Mureen OHara - Maureen OHara - Wikipedia

Ushbu maqola aktrisa va qo'shiqchi haqida. Moliyaviy iqtisodchi uchun qarang Mureen O'Hara (moliyaviy iqtisodchi).

Mureen O'Hara
Maureen O'Hara 1947 2.jpg
1947 yilda O'Hara
Tug'ilgan
Maureen FitzSimons

(1920-08-17)1920 yil 17-avgust
Ranelagh, Dublin, Irlandiya
O'ldi2015 yil 24 oktyabr(2015-10-24) (95 yosh)
Boise, Aydaho, BIZ.
Dam olish joyiArlington milliy qabristoni
Millati
KasbAktrisa, qo'shiqchi
Faol yillar1938–1971, 1991–2000
Turmush o'rtoqlar
Jorj X. Braun
​
​
(m. 1939; bekor qilish.  1941)​
Will Price
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(m. 1941; div 1953)​
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(m. 1968 yil; 1978 yilda vafot etgan)​
Bolalar1

Mureen O'Hara (tug'ilgan Maureen FitzSimons; 1920 yil 17 avgust - 2015 yil 24 oktyabr) Irlandiyalik aktrisa va qo'shiqchi edi. U tez-tez ehtirosli, ammo oqilona qahramonlar o'ynashi bilan mashhur bo'lgan taniqli qizil sochli edi g'arbiylar va sarguzasht filmlari. Ko'p marta u direktor bilan ishlagan Jon Ford va qadimgi do'stim Jon Ueyn.

O'Hara Dublinda katolik oilasida o'sgan va juda yoshligidan aktrisa bo'lishga intilgan. U Rathmines Teatr Kompaniyasida 10 yoshidan va undan boshlab mashq qildi Abbey teatri 14 yoshdan boshlab unga ekran sinovi o'tkazildi, u qoniqarsiz deb topildi, ammo Charlz Loton salohiyatni ko'rdi va u bilan birga rol o'ynashni tashkil qildi Alfred Xitkok "s Yamayka mehmonxonasi 1939 yilda. U xuddi shu yili u bilan birga ishlab chiqarish uchun Gollivudga ko'chib o'tdi Notr-Damning hunchbigi tomonidan shartnoma tuzilgan RKO rasmlari. U erdan u uzoq va yuqori martaba bilan shug'ullanishni davom ettirdi va "Texnik rang malikasi" laqabini oldi.

Kabi filmlarda suratga tushgan Mening vodiysi qanday yashil edi (1941) (uning Jon Ford bilan birinchi hamkorligi), Qora oqqush bilan Tyrone Power (1942), Ispaniya magistrali (1945), Sinbad dengizchi (1947), Rojdestvo klassikasi 34-ko'chadagi mo''jiza (1947) bilan Jon Peyn va Natali Vud va Koman hududi (1950). O'Hara o'zining birinchi filmini u bilan eng yaqin aloqada bo'lgan aktyor Jon Ueyn bilan suratga oldi Rio Grande (1950). Buning ortidan Jim odam (1952), Burgutlarning qanotlari (1957), Maklintok! (1963) va Katta Jeyk (1971). Ueyn Ueyn bilan kuchli kimyo edi, chunki ko'pchilik ularni turmush qurgan yoki aloqada deb taxmin qilishgan. 1960-yillarda O'Hara yoshi o'tgan sayin ko'proq onalik rollariga o'girilib, kabi filmlarda qatnashgan O'ladigan sahobalar (1961), Ota-onalar uchun tuzoq (1961) va Noyob zot (1966). U 1971 yilda sanoatdan nafaqaga chiqqan, ammo 20 yildan so'ng qaytib kelgan John Candy yilda Faqat yolg'iz (1991).

1970-yillarning oxirida O'Hara uchinchi erini boshqarishda yordam berdi Charlz F. Bler, kichik uchayotgan biznes Avliyo Kroy ichida AQSh Virjiniya orollari, va jurnalni tahrir qildi, lekin keyinchalik ularni ko'proq vaqt sarflash uchun sotdi Glengarrif Irlandiyada. U uch marta turmush qurgan va ikkinchi qizi bilan Bronvinning bitta qizi bo'lgan. Uning tarjimai holi, O'zi, 2004 yilda nashr etilgan va a Nyu-York Tayms Bestseller. 2014 yil noyabr oyida unga an Faxriy akademiya mukofoti "Mouren O'Haraga, Gollivudning eng yorqin yulduzlaridan biri, uning ilhomlantiruvchi chiqishlari ehtiros, iliqlik va kuch bilan porlagan". 2020 yilda u 1-o'rinni egalladi Irish Times Irlandiyaning eng buyuk kino aktyorlari ro'yxati.[1]

Dastlabki hayot va ta'lim

O'Hara 1948 yilda onasi Margerit FitzSimons bilan

1920 yil 17-avgustda tug'ilgan,[2] O'Hara hayotini Dublin atrofi Beechwood prospektida Maureen FitzSimons sifatida boshladi Ranelagh.[3] U "men umidvor bo'lgan eng ajoyib va ​​ekssentrik oilada tug'ilganman" deb aytdi.[4] O'Hara Charlz va Marguerit (Lilburn ismli) FitzSimonsning olti farzandidan ikkinchi kattasi va oiladagi yagona qizil boshli bola edi.[5] Uning otasi kiyim-kechak bilan shug'ullangan va sotib olgan "Shamrock Rovers" futbol klubi,[6] O'Hara jamoasini bolaligidan qo'llab-quvvatladi.[7]

U qo'shiq ovozini onasidan meros qilib oldi,[5] sobiq opera qarama-qarshi va yoshligida Irlandiyaning eng chiroyli ayollaridan biri hisoblangan muvaffaqiyatli ayollar matolari. O'Haraning ta'kidlashicha, har doim onasi uydan chiqib ketganda, erkaklar ko'chada uni ko'rib qolish uchun uylaridan chiqib ketishadi.[2] O'Haraning aka-ukalari Peggi, eng kattasi va kichik Charlz, Florri, Margot va Jimmi edi. Peggi o'z hayotini diniy tartibga bag'ishladi, a Xayriyat singlisi.[2]

"Men o'jar bola edim - deyarli qo'pollikgacha to'kis edim. Men haqiqatni aytdim va barcha shaytonlarni sharmanda qildim. Men intizomni yaxshi qabul qilmagan edim. Meni maktabda hech qachon tarsaki tutmas edim. Agar o'qituvchi meni tarsaki tushirganida edi O'ylaymanki, men jasur va yomon bola edim, lekin bu juda hayajonli edi, keyinroq Dominikan kollejiga borganimda, menda yo'q edi beaux boshqa qizlar singari. Ikki yil davomida meni kuzatib yurgan bitta bola bor edi. Nihoyat u menga hech qachon biron marta gapirishga jur'at etmaganligini aytdi, chunki men shunday qilsam, uning boshini tishlab olaman ".

—O'Hara uning bolaligidagi shaxsiyati haqida.[8]

O'Hara pudgiya go'dakligi uchun "Chaqaloq fil" laqabini oldi.[2] Tomboy, u baliq ovlashni yaxshi ko'rardi Doder daryosi, ot minish, suzish va futbol,[9] va o'g'il bolalar o'yinlarini o'ynab, daraxtlarga ko'tarilishardi.[5]

O'Hara futbolga shunchalik qiziqar ediki, bir paytlar u otasini ayollar jamoasini tuzishga majbur qildi va buni tan oldi Glenmalure Park, uyning zamini "Shamrock Rovers", "ikkinchi uy kabi" bo'lib qoldi.[9] U jang qilishni yaxshi ko'rardi va mashq qildi dzyudo o'spirin sifatida.[10] Keyinchalik u yoshligidagi o'g'il bolalarga va ularda mavjud bo'lgan erkinlikka hasad qilishini va ular bog'lardan olma o'g'irlashlari va muammoga duch kelmasliklari mumkinligini tan oldi.[11]

O'Hara avvaliga Jon Stritdagi G'arbiy qizlar maktabiga bordi Tomas ko'chasi Dublinda Ozodlik maydoni.[12] U 5 yoshida raqsga tushishni boshladi,[2] lo'lilar boyib ketishini va mashhur bo'lishini bashorat qilganida va u o'zining orqa bog'ida o'tirgan do'stlari bilan "dunyodagi eng taniqli aktrisaga aylanaman", deb maqtanar edi. Uning g'ayratli oilasi ushbu g'oyani to'liq qo'llab-quvvatladi.[13] Olti yoshida maktabda sahnada she'r o'qiganida, O'Hara darhol tomoshabinlar oldida chiqish uchun jozibadorlikni sezdi. O'sha yoshidan u birodarlari bilan birgalikda drama, musiqa va raqs bo'yicha Dublindagi Ena Meri Burke nomidagi drama va ko'chirish maktabida o'qidi.[8] Ularning san'atga yaqinligi O'Harani oilani "Irlandiyalik fon Trapp oilasi" deb atashga undadi.[2]

O'Hara (o'ngda) opa-singillar Margot va Florri bilan 1947 yilda

10 yoshida O'Hara qo'shildi Ratminalar Teatr kompaniyasi va darslaridan keyin kechqurun havaskorlik teatrida ishlay boshladi.[14] Uning dastlabki rollaridan biri bu edi Robin Gud Rojdestvo pantomimida.[8] O'Haraning bu paytdagi orzusi sahna aktrisasi bo'lish edi. 12 yoshiga kelib O'Hara balandligi 5 fut 6 dyuymga (1,68 m) erishdi va onasini bir muncha vaqt Irlandiyada "eng baland bo'yli qiz" bo'lishidan xavotirda edi, chunki Mureenning otasi 6 fut 4 dyuym edi. (1,93 m). U O'Hara atigi ikki dyuym o'sganida, u yengillik bildirdi.[15]

14 yoshida O'Hara qo'shildi Abbey teatri. U dramaturg tomonidan o'qitilgan bo'lsa-da Lennoks Robinson, u teatrda o'z vaqtini umidsiz deb topdi.[15] 1934 yilda, 15 yoshida, u milliy ijrochilik san'ati tanlovining birinchi dramatik mukofotiga sazovor bo'ldi,[5] Portlin rolini ijro etganligi uchun Dublin Feis mukofoti Venetsiya savdogari.[15] U stsenariy terish mashinasi bo'yicha mashg'ulot olib bordi, u "Eveready Battery" kompaniyasiga qo'shilishidan oldin Crumlin kir yuvish korxonasida ishlagan, u erda yozuv mashinasi va buxgalter bo'lib ishlagan.[16] Keyinchalik u ssenariyni yozishda o'z mahoratini ishga soldi Jim odam Jon Ford uchun.[5]

