Broadchurch (1-seriya) - Broadchurch (series 1)

Broadchurch
1-fasl
DVD-ning 2-chi mintaqasi muqovasi
Ishlab chiqaruvchi mamlakat; ta'minotchi mamlakat	Birlashgan Qirollik
Yo'q epizodlar	8
Chiqarish
Original tarmoq	ITV
Asl nashr	4 mart (2013-03-04) – 2013 yil 22 aprel (2013-04-22)
Seriyalar xronologiyasi
Keyingisi → 2-seriya
Ro'yxati Broadchurch epizodlar

Britaniyalik kriminal dramaning birinchi seriyasi Broadchurch dastlab efirga uzatilgan ITV 2013 yil 4 martdan 2013 yil 22 aprelgacha Buyuk Britaniyadagi translyatsiya tarmog'i. Sakkiz epizodli seriya uyg'ongan, yaqin qirg'oqdagi Broadchurch shaharchasida 11 yoshli bolani o'ldirish bilan boshlandi. Dorset, Birlashgan Qirollik. Serialda shubha va ommaviy axborot vositalarining e'tiborining jamiyatga ta'siri qanday bo'lganligi tasvirlangan.

Garchi Broadchurch birinchi bo'lib 2003 yilda yaratilgan, yaratuvchi va yozuvchi Kris Chibnall birinchi bo'lib 2011 yilda hikoyani va birinchi epizodlar uchun ssenariylarni yozishni boshladi. U 2011 yil kuzida ITVga serial bilan murojaat qildi va tarmoq uni tezda ishlab chiqarish uchun ma'qulladi. Muhtaram Pol Koutsning roli uchun yozilgan Artur Darvill va olib boradi Devid Tennant va Olivia Colman birinchi aktyorlar edi. Boshqa rollar tinglashlar yordamida o'tkazildi. Asosiy fotosurat 2012 yil 13 avgustda Dorsetda boshlandi. Ko'pgina sahnalar joyida suratga olingan, aksariyati va atrofida filmlar suratga olingan Klivedon va G'arbiy ko'rfaz. Ovoz sahnalari ba'zi ichki sahnalar uchun ishlatilgan. Dialog ssenariylardan kamdan-kam hollarda ajralib turardi, ammo spektakllarning boshqa jihatlari improvizatsiya qilingan. Hujjatli vizual uslub va birinchi navbatda ta'kidlash oladi serial va aktyorlik realizmini oshirish uchun ishlatilgan. Suratga olish ishlari boshlanganda ekipaj a'zolarining oz qismi va aktyorlarning hech biri qotilning kimligini bilmagan. Ushbu sirni saqlab qolish uchun bir qator qadamlar qo'yildi. So'nggi uchta qismda suratga olish ishlari boshlangandan keyingina bilishga mutlaqo ehtiyoj sezadigan aktyorlar va ekipajga qotilning kimligini aytishdi.

Broadchurch Birinchi seriya keng tanqidlarga sazovor bo'ldi va yuqori tomoshabinlar reytingiga ega bo'ldi. Musiqa muallifi Aflafur Arnalds serialning kayfiyatini va ohangini ilhomlantirishga yordam berdi. Arnalds serialning soundtrackini yaratgan va unda a BAFTA Craft mukofoti. Aktyorlar jamoasi va ekipaj tomonidan berilgan ko'plab sharaflar orasida Oliviya Kolman a BAFTA "Eng yaxshi aktrisa" va Devid Bredli "Eng yaxshi ikkinchi darajali aktyor" filmi uchun "Eng yaxshi drama" deb topildi.

Qismlar

Qo'shimcha tarkib

Birinchi seriyaning so'nggi qismi "Broadchurch qaytadi" yozuvi bilan yakunlandi. ITV rahbarlari buni tasdiqladilar a ikkinchi seriya ning Broadchurch ishlab chiqarilishi 2014 yilda boshlanishi bilan foydalanishga topshirilgan edi.^[2]

Sakkizinchi qismdan so'ng qo'shimcha sahna namoyish etildi YouTube Dannining uyg'onishini tasvirlab, dafn marosimidan keyin tushdan keyin, lekin mayoqlar yoqilgan oqshomgacha. Nayjel va Markni yarashtirishdi, Olli esa ishdan voz kechdi Xabarchiva Xardi Karen bilan nima uchun uni Joning hibsga olinishi to'g'risida ogohlantirgani haqida gapirdi. Video "" so'zlari bilan yakunlandiBroadchurch qaytadi ".^[3]

Cast

Birinchisidagi belgilar Broadchurch quyidagilarni o'z ichiga olgan:

Politsiya

• Detektiv inspektori Alek Xardi (Devid Tennant ) - yaqinda Broadchurchga kelgan tajribali detektiv, janjalli ish tarixi tufayli tinch hayotni xohlaydi. U Dennining qotilligi bilan shug'ullanishda qiynalmoqda, chunki u muvaffaqiyatsiz Sandbrookdagi qotillik ishiga aloqador.
• Tergovchi serjant Elli Miller (Olivia Colman ) - mahalliy detektiv Djo Millerga, onasi esa bolalar Tom va Fredga uylangan. U Danimining qotilligi bilan shaxsiy aloqasi bor, chunki Latimerlar oilasi bilan bir necha yil do'stona munosabatda bo'lgan. U detektiv inspektorining ishi Xardiga berilganidan g'azablanmoqda.
• Bosh nazoratchi Eleyn Jenkinson (Tracey Childs ) - Broadchurch politsiyasining boshlig'i. U Sandbrukdagi qotillik ishi paytida boshiga tushgan qiyinchiliklardan so'ng eski do'sti Hardini tayinladi.

Latimerlar

• Bet Latimer (Jodi Uittaker ) - Danni va Xloining onasi va Markning rafiqasi, u Deni o'limidan hayratda va eriga ishonish uchun kurashmoqda.
• Mark Latimer (Endryu Bukan ) - Deni va Xloining otasi va Betning eri, u juda yaxshi ko'rilgan chilangar. Hatto u o'g'lidan qayg'urganida ham, uning sirlari politsiyani undan gumon qilishga undadi.
• Xloi Latimer (Sharlotta Bomont ) - Bet va Markning 15 yoshli qizi. Uning uchun tahsil olayotgan talaba GCSE, Xloi akasining to'satdan vafot etganidan hayratda. Katta yoshli bola Tom Tom bilan bo'lgan munosabati, tasalli manbai bo'lib, Latimerlar oilasining qolgan qismiga stressni keltirib chiqaradi.
• Denni Latimer (Oskar MakNamara) - Bet va Markning 11 yoshli o'g'li va Xloening ukasi, uning bo'g'ib o'ldirilgan tanasi Broadchurch yaqinidagi dengiz qirg'oqlari tagidagi plyajda topilgan. Uning oilasi bilan munosabatlari muammoli edi va u ko'p sirlarga ega edi.
• Liz Roper (Syuzan Braun ) - Betning onasi va Dennining buvisi. U dindor ayol, Betga uning qayg'usi bilan ishlashiga yordam berishga harakat qiladi.

Tegirmonchilar

• Djo Miller (Metyu Gravell ) - Ellining eri va otasi 11 yoshli Tom va 2 yoshli Fredga. U sobiq feldsher, hozirda u uyda o'tirib, Fredga g'amxo'rlik qilmoqda.
• Tom Miller (Adam Uilson) - Elli va Joning 11 yoshli to'ng'ich o'g'li, u boshlang'ich maktabning so'nggi yilida o'quvchi. Tom Danni eng yaxshi do'sti deb da'vo qilmoqda, ammo Tom buni rad etadi. Tomni so'roq qilishning kechikishi va uning Denni bilan bo'lgan munosabati haqidagi haqiqatni aniqlash tergovda muammolarga olib keladi.
• Lyusi Stivens (Tanya Franks ) - DS Elli Millerning singlisi va Oliver "Olli" Stivensning onasi, u qimor o'ynash odatiga ega va Deni o'limi bilan bog'liq ma'lumotlarni oshkor qilish uchun pul talab qiladi.

