Perri Komo - Perry Como

Perri Komo
Perri Komo mashq paytida, v. 1961 yil
Perri Komo mashq paytida, v. 1961
Ma'lumotlar
Tug'ilgan kunning ismiPerino Ronald Komo
Tug'ilgan(1912-05-18)1912 yil 18-may
Kanonsburg, Pensilvaniya, BIZ.
O'ldi2001 yil 12-may(2001-05-12) (88 yosh)
Yupiter-Inlet koloniyasi, Florida, BIZ.
JanrlarVokal pop, oson tinglash
Kasb (lar)Xonanda, aktyor
AsboblarVokal
Faol yillar1932–1997
YorliqlarDecca, RCA Viktor
Birlashtirilgan aktlarFreddi Karlone orkestri
Ted Vems orkestri

Pierino Ronald "Perri" Komo (/ˈkoʊmoʊ/; 1912 yil 18 may - 2001 yil 12 may) an Italiya-Amerika qo'shiqchi, aktyor va televizion shaxs. Yarim asrdan ko'proq vaqtni tashkil etgan martaba davomida u faqat uchun yozgan RCA Viktor 1943 yilda yorliq bilan imzolaganidan keyin 44 yil davomida.[1]

U asosan vokal popni yozgan va multimedia yulduzi tomonidan kashshof bo'lgan samimiy, oson tinglanadigan janrdagi yozuvlari bilan tanilgan. Bing Krosbi.[2]

"Janob S", unga laqab qo'yganidek, millionlab yozuvlarni sotgan va haftalik musiqiy estrada televizion shousining kashshofi bo'lgan. Uning haftalik televizion ko'rsatuvlari va mavsumiy maxsus dasturlari butun dunyoga tarqatildi. Rasmiy RCA Records-da Billboard jurnali yodgorlik, uning hayoti shu bir nechta so'zlar bilan ifodalangan: "50 yillik musiqa va yaxshi hayot. Barchaga o'rnak".[3]

Komo beshta oldi Emmi 1955 yildan 1959 yilgacha,[4] a Kristofer mukofoti (1956) va birgalikda Peabody mukofoti 1956 yilda yaxshi do'sti Jeki Glison bilan.[5][6] U tarkibiga kiritildi Televizion san'at va fanlar akademiyasi 1990 yilda Shon-sharaf zali va a Kennedi markazining sharafi 1987 yilda.[7][8][9] Vafotidan keyin Komo uni oldi "Grammy Lifetime Achievement" mukofoti 2002 yilda va tarkibiga kiritilgan Long Island musiqa shon-sharaf zali 2006 yilda.[10] Unda uchta yulduz borligi xususiyati bor Gollivudning Shon-sharaf xiyoboni radio, televidenie va musiqadagi ishi uchun.[11]

Dastlabki yillar

Komo tug'ilgan Kanonsburg, Pensilvaniya, Pitsburgdan 32 km janubi-g'arbda.[12] U o'n farzandning ettinchisi va 1910 yilda AQShga ko'chib kelgan Pietro Komo va Lusiya Travaglinining amerikalik tug'ilgan birinchi farzandi edi. Abruzzes shaharcha Palena, Italiya.[13][14][15][a][b] U maktabga kirguniga qadar ingliz tilida gaplashishni boshlamadi, chunki Komoslar uyda italyancha gaplashar edi.[20] Oilada otasining 3 dollarga sotib olgan ikkinchi qo'l organi bo'lgan; Komo kichrayishi bilanoq, u asbobga borar, nasosni tortib olardi körükler va qulog'idan eshitgan musiqani ijro eting.[21] Pietro, tegirmon qo'li va havaskor bariton, agar u zo'rg'a berolmasa ham, barcha bolalariga musiqa darslarida qatnashishlari kerak edi.[22] 1957 yilda kamdan-kam uchraydigan intervyusida Komoning onasi Lusiya, yosh o'g'li qanday qilib ko'proq musiqa darslari uchun pul to'lash uchun boshqa ishlarni bajarganligini tasvirlab berdi; Komo turli xil asboblarda o'ynashni o'rgangan, ammo hech qachon ovozli dars o'tkazmagan.[15] U o'smirlik yillarida ko'proq musiqiy iste'dodni namoyish etdi trombon shaharchadagi o'yinchi pufakchalar, o'ynash gitara, to'ylarda qo'shiq aytish va organist cherkovda.[23][24] Komo xonandaning otasi bilan birga Canonsburg Italiya guruhining a'zosi edi Bobbi Vinton, guruh sardori Sten Vinton, u ko'pincha o'zining sartaroshxonasida xaridor bo'lgan.[25][26][27]

Yosh Komo 10 yoshida oilasiga yordam berishni boshladi, Stiv Fragapanening sartaroshxonasida maktabgacha va undan keyin haftasiga 50 for. 13 yoshga kelib, u Fragapane sartaroshxonasida o'zining stulini tugatdi, garchi u mijozlariga qarash uchun qutida tursa ham.[21][28][29] Aynan shu vaqtda, yosh Komo zar o'yinida bir haftalik maoshidan mahrum bo'lgan. U uyat bilan to'lgan holda, o'zini xonasiga qamab qo'ydi va ochlik unga yordam berguncha chiqmadi. U oilasiga bog'liq bo'lgan pul bilan nima bo'lganini otasiga aytib berishga muvaffaq bo'ldi. Otasi unga xato qilishga haqli ekanligini va o'g'li hech qachon bundan ham yomonroq ish qilmasligiga umid qilishini aytdi.[21] Perri 14 yoshida otasi og'ir yurak kasalligi tufayli ishlay olmay qoldi. Komo va uning ukalari uy xo'jaligining tayanchiga aylanishdi.[22]