1936 yilda u maktabni tugatgan eng yosh o'quvchi bo'ldi Gildxoll musiqa maktabi o'sha paytda va keyingi yil u Dawn Beauty tanlovida g'olib bo'lib, 50 funt yutib oldi.[15] U yosh ayolga aylanib ulgurganida, O'Hara, ko'plab aktrisalar singari, o'z-o'zini anglay boshladi va bu unga bir muncha vaqt ta'sir qildi. Uning otasi teatrning orqa tarafidan tomosha qilgan bitta spektaklda O'Hara "old tomondan kimdir meni kuzatayotganini sezdi, ehtimol tanqidiy jihatdan. Qo'llarim qo'rg'oshin kabi edi. O'sha kecha men chirigan tomosha ko'rsatdim. Men katta bo'ldim meni kulayotgan dahshatli tuyg'u bilan ".[17]

Kino karerasi

Ilk martaba (1937-1940)

"Ekranda bir qiz bor edi. U kamida 35 yoshga kirgan edi, u juda yaxshi edi ... juda kelishgan yuz va sochlari juda ajoyib uslubda, lekin shunchaki bo'linish uchun uning yuzida ikkinchi nur paydo bo'ldi. Siz qizning boshingizni o'girganini ko'rgansiz, bu sizning barcha makiyajlaringiz orasida mutlaqo ko'rinmas edi, va janob Pommer biz sizni chaqirgan edik, siz kelib, bo'ron kabi ofisga uchib kirdingiz, sizda tvid kostyum bor edi. Sochlar chiqib, Irlandiyadan kelayotgan edi. Siz ofisga bostirib kirdingiz va [irlandcha talaffuzda] "Watchya men bilan istaydi" dedingiz, men sizni tushlikka olib chiqdim va nega aktrisa bo'lishni xohlayotganingizni so'raganimda hech qachon unutmadim ... Sizning javobingizni hech qachon unutmayman. Siz: "Men bolaligimda bog'dan pastga tushar, gullar bilan suhbatlashar va o'zimni o'zi bilan gaplashayotgan gulga o'xshatganman" deb aytgan edingiz. Va siz juda yoqimli qiz bo'lishingiz va juda yaxshi aktrisa bo'lishingiz kerak edi. Va sizning ikkalangiz ham osmon biladi ".

- Charlz Loton O'Haraga 17 yoshida uni ko'rganligi haqidagi yaxshi xotiralari bilan murojaat qilmoqda.[5]

17 yoshida O'Hara Abbey teatrida o'zining birinchi asosiy rolini taklif qildi, ammo aktyor-qo'shiqchining e'tiboridan chalg'itdi. Garri Richman. Richman menejeri bilan kelishib oldi Gresham mehmonxonasi u oilasi bilan ovqatlanayotganda uni mehmonxonada kutib olish uchun Dublinda. U unga Elstree Studios-ga borishni taklif qildi ekran sinovi va kino aktrisasi bo'ling. Ko'p o'tmay O'Hara onasi bilan Londonga etib keldi.[17] Ekran sinovi davomida studiya uni "yenglari qanot singari silkitadigan oltin lama libos" bilan bezatdi.[18] va bezatilgan soch turmagi bilan og'ir bo'yanish, bu qoniqarli emas deb hisoblangan. O'Hara tinglashdan nafratlandi, uning davomida u telefonni olib yurishi kerak edi. U o'z-o'zidan: "Xudoyim, meni Abbeyga qaytar", deb o'ylaganini esladi.[17] Charlz Loton keyinchalik sinovni ko'rdi va haddan ziyod bo'yanish va kostyumga qaramay, uning katta va ifodali ko'zlariga alohida e'tibor berib, qiziqib qoldi.[5] Uning biznes sherigining roziligini izlaganidan keyin Erix Pommer,[19] Ular O'Hara bilan Konni Chapman va Vere Barker tomonidan boshqariladigan iste'dodlar agentligi orqali uchrashishni kelishib oldilar.[20] Lauton O'Haradan juda hayratda qoldi, ayniqsa uning asabiyligi va uning iltimosiga binoan ko'chirmani o'qishdan bosh tortgani, u shunday dedi: "Kechirasiz, lekin mutlaqo yo'q".[20] Unga yangi Mayflower Pictures kompaniyasi bilan dastlabki etti yillik shartnoma taklif qilindi.[19] Uning oilasi unga juda yosh shartnoma tuzilganidan hayratga tushgan bo'lsa ham, ular qabul qilishdi va O'Hara Londonda film karerasini boshlash uchun qaytib kelishidan oldin Irlandiya bo'ylab nishonlash uchun sayohat qildi.[21] Keyinchalik O'Hara "Men butun faoliyatim uchun janob Pommerga qarzdorman" deb aytdi.[5]

O'Hara aka-uka Jeyms O'Hara va Charlz B. FitsSimons, 1954

O'Hara birinchi marta ekranga chiqdi Valter Forde "s Oyni aylanib chiqish (1938), garchi u buni filmografiyasining bir qismi deb hisoblamagan bo'lsa ham. Richman uni Ford bilan Elstree Studios-da tanishtirgan edi, lekin u filmda taniqli rolda suratga olinmagani uchun, u ekranning sinovida yordam bergani uchun Richmanga yaxshilik sifatida bitta satrni berishga rozi bo'ldi.[22] Lughton uning kam byudjetli musiqiy filmda paydo bo'lishini tashkil qildi Mening Irlandiyalik Molli (1938), uning haqiqiy ismi ostida suratga olgan yagona film - Mureen FitzSimons. Filmda u Molli ismli etim qizni qutqaradigan Eile O'Shea ismli ayol rolini o'ynaydi.[22] Biograf Obri Malone bu haqda shunday dedi: "Kimdir O'Hara hech qachon u kabi jozibali ko'rinmagan deb ta'kidlashi mumkin. Kichkina miss Molli, u hali "Mureen O'Hara" bo'lmasa ham. U hech qanday bo'yanish qilmaydi va Gollivud jozibasi yo'q, lekin bunga qaramay (yoki shuning uchunmi?), U juda chiroyli. Uning talaffuzi qalin, shuning uchun ham u film haqida ko'p gapirmagan. Bundan tashqari, u 1930-yillarda emas, balki 1920-yillarda yaratilganga o'xshaydi, shuning uchun to'plamlar va personajlar ibtidoiy ". Malonening ta'kidlashicha, lot" ham musht "bo'lsa-da, bu" O'Hara olimlari kerak bo'lgan g'alati film ". uning dramatik vaqt va sahnani talqin qilish uchun tabiiy instinktining dastlabki dalillarini ko'rish uchungina ko'rish ".[21]

O'Haraning birinchi yirik filmdagi roli Meri Yellinning rolidir Yamayka mehmonxonasi (1939), rejissyor Alfred Xitkok va birgalikda Laughton ishtirok etgan.[23] O'Hara mehmonxonachining jiyani, xolasi va amakisi bilan Kornish tavernasida yashashga ketayotgan etimni tasvirlab berdi,[24] u "oilasining muhabbati va niqob kiygan advokatga bo'lgan muhabbati o'rtasida uzilib qolgan" deb ta'riflagan qahramon. Loton o'z ismini "O'Mara" yoki "O'Hara" deb qisqartirishni talab qildi va oxir-oqibat ikkalasiga ham nafrat bildirganidan keyin ikkinchisiga qaror qildi. [25] U "Men Mouren FitzSimonsni yaxshi ko'raman va buni saqlamoqchiman" deganida, Lauton "Juda yaxshi, sen Mureen O'Hara" deb javob berdi. (Keyinchalik O'Hara "hech kim hech qachon [FitzSimons] ga to'g'ri kelmaydi" deb aytgan). [26] O'Hara Loton har doim o'z qizini istaganini va unga shunday munosabatda bo'lganligini ta'kidladi.[27] va keyinchalik u Lotonning 1962 yilda vafoti ota-onasidan ayrilishga o'xshaganligini aytdi. U Hitchcock ostida yaxshi ishlagan va "boshqa ko'plab aktyorlar u bilan ishlash paytida o'zini his qilgan deb da'vo qilgan Hitchcock bilan ajrashish g'alati tuyg'usini hech qachon boshdan kechirmaganman" deb ta'kidlagan.[25] Aksincha, Laughton butun prodaktsiya davomida Hitchcock bilan qattiq kurash olib borgan va Hitchcockning ko'plab g'oyalaridan norozi bo'lgan, shu jumladan romandan yomon odamning tabiatini o'zgartirgan.[28] Garchi Yamayka mehmonxonasi odatda tanqidchilar va rejissyorning o'zi uning eng zaif filmlaridan biri sifatida qaraladi,[29] O'Hara maqtovga sazovor bo'ldi, bir tanqidchi "yangi kelgan Mureen O'Hara aktrisa sifatida o'ziga xos va'daga qarashga jozibali" deb aytdi. Filmni tomosha qilish O'Hara va o'zini anglashdagi o'zgarish uchun ko'z ochuvchi omil bo'ldi, chunki u doimo o'zini tomboy ko'rgan va ekranda u boshqalar uchun juda go'zal ayol ekanligini anglagan. Film tugagandan so'ng u qisqa vaqt ichida Irlandiyaga qaytib kelganida, uning hayoti endi hech qachon bir xil bo'lmasligini anglab etdi va u ba'zi mahalliy qizlarga yoqimli suhbat qurishga urinib ko'rganida xafa bo'ldi va ular uni juda yaxshi deb hisoblab, uning yutuqlarini rad etishdi. dimog'dor. [30]

O'Hara ichkarida Notr-Damning hunchbigi (1939)