Matbuot

• Maggie Radcliffe (Kerolin Piklz ) - mahalliy gazetaning muharriri, Broadchurch Echo. U shahardagi aksariyat odamlarni biladi va turli gumondorlar haqidagi ma'lumotlarga ega.
• Oliver "Olli" Stivens (Jonathan Beyli ) - Elli Millerning jiyani va jurnalist Broadchurch Echo. U juda ambitsiyali va katta bo'lishni xohlaydi kepçe shuning uchun u milliy gazetada ish topishi mumkin.
• Karen Uayt (Viki Makklur ) - uchun muxbir Daily Herald, milliy gazeta. U DI Hardining muvaffaqiyatsiz Sandbrukdagi qotillik ishi bo'yicha ishlarini biladi. Uning "polishing press-relizlarini" to'xtatish va tergovchi muxbir bo'lish istagi uni Broadchurchga olib keladi.

• Len Danvers (Simon Ruz ) - Karen Uaytning boshlig'i Daily Herald.

Shaharliklar

• Hurmatli Pol Kouts (Artur Darvill ) - Broadchurchdagi yosh anglikalik ruhoniy. Koutsning hamjamiyat a'zolarini yupatishga urinishlari uning boshqalar bilan bo'lgan noqulayligini ochib beradi va shubha uyg'otadi.
• Syuzan Rayt (Pauline Quirke ) - besh oy oldin Broadchurchga ko'chib o'tgan biroz beqaror, ammo juda kuzatuvchan ayol. U shaharda ko'plarni yoqtirmaydi va yashaydi karvon Denni jasadi topilgan plyaj yaqinida.
• Nayjel "Nige" Karter (Djo Sims ) - Mark Latimerning eng yaxshi do'sti va chilangarning turmush o'rtog'i, Danni bilan bo'lgan munosabati to'g'risida savol tug'ilganda u g'azablanib, mudofaaga kirishadi.
• Jek Marshall (Devid Bredli ) - plyaj yaqinidagi gazeta do'koni va gazak do'konining egasi. Deni unga gazetalarni etkazib berar edi, bu esa Jekka har kuni boshqalar bilan suhbatlashganda bolaga har kuni kirish imkoniyatini beradi. Jekning o'tmishi shaharda ko'pchilik uchun sir.
• Din Tomas (Jeykob Anderson ) - 17 yoshli mahalliy bola, u Xloe Latimerning sevgilisi. Xloe hali 16 yoshga to'lmaganligi sababli, Din Xlo bilan jinsiy aloqasini sir tutishi kerak.
• Becca Fisher (Simone McAullay ) - Trader mehmonxonasining egasi va menejeri, u erda DI Hardy Broadchurchga ko'chib o'tgandan keyin qoladi. U Mark Latimer bilan ishqiy munosabatda bo'lgan va Dannining o'limi bilan unchalik tashvishlanmagan va mehmonlarning ehtiyojlari bilan ko'proq qiziqqan ko'rinadi.
• Stiv Konnelli (Will Mellor ) - mahalliy telefon kompaniyasining ishchisi, u o'zini ruhiy deb biladi. Danni ruhi unga qotil Latimerlar oilasiga yaqin odam ekanligini aytganini aytganda, u muammo tug'diradi.

Ishlab chiqarish

Broadchurch tomonidan yaratilgan va yozilgan Kris Chibnall va ishlab chiqarilgan tomonidan Kudo kino va televidenie bilan birgalikda Shine America va xayoliy do'stlar.^[4][5][6][a] Chibnall ijrochi prodyuser bo'lib ishlagan^[5][7] Kudosning "Jeyn Featherstone" bilan birga,^[5] Richard Stokes esa prodyuser bo'lgan.^[5][8]

Kontseptsiya

Yura qirg'og'idagi Dorset ilhom baxsh etdi Broadchurch.

Broadchurch ijodkor va yozuvchi Kris Chibnall loyihani sevgi mehnati deb ta'rifladi.^[9] U o'n yildan ortiq vaqt davomida Buyuk Britaniyada turli xil televizion dasturlarda ishlagan,^[4] va dastlab o'ylab topilgan Broadchurch 2003 yil birinchi seriyasida ishlayotganda, Tug'ilgan va Bred.^[10] Ushbu kontseptsiya bolani o'ldirish kichik, yaqin ahil jamoaga qanday ta'sir qilishini va bu belgilar ommaviy axborot vositalarining e'tiboriga va paydo bo'lgan o'zaro shubhaga qanday munosabatda bo'lishini o'rganish edi.^[4]

Serial uchun joy qisman ilhomlantirgan Yura qirg'og'i yilda Dorset, Chibnall yashagan.^[5][11] Chibnalning ta'kidlashicha, dastlab uning joylashuvi haqida o'ylamagan Broadchurch,^[4] lekin ish bilan bog'liq muammolar Dorset-da namoyishni jozibador qildi. 2006 yildan 2011 yilgacha Chibnall ko'p vaqtini Buyuk Britaniya va Irlandiya, ustida ishlash Torchvud, Qonun va tartib: Buyuk Britaniya va Camelot. Dorsetda shou o'rnatish Chibnallning uyidan va oilasidan uzoq vaqt sarflashi shart emasligini anglatardi. Chibnallning shouni Yura qirg'og'ida o'rnatishga qaror qilgani, unga shou uchun ko'proq g'oyalar yaratish va yozuvni qattiqlashtirishga yordam berdi.^[4] Masalan, Dorsetning eng taniqli mahalliy o'g'li, shoiri va muallifi Tomas Xardi, familiyasini asosiy belgilaridan biriga bergan (DI Alec Hardy). Tomas Xardi bu atamani ishlatgan "Wessex "xayoliy Wessex Politsiyasining nomi sifatida ishlatilgan,^[10][12] va Jek Marshall Xardi romanini o'qiydi Yahudo Obscure.^[12] Chibnall shuningdek, Xardining serial uchun "g'azablangan xudo" tushunchasiga jiddiy e'tibor qaratdi.^[13]

Hatto seriyaning nomi Dorset sozlamasidan kelib chiqqan. Chibnoll Dorset shahridagi ikkita shaharcha asosida "Broadchurch" nomini ixtiro qildi: "Men ushbu okrugning adabiy merosi haqida juda ko'p o'ylar edim. Haqiqiy Tomas Xardi uslubida men Broadchurchning G'arbiy Dorset qishlog'ini Broadstone va Whitchurch. "^[4]

Yozish

Ssenariyni Chibnall yozgan Broadchurch spetsifikatsiya bo'yicha ishidan keyin Camelot tugadi.^[4][5] Chibnall ustida ishlash juda baxtsiz bo'lgan Camelot,^[10][12] va kasal bo'lib qoldi zotiljam namoyishni tark etgandan keyin.^[12] Qayta tiklanish uchun vaqt ajratayotganda,^[12] u foydalanishni boshladi doskalar 2011 yil may oyida^[14] har bir belgi uchun fon yaratish va syujetini yaratish Broadchurch^[10][5]- u buni trilogiya deb tasavvur qildi.^[15][16] Birinchi seriya trilogiyaning birinchi qismi sifatida ham, o'ziga yarasha drama sifatida ham ishlash uchun yozilgan. Birinchi seriya o'zini o'zi tutishi kerak edi, agar u shou reytingda yaxshi natija bermagan bo'lsa va ikkinchi seriya buyurtma qilinmasa.^[12][16]

Chibnall bunga qat'iy ishongan Broadchurch emas "kimdir "Uning kontseptsiyasi qotillik" qanday qilib turli xil yo'llar bilan butun jamiyat qurbonlariga aylanishini ko'rsatib berish edi. Ulardan ba'zilari bu bilan kurashish va undan qutulish va undan nimadir qurish imkoniyatiga ega; ba'zi odamlar uchun bu ular tomonidan vayron bo'lgan degan ma'noni anglatadi, shuning uchun men asosan ushbu dahshatli voqea va uning odamlarga bo'lgan turli xil ta'sirlari ta'sir qilgan belgilarning butun to'plamiga qarashni xohladim, shuning uchun bu haqiqatan ham mantiqan to'g'ri keldi va shu bilan o'ynadi So'ngra uning ssenariylarida har bir belgi uchun haqiqiy qotillik tergovi va uning oqibatlari bilan yashash qanday bo'lishiga e'tibor qaratildi.^[17] Buning uchun ssenariylardan iloji boricha politsiya tartib-qoidalarini olib tashlash va xarakterni rivojlantirishga e'tibor qaratish lozim edi.^[13]

