Uilson qisqa umr ochdi sog'lom oziq-ovqat do'koni deb nomlangan Radiant turp.[37] Do'kon 1971 yilda foydasiz ishlab chiqarish xarajatlari va Uilsonning ishbilarmonlik qobiliyatining etishmasligi sababli yopilgan.[67] Ushbu davrdan olingan xabarlarda Uilson "tobora ortga chekinayotgan, jur'atsiz, hermitik ... va vaqti-vaqti bilan uni ba'zi limuzinlarning orqasida ko'rish mumkin, Gollivud atrofida sayr qilayotgan, oqargan va soqolsiz, o'z-o'ziga mahkam yopishgan".[68] Ushbu tushunchaga lirik va yaqin do'st Stenli Shapiro qarshi chiqqan.[69] Shunga qaramay, Uilsonning obro'si uning g'ayrioddiy ekssentrikligi tufayli yomonlashdi va u tezda reklama yozuvlaridan qo'rqqan reklama sifatida tanildi.[69] Shapiro Uilsonni merosini qaytarib olish uchun Beach Boys-ning bir qator qo'shiqlarini qayta yozishga va qayta yozishga ishontirganda, u boshqa qo'shiq muallifi bilan bog'landi Tandin Almer (keyinchalik Uilson uni "eng yaxshi do'sti" sifatida tavsiflaydi)[70] qo'llab-quvvatlash uchun. Keyin trio bir oy davomida Beach Boys 'dan qisqartirishni qayta ishlashga sarfladi. Do'stlar albom.[71] Shapiro demo lentalarini uzatganida A&M Records ma'murlar, ular Uilson va Almerning ishtiroki to'g'risida bilishdan oldin mahsulotni qulay deb topdilar va g'oyaga veto qo'yishga kirishdilar.[72][nb 1] Uilson 1976 yilda sharh berdi:

Sizni daho deb atashganidan keyin uni davom ettirishingiz kerak, aks holda sizning ismingiz loy bo'lib qoladi. Men ovoz yozish sanoatining qurboniman. Men o'zimni daho deb o'ylamagan edim. Menda iqtidor bor deb o'ylardim. Ammo men o'zimni daho deb o'ylamagan edim.[58]

1960-yillarning oxiri va 70-yillarning boshlarida Uilson ko'p sonli uy-joylarni namoyish qildi, keyinchalik ular norasmiy ravishda "Yotoq xonasi lentalari ".[74] Ushbu yozuvlarning aksariyati jamoatchilik tomonidan eshitilmagan va eshitilmagan bo'lib qolmoqda. Ba'zi materiallar "lentadagi shizofreniya" va "uning o'sha paytdagi mo'rt hissiy holatini aks ettiruvchi yumshoq gumanizm va g'alati eksperimentning shaxsiy shaxsiy qo'shiqlari" deb ta'riflangan.[74] Beach Boys arxivisti Alan Boyd quyidagilarni ta'kidladi: "Brayan bu davrda yaratgan ko'plab musiqalarga to'la edi sinxronlashtirilgan mashqlar va qarshi nuqtalar jirkanch sakkizinchi nota klasterlari ustiga to'plangan va loping yivlarni aralashtirish. Siz "Kaliforniya qizlari" ga teglar kabi narsalarni ilgari olasiz, "Yaxshi bo'lmasmidi? va hamma vaqt davomida Tabassum, ammo bu 70-yillarda deyarli manikalik tomonga ega. "[74] Uilsonning qizi Vendi eslaydi: "Qaerda odamlar stressni boshdan kechirish uchun qochib ketishlari mumkin bo'lsa, u pianinoga borar va 5 daqiqalik qo'shiq yozar edi".[75] Uning singlisi Karni quyidagicha aytib berdi: «U haqida mening xotiralarim u xonadan xonaga yurish ... o'ylash nimadur. Men har doim uning nimani o'ylayotganini bilmoqchi edim, bilasizmi? Uning boshida nima o'ylaganini kim biladi? ... Biz butun muhit qanday bo'lishiga o'rganib qoldik. Bu juda musiqiy edi; har doim pianino borar edi. Yoki "Moviy rangdagi Rapsodiya" o'ynar edi, yoki ... "Mening chaqalog'im bo'ling "- Ya'ni - men har kuni ertalab uyg'onganman boom boom-boom pow! Boom boom-boom pow! Har kuni."[75]

Radiant Turpda ishlayotganda, Uilson jurnalist va radio boshlovchisi bilan uchrashdi Jek Rili, Beach Boys-ni boshqaradigan va kelgusi bir necha yil davomida Uilsonning asosiy lirigi sifatida ishlaydigan kim.[78] Uilson 1971 yilning aksariyat qismida o'ynagan va kuylagan Surf Up albom - guruhning 1967 yildan beri Amerika albomlari jadvalidagi eng baland joylashuvi (№ 29) va albomning o'nta qo'shig'idan to'rttasini, shu jumladan titul trekini yozgan yoki hammualliflik qilgan. Biroq, albomning nominal ro'yxatga olish sessiyalarida Uilsondan faqat bitta to'liq shakllangan original qo'shiq paydo bo'ldi.Daraxt hayotidagi bir kun ".[79] Muhandisning so'zlariga ko'ra Stiven Desper, Uilsonning kokain va tamaki iste'mol qilishning zararli ta'sirlari uning vokal registriga jiddiy ta'sir ko'rsatishni boshladi. Surf Up sessiyalar.[80]

1970-yillarning boshlarida "Uilsonsiz" ijro etgan "Beach Boys"

1971 yil oxiri va 1972 yil boshlarida u albom ustida ishladi Amerika bahori, sarlavhali Bahor, avvalgi Honeys Merilin Uilson va Diane Rovell o'rtasida yangi hamkorlik. U qo'shma prodyuser Devid Sandler va muhandis Stiven Desper bilan uy sharoitida yozib olingan yozuvlarda yaqindan qatnashgan va treklarning yarmidan ko'pida muhim ishlarni bajargan. Uning davridagi ko'p ishlarida bo'lgani kabi, uning hissalari ham "pasayib ketdi".[81] Ga binoan Dan Pik ning Amerika, Uilson "sudni jinni qirol singari [qadimgi do'sti] sifatida tutgan Denni Xatton ko'tarilgan guruhning qo'shilish paytida "o'zining sud hazilkashiga o'xshab shoshilib ketdi Viski Go Go 1972 yil fevralda.[82] Shu bilan birga, u Beach Boys 'dagi sakkizta qo'shiqning uchtasida o'z hissasini qo'shdi. Karl va ehtiroslar - "Shunday qattiq" (1972).