Laughton O'Haraning o'yinidan juda mamnun edi Yamayka mehmonxonasi u uning qarshisiga tashlangan Notr-Damning hunchbigi (1939) uchun RKO Gollivudda. U o'tirdi RMS Qirolicha Maryam u bilan onasi bilan Nyu-Yorkka, keyin esa poliezdda Gollivudga sayohat qildi.[31] O'Haraning agenti, Lyov Vasserman, ish haqini haftasiga 80 dollardan haftasiga 700 dollargacha oshirishni tashkil qildi.[32] RKO ning yangi qiyofasi sifatida u film chiqqunga qadar Gollivud matbuoti va jamiyat tomonidan katta e'tiborga sazovor bo'ldi, bu unga noqulaylik tug'dirdi, chunki u o'zini "yangilik" sifatida qarashayotganini va "odamlar shov-shuv ko'tarayotganini" sezdi. Men hali qilmagan narsam tufayli, ular shunchaki men o'ylaganlar mumkin qil ".[33] O'Hara tasvirlangan Esmeralda,[34] qamoqda bo'lgan va keyinchalik Parij hukumati tomonidan o'limga mahkum etilgan lo'lilar raqqosasi.[35] Direktor Uilyam Diterl dastlab O'Hara juda baland ekanligidan xavotirga tushgan va uning to'lqinli sochlarini yoqtirmagan, uni to'g'rilash uchun dush ostiga o'tishini so'ragan.[33] Suratga olish ishlari boshlangan San-Fernando vodiysi, shahar o'z tarixidagi eng issiq yozni boshdan kechirayotgan bir paytda. O'Hara buni og'ir jismoniy makiyaj va kostyum talablari tufayli "jismoniy talabchan tortishish" deb ta'riflagan va u Laughtonga kosmetikada Kvazimodo sifatida nafas olganini eslab, "Yaxshi Xudo, Charlz. Sizmi?"[36] O'Hara boshidanoq o'z kaskadyorliklarini bajarishni talab qildi va osilgan odam bo'yniga ilmoq qo'ygan sahnada xavfsizlik to'rlaridan foydalanilmadi. Film kassada 3 million dollarga ega bo'lgan tijorat muvaffaqiyatiga erishdi. O'Hara odatda uning ijrosi uchun maqtovga sazovor bo'ldi, biroq ba'zi tanqidchilar Lauton shouni o'g'irlagan deb o'ylashdi. Bir tanqidchining fikriga ko'ra, filmning kuchi shunday deb yozgan: "Lafton ayanchli hunchback va O'Hara bilan yangi yuzli, mehribon g'ayrati lo'lining qizi o'rtasidagi farq - bu Gollivud eng ilhom bilan birlashmoqda".[37]

Tugagandan so'ng Notr-Damning hunchbigi, Ikkinchi jahon urushi boshladi va Laughton o'z kompaniyasining Londonda endi film suratga olmasligini tushunib, O'Haraning shartnomasini RKOga sotdi.[38][39] Keyinchalik O'Hara bu "yuragimni buzdi, men g'alati va uzoq joyda o'zimni butunlay tashlab ketgandek his qildim" deb ta'kidladi.[40] U keyingi o'rinni egalladi Jon Farrow "s Taloq to'g'risidagi qonun hujjati (1940), qayta tuzish Jorj Kukor "s 1932 yilgi film. O'Hara o'ynagan Sidney Feyrchildning obrazini yaratdi Katarin Xepbern asl nusxada, u "ssenariysi [eng yaxshi darajada o'rtacha” edi "deb hisoblagan filmda.[41] Farrowning xabar berishicha, unga "maslahat beruvchi izohlar" berib, uni uyda ta'qib qilishni boshlagandan so'ng, O'Hara uchun ishlab chiqarish qiyinlashdi; bir marta O'Hara unga jinsiy aloqada emasligini anglab etgach, uni suratga olish maydonida bezorilik qila boshladi. Bir kuni O'Hara uning jag'iga musht tushirdi, bu esa yomon munosabatga chek qo'ydi.[42] O'Haraning ijrosi tanqidchilar tomonidan tanqidchilar tomonidan tanqid qilindi Nyu-York Quyoshi u "u bo'lishi kerak bo'lgan shiddat va umidsizlikdan mahrum bo'lgan; shuningdek, u hazil uchquniga o'xshamagan" deb yozgan.[39] Keyinchalik u raqs guruhi bilan birga ijro etishni istagan balerinaning rolini topdi Raqs, qiz, raqs (1940). U bu filmni jismonan talab qiladigan film deb bildi va bundan qo'rqqanini his qildi Lyussil to'pi u ilgari bo'lgani kabi ishlab chiqarish paytida Zigfeld va Goldvin qiz va ustun raqqosa edi.[43] Film tugagandan keyin ikkalasi ko'p yillar davomida do'st bo'lib qolishdi.[44] Tanqidchi Molli Xaskell O'Hara "yuksak san'at ibodatxonasi emas, balki vodvil uyida biroz chuqurroq" deb o'ylardi.[45]

Gollivud muvaffaqiyati (1941–1943)

O'Hara ichkarida Mening vodiysi qanday yashil edi (1941)

O'Hara 1941 yilda paydo bo'lish bilan boshlandi Ular Argentinada uchrashishdi, RKO ning javobi Argentina yo'lidan pastga (1940). Keyinchalik O'Hara "bu yomon narsa bo'lishini bilar edi; dahshatli ssenariy, yomon rejissyor, g'ayrioddiy syujet, unutilmas musiqa".[46] Ayni paytda u martaba yo'nalishidan tobora ko'proq xafa bo'ldi. Ida Tsitlin O'Hara "sochiqni uloqtirishga, shartnomasini buzishga, befarqlikning tosh devoriga qulab tushishga va go'dak bo'riday uvillashga tayyor bo'lgan umidsizlik darajasiga etganini" yozgan.[47] U agentidan kichik bo'lsa ham, rol so'radi Jon Ford yaqinda film Mening vodiysi qanday yashil edi (1941), da 20th Century Fox,[48] yaqin, mehnatsevar haqida film Uelscha kon yuragida yashovchi konchilar oilasi Janubiy Uels vodiylari 19-asrda.[49] G'olib bo'lgan film "Eng yaxshi film" uchun Oskar mukofoti,[50] Ford bilan 20 yil va beshta badiiy filmni o'z ichiga olgan badiiy hamkorlikni boshladi.[51]

Uning Angharad rolidagi to'liq roli, unga to'liq ekranli sinovsiz berilgan,[48] urish Katarin Xepbern va Gen Tirni qismga,[52] uning kashfiyot roli ekanligi isbotlandi.[50] Bu uning RKO bilan shartnomasini o'zgartirish orqali amalga oshirildi, unda Fox har yili O'Haraning bitta filmda suratga olish huquqini sotib oldi.[53] Ford unga "Rosebud" taxallusini yaratdi,[5] O'Hara tez-tez Ford va uning rafiqasi Meri bilan ijtimoiy tashriflarda bo'lib, uning yaxtasida vaqt o'tkazar edilar va ikkalasi uzoq, ammo notinch do'stlikni rivojlantirdilar. Araner.[54] Shunga qaramay, Ford o'rtacha chiziq bilan oldindan aytib bo'lmaydigan belgi edi va u biron bir sabab bilan O'Haraning jag'iga biron noma'lum sabab bilan musht tushirdi va u faqat undan tortib oldi, chunki u unga xuddi shunday zarba bera olishini ko'rsatmoqchi edi. kishi.[55] Ishlab chiqarish Mening vodiysi qanday yashil edi dastlab otish uchun mo'ljallangan edi Rhondda vodiysi, ammo urush tufayli uni San-Fernando vodiysida, 1,25 million dollarlik to'plamda suratga olish kerak edi, bu 150 quruvchini olti oy davomida qurib bitkazdi.[52]

O'Hara Ford filmni suratga olish paytida unga keng ko'lamli improvizatsiya qilishga imkon berishini esladi, lekin u "hech kim chiziqdan chiqishga jur'at etolmadi, bu esa ijrochilarga xavfsizlik hissi berdi", deb izohladi.[56] O'Hara juda yaxshi do'stlarga aylandi Anna Li otish paytida u keyinchalik qizining xarakteriga ko'ra qiziga Bronvin ismini bergan.[57] Film tanqidchilar tomonidan yuqori baholandi va 10 ta "Oskar" mukofotiga nomzod bo'lib, uchta mukofotni qo'lga kiritdi, shu jumladan "Eng yaxshi film".[58] Ham O'Hara, ham birgalikda rol o'ynaydi Valter Pijon, vazirni o'ynagan, ularning chiqishlari uchun maqtashdi, bilan Turli xillik "Maureen O'Hara o'zining konkret egasining o'g'lini o'ziga jalb qilgan holda, uning javobsiz sevgisining ob'ekti sifatida ajoyib" deb yozgan.[59]

Kino tarixchisi Jozef Makbrayd O'Haraning ijrosi u Katarin Xepberndan beri ko'rgan eng hissiy jihatdan kuchli edi Shotlandiyalik Meri (1936).[58] O'Hara filmdagi eng sevimli sahnasi cherkov tashqarisida uning fe'l-atvori turmushga chiqqanidan keyin sodir bo'lganligini ta'kidlab, "Men quyida kutib turgan vagonga zinapoyadan pastga tushaman, shamol pardamni ushlaydi va uni juda yaxshi ko'radi. Mening yuzimni aylanib o'ting, so'ngra u boshimning tepasida suzib yurib, osmonga ishora qiladi.[60]

Tyrone Power va O'Hara uchun treylerda Qora oqqush, 1942

Malone ta'kidlashicha, Qo'shma Shtatlar 1941 yilda Ikkinchi Jahon urushiga kirganida, ko'plab yaxshi aktyorlar urush harakatlariga jalb qilingan va O'Hara yaxshi hamkasblarni topish uchun kurashgan. Uning ta'kidlashicha, u tobora ko'proq sarguzashtli suratlarda suratga tushgan, bu unga aktyorlikni rivojlantirishga va Gollivudda o'z obro'sini baland tutishga imkon bergan.[61] O'Hara keyinchalik qarama-qarshi ko'rinishni niyat qilgan Tyrone Power yilda G'azabning o'g'li: Benjamin Bleyk haqida hikoya, ammo 1942 yil boshida kasalxonaga yotqizilgan, shu vaqt ichida uning qo'shimchasi va ikkita tuxumdon kistasi olib tashlangan Reno kasalxonasi. Prodyuser Zanuk bu tanaffus uchun bahona deb o'ylab, operatsiyani masxara qildi. U buni "abortdan qolgan parcha" deb, uni qattiq xafa qilgan, dindor katolik sifatida uzatgan.[62]