Hikoya jarayonida Chibnallga uning yaxshi do'stlari Sem Xoyl (televizion ssenariy ijrochisi) yordam bergan.^[10][12] va televizion direktor Jeyms Kuchli.^[5][13] Broadchurch Chibnallning aytishicha, Amerikaning ikkita televizion ko'rsatuvi, Twin Peaks (tomonidan yaratilgan Mark Frost va Devid Linch ) va Qotillik birinchi (tomonidan yaratilgan Stiven Bochko, Charlz X. Egli va Channing Gibson ).^{[11][18][b][19][20][21]}

Ssenariyni Chibnall yozishni boshlaganda voqea deyarli doskalarda tugagan edi.^[22] Taxminan ikki hafta o'tgach, Chibnallda dastlabki bir nechta epizodlarning qoralamasi bor edi. Elli Miller ssenariyning birinchi loyihasida lezbiyen bo'lgan va Jou Miller ham bo'lmagan. Ammo u buni yaxshi bayon qilmaganini sezdi, shuning uchun u xarakterini turmushga chiqqan heteroseksualga o'zgartirdi.^[13] Ammo u hali qotilga joylashmagan edi. "Ko'pincha yozuvchi sifatida siz birinchi qoralamangizni chiqarasiz, keyin qarab:" Endi men bu erda nima topdim ", - dedi Chibnoll bilan suhbatda Ko'ngilochar haftalik. "Siz haqiqatan ham devorga loy sepib, keyin:" U erda naqsh bor ", deb ketayapsiz. "^[22] Ammo Chibnall qotil Ellining yaqin kishisi bo'lishi kerakligini bilar edi.^[13] Taxminan ikki hafta o'tgach, Chibnall bir kuni ertalab uyg'ondi va qotil Djo Miller bo'lishi kerakligini angladi, DS Elli Millerning eri. "Men boshim ustidagi lampochka lahzasi edim. Ochig'ini aytganda, siz hech qachon yozuvchi sifatida topa olmaysiz. Menda bunga qadar bo'lmagan, ehtimol bundan keyin ham bo'lmaydi. Men:" Ohmygod, bu Jou ... Boshqa hech kim bo'lishi mumkin emas. "^[22] Joni qotilga aylantirib, Chibnoll serialni Elli Millerga yaqinroq yo'naltirgan va yaxshilagan hikoya tarkibi Shunday qilib, bu ikki oilaga (Millers va Latimers) tegishli bo'ldi. Keyin u birinchi ssenariyni qayta tuzdi va seriyani qayta tuzdi va qayta tuzdi.^[22] Loyihani ITVga olib kelishidan oldin qotilning shaxsi ssenariyga "singdirilgan" (Chibnall shunday ta'riflagan).^[13][23] Biroq, Chibnall ssenariyni etarlicha bo'sh ushlab turdi, chunki u qotil sifatida boshqa bir obrazni tanlashi mumkin edi, agar tortishish paytida uning afzal ko'rgan echimi matbuotga oshkor bo'lsa.^[22][c][17]

Qotillik sirini to'g'ri hal qilganiga ishonganiga qaramay, Chibnall sakkizinchi epizoddan bir necha daqiqa oldin 2013 yil aprelida efirga uzatilishi kerakligini aytdi. ijrochi ishlab chiqaruvchi Jeyn Featherstone va yigirma daqiqadan so'ng fikrini o'zgartirmasdan oldin unga oxirini mutlaqo noto'g'riligini aytdi.^[22]

Yozish jarayonida uchta asosiy element mavjud edi. Birinchidan, Chibnall televidenie yozishda hikoya tuzilishi haqidagi an'anaviy tushunchalarni umuman e'tiborsiz qoldirdi. Buning o'rniga, u qotillik har bir belgiga qanday ta'sir qilganiga e'tibor qaratdi va har bir belgining javoblari voqeani boshqarishiga imkon berdi. Uning hikoya tuzilishiga bo'lgan yakka yon berishga a qo'shish zarurati sabab bo'ldi tijorat har 11 dan 12 daqiqagacha tanaffus qiling. U har bir tanaffus oldidan tomoshabinlarni tomosha qilishni rag'batlantirish uchun hayratlanarli yoki hayratlanarli daqiqalarni qo'shishni tanladi.^[10] Bu Chibnallni har bir epizodni "tajovuzkor ravishda fitna uyushtirish" ga majbur qildi, u voqeani iloji boricha qattiqroq ushlab turdi, shunda u xarakterlarni rivojlantirishga e'tibor qaratishlari mumkin edi.^[13] Ikkinchidan, Chibnall ushbu serialda mahalliy gazetaning rolini ta'kidlagan. Kichik Dorset shahrida yashagan Bridport, Chibnall Internet kabi yangi ommaviy axborot vositalarining taniqli bo'lishiga qaramay mahalliy gazetalarning o'z jamoalariga qanday katta ta'sir ko'rsatganini ko'rdi. U xayoliy mahalliy gazeta yaratdi Broadchurch Echova uni nafaqat hikoyaning bir elementiga aylantirdi (qahramonlar qanday munosabat bildirishi haqida ma'lumotni ochib beradi), balki u erda ishlaydigan odamlar tomonidan motivatsiya qilingan hikoyaning o'ziga xos belgisini ham yaratdi. Uchinchidan, Chibnall dialog asosida emas, balki ingl. Chibnall so'nggi epizodni xohlagan Broadchurch odatdagi qotillik-sirli seriyasidan farq qilishi kerak. U aksariyat finallar so'nggi qismning so'nggi daqiqalariga qadar katta oyatlarni saqlab qolganligini kuzatdi. Uning fikricha, bu "shoshma-shosharlik bilan" bog'lab qo'yilgan va tomoshabinlarning yangi ma'lumotlarga hissiy jihatdan moslashishlari uchun hech qanday imkon yo'qligi sababli, zaif yozuvlarga olib keldi. Chibnall qaror qildi "ochib berish "so'nggi epizodning boshida sodir bo'ladi va vahiyning personajlarga ta'sirini tasvirlashga ko'proq vaqt ajratiladi.^[10] Shuningdek, u ko'plab detektiv romanlarda bo'lganidek, asosan og'zaki bo'lgan fosh etilishdan qochmoqchi edi. Chibnall o'zining namoyishlarini vizual va yuqori kinematik bo'lishini va tomoshabinlarning keskinligini kuchaytirish uchun vaqt o'tishi bilan sekinlashishini xohladi. Bu, uning fikricha, tomoshabinlarga xuddi dramaning bir qismi bo'lganidek, xuddi shu voqealarni o'zlari boshdan kechirayotgandek his qilishlariga yordam beradi.^[22]

Faqatgina birinchi qismlar Broadchurch seriya birinchi film suratga olish boshlanishidan oldin yozilgan. Chibnall kasting tugaguncha kutib turdi va aktyorlarning rollarini ijro etayotganini ko'rdi. Keyinchalik, ushbu stsenariylardan foydalanish uchun keyingi ssenariylar shakllantirildi.^[13][24]

Ishlab chiqarishni tasdiqlash

Dastlab Chibnall ko'rib chiqildi pitching Broadchurch uchun pullik televizor kanal Osmon Atlantika, lekin uning loyihasi Buyuk Britaniyaning eng yirik va eng mashhur tijorat telekanali ITVga sotish uchun etarlicha yaxshi deb o'ylardi.^[10] Chibnall, shu bilan birga, ITV-ni katta blokni burib olishga ishontirish qiyin bo'lishidan xavotirda edi Bosh vaqt sakkiz qism davom etadigan seriyali dasturlash soatlari.^[10][d][24]