O'sha yil oxirida, u istamaygina guruhni Gollandiyaga olib borishga rozi bo'ldi, u erda ular o'zlarini yozib olishga asoslanishdi Gollandiya. Jismoniy jihatdan mavjud bo'lsa-da, u ko'pincha yomon illatlarga bo'ysungan (birinchi navbatda, gashish va qattiq sidr ) va kamdan-kam ishtirok etgan, o'zini "Funky Pretty" (Mayk Lov va Jek Rili bilan hamkorlik) da ishlash bilan cheklashgan; Al-Jardine-ga qo'shiq aytilgan bir qator "Kaliforniya saga: Kaliforniya "; va Vernon tog'i va Fairway (ertak), musiqiy ilhomlangan rivoyat to'plami Rendi Nyuman "s Yurib ketaman bu guruh tomonidan darhol rad etildi. Biroq, Karl Uilson oxir-oqibat kapitulyatsiya qildi va to'plamning albom bilan bonusli RaI sifatida chiqarilishini ta'minladi.[83] Reprise tomonidan albomning o'zi rad etilganida, "Yelkan ochildi, dengizchi "- Van Deyk Parks bilan 1971 yildan beri hamkorlik qilgan va Xatton uyushtirgan ziyofatlarda Uilson tomonidan so'ralgan qo'shimcha lirik qo'shiqlarni o'z ichiga olgan bo'lib rivojlangan - bu Parklarning tashabbusi bilan kiritilgan va bosh qo'shiq sifatida chiqarilgan.[84] Bu zudlik bilan juda ko'p miqdorda to'plandi FM radiosi o'ynab, kichik xit-hitga aylandi va guruhning jonli to'plamlariga konsert dasturlari sifatida kirdi.

1973 yilda Jan Berri (JAN taxallusi ostida) singlni chiqardi "Siz buni bilmayapsizmi? ", Uilson ishtirokidagi duet.[85]

Qayta ishlash muddati

Men ichmasam kerak bo'lgan kokainni xo'rsindim. Bu xayolimni chalkashtirib yubordi va musiqadan uzib qo'ydi. Men faqat jurnallarni o'qiganimni eslayman. Men aytardim: "Qani oling Playboy! Meni toping Penthouse!

-Brian Uilson, 2004 yil[86]

1973 yil iyun oyida otasi vafot etganidan so'ng, Uilson uyining shofyorlari uyida yolg'iz qoldi, u erda u uxlagan vaqtni o'tkazdi, ichish, giyohvand moddalarni iste'mol qilish, ortiqcha ovqatlanish va ko'rgazma o'z-o'zini yo'q qiladigan xatti-harakatlar.[87] U transport vositasini jarlikdan haydab chiqarmoqchi bo'lgan va boshqa vaqtda uni o'z hovlisida qazib olgan qabrga surib, ko'mishni talab qilgan.[74] Ushbu davrda uning kokain va tinimsiz iste'mol qilishi natijasida uning ovozi sezilarli darajada yomonlashdi chekish.[88] Keyinchalik Uilson 1970-yillarning o'rtalarida "giyohvand moddalar bilan shug'ullanish va Denni Xatton bilan yurish" (uning uyi Uilsonning ijtimoiy hayotining markaziga aylangan) bilan ovora bo'lganligini aytdi.[89] Jon Sebastyan tez-tez Uilsonning Bel Air uyida "murabbo qilish uchun" paydo bo'lgan va keyinroq "bularning barchasi g'amgin emasligini" esladi.[90] Borgan sari ham reclusive kunduzi Uilson ko'plab tunlarni Huttonning uyida birodarlik bilan o'tkazdi Gollivud Vampiri kabi hamkasblar Elis Kuper va Iggy Pop Uilson boshchiligidagi xalq qo'shig'ining kengaytirilgan qo'shig'i o'zaro hayratga tushdi "Qisqa non Xuttonning uyiga boshqa mehmonlar orasida Vampirlar ham bor edi Garri Nilsson, Jon Lennon, Ringo Starr va Keyt Oy.[69] Mikki Dolenz LSD-ni Uilson, Lennon va Nilsson bilan birga olib borganini eslaydi, u erda Uilson "pianinoda bitta notani qayta-qayta o'ynagan".[91] Merilin Uilson bir necha bor do'stlarini Xuttonning devoriga ko'tarilish va erini olib ketish uchun yuborgan.[89]

Jimmi Uebb 1974 yil 2-avgustda Nilsonning sessiyasida Uilson borligi to'g'risida xabar berdi "Salmon sharsharasi "; u studiyaning orqa qismida o'ynab yurgan"Da Do Ron Ron "tartibsiz ravishda a B3 organi.[92] O'sha oyning oxirida u Oyning 28-tug'ilgan kunida (28-avgust kuni bo'lib o'tgan marosimda) suratga tushdi Beverli Uilshir mehmonxonasi ) faqat xalat kiygan. 1974 yilda, Uilson jaz musiqachisi to'plamini to'xtatdi Larri Koryell da Troubadur sahnaga sakrab qo'shiq aytish orqali "Be-Bop-A-Lula ", yana terlik va xalat kiygan.[93]