O'Hara uning o'rniga rol o'ynagan Texnik rang urush tasviri, Tripoli qirg'oqlariga, uning birinchi Technicolor surati va birinchi ekrandagi sherikligi Jon Peyn, unda u dengiz floti hamshirasi leytenant Meri Karterni tasvirladi.[63] Garchi film katta tijorat yutug'i bo'lgan bo'lsa-da, davrning "xizmat rasmlari" uchun etalonga aylangan bo'lsa-da, keyinchalik O'Hara "nima uchun uning sifati (Bryus Xumberstoun rasmlar hech qachon ularning ta'sirchan kassa kvitansiyalariga mos kelmagandek ko'rinardi ".[63] Malone "filmda hech kim hayot kechirmaganga o'xshaydi. Belgining his-tuyg'ulari, ularning formalari singari, juda sodda ko'rinadi" deb yozgan.[64]

O'Hara ichkarida West Point-dan o'nta janob (1942)

O'Hara keyinchalik armiyaga oshpaz sifatida qo'shilgan uyatchan sotsialist sifatida noan'anaviy rol o'ynadi Genri Xeteuey "s West Point-dan o'nta janob (1942), bu birinchi sinfning xayoliy hikoyasini hikoya qiladi Amerika Qo'shma Shtatlari harbiy akademiyasi 19-asrning boshlarida. Film O'Hara uchun rozi bo'lmadi, chunki Peyn o'qishni tashlab, uning o'rnini egalladi Jorj Montgomeri, u "ijobiy jirkanch" deb topdi.[65] Montgomeri rejissyor "kes" deb baqirgandan keyin u bilan o'pish vaqtini uzaytirib, prodyuserlik paytida unga pas berishga urindi.[66] O'sha yilning oxirida O'Hara aksincha rol o'ynadi Tyrone Power, Laird Cregar va Entoni Kvinn yilda Genri King swashbuckler Qora oqqush. O'Hara bu "pirat dabdabali rasmda siz istagan hamma narsa: momaqaldiroq to'plari bo'lgan ajoyib kema; ​​tahlikali yovuzlar bilan jang qilayotgan qahramon ... qilich janglari; ajoyib liboslar ..." ekanligini esladi. U o'zining "yovuz hazil tuyg'usi" bilan tanilgan Pauer bilan ishlashni quvonchli deb topdi.[67] O'Hara Pauer tomonidan ichki kiyimida haddan tashqari tashlangan rasmdagi bir voqeadan qattiq xavotirga tushdi va oldindan Irlandiyaga uyiga ogohlantirish xati yubordi.[68] U nikoh uzugini bitta sahnada echib olishdan bosh tortdi, natijada uni ekran kechqurun uzukka o'xshatdi.[69] Garchi film tanqidchilar tomonidan maqtovga sazovor bo'lsa va bu davrning eng yoqimli sarguzasht filmlaridan biri sifatida qaralsa ham, tanqidchi The New York Times O'Haraning xarakterida chuqurlik yo'q deb o'yladi va "Mouren O'Hara qoramag'iz va chiroyli - buning uchun hamma narsa talab etiladi" deb izohladi.[70]

O'Hara sevgida qiziqish uyg'otdi Genri Fonda 1943 yilgi urush rasmida O'lmas serjant. O'Hara, Fonda o'sha paytda xizmatga kirish imtihonlari uchun o'qiyotganini va o'qish orasida boshini kitoblarga yozib qo'yganini va "20th Century Fox" filmda ular orasidagi so'nggi muhabbat sahnalaridan birini Fondaning so'nggi ekran o'pishi sifatida e'lon qilganini ta'kidladi. urush.[71] Keyin u aksincha Evropa maktab o'qituvchisini aks ettirdi Jorj Sanders va Charlz Loton, so'nggi filmlarida birgalikda Jan Renoir "s Bu yer meniki RKO uchun.[72] Filmdagi sud ishi yakunida, Laughtonning samimiy nutqi paytida O'Hara ekranda uzoq vaqt ko'z yoshlari bilan namoyish etiladi.[73] Malone uning ijrosini samarali, deb o'ylardi, ham yig'laydi, ham tabassum qiladi, garchi Renoir filmni haddan tashqari oshirib yuborgan va natijada tomoshabinlarni chalkashtirib yuborgan deb hisoblagan.[74]

Keyinchalik, u rol o'ynadi Richard Uolles "s Yiqilgan chumchuq qarama-qarshi Jon Garfild,[75] u uni "mening eng qisqa etakchi odamim, ochiqchasiga kommunist va haqiqiy sevgilim" deb ta'riflagan.[71] Malone ta'kidlashicha, ular juda yaxshi munosabatda bo'lishlariga qaramay, Garfild uni aktrisa sifatida baholamagan. U o'ylaydi Bu er meniki va Yiqilgan chumchuq O'Haraning karerasidagi ikkita muhim surat bo'lib, "uning kino sanoatidagi obro'sining ortishiga" va unga "sarguzasht filmlarning jirkanch melodramasidan chiqib ketishiga" yordam berdi.[76]

Texnikolor malikasi (1944–1949)

"O'Hara xonimni Technicolor malikasi deb atashgan, chunki bu film jarayoni birinchi marta ishga tushganida, uning qizg'ish sochlari, och yashil ko'zlari va beg'ubor shaftoli-kremsi ranglaridan boshqa hech narsa o'zining ulug'vorligini ko'rsata olmaganga o'xshaydi. tanqidchi uni 1950 yildagi "Komansiya hududi" filmini "Technicolor ichida ramkali Miss O'Hara negadir botayotgan quyoshdan ham muhimroq ko'rinadi" degan fikr bilan salbiy baholashda maqtagan. Hatto jarayon yaratuvchilari ham uni eng yaxshi reklama deb atashgan. . "

- Anita Geyts The New York Times O'Hara-da "Technicolor malikasi" sifatida.[77]

O'Hara "Technicolor malikasi" sifatida tanilgan bo'lsa-da (shunga o'xshash) Rhonda Fleming ), u bu jarayonni yoqtirmasligini aytdi, chunki buning uchun maxsus kameralar va uning ko'zlari yoqib yuboradigan kuchli yorug'lik kerak edi klieg eye.[78] Uning so'zlariga ko'ra, bu atama uning karerasiga salbiy ta'sir ko'rsatgan, chunki aksariyat odamlar uni nafaqat iste'dodli aktrisa sifatida, balki filmga yaxshi ko'rinadigan go'zallik sifatida qarashgan.[79] 1944 yilda O'Hara qarshi tomonga tashlandi Djoel Makkrea yilda Uilyam A. Vellman biografik g'arbiy Buffalo Bill.[80] Garchi O'Hara Makkrea uchun juda qo'pol deb o'ylamagan bo'lsa-da Uilyam F. "Buffalo Bill" Kodi, va Malone unga "ishlash uchun ozgina" narsa berganiga ko'ra, bu kassada yaxshi bo'ldi.[81] O'Haraning fikriga zid ravishda,[82] Turli xillik filmni yuqori darajada maqtagan, uni "g'arbiy g'arbiy va ko'pincha ko'z yoshi" deb ta'riflagan va MakKreaning bu qismda ishonchli ekanligi va O'Haraning o'zi "qoniqarli" deb o'ylagan.[83]

O'Hara bilan Pol Henreid yilda Ispaniya magistrali 1945 yilda

1945 yilda O'Hara qarama-qarshi rol o'ynadi Pol Henreid yilda Ispaniya magistrali mo''tabar zodagon ayol sifatida Konstessa Francesca, Meksika noibining qizi.[84] O'Hara buni "mening dekorativ rollarimdan biri" deb ta'riflagan,[85] chunki uning fe'l-atvori kemadagi erkaklar orasida ayniqsa tajovuzkor va film davomida uning yuzi mo'ri tutuniga botgan.[86] Boshqa aktrisa RKO ijrochi direktori Djo Nolanga 1944 yilda qizi tug'ilgandan keyin "otdek katta" deb yolg'on gapirganida, O'Hara bu rolni deyarli yutmadi.[87] Taxminan shu vaqtlarda "Ketrin ismli aktrisa" O'Harani o'zi bilan liftda jinsiy rivojlanishda ayblagan, bu esa aktrisaning kariyerasi boshida e'tiborni jalb qilishning bir usuli deb hisoblagan.[88] Ishlab chiqarish jarayonida Ispaniya magistrali, O'Haraga Jon Ford tashrif buyurdi, u dastlab sharmanda kiyinganligi uchun yuz o'girgan, ammo keyinchalik unga aylanadigan loyiha to'g'risida xabar berishiga rozi bo'lgan. Jim odam (1952). Malone, "O'Hara" filmida "jinsiy hayotni tug'ilish najasida qoldirmaslikka qaror qilganligini" ta'kidlab, u "bu erda ko'rinadigan splashy histrionikada juda xushbo'y hidli ko'rinadi", deb ta'kidladi, RKO ning uchta rangli Technicolor jarayonidagi birinchi filmida " [87] O'Hara a tabiiylashtirilgan 1946 yil 24 yanvarda AQSh fuqarosi,[5] va Qo'shma Shtatlar va uning vatani Irlandiya bilan ikki fuqarolikni qabul qilgan.[89]

Xuddi shu yili u yurak xastaligi bilan og'rigan aktrisaning obrazini yaratdi Valter Lang "s Sentimental sayohat. Tijorat jihatidan muvaffaqiyatli ishlab chiqarilgan O'Hara uni "Mening agentlarimni va Fox-dagi eng qattiq misni ko'rgach, ularni mushukka aylantirgan" deb aytdi.[79] Tanqidchilar uni yomon qabul qildilar va keyinchalik Garvard tomonidan barcha zamonlarning eng yomon filmi deb e'lon qilindi. Bir tanqidchi O'Haraga "ish kunida yashirinib yurishdan foyda ko'radigan go'dak voyaga etmaganlarning qimmatbaho mahsulotlaridan yana biri" deb hujum qildi, Bosli Krouter esa filmni "xakerlik holatlari, maudlinlar suhbati va yomon yomon aktyorlik" deb rad etdi. .[90] Yilda Gregori Ratoff musiqiy Meni sevasizmi, O'Hara o'zini katta shaharda kerakli, zamonaviy xonimga aylantiradigan ko'zoynagi musiqa maktabi dekani tasvirini berdi. U "bu men yaratgan eng yomon rasmlardan biri" deb izohladi.[91] U o'z iste'dodlarini yaxshi ishlata olmaganidan, hatto unda qo'shiq aytolmayotganidan xafa bo'ldi.[92]