2011 yil kuzida,^[5] Chibnall maydonga tushdi Broadchurch Laura Mackiga,^[12] ITV-dagi dramaturgiya rahbari, bu taklifni juda yaxshi ko'rgan. Ssenariylarni o'qib bo'lgandan bir necha kun o'tgach, u Chibnallga taniqli prodyuserlik kompaniyasi Kudos Film va Television bilan ishlashni taklif qildi.^[5] Kudos darhol serialni tayyorlashga rozi bo'ldi.^[13] Keyin Makki shouni ITV televidenie direktoriga olib keldi Piter Fincham,^[10] JSSV yashil yoritilgan loyiha deyarli darhol.^[4] ITV seriali 2013 yil boshida efirga uzatilishini xohladi, demak, filmni suratga olish ishlari 2012 yilning yozida bo'lishi kerak edi Broadchurch odatdagidan ancha qisqa ishlab chiqarishgacha bo'lgan jadval.^[5] ITV vaqt cheklanganligiga qaramay yuqori sifatli serialni xohladi. Chibnallning so'zlariga ko'ra, ITV unga seriyani iloji boricha dadilroq qilishni va tijorat mulohazalarini e'tiborsiz qoldirishni maslahat bergan.^[10] Fincham va Chibnall muhokama qilindi yalang'ochlash Broadchurch haftalik dastur sifatida emas, balki to'rt yoki besh kecha davomida. Ammo ikkalasi ham bu fikrni rad etishdi. Fincham vaqt o'tishi bilan spekülasyonlar paydo bo'lishiga va tomoshabinlarga har bir epizod haqida navbatdagi efirga chiqmasdan oldin suhbatlashish imkoniyatini berishga tayyor edi.^[17][e][13]

Oldindan ishlab chiqarish deyarli darhol boshlandi Broadchurch yashil chiroq yondi. Har bir ishlab chiqarish bo'limi uchun rahbarlar—kinematografiya va yoritish, tahrirlash, kasting, grim surmoq, pardoz qilmoq; yasamoq, tuzmoq va Soch, kostyum, joylar, ma'muriyat, tovush va boshqalar - yollangan va ishlab chiqarishning barcha sohalarida tadqiqotlar boshlangan. Sinovga olingan kadrlar tortishish oldidan o'tkazilgan yig'ilishda ITV rahbarlari uchun suratga olingan va namoyish qilingan, ular serialning kayfiyati va uslubi qanday bo'lishini aniqroq ko'rishlari mumkin edi.^[5] ITV katta moliyaviy sarmoya kiritgan bo'lsa ham Broadchurch,^[25] katta ansambl aktyorlari tannarxi tufayli qo'shimcha mablag 'kerak edi. Qabul qilingan xalqaro sheriklardan qo'shimcha mablag 'izlandi tarqatish huquqlari evaziga o'z hududlarida. Oldin asosiy fotosurat boshlangan, ZDF (Germaniya jamoat xizmatining televizion telekompaniyasi) va BBC Amerika (Amerikaning kabel va sun'iy yo'ldosh televizion tarmog'i birgalikda egalik qiladi BBC va AMC tarmoqlari ) moliyaviy sheriklar sifatida ishlab chiqarishga bortida kelgan.^[5]

Kasting

Artur Darvill birinchi aktyor edi Broadchurch, 2012 yil aprel oyida.

Kasting Broadchurch ketma-ket birinchi tomonidan nazorat qilingan kasting rejissyorlari Kelli Valentin Xendri va VHJ Kastingning Viktor Jenkinslari.^[26]

Chibnall ITV-ning xit-shousidan ilhomlangan Downton Abbey faqat eng yaxshi aktyorlarni suratga olish. "Men aytdim:" Biz kabi yaxshi aktyorlarni suratga olishimiz kerak Downton. ... Bu mutlaqo mening uyatsiz maqsadim edi: "Yaxshi, siz bizning plakatimizga qarashingiz va bu nima bo'lishini his qilishingiz kerak. Downton pulini yugurish. ' "^[18] Ijrochi ishlab chiqaruvchilar Chibnall va Featherstone va ishlab chiqaruvchi Richard Stokes kasting rejissyorlari bilan keng muhokamalar o'tkazdi, ular keyinchalik prodyuserlar rollarni taklif qilishni xohlashlari mumkin bo'lgan potentsial aktyorlarning ro'yxatlarini tuzdilar. tinglash. Kasting rejissyorlari barcha tayyor ssenariylarni o'qib chiqdilar, uchrashdilar joylashuv skautlari kutilayotgan joy suratlarining fotosuratlarini ko'rish va tinglash uchun to'g'ri ijrochilarni tanlashlari uchun iloji boricha ko'proq ma'lumot to'plash uchun turli ishlab chiqarish bo'limlari rahbarlari bilan uzoq munozaralarni olib borish.^[26] Kasting jamoasi uchun asosiy qoida "yo'q" edi sherlar Featherstone aytganidek. Prodyuserlar jamoasi rollarga xudbin, jirkanch, behuda, temperamentli yoki takabbur aktyorlarni jalb qilishdan bosh tortdilar, chunki ular ham aktyorlar jamoasi, ham eng yaxshi ishlarini bajarishni qiyinlashtirayotganini sezishdi.^[13]

Yetakchilar

Muhtaram Pol Koutsning roli aktyor bilan birga yozilgan Artur Darvill yodda va birinchi rol o'ynadi.^[27][28] Darvillga rol o'ynashni taklif qilishdi Broadchurch 2012 yil aprel oyida filmni suratga olish paytida "Farishtalar Manxettenni olib ketishadi ", uning so'nggi ko'rinishi Doktor kim.^[27] Darvill accepted without knowing what role he was to play or having read any scripts. Only later did Chibnall tell Darvill that the role was that of a young Anglikan priest struggling with alkogolizm. Darvill says that, as Chibnall wrote the scripts, he would call Darvill and tell him what he was thinking of doing with the character of Coates. Chibnall's writing of the character was, in a way, collaborative: "We talked a lot about the role of a vikar in a community like that and what are the implications of the circumstances that the town is put in," said Darvill, "and what that means for someone in that position and certainly the responsibility of having to be a spiritual guide, a point of comfort, a figurehead, especially being quite young."^[28] Darvill was very interested in the way Coates always felt he was in the public spotlight (even in a private setting) and the burden that Coates felt in being a moral guide and trustworthy person. Darvill was also intrigued by the way Coates struggled to avoid letting his ego come into play once he became a spokesperson for the community, and the way Coates reacted when he became a police suspect.^[28] Darvill was also pleased that Chibnall said he would not permit any bad attitudes or diva -like behavior on the set. "Early on I knew it was going to be good because Chris said...[e]veryone has to be nice and good."^[29]

The role of DS Ellie Miller was the second role cast.^[30] Producer Jane Featherstone first suggested Olivia Colman for the role of Ellie Miller, to which Chibnall (having also had her in mind) immediately agreed.^[31] Chibnall then specifically wrote the role of Ellie Miller for Colman, hoping she would agree to join the cast.^[23] There was consensus among the producers to offer the job to Colman without the need for an audition.^[26][f][32] Colman says she was immediately drawn to the role: "From the off I really liked the idea of the story, a hard story and an upsetting one, but I liked the idea of a whole community being affected by something and I liked the character of Ellie. ... And I liked Ellie. I find it hard to play a character if I can't feel any of me in them. Especially if you are going to be playing that person through the whole series you need to feel that connection."^[33] She was also highly impressed with the script she read, calling the script one she "couldn't put down" and that she turned the pages "frantically" because it was such a good read.^[13] Colman says she also had heard that David Tennant and actress Vicky McClure were under consideration for roles as well, and she wanted very much to work with them.^[33] She accepted the role immediately after reading the script.^[12]