Musoning musiqiy qobiliyatiga qaramay, Komoning asosiy maqsadi Kanonsburgdagi eng yaxshi sartaroshga aylanish edi. Otasida mashq qilib, yosh Komo 14 yoshida o'z do'koniga ega bo'lish uchun qobiliyatlarni yaxshi o'zlashtirdi.[30][31] Sartaroshxonadagi Como-ning doimiy mijozlaridan biri sartaroshxona maydonini o'z ichiga olgan yunon qahvaxonasiga egalik qildi va yosh sartaroshdan do'konining o'sha qismini egallab olishni xohlayaptimi, deb so'radi. Komo qahvaxonaga ko'chib o'tgandan keyin juda ko'p ishlarga ega edi, unga yordam berish uchun ikkita sartaroshni yollashga to'g'ri keldi. Uning mijozlari asosan yaqin atrofdagi temir zavodlarida ishladilar. Ular yaxshi maosh olishgan, o'zlariga pul sarflashga qarshi emasdilar va Komoning qo'shiqlarini tinglashdan zavqlanishdi. Perri, ayniqsa uning mijozlaridan biri turmushga chiqqanda juda yaxshi natijalarga erishdi. Kuyov va uning odamlari Komo va uning yordamchilari taqdim etadigan har qanday muolajadan foydalanishadi. Boshqa ikkita sartarosh kuyovning boshqa partiyasi bilan ishlagani uchun Komo kuyov bilan ovora bo'lib, romantik qo'shiqlarni kuyladi. To'yga tayyorgarlik paytida kuyovning do'stlari va qarindoshlari Komoga pul sovg'alari bilan do'konga kirib kelishardi. U yunon hamjamiyatida "to'y sartaroshi" sifatida shunchalik mashhur bo'lib ketdiki, undan Pitsburgda va butun Ogayo shtatida o'z xizmatlarini ko'rsatishni so'rashdi.[28]

Xonandalik faoliyati

Asosiy maqola: Perri Komo diskografiyasi

Freddi Karlone va Ted Uems

1932 yilda Komo 100 milya uzoqlikda yurib, Kanonsburgni tark etdi Meadvill, Pensilvaniya, qaerda uning amakisi sartaroshxonasi bor edi Conneaut mehmonxonasi. Klivlenddan 80 milya atrofida, Ogayo vodiysida tepada va pastda ishlaydigan raqs guruhlari uchun marshrutda mashhur to'xtash joyi bo'lgan. Komo, Rozel va ularning do'stlari yaqin Klivlendga borishgan; ularning yaxshi kunlari ularni Freddi Karlone va uning orkestri o'ynagan Kumush terlik bal zaliga olib bordi. Karlone iste'dodga ega deb o'ylagan har bir kishini o'z guruhi bilan qo'shiq kuylashga taklif qildi. Yosh Komo dahshatga tushdi, lekin do'stlari uni undab, sahnaga itarishdi. Karlone Komoning o'yinidan juda ta'sirlanib, darhol unga ish taklif qildi.[32]

Yigit Freddi Karlone bergan taklifni qabul qilishi kerakligiga aniq ishonmasdi, shuning uchun u otasi bilan gaplashish uchun Kanonsburgga qaytib keldi. Perri otasi unga sartaroshlik biznesida qolishini aytishini kutgan edi, ammo ajablanib, katta Komo unga imkoniyatdan foydalanmasa, u hech qachon professional qo'shiqchi bo'la oladimi yoki yo'qligini bilmasligi mumkinligini aytdi.[32] Qaror, shuningdek, moliya masalasini ko'rib chiqish bilan qabul qilindi; Komo o'zining sartaroshxonasidan haftasiga 125 dollar atrofida ishlagan, Karlone bilan ish esa haftasiga 28 dollar to'lagan.[33] Rozel eri va guruhi bilan sayohat qilishga tayyor edi, ammo maosh yo'lda ikki kishini qo'llab-quvvatlash uchun etarli emas edi.[34] Perri va Rozelle 1933 yil 31-iyulda Meadvillda turmush qurishgan; to'rt kundan keyin Komo Freddi Karlone guruhiga qo'shildi va ular bilan ishlashni boshladi.[35][36] Rozel Kanonsburgga uyiga qaytdi; uning yangi eri keyingi 18 oy davomida yo'lda bo'ladi.[37]

Komo 1939 yilda, Ted Weems orkestrida bo'lganida.

Carlone guruhiga qo'shilgandan uch yil o'tgach, Komo ko'chib o'tdi Ted Uems Orkestr va uning birinchi yozilgan sanalari.[1][38] Komo va Vems 1936 yilda Karlone orkestri o'ynab yurgan paytda uchrashishgan Uorren, Ogayo shtati.[39] Perri dastlab Weems orkestriga qo'shilish taklifini qabul qilmadi. Aftidan, bu uning yosh vokalisti uchun eng yaxshi harakat ekanligini tushungan Freddi Karlone uni Vems bilan shartnoma imzolashga undadi.[40] Art Jarret o'z guruhini yaratish uchun "Weems" tashkilotini tark etgan edi. Weems vokalistga muhtoj edi; Komo maoshini oshirdi, chunki Weems unga haftasiga 50 dollar to'lagan va bu butun mamlakat bo'ylab ta'sir qilish uchun birinchi imkoniyat. Ted Vems va uning orkestri Chikagoda joylashgan va doimiy ravishda bo'lgan Jek Benni dasturi va Fibber McGee va Molly.[9][41][42] Weems guruhi, shuningdek, o'zining haftalik radio dasturiga ega edi O'zaro eshittirish tizimi 1936–1937 yillarda.[43][44]

Bu erda Ted Komer yordamida yosh Komo o'zining jilosiga va o'ziga xos uslubiga ega bo'ldi. Mutualning Chikagodagi filiali, WGN radiosi, "Weems" ning Chikagodan eshittirishlarini to'xtatishni tahdid qildi Palmer uyi agar Weemsning yangi qo'shiqchisi yaxshilanmasa. Weems-da avvalgi ba'zi radio dasturlarining yozuvlari bor edi; bir kuni kechqurun u va Komo tomoshadan keyin ularni tinglashdi. Ularni tinglashdan Komo o'zi aytayotgan qo'shiqlarning so'zlarini hech kim aniqlay olmasligini anglab, hayratga tushdi. Vems Komoga vokal fokuslariga murojaat qilishning hojati yo'qligini aytdi; zarur bo'lgan narsa yurakdan kuylash edi.[45][46]