Duglas Feyrbanks kichik va O'Hara uchun treylerda Sinbad dengizchi, 1947

O'Haraga rollarni taklif qilishdi Jiletning qirrasi Jon Ueynning filmi Terneyga borgan (1946) Maqnat (1947) ga borgan Lareyn kuni,[93] va Bob umid "s Paleface, qaysi ketdi Jeyn Rassel. U rolni rad etdi Paleface u shaxsiy hayotidagi notinch davrni boshdan kechirayotganligi sababli va "men har kuni kulaman va ko'ngil ochaman deb o'ylamaganman". Keyinchalik u rad etganidan qattiq pushaymon bo'ldi va "dahshatli xato" qilganini tan oldi.[94] 1947 yilda O'Hara qarama-qarshi rol o'ynadi Duglas Feyrbanks kichik sarguzasht filmidagi Shireen singari Sinbad dengizchi. O'Hara Sinbadga (Feyrbanks) yashirin xazinani topishda yordam beradigan jozibali avantyurist rolini o'ynaydi. Buyuk Aleksandr. U stsenariyni "kulgili" deb topdi, ammo bu "RKO uchun pul qozonini yaratdi - deyarli har doim aksion-sarguzashtlar qilgan".[95] Malone shunday deb yozgan edi: "O'Hara ajoyib ko'rinishga ega va u kariyerasidagi eng ajoyib liboslarni kiyib oladi - deyarli har bir sahnada boshqacha - lekin uning suhbati juda bo'sh. U o'zining sybaritik havosi bo'lgan dastlabki sahnalarda potentsialni namoyish etadi u hiyla-nayrang, u deraza kiyinishidan boshqa narsa bo'lishini va'da qilmoqda ", ammo" umuman dramatizm etishmayapti "deb o'ylagan film. Tanqidchi The New York Times O'Hara kostyumlarning haddan tashqari ko'p o'zgarishi uni "charchagan" tajriba "ga aylantiradi deb o'ylardi.[96]

Bostoniyalik qiziqish rolidan keyin Kornel Uayld Humberstone-da Homestretch (1947),[97] O'Hara Gollivuddan hafsalasi pir bo'lgan va vatani Irlandiyaga qaytish uchun ancha tanaffus qilgan edi, u erda odamlar uni juda ozishgan, o'zini yaxshi ko'rinmaydi deb o'ylashgan.[98] U erda u 20th Century Fox-dan Syuzan Uolkerning onasi Doris Uolkerning rolini tasvirlash uchun chaqiruv oldi (yosh rol o'ynagan) Natali Vud ) ichida Rojdestvo filmi, 34-ko'chadagi mo''jiza (1947). Ko'p yillik Rojdestvo klassikasiga aylandi, an'anaviy televidenie televizion kanallari har biri efirga uzatildi Shukur kuni kuni NBC.[99] Natali Vud haqida O'Hara shunday dedi: "Men deyarli qirq bolaga onalik qilganman, lekin kichkina Natali uchun doimo yuragimda alohida o'rin tutardim. U meni doim Mamma Mouren, men esa Natasha deb chaqirdim ... qachon Natali va men sahnalarni suratga oldik Macy's, ularni tunda qilishimiz kerak edi, chunki do'kon kunduzi Rojdestvo xaridlarini qilayotgan odamlar bilan to'lgan edi. Natali buni juda yaxshi ko'rardi, chunki bu unga kech turishga ruxsat berilishini anglatardi. Natali bilan bu safar menga juda yoqdi. Biz tinch, yopiq do'konda yurishni, barcha o'yinchoqlar va qizlarning liboslari va poyabzallarini ko'rib chiqishni yaxshi ko'rardik. U vafot etgan kuni men uyatsiz yig'ladim ".[100] Film bir nechta mukofotlarga sazovor bo'ldi, shu jumladan "Oskar" mukofotining "Eng yaxshi film" nominatsiyasi.[50]

Fred MakMurrey va O'Hara Ota qanot himoyachisi edi, 1949

O'Haraning 1947 yildagi so'nggi filmida u qarama-qarshi kreol ayolini ijro etgan Reks Xarrison yilda John M. Stahl "s Harrowning tulkilari;[101] film fuqarolar urushi oldidan suratga olingan Yangi Orlean.[102] TKM O'Hara yulduzni tomosha qilish uchun "burchakka" tushganligini ta'kidlamoqda Forever Amber (1947), Foksning o'sha paytdagi katta tarixiy romantikasi, ammo shartnomadagi bandga ko'ra, uning ikkala qo'shma shartnoma egalari, Fox va RKO, o'sha paytda uning "yirik yulduzlar vositasida" paydo bo'lishini qabul qilmaydi.[103] Ishlab chiqarish jarayonida O'Hara va Xarrison bir-birlarini boshidanoq qattiq yoqtirmasdilar va u uni "qo'pol, qo'pol va takabbur" deb topdilar.[104] Xarrison uni shunchaki ingliz bo'lgani uchun unga yoqmaydi deb o'ylagan edi. Ma'lumotlarga ko'ra, u raqslar ketma-ketligi paytida uning yuziga tushib, uni yahudiy ayolga uylangan holda antisemitizmda ayblagan (Lilli Palmer ) vaqtida, u buni qat'iyan rad etdi.[105] Turli xillik, uzunligini tan olgan holda, O'Hara va Xarrison dramatik sahnalarini "hayratlanarli mahorat" bilan namoyish etishgan deb o'ylashdi.[103] Keyingi yil O'Hara aksincha rol o'ynadi Robert Young savdoda muvaffaqiyatli komediya filmi, Chiroyli o'tirish.[106] Bosley Crowther ning The New York Times O'Hara va Yangni er va xotin deb maqtab, ularning "zukko" ekanliklarini ta'kidlab, "xushmuomalalik bilan umidsizlikni almashtirib" ish tutdilar.[107]

1949 yilda O'Hara "yulduz mijozini rashk bilan g'azablantirgan holda otib tashlagan ko'ngli qolgan iste'dodlar menejeri" deb ta'riflagan rolni o'ynadi. Melvin Duglas yilda Ayol siri. U faqat RKO oldidagi bir yillik shartnoma majburiyatini bajarish uchun ishlab chiqarishda paydo bo'lishga rozi bo'ldi.[108] Bu kassa flopi edi va o'sha paytda tanqidchilar - rejissyor yaxshi qabul qilinmadi Nikolas Rey o'zi bundan norozi edi.[109] Keyinchalik u alkogolli rassomni sevib qolgan boy beva ayol rolini o'ynadi (Dana Endryus ) Viktoriya melodramasida Taqiqlangan ko'cha,[110] o'qqa tutilgan Shepperton studiyasi Londonda.[110] O'Hara uning ishlashi yomonligini sezdi va filmda yuragi yurishmaganligini tan oldi.[111] Yomon qabul qilingan komediyadan keyin Ota qanot himoyachisi edi, [112] tomonidan ishdan bo'shatilgan Picturegoer jurnal "Freyd va futbolning baxtsiz aralashmasi" sifatida,[113] u o'zining birinchi filmida rol o'ynagan Universal rasmlar,[114] qochish sarguzashtlari, Bag'dod, malika Marjan obrazida.[115] Film joylashgan joyda suratga olingan Alabama tepaligi ning Lone Pine, Kaliforniya.[115] O'Hara film Universal uchun juda katta pul ishlaganligini va uning muvaffaqiyati Universalning RKO shartnomasini sotib olishiga olib kelganini ta'kidladi.[114] Malone o'zining boy tarix tarixi uchun barcha kerakli qutilarni belgilaydigan "derring-do" ertakida qo'shiq aytishini, raqsga tushishini, janjal qilishini va sevishini "yozgan va" agar amalda epchillik to'g'risida gap ketganda, O'Hara tayyor bo'lmagan "edi. .[116]

Jon Ford, g'arbiy va sarguzasht filmlar bilan ishlash (1950-1957)

Jon Ueyn, O'Hara va Viktor Maklaglen Rio Grande, 1950

1950 yilda Technicolor g'arbiy, Koman hududi, O'Hara sochlari o'ralgan holda erkak kabi kiyinadigan, o'zini tutadigan va kurashadigan otashin salon egasi Keti Xovardning bosh qahramoni sifatida g'ayrioddiy rol o'ynadi.[117] U filmni suratga olish jarayonida "amerika kamonchasini o'zlashtirdi", [114] Crowther "botayotgan quyoshdan ko'ra muhimroq" deb hisoblagan rolda, u "o'z vazifasini shu qadar zavq bilan hal qiladiki, qolgan aktyorlar, hindular ham bo'ysundiriladi".[118] She received first billing above co-star Makdonald Keri.[119] O'Hara then appeared as Countess D'Arneau opposite John Payne in Tripoli, directed by O'Hara's second husband, William Houston Price.[120] She was next cast by John Ford in the western Rio Grande, the final installment of his cavalry trilogy. It was the first of five films to be made over 22 years with Jon Ueyn, shu jumladan Jim odam (1952), Burgutlarning qanotlari (1957), Maklintok! (1963) va Katta Jeyk (1971), the first three of which were directed by Ford.[121] O'Hara declared that "from our very first scenes together, working with John Wayne was comfortable for me".[122] Her chemistry with Wayne was so powerful that over the years many people assumed that they were married, and newspapers occasionally published sensationalist stories from people claiming to be their love child.[123] In April 1951, she received a call from Universal Pictures that she was cast as a Tunisian princess named Tanya in the swashbuckler film, Arabi alangasi (1951).[124][125] O'Hara "despised" the film and everything it stood for,[126] but had no choice but to make the film or be suspended. By that point of time, she began to grow tired of the roles she was offered and wanted to perform roles that had more depth than the ones she had done thus far.[127]

O'Hara in 1950

In 1952, O'Hara played Claire, the daughter of the mushketyor, Atos yilda Qilich nuqtasida, which according to her showed the "new Maureen O'Hara".[128] The film had actually been made in 1949 but was not released until 1952.[10] The role was the most physically demanding of her career, doing her own stunts and training in the art of qilichbozlik for six weeks under the Belgian-born fencing master, Fred Kavens. [129] She disliked director Lyuis Allen va prodyuser Xovard Xyuz, whom she thought was "cold as ice".[130] Tanqidchi The New York Times appreciated O'Hara's swordsmanship in the film, stating that she was "snarling like a Fury, impales her opponents as though she were threading a needle."[131] O'Hara next played Irish immigrant Australian-based cowgirl, Dell McGuire, in Lyuis Milestone dramaturgiya Kenguru (1952), set during the drought of 1900. Kenguru is noted for being the first Technicolor film to be shot on location in Australia,[132] mostly shot in the desert near Port Augusta. Although O'Hara disliked the production, she found the Australians extremely welcoming.[133] The Australian government offered her a plot of land during the production to own permanently but she turned it down for political reasons only to later discover that there were significant oil reserves on the land.[134]