The role of DI Alec Hardy was the third role cast.^[30] The producers "very early on" settled on Devid Tennant as their preferred choice.^[13][g][31] Tennant had worked with Chibnall and Strong on Doktor kim, and was highly regarded by production executives. Once more, there was consensus among the producers to offer the part without the need for an audition.^[26] Tennant was given the scripts for the first two episodes. He agreed to take the role for several reasons, even though he knew an incomplete script was a professional gamble. First, he was deeply impressed with the writing. Second, he had worked with Chibnall and Strong (who had agreed to be the show's primary director) before and was keen to work with them again. Third, he learned that Olivia Colman had agreed to play DS Miller, and working with her was very appealing.^[30]

Boshqa asosiy belgilar

All the remaining roles were cast around Colman and Tennant.^[31] All these roles were cast via auditions, which took several weeks.^[34] Although Chibnall had determined who the murderer was by the time casting began, those who auditioned for the program were not told the killer's identity.^[35]

Aktyor Andrew Buchan was attracted to the role of Mark Latimer by the authentic quality of the part. The way Chibnall showed how the community is affected by the murder, the newly unsettled relationships between the characters, and the disintegration of the bonds between people who once trusted one another also deeply attracted him to the project.^[36] Buchan says he was worried that he wouldn't get the part. His audition scene was where Mark Latimer must identify the body of his son in the Broadchurch morg. To win the role, he worked himself up intensely and cried profusely.^[37] After winning the role, he researched the way parents react to a child's murder in order to treat the role with as much respect and accuracy as possible.^[36]

The role of Karen White was the other part cast early in the process. Aktrisa Viki Makklur admitted, "It was quite a difficult role to take on and I had to think quite carefully about it."^[38] To help her get into character, McClure specifically asked that the hair designers give her artificial hair integrations.^[38]

David Tennant accepted the role of DI Hardy after learning that Olivia Colman had been cast.

Jodi Uittaker was cast as Beth Latimer, the mother of the murdered boy. She was hired after Buchan and McClure joined the series. Her audition consisted of several scenes from the first episode. Whittaker admitted that she was very nervous about accepting a role in a series whose scripts had not yet been completed. Chris Chibnall, however, told her that none of the actors would know who the murderer was (not even the actor who played the killer) until the last possible moment. She found that highly appealing, for it raised the anxiety level in the actors and reduced each actor's willingness to trust the other characters. She was also impressed by the heart-breaking way the first episode was written, and how many interesting characters there were in the series.^[34]

Aktyor Djo Sims was cast as Nigel "Nige" Carter, Mark Latimer's best friend and co-worker who has several secrets to hide. Sims says he was hired relatively early in the casting process. Broadchurch appealed to him because he had seen the television film Birlashgan, which had been written by Chris Chibnall and directed by James Strong. He loved their work, and very much wanted to be part of their next project. He got the chance to audition because he had met Sam Hoyle socially some years before, and this connection—along with heavy lobbying by his agents—won him a meeting with director Strong and casting directors Hendry and Jenkins. Sims admits that he was very nervous in his first audition, and auditioned several more times before getting the part. He believes his auditions improved each time, as he learned more about the plot at each audition (which involved reading new scenes).^[39]

Metyu Gravell was cast as Joe Miller, DS Miller's husband. Gravelle auditioned along with many other actors for the role, but Chibnall says that the casting team early on considered Gravelle their top choice for the role.^[h][40][41] The producers knew that this was a critical casting decision. Whoever they hired to play Joe Miller would need to step up their acting game significantly in the final episode, so they researched Gravelle's past acting roles and watched as many of his performances as they could find. Chibnall paid particularly close attention to the Uels tili teleseriallar Teulu, in which Gravelle had recently played a lead role.^[22]

Kichik belgilar

Avstraliyalik aktrisa Simone McAullay was cast as local hotelkeeper Becca Fisher, with whom Mark Latimer has an adulterous affair. Chibnall had long envisioned Becca as an Australian, which made her an outsider in the Broadchurch community. He also relied on the common assumption that Australians often seem bolder than most British, which gave the character licence to say things others might not. McAullay received the first two scripts from her agent, and a short written sketch of the Dorset setting. She videotaped an audition at her home in Sidney, and sent it to Chibnall.^[42]

Thirty-six-year-old actor Will Mellor was cast as telephone installer and alleged psychic Steve Connolly. Chibnall had written the Connolly character to be in his 50s. Mellor, however, auditioned for the role even though he was not the right age. He was cast, says Chibnall, because "Will came in and read and just blew it out the water. And it was just, well, you have to give the part to him because he's redefined it!'."^[16]

Pauline Quirke was cast as secretive karvon resident Susan Wright. Chibnall had long been deeply impressed with her performance on the 1996 television series Haykaltarosh, and he wrote the role of Susan Wright with Quirke in mind, although the role was not written specifically for her.^[23] Although Quirke was a well-known veteran television actress, she auditioned along with many others for the role. Her audition, like that of others, used scenes from the first two episodes. Chibnall says that the producers worried that such a big star might not wish to do justice to such small role, but found that Quirke delivered a superb performance.^[16]

Kasting Broadchurch was complete in late June 2012, and casting choices announced on 2 July 2012.^[43]

Asosiy fotosurat

Broadchurch joylar

Harbour Cliff and Harbour Cliff Beach, the most prominent locations used in Broadchurch.

Briar Cliff Hut (center of image) served as the exterior location for Danny Latimer's murder.

St Andrew's Church, Clevedon, provided exteriors and interiors for the fictional Broadchurch parish church.

West Bay Harbour with the East Pier in the background. This area depicted the Broadchurch harbour.

The Folly, a private apartment building, provided exteriors for the fictional Wessex Police.

The Methodist Chapel provided the exterior for the fictional Sea Brigade Hall.

Harbour Newsagent in Bridport provided exteriors for Jack Marshall's news shop.

James Strong directed five episodes of series one of Broadchurch, esa Evro Lyn uchta yo'naltirilgan.^[44] Strong had helped Chibnall with the creative process of writing the story,^[5] and agreed to come aboard the project as director even before casting occurred.^[30] Matt Gray was hired as both fotografiya rejissyori va kamera operatori.^[22]

Joyni tortishish

Ko'pchilik Broadchurch series one was shot on location, which the producers felt would heighten the reality and intimacy of the series.^[5] Location shooting was also important because the Dorset coast was integral to setting the mood of the drama.^[5][45] Director James Strong said the goal was to make Broadchurch "look and feel different", "a world that was recognisable but in subtle extremis—an ordinary seaside town where events have upset the natural order of life. It is a lovely, beautiful place where something terrible has happened."^[45] Strong chose a visual style that emphasised contradictory elements, such as privacy and publicity, the natural and unnatural, or water and fire.^[13][45] Another part of the visual style was to connect the characters to the Dorset landscape. To achieve this, locations were chosen which would allow the characters to bring their private behaviors outside. A third element of the visual style was to use the change in seasons to help illuminate the way the emotional tenor of the drama changes during the series.^[45]

The first cast o'qish occurred at Bloomsbury Central Baptist Church in London 2012 yil 7-avgustda.^[46][47] Principal photography began on interior sets at VISION Studios on 13 August 2012.^[5][22] Location shooting began the first week of September.^[5] Joel Holmes was the location manager, and he helped identify nearly all the locations used for shooting.^[22] Most location photography occurred in the town of Clevedon in North Somerset.^[48] The production's headquarters were located in the town's Salthouse Fields Avtomobil to'xtash joyi.^[49] Some scenes were also shot in the towns of Bridport and West Bay and in the surrounding district of G'arbiy Dorset.^[49] Three locations were used in the area around the town of Yate, Gloucestershire, bilan "Hech qanday joyga olib boradigan yo'l " used for filming as well as the production's headquarters.^[50]

Studio shooting and shooting schedule

Not all shooting was done on location. Some sets were built at VISION Studios near Bristol (where the television series Terilar had just finished filming).^[5] According to producer Richard Stokes, the studio sets were interiors, because equipment needs made it impractical to film on location, and included the Wessex Police Station.^[8] Two shots required "yashil ekran "ga composit images together. These green screen shots were filmed at Waterloo Film Studios in London.^[51]