Komoning Weems guruhi bilan birinchi yozuvi "Siz mening ko'zlarimga junni tortib ololmaysiz" deb nomlangan yangilik uchun kuy bo'lib, u Decca Records 1936 yil may oyida yorliq. Komoning Weems orkestri bilan o'tkazgan dastlabki Dekka yozuv sessiyalaridan birida Weems "o'sha bola" dan (Komo) xalos bo'lishni buyurgan edi, chunki u Bing Krosbiga juda o'xshardi, u ham Decca uchun yozgan. Komo javob berishidan oldin Ted Uems Komo sessiyaning bir qismi bo'lgan yoki u tugagan deb aytdi.[20] Komo Ted Uems bilan bir yilga yaqin bo'lganida, u 1937 yilda esga olingan Hayot uchun NBC Radio jurnali Fibber McGee va Molly "uning xiralashishi bilan yurak chayqalishini keltirib chiqaradi".[47] Haftalik radio shou, Bandni yeng 1940-1944 yillarda NBC kanalida ishlagan, "stump the band" tipidagi musiqiy viktorina bo'lib, unda Weems va uning orkestri 1940-1941 yillarda taniqli guruh bo'lgan.[43]

RCA Viktor va radio

1947 yilda Chikagodagi chiqishlari uchun kelgan Komoni yosh muxlislari kutib olishadi, ular qo'shiq bilan birga sochlarini bezashadi.

Komoslarning birinchi farzandi Ronni 1940 yilda Weems guruhi Chikagoda ishlayotgan paytda tug'ilgan. Komo, agar u shunday qilsa, ishdan bo'shatish bilan qo'rqitilganiga qaramay, xotinining yonida bo'lish uchun ketdi.[48] Garchi Perri haftasiga 250 dollar ishlab topayotgan bo'lsa-da va oila uchun sayohat xarajatlari hech qanday muammo tug'dirmasa ham, yosh Ronni bir joyda bir muddat turishga odatlanib qolganida odatdagidek odatlanib bo'lmadi. Radio dasturi Bandni yeng har doim ham Chikagodan kelib chiqmagan, lekin ko'pincha Milwaukee, Denver va Sent-Luis kabi boshqa shaharlardan efirga uzatilgan, chunki guruh radio dasturining bir qismi sifatida yo'l harakati bilan shug'ullanishni davom ettirgan.[49] Perri yo'lda hayot bolani tarbiyalash uchun joy emas deb qaror qildi va Rozel va chaqaloq Kanonsburgga qaytib ketishdi.

1942 yil oxirida Komo "Weems" guruhini tark etishga qaror qildi, hatto u qo'shiqdan voz kechishi kerak bo'lsa ham.[37] U Canonsburgga qaytib keldi, oilasi va savdosi, yo'lda hayotdan charchagan va xotini va yosh o'g'lini sog'ingan.[50] Komo Frank Sinatraning taqlidchisi bo'lish taklifini oldi, ammo o'z uslubini saqlab qolishni tanladi.[51][52] Perri sartaroshxonani qayta ochish uchun do'konni ijaraga olish to'g'risida muzokaralar olib borayotganda, u Tender Vems vakili bo'lgan General Artists Corporation-da Tommi Rokvellga qo'ng'iroq qildi. Komo boshqa ko'plab qo'ng'iroqlarni ham amalga oshirdi, ular ham takliflarni taklif qilishdi, lekin u o'z yordamini taklif qilayotgan Rokuellni (homiyliksiz) yoqdi va ishondi. Columbia Broadcasting System (CBS) radio-shou va unga ovoz yozish shartnomasini olishga va'da berdi.[53] Takliflar ham jozibador edi, chunki bu Nyu-Yorkda boshqa sayohatlarsiz qolishni anglatadi.[40][54][55] Perri ish taklifi haqida o'ylar ekan, Rozelle unga: "Agar u ishlamasa, har doim boshqa sartaroshxonani olishingiz mumkin!"[1][23][56] Radioeshittirishlar va yozuvlarni yozib olish shartnomalari taklif qilinmaguncha, u Karlone va Weems bilan o'tgan yillar zavqli o'tganiga ishonib, qo'shiq kuylashni o'zining haqiqiy faoliyati deb bilmasdi, ammo endi o'z ishiga qaytish vaqti keldi. Komo 1983 yilgi intervyusida "Men o'zimning xursandchiligimni o'tkazaman deb o'ylardim va uyga ishlashga ketaman" dedi.[20][57]

Perri 1943 yil 12 martda CBS uchun birinchi radioeshittirishini o'tkazdi.[58] Rokvellning keyingi harakati Komo kitobini taniqli kishilarga kitob qilish edi Copacabana tungi klubi 1943 yil 10-iyundan boshlangan ikki hafta davomida.[54] Bir hafta o'tgach, u o'zining birinchi RCA Viktor shartnomasini imzoladi va shundan uch kun o'tib kompaniya uchun o'zining birinchi "Xayr, Sue" rekordini yangiladi.[59][60] Bu 44 yil davom etadigan professional munosabatlarning boshlanishi edi.[1][31][61] U teatrda juda muvaffaqiyatli ijrochiga aylandi va Tungi klub kelishuvlar; Komoning iyun oyida Kopakabanadagi dastlabki ikki haftasi avgustgacha davom etdi.[62] Frank Sinatra ba'zan Komoga qo'ng'iroq qilib, uning o'rnini to'ldirishini iltimos qilardi Paramount teatri spektakllar.[63]