In 1952, O'Hara starred opposite John Wayne again in Ford's romantic komediya-drama, Jim odam. Joylashuv joyi bo'yicha tortishish Kong, Mayo okrugi, Irlandiya,[135] O'Hara described the film as her "personal favourite of all the pictures I have made. It is the one I am most proud of, and I tend to be very protective of it. I loved Mary Kate Danaher. I loved the hell and fire in her."[136] Malone notes that she rarely appeared in an interview without mentioning this fact.[137] O'Hara was disconcerted with Ford's harsh treatment of Wayne during the production and constant ribbing.[138] Though Ford generally treated her very well, on one occasion when filming a cart scene in which the wind in her eyes made it difficult to see, Ford yelled "Open your damn eyes" and O'Hara flipped, responding with "What would a bald-headed son of a bitch like you know about hair lashing across his eyeballs?"[139]

O'Hara and John Wayne in Jim odam (1952)

Jim odam was both a critical and commercial success, grossing $3.8 million domestically in its first year of release against a budget of $1.75 million.[140][141] Film tanqidchisi Jeyms Berardinelli called O'Hara "the perfect match for Wayne" and that "she never allows him to steal a scene without a fight, and occasionally snatches one away from him on her own",[142] while film critic and sport yozuvchisi Denni Piri praised their chemistry, "exhibiting strength" through "love, vulnerability and tenderness".[143] Ga binoan Garri Keri kichik, who noted that O'Hara held a strong gaze with Wayne in all of the films they made together, director Ford was uncomfortable with the romantic scenes in the film and refused to shoot the scene until the last day.[144] The film was nominated for six Academy Awards including Best Picture,[50][145] though O'Hara was devastated at not even being nominated for an award.[146] Film rejissyori Martin Skorseze deb nomlangan Jim odam "one of the greatest movies of all time",[147] and in 1996 it topped a poll of the greatest films in the Irish Times.[137]

O'Hara's last release of 1952 was Barcha bayroqlarga qarshi qarama-qarshi Errol Flinn, marking her only collaboration with the actor.[148] O'Hara, knowing Flynn's reputation as a womanizer, was on close guard during the production.[149] Though she "respected him professionally and was quite fond of him personally" she found Flynn's alcoholism a problem and remarked that "if the director prohibited alcohol on the set, then Errol would inject oranges with booze and eat them during breaks".[150] Ga binoan Stiv Jak, O'Hara outdid Flynn in the combat scenes, many of which had to be cut from the final version to protect Flynn's heroic image.[149] The film was a commercially successful venture.[151][152]

The following year she appeared in Vayomindan kelgan Redhead, which she dismissed as "another western stinkeroo for Universal",[153] and appeared in another western with Jeff Chandler, Urush o'qi. O'Hara noted that "Jeff was a real sweetheart, but acting with him was like acting with a broomstick".[154]

O'Hara with Errol Flynn in Barcha bayroqlarga qarshi (1952)

In 1954, O'Hara starred in Malaga, shuningdek, nomi bilan tanilgan Fire over Africa, which was shot on location in Spain. O'Hara played a Mata Xari -like character, a secret agent who attempts to find the ringleader of a smuggling ring in Tanjerlar.[155] Malone compares the relationship in the film between O'Hara as Joanne and Macdonald Carey as agent Van Logan to that of Bogart va Bacall, with frequent verbal sparring. The Oylik filmlar byulleteni wrote: "Maureen O'Hara looks very handsome in Technicolor but her expressions are limited—mostly to disgust at shooting smugglers or pulling knives from dying men".[156]

In 1955, O'Hara made her fourth picture with Ford, Uzoq kulrang chiziq, which she considered being "by far the most difficult" due to declining relations with John Ford.[157] John Wayne had originally intended co-starring, but due to a conflicting schedule O'Hara recommended Tyrone Power in replacement.[156] Malone notes that the Irish accents by O'Hara and Power are overdone, and that there is little trace of a Donegal accent in it.[158] The film production marked the lowest point of O'Hara's relationship with Ford, and each day he would greet her with "Well, did Herself have a good shit this morning?". He would ask the crew if she was in a good mood, and if that was the case, he would say "then we're going to have a horrible day" and vice versa. He would provoke her by telling her to "move her fat Irish ass". Their relationship deteriorated further when O'Hara reportedly saw him kissing an actor on set; Ford knew that she thought he was a closeted homosexual.[159] Yilda The Magnificent Matador, O'Hara played a spoiled, wealthy American who falls in love with a brooding, tormented, about-to-retire matador (Anthony Quinn) in Mexico.[160] Ava Gardner, who was dating a bullfighter in real life, Luis Migel Dominguin,[161] va Lana Tyorner were considered for O'Hara's part of Karen Harrison.[162] The film was panned by the critics.[163] One of her best-known roles came later year, playing Lady Godiva yilda Koventri xonimi Godiva. Contrary to what Universal claimed to the press, O'Hara was not nude in the film, wearing a "full-length body leotard and underwear that was concealed by my long tresses".[164]

O'Hara and Claude Rains in Lissabon (1956)

In December 1955, O'Hara negotiated a new five-picture contract with Columbia Pictures boss Garri Kon, with $85,000 per picture.[164]

The following year, she starred in the Portuguese-set melodramatic mystery film Lissabon uchun Respublika rasmlari. For the first time in her career she played a villain, and remarked that "Bette Devis was right – bitches bor fun to play".[165] In the film, the first Hollywood production to be shot in Portugal,[166] she is caught in a love triangle with Rey Milland va Klod yomg'ir, who according to Malone both attempted to "outsuave each other" during the whole production.[167] Later that year she made Hamma narsa haqiqatdir for Universal, at a time in her career when she was trying to distance herself from adventure films.[168] O'Hara thought the film was so bad that neither she nor her family saw it, though she enjoyed working with Jon Forsit.[169]

"For years I wondered why John Ford grew to hate me so much. I couldn't understand what made him say and do so many terrible things to me. I realize now that he didn't hate me at all. He loved me very much and even thought that he was in love with me".

—O'Hara on John Ford.[170]

In 1957, O'Hara marked the end of her collaboration with John Ford with Burgutlarning qanotlari, which was based on the true story of an old friend of Ford's, Frank "Spig" Wead, a naval aviator who became a screenwriter in Hollywood. Malone wrote that "Wayne and O'Hara interact well in these early scenes, giving effortless performances and exhibiting a strong chemistry. One can sense the offscreen friendship in little nuances between them".[171] Though not a major commercial success, it fared better in the eyes of the critics.[172] The relationship between O'Hara and Ford grew increasingly bitter, and that year he referred to her as a "greedy bitch" to director Jozef Makbrayd, who had shown an interest in casting her for Oyning ko'tarilishi. O'Hara later referred to him as an "instant conman" who would say the opposite of what he felt and said of his bitterness: "He wanted to be born in Ireland and he wanted to be an Irish rebel. The fact that he wasn't left him very bitter".[173]

Later career (1959–1991)

"When we arrived in Gavana on April 15, 1959, Cuba was a country experiencing revolutionary change. Only four months before, Fidel Kastro and his supporters had toppled Fulgencio Batista  ... Che Gevara was often at the Capri Hotel. Che would talk about Ireland and all the guerilla warfare that had taken place there. He knew every battle in Ireland and all of its history. And I finally asked, "Che, you know so much about Ireland and talk constantly about it. How do you know so much?" He said, "Well, my grandmother's name was Lynch and I learned everything I know about Ireland at her knee." He was Che Guevara Lynch! That famous cap he wore was an Irish rebel's cap. I spent a great deal of time with Che Guevara while I was in Havana. Today he is a symbol for freedom fighters wherever they are in the world and I think he is a good one".

—O'Hara on filming Gavanadagi odamimiz in Havana and meeting Che Guevara.[174]

Though O'Hara was consciously moving away from adventure films, an ongoing court case against Maxfiy magazine in 1957 and 1958 and an operation for a slipped disk, after which she had to wear a full body brace for four months, effectively ruled out any further action films for her.[175] During this period away from film she took lessons in singing to improve her abilities.[176] O'Hara had a soprano voice and described singing as her first love, which she was able to channel through television. In the late 1950s and early 1960s, she was a guest on musical variety shows with Perri Komo, Endi Uilyams, Betti Grable va Tennesi shtati Erni Ford. In 1960, O'Hara starred on Broadway musiqiy asarda Kristin bu 12 spektakl uchun yugurdi. It was a problematic production, and the director, Jerom Chodorov, was so displeased with it that he requested that his name be removed from the credits.[177] She found her Broadway failure to be a "major disappointment" and returned to Hollywood.[178] That year she released two recordings, Love Letters from Maureen O'Hara va Maureen O'Hara Sings her Favorite Irish Songs.[179][180] She described Love Letters from Maureen O'Hara, a moderate success, as an act of revenge, given that Hollywood would not let her appear in a musical.[181]

O'Hara with Brian Keith in The Deadly Companions (1961)

In 1959, O'Hara returned to film, starring as a secretary who is sent from London to Gavana to investigate the activities of a British secret agent (Alek Ginnes ) in the commercially successful Gavanadagi odamimiz.[182] O'Hara beat Lauren Bacall to the role as she was busy with other engagements.[183] Though the film was critically acclaimed, Crowther of The New York Times felt that the characters of O'Hara and the daughter could have been made "more humorous and spirited than they are".[184] The following year, O'Hara appeared in the CBS television film, Miniver xonim, but despite some critics approving her performance, most thought that the remake was ill-timed and that she could not top Greer Garson 's performance in the 1942 Oscar-winning film.[185]

In 1961, O'Hara portrayed Kit Tilden in the western The Deadly Companions, Sem Pekinpax debyut filmi. Playing against stereotype as the strong, aggressive redhead, she plays a character who is vulnerable to rape and violence from men. The plot involves her traveling across Apache territory with an ex-Sergeant (Keith) to bury her young son next to his father in the desert.[186] Malone considered her character in the film to be "radically underdeveloped".[187] While O'Hara acknowledged that Peckinpah later "reached icon status as a great director of westerns", she thought he was "just awful" and "one of the strangest and most objectionable people I had ever worked with".[188] Later that year she starred in Ota-onalar uchun tuzoq, one of her most popular films, opposite a young Xeyli Mills. O'Hara credits Mills for the success of the film, remarking that "she really did bring two different girls to life in the movie" and wrote that "Sharon and Susan were so believable that I'd sometimes forget myself and look for the other one when Hayley and I were standing around the set".[189] Malone notes that this was the film that she "made a transition from comely maiden to trendy mother",[190] one which received some of the best critical plaudits of her career.[191] O'Hara was subsequently involved in a legal dispute with Uolt Disney tomonidan qo'llab-quvvatlangan Ekran aktyorlari gildiyasi, over billing for the film. She never worked for Disney again.[192]