Broadchurch was shot in order. Very few scripted television programs are filmed in the order episodes are seen on the air. It is far more common to shoot out-of-order. Usually, scripts are broken down into their component scenes and shots. Scenes using the same locations or sets are shot at the same time, to minimise the time and expense of moving cameras and equipment.^[52] Broadchurch, however, was shot in order to keep the identity of the murderer a secret until the end of the production.^[49]

Weather proved to be a hindrance to the production, and sometimes delayed shooting. Luckily, the sun shone during the first week of September 2012, which was also the first week of location shooting. But skies were partly or completely overcast for the remainder of the shoot. Additional location shooting occurred the last week of October and first week of November. The weather turned much colder, with heavy rain and gale -force winds these two weeks. Location shooting atop Harbour Cliff was scheduled for the first few days of November, but the weather created such safety concerns that this had to be cancelled. The production moved to Clevedon, and the clifftop filming was rescheduled for a few days later. (Luckily, the weather had cleared by then.)^[5]

Aktyorlik

Birinchi o'qish uchun Broadchurch series one occurred on Tuesday, 7 August 2012.^[46][47] Rehearsals were kept to a minimum.^[22][45] To heighten the raw and tension-filled tone of the show, actors were often prevented from seeing the space they were to perform in until shooting began.^[45] However, almost no improvizatsiya of dialogue occurred on the set. This was a choice made by the actors. Olivia Colman said, "[Chibnall wrote] it so beautifully, so completely and utterly beautifully, that I would have felt faintly ridiculous approaching him and saying, 'Can I change it?' "^[24]

The script laid out how characters were to move and behave, but the actors themselves chose how to bring these directions to life. For example, when Alec Hardy tells Ellie Miller that her husband is the murderer, the script called for Hardy to come round to Miller's side of the table and for Miller to vomit after the revelation. David Tennant was allowed to improvise how he came round the table and whether he sat or stood. Olivia Colman improvised the portrayal of nausea by rising, crouching, turning to the wall, and vomiting.^[22] Director James Strong knew that this put stress on his technical crew, who often had to guess what technical adjustments had to be made (such as lighting or the placement of microphones) in order to accommodate this unusual style of direction and acting. But he felt this spontaneity freed the cast and permitted them to deliver far more intense performances.^[45] A heavy reliance was also placed on getting the first olish right, as Strong believed the first take was more spontaneous and more natural. Subsequently, most of what the viewer sees in Broadchurch series one are first takes.^[22]

Actor Matthew Gravelle took his role as murderer and possible pedofil Joe Miller very seriously. "You don't want to get it wrong with whoever you're playing. You try to be as true to somebody who might actually be like that as possible," Gravelle said. "Whatever happens, he's still ultimately not a good person and you've got to try and be sympathetic towards him just to see it from his point of view."^[53] He did not research paedophilia per se, but tried to discover research on individuals with pre-paedophiliac tendences. He found there was little scientific research in the area.^[54] Gravelle was therefore forced to come up with his own rationales for Joe's crimes. "The need to be loved was the root of it," he said. "Joe had love but he didn't have the attention in the way that he got it from Danny. It's probably an ego thing. ... He's not working. It's a self-worth issue."^[54]

Filming the scene in which DS Miller confronts her murderous husband required some special care. The scene had been suggested by Olivia Colman. During her first meeting with Chibnall and Featherstone to discuss her character, she asked, "I just want to know, do we get him [the killer] and do I get to kick him in the balls?" Although no such scene had been written, they assured her it would be included (assuming Ellie Miller was not the murderer).^[55] Actors Olivia Colman and Matthew Gravelle were kept apart before the scene was filmed as a means of heightening the tension between the two during their meeting. The scene called for Colman to attack Gravelle, who would fall to the ground and allow Colman to kick him in the back. Gravelle's back was fitted with safety padding, but Colman's performance was so intense that she kicked him too hard and Gravelle was bruised for three weeks.^[56]

Vizual uslub

Director of photography Matt Gray said he approached Broadchurch go'yo a hujjatli film, rather than a television drama.^[15] Strong and Gray settled on a visual theory about "an emotional and physical landscape". Their goal was to depict the physical landscape in a way that differed visually from the emotions they were trying to depict. To do this, fixed television cameras were used to photograph the geographical landscape (beaches, cliffs, the estate field behind the Latimer house, etc.) and for tortishishlarni o'rnatish of interiors. A Steadicam yoki qo'l kamerasi was used when the episode needed to depict the emotional relationships between people. This allowed the cinematographer to get very close to the actors without interfering with their performances.^[13]

Although Gray's cinematography was not nominated for a BAFTA Craft Award, it won high praise from Mike Hale in The New York Times, who said "the cinematography of Matt Gray, whose shots from every possible angle of the dramatic cliffs behind the Broadchurch beach[,] are essential to the show's ambience."^[19] Allison Willmore at the industry publication Indiewire was equally effusive. Broadchurch series one was "wonderfully shot by cinematographer Matt Gray, who seems to make the oceanside backdrop only more beautiful as the characters in front of it fall apart."^[20]

Visual clues to the killer's identity were given throughout the series. In the first episode, Mark Latimer walks along the Broadchurch High Street on his way to work in the morning. Director Strong asked actors Matthew Gravelle (Joe Miller) and Adam Wilson (Tom Miller) to improvise some father-son horseplay. Viewers could thus see Joe with his arm around Tom's neck, "strangling" him. The slug in the Miller household, first seen in episode two, is meant to indicate that there is something wrong the Miller family.^[23] Joe's visits to the skeypark in episodes three and six indicate not only his link to Danny Latimer but also his desire to be around young boys with whom he could form a relationship similar to the one he had with Danny.^[22]

The producers and director James Strong paid particular attention to the visual style of the reveal. Chibnall wanted to expose the murderer's identity visually and dynamically, not through dialogue in a static scene on a set. During a location site visit prior to filming, Chibnall, Strong, and Holmes walked from the house at Lavington Close to the house on St Andrews Drive. As they crossed a footbridge over the Land Yeo, Chibnall—struck by the scenery of the area—realised that a single, uncut point of view shot of DI Hardy walking through the Miller house, through the garden, and into the garden shed was the way to reveal the killer's identity. Chibnall and Strong decided that the shot in the first episode of Mark Latimer walking through the Broadchurch High Street should mimic this reveal shot in the eighth episode.^[22]

Costumes for Broadchurch were designed by freelance kostyumlar bo'yicha dizayner Ray Holman. Holman worked with the actors portraying major characters to ensure that the costumes fit the character. He spent hours discussing the characters with the actors, and sometimes took the actors shopping or to costume suppliers to find the right look. Holman crafted the "old and saggy" look of Alec Hardy's character to reflect the fact that Hardy "didn't really care what he wore."^[57] Often arriving on the set at 6 a.m., Holman ensured that Tennant's suit was appropriately crumpled every day. Holman also designed Ellie Miller's "unflattering grey work suit".^[57] Holman and actress Olivia Colman agreed that Ellie was a person who had lived in a small town her entire life. Having been a uniformed police officer, she had worked her way up in the ranks but still retained an unconscious desire to appear in uniform. Kulrang trouser suit was critical to that look. "I did apologise to her about that, but it looked fantastic and characterised her," Holman said.^[57] Beth Lattimer's red dress, seen in episode one, was also Holman's idea. There was disagreement about it, but Holman said he insisted on the red dress. "I wanted the red dress because I knew it would move quite beautifully and she has to run on the beach and I wanted the red against the cliffs," he said.^[57]

Asosiy fotosurat yoqilgan Broadchurch series one concluded on Tuesday, 4 December 2012.^[58]