The kroning bu davrda aqldan ozish avjiga chiqqan va "bobbi soxer "va" swooner "Sinatra bilan yomon munosabatda bo'lgan o'spirin qizlar Komoni o'zlarining ro'yxatiga qo'shdilar." Swooners "klubi 1943 yilda Perrini" Yilning eng yaxshi kroneri "deb tan oldi.[64] Perry Como Paramount spektaklining chizig'i uchta chuqur edi va shahar bloki atrofida o'ralgan edi. U Versalda o'ynaganida va Kopakabanaga qaytib kelganida Komoning mashhurligi yanada etuk tomoshabinlarga tarqaldi, u erda rahbariyat o'z stollariga "SRO-Swooning Ruled Out" kartalarini joylashtirdi.[5][64][65]

Dag Storer, o'sha paytda Blackman Company-da reklama menejeri bo'lgan, uni homiylik qilmagan CBS Radio shousida eshitgandan so'ng Komoning qobiliyatlariga ishonch hosil qildi. Storer ishlab chiqarilgan demo Komo va Mitchell Ayres orkestri bilan radioeshittirish dasturi, u Chesterfield Cigarettes hisobini yurituvchi reklama agentligiga olib kelgan. Dastlab agentlik shou formatini yoqtirar edi, lekin Storerdan o'zlari ma'qul ko'rgan qo'shiqchining ozod qilinishini so'rab, yulduz sifatida boshqa birovni xohlashdi, shuning uchun u yangi dasturi uchun bepul bo'lishi mumkin edi. Storer xonandani shartnomasidan ozod qilish haqida hech narsa qilmaslikka qaror qildi. Bir necha hafta o'tgach, agentlik unga murojaat qilganida, ular NBC telekanalida dasturni efirga uzatishga tayyor ekanliklarini aytishdi, Storer ularga shou-tomoshasi uchun odam demo yozuvlarida eshitgan odam ekanligini ochiqchasiga aytdi. Dastur debyutini bir hafta ichida o'tkazishi kerak edi; yagona variant - bu ko'rgazma uchun Komoni yollash edi. Keyin Storer Komoning CBS shartnomasidan ozod qilinishini tashkil qildi.[66] 1944 yil 11-dekabrda u CBS-dan ko'chib o'tdi NBC yangi radio dasturi uchun, Chesterfield Supper Club.[67][68][69]

Komo "Supper Club" studiyasida qo'shiq mualliflari vakillari bilan uchrashuv. U har chorshanba kuni G'arbiy sohilda translyatsiyadan so'ng "qo'shiq pluggers" bilan uchrashdi Chesterfield Supper Club.

1946 yil 5-aprel kuni Chesterfield Supper Club havoda 20000 fut bo'lib o'tdi; bu samolyotdan to'liq radioeshittirishning birinchi ma'lum bo'lgan holatlari. Komo, Jo Stafford, Lloyd Shaffer orkestri va butun "Supper Club" ekipaji namoyishlar uchun parvozlarni amalga oshirdi.[70][71] O'sha kuni kechqurun ikkita "Supper Club" translyatsiyasi bo'lib o'tdi: 18:00 da va yana 22:00 da shouning G'arbiy sohilidagi translyatsiyasi uchun. Jami uchta reys amalga oshirildi; Qabul qilish uchun avvalroq mashq reysi bo'lgan.[72] Samolyot guruh uchun mo'ljallangan asboblardan tashqari, kichik pianino ham olib yurgan. Stend mikrofonlari samolyotda unchalik foydali bo'lmaganligi sababli, keyinchalik qo'l mikslardan foydalanilgan, ammo idishni bosimi tufayli ularni bir necha daqiqadan so'ng ushlab turish o'ta og'irlashdi.[73] Ushbu havo havosidagi chiqish sabab bo'ldi Amerika musiqachilar federatsiyasi bu yangi ish turini ko'rib chiqish va buning uchun maxsus stavkalar to'plamini chiqarish.[74]

Komo konsertda

1970 yil iyun oyida Las-Vegasdagi International Hotel mehmonxonasini qabul qilganida, Komo 26 yil ichida tungi klubda paydo bo'lmagan edi, natijada uning birinchi "jonli" albomi ham paydo bo'ldi, Perri Komo Las-Vegasdagi Xalqaro mehmonxonada shaxsan.[75] Rey Charlz, kimning Rey Charlz xonandalari 35 yildan ortiq vaqt davomida Komo bilan eshitilib, Las-Vegasda ochilishi uchun vokal guruhining maxsus nashrini tuzgan. Bungacha u oxirgi marta Nyu-Yorkda paydo bo'lgan Kopakabana 1944 yilda.[31][76][77][78] Komo Las-Vegasda davriy ishlarni davom ettirdi va Tahoe ko'li, Nevada uchun tungi klubdagi o'yinlarini cheklab qo'ydi.[79]

Yana jonli ijroda Komo yangi zavqlanish hissini uyg'otdi. 1974 yil may oyida u Qo'shma Shtatlar tashqarisida o'zining birinchi konsert dasturiga kirishdi London Palladium uchun Estrada klubi bolalar xayriya tashkilotlariga yordam berish uchun Buyuk Britaniyaning.[80][81] U aynan shu erda u sahnada yurganidan keyin tomoshabinlar o'n daqiqa davomida xursand bo'lganida nima etishmayotganini aniqladi. Ko'rgazma tugashi bilan Komo stulga o'tirdi va bir xil darajada xursand bo'lgan muxlislari bilan quvonch bilan oldinga va orqaga suhbatlashdi.[82] Perri a uchun Buyuk Britaniyaga noyabr oyida qaytib keldi Qirollik estrada ijrosi foyda olish Ko'ngilochar rassomlarning xayriya fondi bilan Qirolicha ona ishtirok etish.[83][84][85] Komoni tashrif buyurishga taklif qilishdi Bukingem saroyi tomoshadan keyingi kun. Dastlab, taklifnoma uning sheriklariga sayohat qilish va u bilan ishlashga taalluqli emas edi va Komo muloyimlik bilan rad etdi.[86] Perrining taklifnomani rad etishining sababi haqida saroyga xabar yetganda, u Komo partiyasida bo'lganlarning hammasini o'z ichiga olgan holda kengaytirildi va Komo bu taklifni qabul qildi.[87] Ko'p o'tmay, u 1975 yil bahorida Buyuk Britaniyada boshlangan birinchi kontsert turini e'lon qildi.[88]