1974 yil yozida Kapitoliy rekordlari davridagi eng yaxshi xitlar to'plami Cheksiz yoz da 1 raqamiga yetdi Billboard xaritalar, Beach Boys-ning mashhur tasavvurdagi ahamiyatini yana bir bor tasdiqladi. Biroq, Wilson va .ning nazorati ostida yangi albom uchun sessiyalarni yozib olish Jeyms Uilyam Gercio da Caribou Ranch va kuzda Santa Monikadagi guruhning studiyasida faqat asosiy treklar, shu jumladan banjo tomonidan boshqariladigan "treklar" paydo bo'ldi.Respublikaning jangovar madhiyasi "; "Hammasi joyida; shu bo'ladi ", Mayk Love bilan uptempo hamkorlik; ballada"Yaxshi Timin ' "; va Dennis Uilsonning"Daryo qo'shig'i ".[94] Oxir-oqibat, Uilson o'z e'tiborini "Qish bolasi ", bilan birgalikda yozilgan Rojdestvo singl Stiven Kalinich; 23-dekabr kuni dam olish bozori uchun kechiktirilgan holda chiqarildi, u jadvalga kira olmadi.[95]

Garchi Warner Brothers Records bilan hali ham shartnoma imzolagan bo'lsa-da, Uilson Bryus Jonston va Terri Melcher 1975 yil boshida "Equinox Records". Ular birgalikda "to'qilgan" super guruhni tashkil etishdi Kaliforniya musiqasi, bu ularni L.A. musiqachilari bilan birga jalb qildi Gari Usher, Kurt Boettcher, va boshqalar.[87] Ushbu shartnoma Beach Boys ma'muriyati tomonidan bekor qilindi, ular buni Uilsonning o'sib borayotgan giyohvandlik xarajatlari yukini yengillashtirishga urinishi sifatida qabul qildilar va Uilson qochib ketishni juda xohlagan bo'lsa ham, o'z kuchlarini Beach Boys-ga yo'naltirishlarini talab qilishdi. guruhdan.[87] California Music g'oyasi darhol parchalanib ketdi.[87]

1975-1992: Landy intervensiyalari

Qo'shimcha ma'lumotlar: Eugene Landy § Brayan Uilson bilan munosabatlar
[Landy] was such a performer ... You couldn't stop him. To him, he was the star of the story ... He was full of himself ... He did so many other things that you thought the whole thing might have been a scam. However, one way to keep a person from taking drugs is having a guard there to keep him from taking drugs. It's called prison, but it was in his home.

—David Felton[96]

First treatment

Marilyn and the Wilson family were dismayed by Wilson's continued deterioration and were reluctant to payroll him as an active partner in the touring Beach Boys, an arrangement that had persisted for a decade. They enlisted the services of radical therapist Eugene Landy 1975 yil oktyabrda.[97] Landy diagnosed Wilson as a paranoid shizofreniya (a diagnosis later retracted); under Landy's care, Wilson became more stable and socially engaged, with his productivity increasing once again.[98] The tagline "Brian's Back!" became a major promotional tool for the new Beach Boys album 15 katta, released to coincide with their fifteenth anniversary as a band. The record, which consisted of a mixture of traditional pop covers with newly written original material, was released in 1976; despite lukewarm reviews, it peaked at number eight on the Billboard albom jadvali. Wilson returned to regular stage appearances with the band, alternating between piano and bass, and made a solo appearance on Saturday Night Live in November 1976; to the chagrin of the other Beach Boys, producer Lorne Mayklz stipulated an exclusive performance from Wilson.[99]

Wilson at a 15 katta session, circa 1976

Wilson's behavior during this time was reported by many as strange and off-putting, and Landy's role was described as "axloqsiz " and ostentatious.[96] Often, Wilson would ask for drugs in mid-interview.[100][101][102] During this period, Wilson was under constant surveillance by bodyguards, which he resented.[101] Rolling Stone editor David Felton chronicled bizarre exchanges between Wilson and Landy in "The Healing of Brother Brian", a profile of the resurgent band published by the magazine in November 1976; these included a report of Landy's medical staff promising Wilson a cheeseburger in exchange for writing a new song.[100]

Wilson expressed a fervent desire to leave the Beach Boys and record a solo album, but was prevented by conflicts that it would create between him and the group, leading him to remark: "Sometimes I feel like a commodity in a stock market." He was also firm in that he wanted to record another work on par with the achievement of Uy hayvonlari uchun tovushlar.[101] In April 1977, the all-original album by Wilson, Seni sevaman, was released bearing the Beach Boys moniker, although the group's song writing contributions were minimal. It was described by Wilson as an attempt to relieve himself from mental instability brought on by a period of inactivity.[103] Seni sevaman has since been cited as an early work of sintop.[104] The album features playful lyrics (alternately invoking Jonni Karson, Fil Spektor, and adolescent interests) and stark instrumentation (featuring Moog bass chiziqlar va darvozali reverb -drenched drum patterns reflective of contemporaneous work by Devid Boui va Toni Viskonti ).[iqtibos kerak ] Garchi Seni sevaman only reached number 53 on the Billboard chart, it was lauded as an artistic watershed by many critics, including pank-rok mehmonxona Patti Smit (uchun yozish Paraderni urish ) va Robert Kristgau ning Qishloq ovozi.[105][106]

Wilson was under Landy's care for fourteen months until December 1976, when the therapist was dismissed for a dispute concerning his monthly fee.[107] Throughout the next several years, Wilson vacillated between periods of relative stability (frequently joining the touring band on piano, bass and vocals and writing or co-writing eight of the twelve tracks on 1978's poorly received M.I.U. Albom ) and resurgences of his addictions. During this period, Wilson and his wife, Marilyn, amicably divorced in 1979 due to the strain of his erratic behavior on their family.[108] He repeatedly checked in and out of hospitals and continued to be plagued by incessant mood swings. At one point, he wandered off alone for several days and was sighted at a gay bar playing piano for drinks.[109][110] For a short period in 1978, he lived as a vagrant in Balboa bog'i, San-Diego until police officers took him to Alvarado Hospital uchun spirtli ichimliklarni zaharlanishi.[110][111][112] Wilson's role in the band, as well as the Beach Boys' commercial prospects, began to diminish once more. By 1982, he owed tens of thousands of dollars in back taxes.[113]