Secrecy campaign

Efforts to ensure secrecy

Chibnall was determined to ensure that the identity of the killer did not leak until the final episode aired. One reason for the secrecy was obviously commercial, for it kept viewers watching. But Chibnall also believed it would enhance the acting.^[5] "There was a number of reasons for it, one of which was obviously that a lot of the story was driven from characters in the show not knowing, so it enables those characters to behave truthfully in that situation. And also what I wanted was for every performer to slightly suspect their character, and to really think about that, and to suspect each other. ... So what you get is ambiguity, and what it also means is that any of the performer or performers who are responsible for what happened aren't flagging it or signaling it in any way whatsoever."^[16] The producers discussed the need for secrecy at length during pre-production and agreed it was essential. Chibnall also discussed secrecy issues with directors James Strong and Euros Lyn, and they both agreed to its necessity before coming aboard the project. As roles were cast, Chibnall also explained to each actor that the killer's identity would be kept from them until near the end of the production.^[16]

Several means were employed to maintain secrecy. All scripts contained a suv belgisi that ensured they could not be photocopied, and copies of scripts used on the set were kept in a xavfsiz.^{[iqtibos kerak ]} Only Chibnall and four other individuals knew at the start of production who the killer would be; even ITV Director of Television Peter Fincham was not told the killer's identity until the first few days of March 2013.^{[iqtibos kerak ]} All cast and crew were required to sign documents in which they agreed not to reveal the killer's identity.^[40]

In part, secrecy was also maintained by the way scripts were written. Performers were given the first two scripts at the start of principal photography, but additional scripts were written only after Chibnall had observed the actors bringing their characters to life.^[24] Once the scripts for episodes six, seven, and eight were finished, they were released all at once—but only to those crew and cast who had a need to know.^{[iqtibos kerak ]} These three episodes were then shot together.^[22]

Revealing the secret to the cast

Olivia Colman was the first cast member to learn the killer's identity—having been informed during her first meeting with the producers. Colman told Radio Times that she asked who the killer was, and was told. An hour later, she was told that the killer's identity would remain a secret and that she should not tell anyone. Somehow, David Tennant's agent learned that Colman knew the murderer's identity, and told David Tennant midway through the production that Colman knew. Tennant did not believe it. Colman later said that Tennant was angry at learning the truth.^[32]

Actor Matthew Gravelle (who played murderer Joe Miller) was the second cast member to learn the killer's identity. Chibnall called to tell him two weeks before the final three scripts filmed.^{[54][56][men][59]} By this time, Gravelle was already on the set of another television production.^[56] Chibnall kept his revelation short, saying, "It's you." Gravelle paused for about 20 seconds, and then said, "Oh, brilllllliant." He was very enthused to be able to play what were going to be critical scenes at the end of the series.^[22] But he also admitted he had never guessed he was going to be the killer.^[56] Over the next few days, Chibnall and Gravelle had many long conversations to discuss Joe Miller's backstory and motivation, how to integrate the filmed performance with the upcoming performance, and how Gravelle could play the character going forward.^[22]

Although she was not told the murderer's identity, actress Jodie Whittaker was informed that it was not her character a short while before the release of the episode eight script. Whittaker approached Chibnall and said she feared she was the killer.^[22] Her concern was so strong, it might have affected her performance,^[22] so as filming got under way for episode six Chibnall assured her that she was not the killer. He later admitted it would have been "deceptive" to write the character of Beth Latimer as a powerfully grieving mother, only to have it revealed as a lie. "I couldn't have done that to an actor," he said.^[22]

Oskar McNamara (who played Danny Latimer) was the third actor to be told who the murderer was. Danny Latimer's death is very violent, which required telling McNamara about the killer's identity several days in advance so that the actor could prepare and the scene could be choreographed and rehearsed. McNamara's parents worked closely with director Strong to ensure their son's physical and emotional safety. The mother of Adam Wilson (who played Tom Miller) was told the killer's identity several days before the release of the final three scripts. She declined to tell her son who the murderer was. Wilson learned that his on-screen father was the killer just a few minutes before the scene was shot. Wilson's surprise helped him portray the shock Tom Miller felt at his mother's revelation.^[j][22]

After three months of production, the crew and key cast members were given the final three scripts (the last of which revealed the murderer's identity) over a single weekend.^[22][24][40] One source says that key cast members received all three scripts at once,^[24] although Chibnall has been quoted as saying that the script for episode eight was held back until absolutely needed.^[22] Even after the final three scripts were distributed, just 29 people—including four cast members^[60]—knew the killer's identity while the final episodes were filmed.^{[iqtibos kerak ]}

Initially, Chibnall wanted to reveal the murderer's identity to the entire cast and crew at an all-hands meeting on the Harbour Cliffs Beach a few days before releasing the final three scripts. A short film of completed footage had been edited together to show the cast and crew how the series was coming together.^[22] It was his intent to reveal the secret at the end of the screen. The night before the meeting, the cast and crew filmed the "re-creation scene" where Tom Miller skateboards through Broadchurch in an attempt to jog people's memories.^[22] Reaction by the cast was mixed to his decision.^[22]

Musiqa

Broadchurch creator Chris Chibnall had long been a fan of Islandcha bastakor va musiqachi Aflafur Arnalds,^[k] and owned all of Ólafur's albums. Yozish paytida Broadchurch, Chibnall listened constantly to Ólafur's music. He later told Ólafur that the "entire feel of the show was inspired by" Ólafur's music.^[61]

In late 2012, Chibnall contacted Ólafur to ask him to compose the music for Broadchurch.^[61] "The music is a narrative all of its own," Chibnall later said. "I'd heard Ólafur's music and it just broke my heart. I instinctively felt if we could get him, that would be amazing."^[10] Ólafur agreed to join the production, and his hiring was publicly announced in December 2012.^[62] Ólafur called working on Broadchurch series one "an absolute pleasure. The creators and directors gave me complete artistic freedom and encouraged me to be as bold as possible. Which is what every artist wants to hear."^[7]

To compose the music for Broadchurch, Ólafur read the show's scripts to put himself in the right mood. He also researched sounds which might be heard in Dorset as a means of inspiration. As with most of his music, he then improvised at the piano. He composed several themes, some for the series as a whole and some for specific characters. He then shared them with Chibnall, and together they picked out the themes they liked best. Using synthesizers or electronic sound generators, Ólafur also composed sounds to be heard when action occurred in certain spaces, such as the cliffs. Once he saw the completed footage for the first episode, he rearranged some themes to fit the imagery, and composed several new themes as well. Because there was so little time between his being hired and the air date, Ólafur composed very quickly and spent extraordinarily long days at work. He had just four months to generate about 30 minutes of sound and music for each episode, spending one-and-a-half to two weeks on each episode.^[61] Despite the time crunch, Ólafur credited Chibnall's relaxed attitude as the key to the music's success.^[63]

Uchun musiqa Broadchurch deliberately avoided a typical orchestral score. Ólafur felt that an orchestra sounded too large and perfect. Music which was intimate and depicted the flawed lives of the characters was needed, so the score was written for a torli kvartet and piano, accompanied by electronic sound.^[61] Recording, which took just five days,^[61] was done in an empty church in Reykyavik.^[7]

The musical soundtrack to Broadchurch series one includes four songs: "So Close" (the only song to include lyrics), "Suspects", "Arcade", and "Broken".^[7] "So Close" plays at the end episodes one through seven. Ólafur collaborated on "So Close" with singer Arnór Dan of the Icelandic band Agent Fresco (with whom Ólafur had worked on his third studio album, Hozir men qishdayman, released in February 2013). Arnór wrote the vocal melody, while Ólafur wrote the rest of the music. Chris Chibnall contributed the lyrics,^[61] which hold clues to the killer's identity.^[7]

Ólafur Arnalds won a British Academy Television (BAFTA) Craft Award for Original Television Music in April 2014. It was his first composition for television.^[63] Ólafur's music was widely praised. Mike Hale, writing in The New York Times, called it "a tasty icing of gloom and foreboding", and noted that the show leaned very heavily on the mood that the music created.^[19] Cast members were equally as impressed with the music. Actress Jodie Whittaker has said that "hearing the music by Ólafur Arnalds just broke me every time."^[64] Actor Andrew Buchan was equally effusive. "The power of music can draw people in more than they realise. I had never heard a piece of music like it. They deliberately went left-field with Ólafur Arnalds. I found it haunting, beautiful and desolate. It can make or break a show. If you think about your reasons for watching Qotillik, the music that swells at the end draws you into watching another one. Same with Broadchurch — the music can't be ignored."^[65]