The following year, O'Hara appeared opposite Jeyms Styuart yilda Janob Xobbs ta'tilga chiqadi, about a family vacation in a dilapidated house on the beach. She played Peggy, the token wife of Hobbs (Stewart), a character who is very family-oriented and talkative.[193] Though the two became friends, O'Hara confessed that she was not happy with the dynamic between her and Stewart onscreen, commenting that "every scene revolves around Jimmy Stewart. I was never allowed to really play out a single scene in the picture. He was a remarkable actor, but not a generous one".[194] Muvaffaqiyat bilan Ota-onalar uchun tuzoq va Janob Xobbs ta'tilga chiqadi, O'Hara felt that her career had been given a new lease of life.[195] She united with Henry Fonda after 20 years to appear in Spenser tog'i (1963), roughly based on the novel by Erl Xamner, kichik. Film joylashgan joyda suratga olingan Jekson Xol, Vayoming, the same place that the classic 1953 western Sheyn was shot.[195] O'Hara played Olivia Spencer, the devout Christian wife of Fonda's atheist character, who during the course of the film sings a hymn at an outdoor funeral.[196] Though Malone considers her to have given a "commendable performance", he thought she lacked chemistry with Fonda and notes that the film came at a difficult period in his life, with the breakdown of his third marriage. It was poorly received by the critics at the time, but fared well at the box office.[197] Later in 1963 she starred with John Wayne in Endryu V. Maklaglen 's Technicolor comedic western, Maklintok!. O'Hara performed many of her own stunts in the film, including one scene where she falls backwards off a ladder into a trough.[198]

O'Hara on the Andy Uilyams shousi 1965 yilda

In late 1964, O'Hara went to Italy to shoot Villa Fiorita jangi (1965) bilan Rossano Brazzi. O'Hara played a British woman who leaves her diplomat husband in England for an Italian pianist (Brazzi).[199] She had high expectations for the film but soon realized that Brazzi was miscast.[200] She was so frustrated with the finished film, which was a box office flop, that she cried.[201] O'Hara made her last picture with James Stewart the following year in the comedic western, Noyob zot. Malone thought that she modeled her performance on Julie Andrews, "adopting a schoolmarmish voice and demeanor that ill befit her", and coming out with pious statements like "cleanliness is next to godliness".[202]

In 1970, O'Hara starred opposite Jeki Glison yilda How Do I Love Thee?. During filming in the summer of 1969, O'Hara was involved in an accident on set with Gleason when he tripped on a Cyclone wire fence, falling heavily on her hand which was resting on it. She later required orthopedic surgery to correct the injury.[203] Though she got on well with Gleason, O'Hara remarked that it was a "terrible film. The script was awful, and the director couldn't fix it".[204] The film was poorly received critically, with Guardian calling it "the most mawkish film of the year/decade/era".[205] In October of that year she made her last film with Wayne in Katta Jeyk (1971), shot on location in Durango, Meksika. Director Budd Boetticher cast O'Hara as he believed that she and Wayne had chemistry which was "head and shoulders" over those of other leading actresses at the time.[206] Keyin Katta Jeyk, O'Hara retired from the industry. In 1972 she professed to strongly disapprove of the way Hollywood was going, "making dirty pictures", and she wanted no part of it.[207] That year she was asked to give a speech at the Lifetime Achievement Award ceremony for John Ford, which was the last occasion she saw him before his death.[208]

"There's only one woman who has been my friend over the years, and by that I mean a real friend, like a man would be. That woman is Maureen O'Hara. She's big, lusty, absolutely marvelous—definitely my kind of woman. She's a great guy. I've had many friends, and I prefer the company of men. Except for Maureen O'Hara".

—John Wayne on O'Hara.[209]

After a 20-year retirement from the film industry, O'Hara returned to the screen in 1991 to star opposite John Candy romantik komediya-dramasida Faqat yolg'iz.[210] She played Rose Muldoon, the domineering Irish mother of a Chikago cop (Candy), who has an indifference to Sicilians. The film reunited her with Anthony Quinn who plays her brief love interest, Nick the Greek.[211] O'Hara stated of her return: "Twenty years is a long time, but it was surprising how little changed. The equipment is lighter now, and they work a bit faster, but I hardly felt like I'd been away".[212] She described Candy as "one of my all-time favorite leading men", and was surprised by the extent of his talent, remarking that he was a "comedic genius but an actor with an extraordinary dramatic talent" who very much reminded her of Charles Laughton.[213] In the following years, she continued to work, starring in several made-for-TV films, including Rojdestvo qutisi, Cab for Canada va The Last Dance, the latter her last film in which she played a retired teacher who suffers a heart attack,[214] released on television in 2000.[215]

Reception and character

O'Hara in 1946

Malone states that as "Ireland's first Hollywood superstar", O'Hara "paved the way for a future generation of actresses seeking their own voice ... With her mahogany hair, her hoydenish ways, and her whip-smart delivery of lines, she created a character prototype that seemed to define her country of origin as much as Ireland defined her".[216] He notes though that O'Hara was "loved for her naturalness" and her "lack of a diva quality". U ishdan bo'shatildi harakat qiluvchi usul as "tommyrot", believing that acting should be acting, and placed great emphasis on work ethic and punctuality.[217] Insisting on doing her own stunts, O'Hara became so prone to injuries during her productions that her colleagues remarked that she "should have been awarded a Purple Heart".[218] Her closest rival in the 1950s was Rhonda Fleming, the two both being prolific in westerns and action films.[219]

O'Hara in April 1942

John Ford reportedly once commented in a letter that O'Hara was the finest actress in Hollywood, but he rarely praised her in person. Bilan intervyuda Bertran Tavernier, on the other hand, Ford professed that O'Hara was one of the actresses he most detested. [173] Though she was quite proud of her own versatility as an actress, saying "I played every kind of role. I was never petite or cute so there was never anything about me which would go out of style",[217] critics found fault with her range. Malone wrote that she "seemed to struggle in comedic roles but proved her mettle in films that called on her to take charge of situations or find courage in the face of adversity". One critic remarked that it took a director like John Ford to bring out a good performance from her. [217] The Irish critic Philip Moloy thought the opposite, saying "It is not something that she would accept herself, but Maureen O'Hara's career probably suffered from its long-term association with John Ford. John Ford's view of Ireland, and things Irish, tended to be broad, sentimental and sociologically distorted, and his characters were often clichéd representatives of their nationality".[220] In the 1960s, O'Hara ventured into maturer roles as she aged.[217]

O'Hara had a reputation in Hollywood for bossiness, and John Wayne once referred to her as "the greatest guy I ever met".[221] Rick Kogan of The Chicago Tribune quotes her in saying that she and Wayne shared many similarities, and took "no nonsense from anybody".[222]She was friends with Zanuck and Harry Cohn, the boss of Columbia Pictures, who was notorious for being the "nastiest man in Hollywood",[223] Film executives respected the fact that she was bold and completely honest towards them. O'Hara declared that she had "never had a temperamental fit in my life",[224] but did admit to walking off the set in disgust at George Montgomery nearly choking her to death with a kiss during the filming of Ten Gentleman from West Point.[65]

"It's been a good life ... I've had a wonderful career and enjoyed making movies. I was fortunate to have made pictures with many of the greats, both actors and directors. I've no regrets ... Some people see me as a former screen siren while others remember me as the dame who gave as good as she got in movies with John Wayne, for example. Many women have written to me over the years and said I've been an inspiration to them, a woman who could hold her own against the world." The final thing she said, "Above all else, deep in my soul, I'm a tough Irish Woman."

—O'Hara reflecting on her long life and career, on her 95th birthday in August 2015, at the home of her grandson, Conor, in Idaho.[225]

Teetotal and a non-smoker, O'Hara rejected the Hollywood party lifestyle, and was relatively moderate in her personal grooming.[226] In her earlier career she refused to appear to smoke and drink on screen, and it was only later that she relented to avoid being out of a job.[69] O'Hara was considered to be prudish in Hollywood. Malone wrote that "her attitude towards sex bordered on puritanical at times, which wasn't what one expected from a sex symbol".[227] When asked why she would not pose for scantily clad photographs O'Hara remarked: "I come from a very strict family, and I can't do some of the things other actresses can because my folks in Dublin would think I turned out bad", and in 1948 she stated that she wouldn't be photographed in a bathing suit "Because I don't think I looked like Lana Tyorner in a bathing suit, frankly.[228] O'Hara later commented that "I'm not prudish but my training was strict".[68] She believed that her fastidious lifestyle took its toll on her career.[94] She once said, "I'm a helpless victim of a Hollywood whispering campaign. Because I don't let the producer and director kiss me every morning or let them paw me they have spread around town that I am not a woman, that I am a cold piece of marble statuary" and "I wouldn't throw myself on the casting couch, and I know that cost me parts. I wasn't going to play the whore. That wasn't me".[229][230] She vented her frustration on not being given edgier roles in an interview with the Los Anjeles Tayms, saying "Producers look at a pretty face and think: 'She must have got this far on her looks'. Then comes along a girl with a plain face and they think, 'She must be a great actress, she isn't pretty'. So they give her the glamour treatment and the pretty girl gets left behind". O'Hara believed that she missed out on a number of roles in some of the classic black-and-white films, because her looks were shown to great advantage in Technicolor productions.[231] Such was her natural beauty that she was one of the few actresses in Hollywood during her career to not undergo cosmetic surgery, though she had one crooked tooth with which she refused to part.[232]

Shaxsiy hayot va o'lim

O'Hara and her husband director Will Price and baby Bronwyn in 1944

In 1939, at the age of 19, O'Hara secretly married Englishman George H. Brown, a film producer, production assistant and occasional scriptwriter whom she had met on the set of Yamayka mehmonxonasi.[233] They married at St Paul's Church in Station Road, Harrow on 13 June, shortly before she left for Hollywood. Brown stayed behind in England to shoot a film with Pol Robeson. Brown announced that he and O’Hara had kept the marriage a secret and that they would have a full marriage ceremony in October 1939, but O'Hara never returned.[234] The marriage was annulled in 1941.