Second treatment

After Wilson overdosed on a combination of alcohol, cocaine, and other psychoactive drugs, he once again employed Landy. With this effort by Landy, a more radical program was undertaken to try to restore Wilson's health.[107] This involved removing him from the Beach Boys on November 5, 1982 at the behest of Carl Wilson, Mike Love, and Al Jardine,[113] in addition to isolating him from his family and friends in Hawaii as well as putting him on a rigorous diet and health regimen.[114] According to Carolyn Williams, Wilson refused to see Landy: "They told him that the only way that he could be a Beach Boy again, and the only way they would release his 1982 tour disbursement money, was if he would agree to see Dr. Landy. Brian started yelling that he didn't like Dr. Landy and that [Landy] was charging him $20,000 a month the last time. He was willing to see anybody to get the weight off, but he didn't want to see Landy. And they said, 'Well, no, you have to see Dr. Landy. That's the only way.'"[113] Landy described the program that he accorded Wilson in The Handbook of Innovative Psychotherapies:

The success of twenty-four-hour therapy rests on the extent to which the therapeutic team can exert control over every aspect of the patient's life. ... [The goal is to] totally disrupt the privacy of [the] patient's [life], gaining complete control over every aspect of their physical, personal, social, and sexual environments.[115]

Wilson performing with the Beach Boys in 1983

Coupled with long, extreme counseling sessions, this therapy was successful in bringing Wilson back to physical health, slimming down from 311 pounds (141 kg) to 185 pounds (84 kg).[116] As Wilson's recovery consolidated, he rejoined the Beach Boys for Jonli yordam in 1985 and participated in the recording of the Stiv Levin - ishlab chiqarilgan albom Plyaj bolalari. Wilson stopped working with the Beach Boys on a regular basis after the release of the album, largely due to the control that Landy exercised. Eventually, Landy's therapy technique created a Svengali -like environment for Wilson, controlling every movement in his life, including his musical direction.[117] In the mid 1980s, Landy stated, "I influence all of [Brian]'s thinking. I'm practically a member of the band ... [We're] partners in life."[118] Wilson later responded to allegations with, "People say that Dr. Landy runs my life, but the truth is, I'm in charge."[119]

Between 1983 and 1986, Landy charged about $430,000 annually. When he requested more money, Carl Wilson was obliged to give away a quarter of Wilson's publishing royalties.[107] In 1988, Wilson said that "Dr. Landy doesn't like me to be in touch with my family too much. He thinks it's unhealthy." Landy responded to the charges that he exerted too much control on the songwriter: "He's got a car phone in his car. If he wants to call somebody, he calls somebody... He can go anywhere, on his own, anytime he wants." Regarding Wilson's relationship to the Beach Boys at that time, Wilson added: "Although we stay together as a group, as people we're a far cry from friends. One time we were doing an interview together, and the interviewer asked Carl what it was between him and me. He goes, 'Well, Brian and I don't have to talk to each other. We're just Beach Boys, but we don't need to be friends.' And that's true. Although, whenever I think about him, I feel rotten."[120]

Debut solo album
Asosiy maqola: Brayan Uilson (albom)

Wilson signed to a solo record deal with Sire Records label boss Seymur Shteyn bilan ishlagan Endi Pley, Rass Titelman and Landy's girlfriend on the new material. Old friend and collaborator Gari Usher was a key participant in the early demo work for the album, though Landy later removed him from the project. After several years of genesis, Wilson released his debut solo album Brayan Uilson. His work may have been hampered by Landy's influence, since Landy insisted on controlling involvement in every aspect of Wilson's writing and recording and his lyrical influence is significant.[iqtibos kerak ]

Despite the critical success of his debut solo album, rumors abounded that Wilson had either suffered a qon tomir or had been permanently disabled due to excessive drug use.[122] Wilson, who had been prescribed massive amounts of psixotrop dorilar by Landy's staff since 1983, had developed kech diskineziya,[123] a neurological condition marked by involuntary, repetitive movements, that develops in about 20 percent of patients treated with anti-psixotik drugs for an extended period of time.[124] During recording of the Brayan Uilson album, engineering staff had observed what seemed to be "every pharmaceutical on the face of the earth," referring to the medicine bag Landy was using to store Wilson's prescription drugs.[125] Landy separated from Wilson in 1989, however, they remained business partners.[126] Wilson's proposed second solo album under the direction of Landy, Shirin aqldan ozish, was rejected by Sire in 1990.[iqtibos kerak ]

An ostensible memoir, Chiroyli bo'lmasmidi: o'z hikoyam, was published in 1991. In the book, whose authorship is still debated, Wilson spoke about his troubled relationship with his abusive father Murry, his private disputes with the Beach Boys and his lost years of mental illness.[127] Landy's illegal use of psychotropic drugs on Wilson, and his influence over Wilson's financial affairs, were legally ended by his brother Carl and other members of the Wilson family after a two-year-long conservatorship battle in Los Angeles. Landy's misconduct resulted in the loss of his license to practice in California,[128] as well as a court-ordered removal and restraining order from Wilson.[107][129]

1990s–2010s: Touring and solo resurgence

Brian Wilson in studio, West Los Angeles, 1990

Collaborations and unfinished projects

Qo'shimcha ma'lumotlar: Andy Paley mashg'ulotlari

Wilson released two albums simultaneously in 1995. The first was the soundtrack ga Don edi hujjatli film Men shunchaki bu zamonlar uchun yaratilmaganman, which consisted of new versions of several Beach Boys and solo songs. Ikkinchisi, To'q rangli kassa san'ati, saw Wilson as lead vocalist on an album produced, arranged and written by Van Deyk bog'lari. Men shunchaki bu zamonlar uchun yaratilmaganman includes Wilson performing for the first time with his now-adult daughters, Vendi va Karni guruhning Uilson Fillips and Van Dyke Parks. During the early 1990s, he also worked on some tracks with kuch pop guruh Meduza, which remain unreleased.[130] Rojer Manning has recounted an anecdote during these sessions involving Wilson falling asleep at the piano yet continuing to play.[131] Later in the decade, Wilson and his daughters Carnie and Wendy would release an album together, titled Uilsonlar (1997). Also, around this time, Wilson sang backup vocals on Belinda Karlisl "Kaliforniya ".