1982 yilda Komo va Frenk Sinatra Italiya prezidentiga ko'ngil ochish uchun taklif qilindi Sandro Pertini a oq uy U rasmiy tashrif buyurganida davlat kechki ovqat. Prezident Pertini ularning chiqishlaridan zavqlanib, ularga qo'shilib "Santa Lucia" qo'shig'ini kuylashdi.[89] Ushbu juftlik kelgusi yilda Kaliforniyada o'yin-kulgining bir qismi sifatida ushbu tartibni takrorladi Qirolicha Yelizaveta Qirollik tashrifi.[20][90] Perri qirolichaning maxsus talabiga binoan dasturda edi.[91][92]

1984 yil Komo o'zining 50 yilligi safari bilan AQSh bo'ylab sayohat qildi. Professional hayotining katta qismini radio yoki ovoz yozish studiyalarida va televizion ovozli sahnalarda o'tkazganligi sababli, u jonli ijrolarda zavqlanardi.[93] 80 yoshidan keyin ham Perri kontsert gastrollarini davom ettirdi.[32][94] Gone, ammo kardigan sviterlar uning haftalik televizion ko'rsatuvlarining asosiy qismi bo'lgan va u kiyishni juda yomon ko'rgan. Komo endi a smedo, "Bu tomoshabinlarga bo'lgan hurmatni namoyish etadi".[95][96] Jonli chiqishlarga qaytish, shuningdek, Komoga qo'shiqdagi "Mister Nice Guy" obrazi bilan biroz xursand bo'lish imkoniyatini berdi. Rey Charlz va Nik Perito[97][98] uning 1963 yildan beri eng yaqin hamkori,[99] unga yozgan va yozgan:[50][100][101]

ESP bilan jihozlangan yigit sizning qiziqishingiz bilan nimani pishirishini ko'rish uchun kerak emas!

"Mister Nice Guy" shunchaki press agentning maydonchasimi? uning eng yaqin do'stlari uni ...
Siz meni Las-Vegasda "jonli efirda" ko'raman deb o'ylamagandingiz, men 1885 yildan beri "klub" o'ynamayman!
Bu dollar belgilarida yozilgan (siz ishonganingiz ma'qul!) Men sizning fikrlaringizni deyarli o'qiy olaman!

- Nik Perito va Rey Charlz, "Agar men sizning fikringizni deyarli o'qiy olsam edi"

Ovoz xususiyatlari

Perri Komo Bing Krosbini uning ovozi va uslubiga ta'sir qilgani uchun ishongan.[102][103] Perri Komoning ovozi keng tarqalgan bo'lib, uning xushmuomalalik vokal akrobatikasi bilan mashhur bo'lib, uning "juda mashhur" kabi qo'shiqlarida tasvirlangan.Issiq Diggity (It Ziggity Boom) ", ammo Perri Komoning boshqa tomoni ham bor edi. Musiqa tanqidchisi Gen Lis uni o'zida tasvirlaydi yeng eslatma Komoning 1968 yilgi albomiga Yuragingizga qarang:[104]

O'zining ulkan mashhurligiga qaramay, Komoga kamdan-kam hollarda nima uchun kredit beriladi, agar siz to'xtab o'ylab ko'rsangiz, u juda aniq: bizning zamonamizning buyuk qo'shiqchilari va buyuk rassomlaridan biri.

Ehtimol, uning qo'shiqchi sifatidagi ajoyib fazilatlari haqida kamdan-kam gapirishlarining sababi, u ular haqida juda oz shov-shuvga sabab bo'lishi mumkin. Uning taniqli qulayligi juda kam tushunilgan. Har qanday san'atdagi osonlik - bu hunarmandlik tafsilotlari ustaligining natijasidir. Siz ularni qanday qilib qilayotganingizni unutishingiz va qilayotgan ishlaringizga diqqatni jamlashingiz mumkin bo'lgan darajaga qadar to'playsiz. Komo ularni shu qadar to'liq birlashtirdiki, mushaklari ham ko'rinmaydi. Bu bejirim tuyuladi, ammo shunga o'xshash tuyulishi uchun juda katta kuch sarflandi. Komo albom uchun materialni tayyorlashda sinchkovlik bilan harakat qilgani ma'lum. U narsalarni turli xil tugmachalarda sinab ko'radi, qo'shiqqa fikr beradi, takliflar beradi, yana sinab ko'radi va yana qoniqguncha. Yashirin ish uni janob Casualga o'xshatadi va juda ko'p odamlar buni qabul qilishadi, ammo baxtli ravishda.

- Jen Liz, yengil eslatma, Yuragingizga qarang

1989 yildan to 2001 yil vafotigacha Komo haftalikni birgalikda o'tkazdi sindikatlangan deb nomlangan Jon Noks ishtirokidagi radio-shou Perri bilan dam olish kunlari.[105][106][107]

Kino karerasi

Perri Komoning Fox reklama fotosurati

Komoning Gollivud tipidagi go'zal qiyofasi unga etti yillik shartnomani taqdim etdi 20-asr-tulki 1943 yilda. U Fox uchun to'rtta filmni suratga oldi, O'g'il bolalar uchun bir narsa (1944), Vaqt mart (1945), Qo'g'irchoq yuzi (1945),[108][109][110] va Agar men omadliman (1946). U bitta filmda ham paydo bo'ldi, So'zlar va musiqa uchun Metro-Goldvin-Mayer (1948). U hech qachon filmlarda chindan ham bemalol ko'rinmagan, chunki unga berilgan rollar uning shaxsiyatiga mos kelmasligini his qilgan.[111][112][53]