1941 yil dekabrda,[235] O'Hara married American film director William Houston Price who was the dialogue director in Notr-Damning hunchbigi.[62] She lost her virginity to Price on her wedding night and immediately regretted it, and recalled thinking to herself "What the hell have I done now". Soon after the honeymoon O'Hara realized Price was an alcoholic.[236] The couple had one child, a daughter, Bronwyn Bridget Price, born 30 June 1944.[237] O'Hara's marriage to Price steadily declined throughout the 1940s due to his alcohol abuse, and she often wanted to file for divorce but felt guilty due to her Catholic beliefs.[238] Price eventually realized the marriage was over and filed for divorce in July 1951 on the grounds of "incompatibility".[239] Price left the house they shared in Bel Air, Los-Anjeles on 29 December 1951, on their 10th wedding anniversary.[240]

O'Hara always denied having any extramarital affairs, but in his autobiography, frequent collaborator Entoni Kvinn claimed to have fallen in love with her on the set of Sinbad dengizchi. He commented that she was "dazzling, and the most understanding woman on this earth" who "brought out the Gaelic in him", being half Irish. Quinn implied that they had been involved in an affair, adding that "after a while we both tired of the deceit".[241]

From 1953 to 1967, O'Hara had a relationship with Enrique Parra, a wealthy Mexican politician and banker. She met him at a restaurant during a trip to Mexico in 1951.[242] O'Hara stated that Parra "saved me from the darkness of an abusive marriage and brought me back into the warm light of life again. Leaving him was one of the most painful things I have ever had to do."[243] As her relationship with Parra progressed, she began to learn Spanish and even enrolled her daughter in a Mexican school.[244] She moved in 1953 to a smaller property at 10677 Somma Way in Bel Air,[245] amid frequent visits to Mexico City, where she and Parra were very well-known celebrities.[246] She hired a detective to follow Parra in Mexico and found that he was being fully honest about the relationship with his ex-wife and that she could trust him.[247] John Ford intensely disliked Parra, and it affected her relationship with Ford in the 1950s as he often interfered in her affairs and frowned upon the demise of her marriage to Price, being a devout Catholic like O'Hara. Price also continued to harass O'Hara for dating Parra and filed a case against her on 20 June 1955, seeking custody of Bronwyn and accusing her of immorality.[248] O'Hara filed a countersuit, charging him with contempt of court for refusing to pay $50 a month in child support and a $7 a month alimony.[163] During the publicity stage of Uzoq kulrang chiziq in 1955, Ford insulted O'Hara and her brother Charles when he remarked to Charles, "if that whore sister of yours can pull herself away from that Mexican long enough to do a little publicity for us, the film might have a chance at some decent returns".[220]

O'Hara with Ozodlik 1957 yilda

On 9 July 1957,[249] O'Hara filed a $5 million lawsuit against Maxfiy magazine over allegations it made over her being engaged in sexual activity with Parra during a screening of a film at the Graumanning Xitoy teatri Gollivudda.[190] One of the allegations was "Maureen had entered Grauman's wearing a white silk blouse neatly buttoned. Now it wasn't", and that when the usher shone a flashlight towards them she was forced to sit up and play innocent.[250][251] O'Hara proved her innocence by presenting a passport showing that she was in Spain shooting Fire Over Africa vaqtida.[252][253] She claimed in her autobiography that she became the first actress to win a case against an industry tabloid when Maxfiy were apparently found guilty of libel and conspiring to publish obscenity, but Malone notes that the trial dragged on for six weeks and the case was actually eventually settled out of court in July 1958.[254]

O'Hara married her third husband, Charlz F. Bler, kichik, 11 years her senior,[255] on 12 March 1968. Blair, an immensely popular figure,[255] was a pioneer of transatlantic aviation, a former brigadier general of the Amerika Qo'shma Shtatlari havo kuchlari, a former chief pilot at Pan Am, and founder and head of the United States Virgin Islands airline Antilles Air Boats. A few years after her marriage to Blair, O'Hara, for the most part, retired from acting.[256] In special features section to the DVD release of Jim odam, a story is recounted that O'Hara retired after longtime collaborators John Wayne and John Ford teased her about being married but not being a good, stay-at-home housewife,[257] though Blair himself wanted her to retire from acting and help run his business.[256] Blair died in 1978 while flying a Grumman G'oz for his airline from Saint Croix to Avliyo Tomas, crashing after an engine failure.[258] O'Hara was elected CEO and president of the airline, with the added distinction of becoming the first woman president of a scheduled airline in the United States[259]

In 1978, O'Hara was diagnosed with uterine cancer, which had to be removed with an operation. She was greatly affected by John Wayne's cancer during this period, and Wayne reportedly wept on the phone when she informed him that her own cancer had been given the all clear. O'Hara was instrumental in Wayne being given a special medal shortly before his death the following year. She argued that "John Wayne is not just an actor. John Wayne bu the United States of America" and personally selected the portrait of him to go on it.[260] After Wayne's death in June 1979 she fell into deep depression and took several years to recover.[261]

O'Hara's boutique in Tarzana, Los Angeles in 1947
Grave at Arlington milliy qabristoni

In 1976, Blair bought O'Hara a travel magazine, the Virgin Islander, which she began to edit from their home for many years in Saint Croix.[258] She sold it in 1980 to USA Today to spend more time with her daughter and grandson Conor (born 1970[262]). She passed on the airline business the following year, which by this time was chartering 120 flights a day with a fleet of 27 planes.[263] O'Hara had had considerable prior experience with business as from the 1940s she ran a clothing store in Tarzana, Los-Anjeles, operating under her name, specializing in dresses for women.[264] O'Hara increasingly spent time in Glengarrif on the southwest coast of Ireland, and established a golf tournament there in 1984 in her husband's memory.[265] A hurricane in 1989 destroyed her home in Saint Croix. While in New York, inquiring about the costs of rebuilding, she suffered six successive heart attacks and underwent an angioplastika.[266] She moved permanently to Glengariff after suffering a stroke in 2005.[267]

In May 2012, O'Hara's family contacted ijtimoiy ishchilar regarding claims that O'Hara, who had short-term memory loss, was a victim of elder abuse.[268] In September 2012, O'Hara flew to the United States after receiving doctor's permission to fly, and moved in with her grandson in Idaho.[267] So'nggi yillarda u azob chekdi 2-toifa diabet and short-term memory loss.[269]

On 24–25 May 2013, O'Hara made a public appearance at the 2013 John Wayne Birthday "Tribute to Maureen O'Hara" celebration in Vinterset, Ayova. The occasion was groundbreaking for the new John Wayne Birthplace Museum; the festivities included an official proclamation from Iowa Governor Terri Branstad declaring 25 May 2013, as "Maureen O'Hara Day" in Iowa. The appearance included a performance by the Shannon Rovers Irish Pipe Band, kim sayohat qilgan Chikago tadbir uchun.[222]

On 24 October 2015, Maureen O'Hara died in her sleep at her home in Boise, Aydaho tabiiy sabablardan.[270] She was 95 years old. O'Hara's remains were buried at Arlington milliy qabristoni in Virginia next to her late husband Charles Blair.[271]

Yutuqlar va tadbirlar

O'Hara receiving Oscar for Lifetime Achievement – 2014.
Bust of O'Hara in Kells, Irlandiya
Maureen O'Hara themed street furniture in Ranelagh, Dublin 6, her native village

O'Hara was honored on Bu sizning hayotingiz, which was aired on 27 March 1957.[5] In 1982 she was the first person to receive the American Ireland Fund Lifetime Achievement Award in Los Angeles.[263] In 1988 she was awarded an honorary degree by the Irlandiya Milliy universiteti, Geyvey.[272] She further received the Heritage Award from the Ireland-American Fund in 1991.[273]

In 1985 she was awarded the Career Achievement Award from the American Cinema Foundation.[274] O'Hara also became the first woman to win the John F. Kennedy Memorial Award for "Outstanding American of Irish Descent for Service to God and Country".[263] For her contributions to the motion picture industry, O'Hara has a star on the Gollivudning Shon-sharaf xiyoboni at 7004 Hollywood Blvd. 1993 yilda u ushbu tashkilotga kiritildi G'arbiy ijrochilarning shon-sharaf zali da Milliy kovboy va g'arbiy meros muzeyi yilda Oklaxoma Siti, Oklaxoma.[275] U mukofotga sazovor bo'ldi Oltin botinka mukofoti.[276]

In March 1999, O'Hara was selected to be Katta marshal ning Nyu-York shahri "s Aziz Patrik kuni Parad.[277] In 2004, she was honored with a Lifetime Achievement Award from the Irish Film and Television Academy in her native Dublin.[278] The same year, O'Hara released her autobiography 'Tis Herself, co-authored with Johnny Nicoletti and published by Simon va Shuster.[279] She wrote the foreword for the cookbook At Home in Ireland,[280] and in 2007 she penned the foreword to the biography of her friend and film co-star, the late actress Anna Lee.[281]

O'Hara was named Irlandiya Amerika's "Irish American of the Year" in 2005, with festivities held at the Plaza Hotel in New York.[282] In 2006, O'Hara attended the Grand Reopening and Expansion of the Flying Boats Museum in Foynes, County Limerick as a patron of the museum. A significant portion of the museum is dedicated to her late husband Charles. O'Hara donated her late husband's seaplane, the Excambian (a Sikorskiy VS-44 A), to the Yangi Angliya havo muzeyi. The restoration of the plane took eight years and time was donated by former pilots and mechanics in honor of Charles Blair. It is the only surviving example of this type of early trans-Atlantic plane.[283]

In 2011, O'Hara was formally inducted into the Irish America Hall of Fame at an event in Yangi Ross, Ueksford okrugi.[284] She was also named the president of the Universal Film & Festival Organization (UFFO), which promotes a code of conduct for film festivals and the film industry.[285]

In 2012, O'Hara received the Freedom of the Town ning Kells, County Meath, Ireland, her father's home, and a sculpture in her honour was unveiled.[286][287]

2014 yilda Kino san'ati va fanlari akademiyasi selected O'Hara to receive the Academy's Honorary Oscar, which was presented at the annual Governor's Awards in November that year. O'Hara became only the second actress, after Mirna Loy in 1991, to receive an Honorary Oscar without having previously been nominated for an Oscar in a competitive category.[288]

Shuningdek qarang

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