Having missed out on the Beach Boys' 27th studio album Jannatda yoz, Wilson returned to the Beach Boys for sporadic recording sessions and live performances during the early to mid-1990s.[132] Working with collaborators Andy Paley and Don Was, the sessions were reported to have been tenuous. It had also been discussed that Wilson and the Beach Boys would work with Shon O'Hagan ning Oliy Llamalar on a comeback album for Wilson and the Beach Boys.[133] All projects collapsed and, instead, Wilson was involved with the 1996 Beach Boys album Yulduzlar va chiziqlar jildi 1: a group collaboration, backing country music artists singing lead vocals of Beach Boys' standards.

In 1998, Wilson teamed with Chicago-based producer Djo Tomas albom uchun Xayol. Following this, he received extensive vocal coaching to improve his voice, learned to cope with his sahna qo'rquvi, and started to consistently perform live for the first time in decades. This resulted in Wilson successfully performing the entire Uy hayvonlari uchun tovushlar album live throughout the US, UK and Europe. In 1999, Wilson filed a suit against Thomas, seeking damages and a declaration which freed him to work on his next album without involvement from Thomas.[134] The suit was made after Thomas allegedly began to raise his industry profile and wrongfully enrich himself through his association with Wilson. Thomas reciprocated with a suit citing that Melinda Wilson "schemed against and manipulated" him and Wilson. Ish sudgacha hal qilindi.[135] Wilson's third solo album Mening boshimga kirmoq (2004) featured collaborations with Elton Jon, Pol Makkartni, Erik Klapton and brother Carl, who died of o'pka saratoni 1998 yil fevralda.

Brayan Uilson tabassumni taqdim etadi

Asosiy maqola: Brayan Uilson tabassumni taqdim etadi
Brayan Uilson tabassumni taqdim etadi da Qirollik festivali zali yilda London on February 21, 2004

With his mental health on the mend, Wilson decided to revisit the aborted Tabassum project from 1967. Aided by musician and longtime fan Dari Sahanaja of Wondermints, and lyricist Van Dyke Parks, Wilson reimagined the session material into something that would work in a live context. His work was finally revealed in concert on February 20, 2004, 37 years after it was conceived, though he later stated that the finished product was substantially different from what was originally envisioned. Wilson debuted his 2004 interpretation of Tabassum da Qirollik festivali zali in London and subsequently toured the UK. Following the tour, Brayan Uilson tabassumni taqdim etadi was recorded, and released in September 2004. The release hit number 13 on the Billboard jadval. Da 47-chi Grammy mukofotlari in 2005, Wilson won his first Grammy for the track "Mrs. O'Leary's Cow " as Best Rock Instrumental. In 2004, Wilson promoted Brayan Uilson tabassumni taqdim etadi with a tour of Australia, New Zealand and Europe.[iqtibos kerak ]

In February 2005, Wilson had a cameo in the television series Duck Dodgers 24-asrda kabi Daffi Duck 's spiritual surfing adviser.[136] On June 26, 2005, Wilson performed at Glastonberi festivali yilda Angliya muhim muvaffaqiyatga.[137] On July 2, 2005, Wilson performed for the Jonli 8 konsert yilda Berlin, Germaniya. In September 2005, Wilson arranged a charity drive to aid victims of Katrina bo'roni, wherein people who donated $100 or more would receive a personal phone call from Wilson. According to the website, over $250K was raised.[138] In November 2005, former bandmate Mayk Sevgi sued Wilson over "shamelessly misappropriating ... Love's songs, likeness, and the Beach Boys trademark, as well as the 'Smile' album itself" in the promotion of Tabassum.[139] The lawsuit was ultimately dismissed on grounds that it was meritless.[140]

In December 2005, Wilson released Rojdestvo uchun chindan ham nimani xohlayman uchun Arista Records. The release hit number 200 on the Billboard chart, though sales were modest. Wilson's remake of "Deck the Halls" became a surprise Top 10 Adult Contemporary hit. He appeared in the 2005 holiday episode of Ekstremal bo'yanish: Home Edition, performing "Deck the Halls" for children with xeroderma pigmentozum (hypersensitivity to sunlight) at Walt Disney World Resort.[iqtibos kerak ]

40 yilligini nishonlash uchun Uy hayvonlari uchun tovushlar, Wilson embarked on a brief tour in November 2006.[141] Beach Boy Al-Jardin accompanied Wilson for the tour.[142]

O'sha Baxtli Qadimgi Quyosh and Beach Boys reunion

Asosiy maqola: Omadli eski quyosh (albom)

Wilson released O'sha Baxtli Qadimgi Quyosh in September 2008. The piece debuted in a series of September 2007 concerts at London's Qirollik festivali zali, and in January 2008 at Sydney's Davlat teatri while headlining the Sidney festivali.[143] Wilson described the piece as "consisting of five 'rounds', with interspersed spoken word".[144] A series of US and UK concerts preceded its release. On September 30, 2008, Seattle's Uyingizda yozuvlarida yorug'lik ozod qilindi Tinchlik olami kelishi kerak, a collaboration between Wilson and Stiven Kalinich, originally recorded in 1969, but later lost in Kalinich's closet.[145]

Around this time, Wilson announced that he was developing another concept album, titled Pleasure Island: A Rock Fantasy. Accordingly: "It's about some guys who took a hike, and they found a place called Pleasure Island. And they met all kinds of chicks, and they went on rides and — it's just a concept. I haven't developed it yet. I think people are going to love it — it could be the best thing I've ever done."[146] The album has yet to surface and, for several years, Wilson has consistently maintained in interviews that he wishes his "next album" to be more rock-oriented.