Gollivud matbuot agenti Komoning hayotini o'zgartirmoqchi bo'lib, avvalgi mashg'ulotini sartaroshxonadan ko'mir qazib chiqaruvchiga o'zgartirib, bu yaxshi matbuotga yordam berishini aytdi.[108] Gollivud kolonnisti Fred Osmon Komo sartaroshni shunchaki reklama gimmikasi deb ishonishini aytdi. Perri unga noto'g'ri ekanligini isbotlash uchun "Fox Studios" sartaroshxonasida sochini oldirib, sochini oldirdi.[57][113] 1985 yilda Komo o'zining birinchi filmdagi roli tajribasi haqida hikoya qildi O'g'il bolalar uchun bir narsa. U kiyinish xonasida ikki hafta davomida hech qanday chaqiruvsiz ishlashga tayyor o'tirdi. Keyingi ikki haftani Perri golf o'ynash bilan o'tkazdi, uni hali ham studiya sog'inmadi.[50] U studiyani ishdan ogohlantirish uchun dastlabki favqulodda hisobotiga qaramay, u haqiqatan ham to'plamga chaqirilishidan besh hafta oldin edi. Nihoyat Komo paydo bo'lganda, rejissyor uning kimligini bilmagan.[114]

Komo imzolangan paytda, musiqiy filmlar u kamayib borayotgan edi va u studiya bilan shartnoma tuzadigan o'yinchiga aylandi, u erda aktyorlar yoki aktrisalar faqat studiya jadvalni to'ldirish kerak bo'lganda ishladilar.[114] Uning so'nggi filmi bo'lsa ham, So'zlar va musiqa, obro'li uchun qilingan Metro-Goldvin-Mayer, Komo bundan yaxshiroq natija bermadi. Film namoyish etilishidan ikki hafta oldin, Uolter Vinchel o'zining sindikatlangan ustunida shunday deb yozgan edi: "MGM-da kimdir ssenariyni yozayotganda uxlab yotgan bo'lsa kerak So'zlar va musiqa. Filmning aksariyat qismida Perri Komo Eddi Anders deb nomlanadi va oxirigacha (hech qanday sababsiz) ular uni Perri Komo deb atashadi ".[115] Komo o'sha yili MGM shartnomasining qolgan qismidan ozod qilishni so'radi va ozod qildi.[31][102][116] Komoning so'zlaridan iqtibos keltirib, "Men ularning vaqtini sarf qildim, ular esa mening vaqtimni behuda sarfladilar". [50]

1949 yilgi intervyu paytida Komoning sharhlari, uning muvaffaqiyati haqida bashoratli edi. O'sha paytda u buni qilar edi Chesterfield Supper Club ham radio, ham televidenieda "Televizion menga har qachongidan ham ko'proq shaxsiy foyda keltiradi ... Sababi aniq bo'lishi kerak. Televizorda men o'zim bo'lishimga ijozat berdim; rasmlarda men doim Men boshqa bir yigit. Men xuddi smedodagi yana bir serseri kabi kelaman. "[111] Haftalik teleshoularda namoyish etila boshlagandan so'ng Komoga uni qiziqtirgan bir nechta film rollari taklif qilindi, ammo har qanday kino ishlarini bajarish uchun vaqt etarli bo'lmadi.[117][118][119]

Televizion martaba

Dastlabki yillar: 1948–1955

Photograph of Perry Como singing, superimposed on an illustration of a microphone and accompanied by advertising copy, including the slogan
Perster Komo Chesterfild, dushanba, chorshanba va juma kunlari uchun.
O'zaro eshittirish tizimi, 1954 yil

Perry Komo NBC telekanali dastlab televidenie orqali ko'rsatilganda televizorga o'tdi Chesterfield Supper Club 1948 yil 24-dekabrdagi radio dastur. Ushbu birinchi televizion ko'rsatuvning juda o'ziga xos mehmoni - Komoning sakkiz yashar o'g'li Ronni, otasi bilan "Silent Night" qo'shig'ini ijro etgan o'g'il bolalar xori tarkibida.[120][121] Namoyish odatdagi juma oqshomi edi Chesterfield Supper Club muhim istisno bilan - u televizorda ham namoyish etilardi.[122] Eksperimental simulkast juma kuni kechki "Supper Club" shoularida davom etishi kerak edi, ammo juda yaxshi o'tdi, NBC televizion versiyasini 1949 yil avgustga qadar uzaytirishga qaror qildi.[111][123] Bir necha yil o'tgach, Komo dastlab qo'rqqanini va o'zini noqulay his qilganini tan oldi, ammo qandaydir tarzda o'zini o'zi tutishga muvaffaq bo'ldi.[124] Komo: "Siz televizorda rol o'ynay olmaysiz. Men bilan nima ko'rsangiz, sizga nima bo'ladi" dedi. Hali ham eksperimental bosqichda bo'lganida, Komo va televizion shou 1949 yil 15 aprelda Shimoliy Karolina shtatining Durham shahrida efirga uzatilgan joyda omon qoldi.[125]

1949 yil 8-sentyabrda yakshanba kuni kechqurun Ed Sallivanning qarshisida haftalik yarim soatlik taklif bo'ldi. Shahar tushdi.[69][126] 1950 yilda Perri CBS-ga ko'chib o'tdi va shou nomi o'zgartirildi Perry Komo Chesterfild shousi, yana Liggett & Myers 'homiyligida Chesterfild sigaretalar.[127] Como dushanba, chorshanba va juma kunlari ushbu norasmiy 15 daqiqalik musiqiy estrada turkumini namoyish qildi CBS televizion yangiliklari. Faye Emerson shousi dastlab seshanba va payshanba kunlari bir xil vaqt oralig'ida efirga uzatilgan.[33][128] 1952 yilga kelib televizor radio o'rnini asosiy ko'ngilochar vosita sifatida egallashi aniq edi. Gari Giddins, Bing Krosbining biografi, 2001 yilda shunday degan edi: "U (Komo) bu butun avlod avlodi - Krosbi va Sinatradan chiqqan, ammo u ulardan biri televizorni aniqlagan". [125] Komoning 15 daqiqasi teleshou ham edi simulcast orqali radio orqali O'zaro eshittirish tizimi 1953 yil 24-avgustdan boshlangan; esa Chesterfield Supper Club eshittirishlar radio va televidenieda simulyatsiya qilingan, bu ikki tarmoq o'rtasida simulkastning birinchi namunasi edi.[129]