The Broadchurch (Music From the Original Soundtrack) kengaytirilgan o'yin album was released on 15 April 2013 by Merkuriy klassiklari, ning bo'linishi Decca Records.^[66] It contained six tracks:

1. "Main Theme" – Ólafur Arnalds
2. "So Close (feat. Arnór Dan)" – music by Ólafur Arnalds and Arnór Dan, lyrics by Chris Chibnall
3. "Suspects" – Ólafur Arnalds
4. "Arcade" – Ólafur Arnalds
5. "Broken" – Ólafur Arnalds
6. "Beth's Theme" – Ólafur Arnalds

Post-ishlab chiqarish

Vizual keyingi ishlab chiqarish kuni Broadchurch series one was handled by the firm Deluxe 142.^[5][67]

The newly founded company Sonorous provided audio post-production. Broadchurch was its first television project.^[68] Sonorous' Howard Bargroff was involved in the post-production process even before the first episode had been fully edited. Bargroff held meeting with the producers and post-production as every episode neared completion, and they jointly identified elements of the sound which were in good shape, and those which needed work.^[69] Sound mixing was done using PMC Ltd."s TB2 speakers.^[70] Kompaniya etkazib berdi oqim QuickTime files to the producers to keep them up to date with mix changes.^[68] To maintain secrecy, actors had to pastadir dialogue without seeing the accompanying footage. This prevented workers at the audio post-production facility from seeing any critical visual information and leaking it to the press.^[18]

Qabul qilish

Tanqidiy qabul

Seriyalardan biri Broadchurch won near-universal praise.^[19][71] Radio Times named it the best television series of 2013,^[9] Matthew Bell of the industry journal Televizor called it "a cultural phenomenon",^[13] va Ko'ngilochar haftalik va Nottingem Post called it a "national obsession" in the U.K.^[18][72] A typical critical assessment was made by Tirdad Derekhshani in Filadelfiya tergovchisi: "British TV writer Chris Chibnall achieved something special with the ITV show Broadchurch: It's a tense, gripping murder mystery, for sure, but the eight-episode series that was shown on BBC America in August also is a brilliantly plotted, multilayered, intimate character study...[f]eaturing a brilliant ensemble cast..."^[73]

Not all reviews were rhapsodic. Mayk Xeyl ichkariga kirdi The New York Times, noted, "It's a pre-eminent example of what could be called the new International Style in television drama: a moody, slow-moving, complicated crime story with damaged heroes and not much redemption to go around." He found the characters "typical", and the show largely redeemed by the superb acting rather than any insightful writing or plotting. Although he praised Broadchurch's music, cinematography, and editing, he also pointed out that they were highly derivative of the 2007-2012 Daniya qotillik-sir Forbrydelsen and its 2011-2014 American remake Qotillik.^[19] Some reviews were even harsher. John Byrne at RTÉ deb nomlangan Broadchurch downright boring.^[71]

Broadchurch series one also received a record-setting number of tweets on Twitter. Series one received a total of 470,000 tweets during its run, the largest number of tweets for an ITV program since Twitter began keeping records. About 260,000 tweets were sent while the final episode aired, with a peak of 8,942 tweets per minute.^[74]

Reytinglar

Broadchurch series one was the highest-rated drama on British television in 2013.^[75]

Ning birinchi epizodi Broadchurch series one was seen by an average of 9.1 million viewers (31 percent audience share). This included 6.15 million live viewers (25.2 percent audience share), with another 716,000 viewers (4.4 percent) on time-delayed viewing via raqamli video yozuvchisi, timeshifted channels (+1), and similar media and technologies. It won its time-slot beating 1-may kuni; halokat signali va Noqulay tanalar.^[76] This was the best premiere episode of a weekday new drama series in the United Kingdom since ITV's Whitechapel debuted in January 2009.^{[iqtibos kerak ]}

The second episode continued to perform well pulling in 5.78 million viewers (23.2 percent audience share), while another 606,000 viewers (3.7 percent) watching on time-delayed viewing. It once again won its competitive time slot beating Noqulay tanalar va BBC One "s Shetland.^[77] The third episode climbed to its biggest audience so far pulling in 7.30 million viewers (30.9 percent audience share), adding 241,000 (1.1 percent) via time-delayed viewing. Once again it won its time slot.^[78] The fourth episode continued to draw a large audience, pulling in 6.88 million viewers (28.1 percent audience share), and further 308,000 viewers (1.79%) watching on time-delay.^[79] The fifth episode climbed in the ratings from the previous week to help give ITV a win over BBC One, overnight data revealed.^[80] The fifth episode attracted 6.29 million viewers (24.5 percent audience share) at 9 PM. A further 310,000 viewers tuned in via time-delay viewing.^[80] The sixth episode climbed once again in the ratings, overnight data revealed. Live viewers rose to 6.29 million (24.5 percent audience share) with 310,000 viewers tuning in via time-delay.^[81] The penultimate episode won an audience of 6.93 million (27.7 percent audience share) on ITV, with 342,000 (1.9 percent) tuning in on ITV+1.^[82]

Broadchurch attracted an average weekly audience of 7.1 million "live" viewers during its run. After accounting for time-delayed viewing, Broadchurch averaged 9.2 million viewers per episode.^{[iqtibos kerak ]}

Broadchurch series one was not a rating success in all countries, however. When it aired on BBC America in the United States, ratings were negligible. American consumption of the series on iTunes, Amazon.com, and other streaming video sites was also small.^[44]

Mukofotlar

Broadchurch was nominated for seven BAFTA awards. Olivia Colman won Best Actress, David Bradley won Best Supporting Actor, and the show was named Best Drama Series.^[86] The show competed for the BAFTA Audience Award, but lost to "Doktor kuni " (Doktor kim), which also starred David Tennant.^[86] Ólafur Arnalds won Best Original Television Music, while James Strong was nominated for Best Director-Fiction for "Episode One", Mike Jones was nominated for Best Editing-Fiction for "Episode Eight", Catrin Meredydd was nominated for Best Production Design, and Chris Chibnall was nominated for Best Writer-Drama.^[87]

Uy media-relizlari

Broadchurch Keyinchalik serial 135 dan ortiq mamlakatlarda namoyish etildi. Ular qatoriga Avstraliya, Braziliya, Kanada, Xitoy, Frantsiya, Germaniya, Gollandiya, AQSh va Afrikaning bir qator davlatlari kiradi.^[74]

Ning birinchi seriyasi Broadchurch kuni ozod qilindi DVD tomonidan Buyuk Britaniyada Acorn Media UK 2013 yil 20 mayda.^[100] Keyinchalik, maxsus nashr Blu ray DVD-da topilgan maxsus xususiyatlarga qo'shimcha ravishda audio sharhlar va o'chirilgan sahnalarni o'z ichiga olgan, Buyuk Britaniyada 2013 yil 4 noyabrda chiqarilgan.^[101]

Seriya AQShda 2014 yil 1 aprelda DVD-da chiqarildi Entertainment One.^[73]

Izohlar

Adabiyotlar

Bibliografiya

• ITV (2013 yil 6-fevral). "Broadchurch: ITV uchun yangi drama" (PDF). Arxivlandi asl nusxasi (PDF) 2016 yil 4 martda. Olingan 9-noyabr 2014.CS1 maint: ref = harv (havola)
• Millerson, Jerald; Ouens, Jim (2012). Televizion ishlab chiqarish. Nyu-York: CRC Press. ISBN  9781136038907.CS1 maint: ref = harv (havola)
• G'arbiy Dorset tuman kengashi (2013). Rasmiy Broadchurch qo'llanmasi (PDF) (Hisobot). Arxivlandi asl nusxasi (PDF) 2014 yil 29 noyabrda. Olingan 9-noyabr 2014.CS1 maint: ref = harv (havola)

Tashqi havolalar

• Broadchurch - qismlar ro'yxati IMDb