In summer 2009, Wilson signed a two-record deal with Disney after he was approached to record an album of his interpretations of Gershwin songs, and to assess unfinished piano pieces by Gershwin for possible expansion into finished songs. After extensive evaluation of a vast body of Gershwin fragments, Wilson chose two to complete. Brayan Uilson Reimagines Gershvin was released in August 2010 on Disney's Pearl label.[147] Brayan Uilson Reimagines Gershvin achieved Number 1 position on the Billboard Jazz Chart, and had sold 53,000 copies by August 2011.[148] Wilson's second album for Disney was Disney kalitida, to'plami Disney film songs, which was released on October 25, 2011.[148] Wilson contributed his revival of Buddi Xolli 's "Listen to Me" to the tribute album, Meni tinglang: Buddi Xolli, released on September 6, 2011, on Verve Forecast. Rolling Stone praised Wilson's version as "gorgeous," featuring "... angelic harmonies and delicate instrumentation."[149]

Wilson performing with the Beach Boys during their brief 2012 reunion

The official Beach Boys release of the original, partially completed Tabassum recordings was overseen by Wilson for the compilation, titled Tabassum sessiyalari, released on October 31, 2011.[150]

In October 2011, Jardine reported that the Beach Boys would reunite in 2012 for 50 American dates and 50–60 overseas dates.[151] The Beach Boys released their new album, Shuning uchun Xudo radioni yaratdi, on June 5, 2012. The album's titul treki was released as its first single in April 2012.The new album debuted at Number 3 on the Billboard charts which was their highest album debut to date.[152] Following the reunion a year later, it was announced that Wilson would no longer tour with the band as Mike Love returned the lineup to its pre-Anniversary Tour configuration with him and Bruce Johnston as its only members.[153]

2013 yil - hozirgi kunga qadar

On June 6, 2013, Wilson's website announced that he was recording and self-producing new material with guitarist Jeff Bek, session musician/producer Don edi, as well as fellow Beach Boys Al Jardine, David Marks, and Blondi Chaplin.[154] On June 20, the website announced that the material might be split into three albums: one of new pop songs, another of mostly instrumental tracks with Beck, and another of interwoven tracks dubbed "the suite" which initially began form as the closing four tracks of Shuning uchun Xudo radioni yaratdi.[155] In January 2014, Wilson confirmed that he did not write any new material with Beck, that Beck was just a guest musician on songs he wrote and nothing the duo recorded together would appear on his upcoming album.[156][157]

Premiering in September 2014 at the Toronto xalqaro kinofestivali, Wilson was in attendance at the first screening of Sevgi va rahm-shafqat, a biografik film of his life directed by Bill Pohlad.[158]2014 yil 7 oktyabrda, BBC released a newly recorded version of "Xudo biladi " with guest appearances by Wilson, Brayan May, Elton Jon, Jeyk Bugg, Stivi Uonder, Lord va boshqalar. It was recorded to celebrate the launch of BBC musiqasi.[159] A week later, Wilson was featured as a guest vocalist for the Emil Xeyni bitta "Yiqilish ".[160] A cover of Paul McCartney's "Wanderlust " was contributed by Wilson for the tribute album Makkartni san'ati, released in November 2014.[161]Almost two years after recording began, Wilson released his eleventh solo album, Iskala bosimi yo'q, on April 7, 2015. The thirteen track album (a deluxe edition containing three bonus tracks was also released) features many guest appearances including Al Jardine, David Marks and Blondie Chaplin as well as Qiziqarli "s Neyt Ress, U va unga "s Zooey Deschanel va M Uord, Poytaxt shaharlari ' Sebu Simonian, bilan birga Keysi Musgreyvz va Piter Xolens.[162] Earlier in January 2015, Wilson contributed vocals to Mini uylar "bitta"Har qanday hissiyotlar "albomidan The Great Pretenders.[163] On September 17, 2015, Wilson announced that he would play a November 4 benefit concert as part of a new partnership with the Campaign to Change Direction. Proceeds from the concert went to provide free mental health services to veterans.[164]

50 yilligini nishonlash uchun Uy hayvonlari uchun tovushlar, Wilson embarked on the Uy hayvonlari 50-yilligiga bag'ishlangan Butunjahon sayohati in April 2016. It was promoted as his final performances of the album.[165] An autobiography titled Men Brayan Uilsonman, co-written by ghostwriter Ben Grinman, was published in October 2016.[166] That same month, Wilson announced a new album, Sensitive Music for Sensitive People, comprising originals and rok-roll qopqoq qo'shiqlari.[167] He described the name as a "working title" and said that the recording of the album would begin in December 2016.[168] Wilson continued to tour in 2019 with fellow former Beach Boys Al Jardine and Blondie Chaplin and his band.

In May 2019 Wilson announced a co-headlining tour with zombi called "Something Great From '68", featuring Wilson performing selections from Do'stlar va Surf Up.[169]

Musiqachilik

Asosiy maqola: Brayan Uilsonning musiqachiligi
Qo'shimcha ma'lumotlar: The Beach Boys § Musical style and development
A visual representation of the melody and chord structure of "God Only Knows"

Wilson's understanding of musiqa nazariyasi was self-taught.[170] The first instrument he learned to play was a toy akkordeon[171] before quickly moving to piano and then bass guitar.[172] From an early age, Wilson demonstrated an extraordinary skill for learning music by ear klaviaturada.[173] Basistning so'zlariga ko'ra Kerol Kaye, "He took bass up another step. He saw it as integral in a symphonic orchestra. He used bass as the framework for a hit record. Very few people can write for bass, but his writing was beautiful. There are a lot of jazz musicians who admire him for it."[90]

The work of record producer Fil Spektor, kim ommalashtirgan Ovoz devori, was a focal obsession for Wilson.[38] In the 1960s, Wilson thought of Spector as "the single most influential producer. He's timeless. He makes a milestone whenever he goes into the studio."[174] Wilson later reflected: "I was unable to really think as a producer up until the time where I really got familiar with Phil Spector's work. That was when I started to design the experience to be a record rather than just a song."[175] Wilson's work is sometimes characterized as avant-garde pop.[176][177] Critic Michael Hann cites an "extraordinary rush of avant-pop creativity between 1965 and 1967".[178] In the belief of writer Richard Goldstayn: "[Wilson] never realized his full potential as a composer. In the light of elektronika va minimalizm, you can see how advanced his ideas were, but they remain bursts of inspiration from a mind that couldn't mobilize itself into a whole. This was the major tragedy of rock in the sixties."[179]