Komoning CBS shartnomasi 1955 yil 1-iyulda tugashi kerak edi.[130] Bir yil oldin, u NBC radiosining 35 yillik yubileyiga bag'ishlangan marosimlarning ustasi va diktori bo'lishini so'ragan edi.[131] O'sha aprel oyida Perri Komo NBC bilan 12 yillik "buzilmas" shartnoma imzoladi.[130] 1955 yil 24-iyunda o'zining so'nggi CBS shou dasturida Komo ko'tarinki kayfiyatda edi va kamerada ishlaydiganlarning barchasini tanishtirish uchun efirga uzatdi. Perri kamerada ishlashda o'z kuchini sinab ko'rdi, efirga suratga tushdi, lekin teskari edi.[132] 11 yillik assotsiatsiyani qadrlash uchun uning homiysi Chesterfild unga ushbu davrda ishlatilgan barcha musiqiy aranjirovkalarni sovg'a sifatida taqdim etdi.[133]

Menga qo'shiq ayt, janob C .: 1955–1959

U haftasiga bir soat davom etadigan qo'shimcha musiqiy va prodyuserlik raqamlari, komediya eskizlari va mehmon yulduzlari ishtirokidagi estrada namoyishi bilan NBC-ga qaytdi. Perri Komo Shousi, premyerasi 1955 yil 17 sentyabr, shanba.[23] Uning shousining ushbu versiyasi ham shunchalik mashhur ediki, 1956 - 1957 televizion mavsumida u to'qqizinchi o'ringa ko'tarildi Nilsen reytinglari, NBC-da o'sha mavsumda birinchi o'nlikka kiradigan yagona shou.[134]

Komo va Rey Charlz xonandalari sahnada Perri Komo Shousi "Sing To Me, Mr, C" paytida. segment, v. 1950-yillar. Komoning "kozok davri".

Komoning "Men bilan birga tush" [135][136] shouning ochilish mavzusiga aylandi,[120] - Janob C. ma'lum bir qo'shiqni kuylashni iltimos qilgan ko'plab "uyum va xatlar to'plami" ning birinchisini oldi.[29][135][137] Aynan shu erda u o'zining savdo belgisiga qo'yilgan kardigan kozoklarini kiyishni boshladi.[120][138][139] "Menga qo'shiq ayt, janob S". Tomosha stoliga o'tirgan Komo segmenti, tomoshabin so'ragan qo'shiqlari birinchi teledasturlarda ildiz otgan Chesterfield Supper Club. Kameralar "Supper Club" radiostudiyasiga kirganida, Komo va uning mehmonlari musiqa stendlari ortida stulda o'tirishgan.[96][122] Ko'rgazmaning yakunlovchi mavzusi: "Siz mendan hech qachon uzoq emassiz".[120][135]

Perrining translatsiyalardagi diktori, Frank Gallop, Komo hazillari uchun plyonka bo'ldi. Televizion shou boshlanganda Gallopning sahnaga chiqishi uchun joy etishmadi; u 1958 - 1959 yilgi mavsumga qadar ko'rinmas "bulutlardan ovoz" bo'lgan.[140][141] Mashg'ulotlarda tomoshaning o'zi kabi juda qiziqarli bo'lgan.[142] Komoning takroriy mashg'ulotlarda erkin va kulgili uslubi ko'plab asabiy mehmonlarni tinchlantiradi.[143] Komoning shanba kuni tushdan keyin mashqdan yarim soatga ketishi odatiy hol edi tan olish. U musiqiy noshiri Mikki Glasdan konfessiyada uning oldida navbat kutishini iltimos qilib, biroz vaqt tejashga muvaffaq bo'ldi. Yahudiy bo'lgan Shisha bunga eng ma'qul edi, ammo agar uning navbati Komo kelguniga qadar kelsa nima qilish kerakligini o'ylardi.[144][145][146]

Yon tomondan Bing Krosbi va Artur Godfri (1950)

Komo o'zining televizorda ishlagan yillaridan juda zavqlanib, 1989 yildagi intervyusida: "Men jonli televizordan zarba oldim. O'z-o'zidan paydo bo'lish uning zavqi edi".[125] Suzuvchi / aktrisa uchun o'z-o'zidan paydo bo'lish va o'ziga xos bo'lish qobiliyati qo'l keldi Ester Uilyams '1957 yil 16 martdagi mehmonlarning ko'rinishi.[147] Shkafning ishdan chiqishi, tomoshabinlar Esterni 1950-yillarga qaraganda ko'proq ta'mini yaxshi ko'rgan televizorlarni ko'rishayotganini anglatardi; yana jonli shou baxtsiz hodisalar kuzatildi. Ko'rgazma yakunida Uilyams o'zining tashqi ko'rinishi uchun sahnada maxsus qurilgan basseynda suzayotgan edi. Komo shunchaki: "Xayrli tun, odamlar!" Dedi va to'liq kiyingan holda suzish havzasiga sakrab tushdi.[148]