Wilson believes after he first took LSD in 1965: "It expanded my mind a little bit, so I could write better songs ... [While] it was worth it, I wouldn't take it again."[180] He has spoken that "It isn't easy for me. So many things have scared me in my life – I've got fears, lots of stuff. I mean, boy, just all the records that have scared me. So many records just rocked my world, man. It's heavy."[181] He named "Axmoq nimaga ishonadi " (1978) as a song he considers a "scary record"[181] and once believed that Prokol Xarum "Oq rangdagi soya " (1967) was his dafn marosimi.[182] He denied that Bitlz ever influenced him, only that they inspired him.[183] Elis Kuper reported that Wilson once considered the traditional standard "Qisqa non " to be the greatest song ever written, as he quotes Wilson for an explanation: "I don't know, it's just the best song ever written."[184]

Shaxsiy hayot

Aloqalar

From late 1964 to 1979, Wilson was married to Merilin Rovell. Together, they had two daughters Karni va Vendi. Both went on to musical success of their own in the early 1990s as two-thirds of the singing group, Uilson Fillips. In 1995, Wilson married Melinda Kae Ledbetter,[185] a car saleswoman and former model whom he met in 1986.[181] They dated for three years before Landy, uning psixoterapevt, convinced him to end the relationship. Wilson and Ledbetter reconnected in 1992 and married in 1995.[181] 1999 yildan boshlab, Melinda was acting as Brian's manager, a job which she said is "basically negotiating, and that's what I did every single day when I sold cars."[181]

Ma'naviyat

Qo'shimcha ma'lumotlar: The Beach Boys § Spirituality

In 1999, when asked if he was a religious man, Wilson responded: "I believe in Phil Spector,"[186] later clarifying that while he had spiritual beliefs, he did not follow any particular religion,[187] also adding that he believed "music is God's voice."[188] Tomonidan so'ralganda Guardian in 2004 if he believed in life after death, Wilson replied "I don't."[189]

Sog'liqni saqlash

Wilson is diagnosed as a shizoaffektiv yumshoq bilan manik depressiya.[190] He regularly experiences eshitish gallyutsinatsiyalari that present themselves in the form of disembodied voices.[191][192] According to him, he began having hallucinations in 1965, shortly after starting to use psixedel dorilar.[102][131][193] In 1984, he had been diagnosed as paranoid shizofreniya, with doctors finding evidence of miya shikastlanishi caused by excessive and sustained drug abuse.[38] The paranoid schizophrenic diagnosis, originally made by Landy, was later retracted.[98] Wilson's mental condition improved in later years, although his struggles with auditory hallucinations were not eliminated. He credits his relationship with his wife as the thing that allowed him to resume his career as a musician. In his own words, he said that he should have spent the early 2000s "in a mental institution under heavy sedation" due to the stresses of his condition, however, "Things have started to get a little bit easier, but I'm not always in a positive, happy place."[191]

Wilson performing "Yaxshi tebranishlar " in Washington D.C. in 2017

Some interviewers have said that Wilson was difficult to interview, rarely ever giving a long answer.[194] Ga binoan Salon writer Peter Gilstrap: "He's also been known to get up, extend a hand and blurt out 'Thanks!' well before the allotted time is up. And sometimes he just gets tired and shuts down. None of this, however, is due to a bad attitude."[195] He admits to having a poor memory, and in interviews occasionally lies to "test" people.[196] Devid Oppenxaym, who interviewed Wilson in 1966, remembers that "we tried to talk with him but didn't get much out of him. Some guy said 'He's not verbal.' He was odd and he seemed odder."[197] 2017 yilda, Sharlotta kuzatuvchisi's Theodon Janes surmised that while Wilson's past struggles with mental illness are widely documented, he still "is faring well enough to write a book [Men Brayan Uilsonman] ... and to headline [a] hugely ambitious concert tour, so presumably he's capable of telling people who work for him that he's not up for interviews, if he isn't."[198]

2016 yilda Rolling Stone interview, Wilson responded to a question about retiring: "Retirement? Oh, man. No retiring. If I retired I wouldn’t know what to do with my time. What would I do? Sit there and go, 'Oh, I don’t want to be 74'? I’d rather get on the road and do concerts and take airplane flights."[199] Whether he truly consents to his semi-regular touring schedule since the 2000s remains a subject of debate among fans.[200] Ginger Blake, a family friend formerly of the Honeys, characterized Wilson in 1999 as "complacent and basically surrendered".[201] In 2016, Mike Love questioned whether Wilson's printed statements in the press were actually spoken by him and suggested that he is "not in charge of his life, like I am mine. ... But, I don't like to put undue pressure on him ... because I know he has a lot of issues."[202][nb 2]

Meros va ta'sir

Madaniy ta'sir

Asosiy maqola: Cultural impact of the Beach Boys
Formal and harmonic structure of "Good Vibrations". The song is regarded by virtually all popular music critics as one of the most important compositions and recordings of the rock era.[203]

Wilson is widely regarded as one of the most innovative and significant songwriters of the late 20th century,[3] and his work is credited as a major innovation in the field of music production.[204] Ga binoan Erik Devis, "Not only did [he] write a soundtrack to the early '60s, but Brian let loose a delicate and joyful badiiy pop unique in music history and presaged the mellowness so fundamental to '70s California pop."[205] A.V. Klub wrote that Wilson was among "studio rats ... [that] set the pace for how pop music could and should sound in the Gul kuchi era: at once starry-eyed and wistful."[206] Sean O'Hagan of the High Llamas named Wilson an important pioneer of eksperimental pop.[207] Once Wilson started incorporating quasi-symphonic textures into his work, many people began crediting him for propelling the mid-1960s badiiy pop harakat.[208] Carlin wrote that Wilson was the forerunner of "a new kind of art-rok that would combine the transcendent possibilities of art with the mainstream accessibility of pop music".[209] He is also regarded as the most famous begona musiqachi.[210][211] Muallif Irvin Chusid noted Wilson as an ironic example of the genre due to his past commercial success, but believes that Wilson's history of torment, substance abuse, and "loopy" material are what "certify" his outsider status.[210]

He was the first pop artist credited for writing, arranging, producing, and performing his own material.[212] Birinchilardan biri sifatida music producer auteurs, Wilson (along with Jorj Martin ) popularized the idea of the recording studio as a compositional tool[213] by using recording sessions as fertile creative terrain in and of themselves, a practice which was unheard of in his time and later shorthanded as "playing the studio".[214] Only 21 years old when he received the freedom to produce his own records with total creative autonomy, he ignited an explosion of like-minded California producers, supplanting New York as the center of popular records,[215] and becoming the first rock producer to use the studio as a discrete instrument.[216] The Beach Boys were thus one of the first rock groups to exert studio control.[217]

Music producers after the mid 1960s would draw on Wilson's influence, setting a precedent that allowed bands and artists to enter a recording studio and act as producers, either autonomously, or in conjunction with other like minds.[213] Atlantika's Jason Guriel credits Uy hayvonlari uchun tovushlar with inventing the modern pop album, that Wilson "paved the way for auteurs ... anticipat[ing] the rise of the producer ... [and] the modern pop-centric era, which privileges producer over artist and blurs the line between entertainment and art. ... Anytime a band or musician disappears into a studio to contrive an album-length mystery, the ghost of Wilson is hovering near. ... [he was] the first to turn an album into an occasion."[218] In the late 1960s, Wilson also started a trend of "project" recording, where an artist records by himself instead of going into an established studio.[213]

In later years, Wilson became influential to the spirit of pank-rok[219] and was regarded as "godfather" to an era of indie musicians who were inspired by his melodic sensibilities, kamerali pop orchestrations, and recording explorations.[220] In lists published by Rolling Stone, Wilson ranked 52 for the "100 Greatest Singers of All Time" in 2008[5] and 12 for the "Barcha zamonlarning eng zo'r 100 mualliflari "2015 yilda.[6] In 2012, music publication NME ranked Wilson number 8 in its "50 Greatest Producers Ever" list, elaborating "few consider quite how groundbreaking Brian Wilson's studio techniques were in the mid-60s".[7] His life was dramatized in the 2014 biopik Sevgi va rahm-shafqat.

Mukofotlar va sharaflar

Monument on the site of the Wilsons' childhood home, now deemed a historic landmark by the state of California

Ommaviy madaniyatda

Wilson is the subject of the documentary films Men shunchaki bu zamonlar uchun yaratilmaganman (1995) va Go'zal xayolparast: Brayan Uilson va tabassum haqida hikoya (2005). He is also the theme of several hurmat albomlari.

A new, "definitive" documentary film about Wilson is nearing completion, according to Turli xillik jurnal.[234] Nomlangan Brian Wilson: Long Promised Road, the forthcoming documentary is directed by Brent Wilson (no relation)[235] and will premiere at the 2020 Tribeca kinofestivali.[236]

Sevgi va rahm-shafqat

Asosiy maqola: Sevgi va rahm-shafqat (film)

In 2014, Wilson's life was dramatized in the biopic Sevgi va rahm-shafqat, rejissor Bill Pohlad. Yulduzlar Jon Kusak portraying Wilson during the 1980s and Pol Dano portraying Wilson during the 1960s. Filmda hammualliflar Pol Giamatti kabi Eugene Landy va Elizabeth Banks as Wilson's second wife, Melinda Ledbetter.

Diskografiya

Asosiy maqola: Brayan Uilson diskografiyasi
Shuningdek qarang: Beach Boys diskografiyasi va Brayan Uilson tomonidan yozilgan qo'shiqlar ro'yxati

Studiya albomlari

Filmografiya

Ushbu ro'yxat to'liqsiz; yordam berishingiz mumkin etishmayotgan narsalarni qo'shish bilan ishonchli manbalar.
Film
YilSarlavhaRol
2018Kanyondagi aks sadoo'zi
2014Sevgi va rahm-shafqato'zi (arxiv)
1993Theremin: Elektron Odisseyao'zi
1987Brunoning qaytishio'zi
1965Maymunning amakisio'zi (Beach Boys bilan)
1965Plyajdagi qizlaro'zi (Beach Boys bilan)
Televizor
YilSarlavhaRol
2006Rat Fink haqidagi ertaklarSurfit (ovoz)
2005Duck Dodgerso'zi (ovoz)
1988Uy to'lao'zi (Beach Boys bilan)
1988Yangi uni Qunduzga qoldiradiJanob Xotorn
1967Pop ichida: tosh inqilobio'zi

Izohlar

  1. ^ Xabarlarga ko'ra, Uilsonning Almer bilan yaqin do'stligi 1972 yil boshlarida turli xil omillar, shu jumladan Almer va o'zaro aloqalar tufayli yomonlashgan. Merilin Uilson va Uilsonning uy studiyasidan ovoz yozish uskunalarini o'g'irlanishi.[73]
  2. ^ 2011 yilda, Uilsonning ba'zi tanishlari bilan suhbatlashgandan so'ng, biograf Jon Stebbins "studiyada ishlash va ayniqsa gastrol safarlari aslida uning tanlovi emas. Uning ishchilari, menejerlari va rafiqasi uning ishlashini talab qilmoqda. Bularning barchasi parda ortiga qaraganingizda biroz Lendiga o'xshaydi". Uilson tez-tez gastrol safarlaridan zavqlanishini aytgan bo'lsa-da, Stebbins "yaqinda o'tkazilgan intervyu (undan so'raladigan joy) haqida yozishicha, u gastrol safari haqida eng ko'p nimani yoqtirmasdi, Brayan bu sahnada va kontsertda ekanligi haqida javob berdi ... Brayanning so'zlarini eshitib: uning "ishlovchisi" Brayanni soxta tabassum bilan tezda ijro qilishni yaxshi ko'rishini eslatdi. "[200]

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