1955 yil 17-dekabrda tomoshabinlar Perrining professional qo'shiqchi bo'lishidan oldin hayot uchun nima qilganini bevosita ko'rishlari mumkin edi. Aktyor Kirk Duglas Komoning televizion mehmonlaridan biri edi; Duglas unga soqol o'stirgan edi Vinsent van Gog rol Hayotga bo'lgan ishtiyoq, o'sha hafta filmni suratga olishni yakunladi. Komo Duglasning kino soqolini milliy televidenie orqali jonli ravishda qirib tashladi.[149][150][151] 1956 yil 15 sentyabrda mavsumning premyerasi Perri Komo Shousi NBC telekanalining yangi telekanalidan efirga uzatildi rangli televizor Nyu-Yorkdagi studiyalar Ziegfeld teatri, uni birinchi haftalik rangli televizion shoulardan biriga aylantirish.[152] Ushbu mavsum premyerasidan tashqari rangli televizion shou sifatida, shuningdek, qirollik tashrifi ham bo'ldi Shahzoda Rainier ning Monako va uning olti oylik kelini, Greys Kelli.[147] Komo raqobatlashdi Jeki Glison "Gigantlar jangi" deb nomlangan va g'alaba qozongan narsada.[149] Bu kamdan-kam hollarda esga olinadi, qisman Komo o'zining yutuqlarini kamsitgani va ikkalasi do'st bo'lganligi sababli.[153] Haftalik reytinglar g'olibi mag'lubiyatga uchraganlarni bir nechta soxta shodlik uchun chaqiradi.[154][155] Ushbu televizion musobaqa avjiga chiqqan paytda Komo Glisondan yaxshilik so'radi: qaynonasi, Glisonning ashaddiy muxlisi bo'lganida uning uyiga tashrif buyurishni. Bellin xonim ingliz tilini bilmasa ham, Glison italyan tilini bilmasada, Rozelning onasi juda hayajonlandi. Tashrifdan keyin Komoning Glisonga aytgan so'zlari: "Istagan narsangizga erishdingiz. Aslida, men sizning ko'rsatuvlaringizdan birini ham qilaman, shunda reytinglar yaxshiroq bo'ladi".[148] Komo Glisonni to'ldirganlar orasida edi Jeki Glison shousi 1954 yilda ko'ngilochar havoda yiqilib to'pig'i va oyog'i singanida.[156][157]

Komoning mashhurligiga misol 1956 yilda, qachon bo'lgan Hayot yosh ayollarning so'rovnomasini o'tkazdi, ulardan ijtimoiy hayotda qaysi erkak ideal erining tushunchasiga ko'proq mos kelishini so'radi: bu Perri Komo edi.[158] 1958 yilda AQSh o'spirinlari o'rtasida o'tkazilgan mamlakat bo'ylab o'tkazilgan so'rovnoma Perri Komoni eng mashhur erkak qo'shiqchi deb topdi va u kaltaklandi Elvis Presli, o'tgan yilgi so'rovnomada kim g'olib bo'lgan.[159][160] Bir vaqtning o'zida uning televizion shousi kamida 12 mamlakatda namoyish etilgan.[161][23][29]

Komo-shou qiymatini tarmoq uchun baholashning yana bir usulini quyidagilarda topish mumkin: ovozli tekshiruvlar paytida mashq, Komoning yumshoq ovozini eshitish ko'pincha katta mikrofonga ega bo'lmasdan kamerani o'qqa tutishni qiyinlashtirardi. NBC RCA dizayniga ega edi mikrofon shou uchun - "Como mic" nomi bilan tanilgan RCA Type BK-10A; mikrofon Komoning ovozini to'g'ri qabul qila oladigan va kameraning tortishishlariga xalaqit bera olmaydigan darajada kichik bo'lgan.[162]

Kraft musiqiy zali: 1959–1967

1959 yilda Komo 25 million dollarlik shartnoma imzoladi Kraft[163] va chorshanba kuni kechqurun ko'chib o'tdi Perri Komoning Kraft musiqiy zali keyingi to'rt yil davomida har hafta. Keyingi to'rt faslda, 1963 yildan 1967 yilgacha, seriya oylik maxsus sifatida taqdim etildi Kraft to'xtatib turish teatri, Andy Williams shousi va nihoyat G'arbiy yo'l.[117][118][120] Komo shu kungacha televizionlar tarixidagi eng ko'p maosh oladigan ijrochiga aylandi Ginnesning rekordlar kitobi. Komoning o'zi bularning hech birida qatnashmagan; uning ishlab chiqarish kompaniyasi, o'g'li Ronni Komo nomidagi Roncom, ushbu operatsiyani boshqa barcha Como biznes masalalari bilan birga hal qildi.[164] Komo shuningdek, yozgi televizion tanaffus paytida uning o'rnini bosadigan shouni boshqargan. "Janob C." dam olayotgan edi, tomoshabinlar ko'rishardi Perri sovg'alar, 1959 yildan boshlangan.[165][166]

1962 yil oxirida, keyin Kuba raketa inqirozi evakuatsiya qilingan harbiy xizmatchilarning oilalarini qaytarib berishga ruxsat berish uchun etarlicha o'rnashgan edi Guantanamo harbiy-dengiz bazasi Kubada Mudofaa vaziri Robert Maknamara u erda axloqiy jihatdan ko'proq narsani qilishga intilgan edi. U Perri Komodan televizion shousini dengiz bazasiga olib kelishini so'radi.[167] Perri va uning aktyorlar jamoasi va ekipaji Guantanamoda, yaqinlari qaytib kelishni boshlaganlar.[168] Inqirozdan beri bazaga tashrif buyurgan birinchi ko'ngil ochuvchilar, Komo shousi u erda sakkiz kun davomida suratga olingan. 1962 yil 12-dekabrda AQShda ko'rilgan ushbu dasturning ba'zi muhim voqealari orasida Komoning Kastroga o'xshash soqoli bo'lgan harbiy xizmatchini oldirishi va Perri sahnaga ko'ngillilarni kelishini so'raganida g'ayrat bilan ishtirok etishi ko'rsatilgan. Twist tashrif buyuradigan raqs guruhining bir qismi bo'lgan yoqimli xonimlar bilan.[169][170]

Uchun suratga olish Kraft musiqiy zali 1964 yil 17-dekabrda namoyish qilingan Rojdestvo shousi Vatikan shahrida 7-noyabr kuni boshlangan. Maxsus ruxsati bilan Papa Pol VI, Komo va uning ekipaji Vatikan bog'larida va ilgari kameralarga hech qachon ruxsat berilmagan boshqa joylarda segmentlarni suratga olishga muvaffaq bo'lishdi.[171][172] Shouda birinchi televizion ko'rinish namoyish etildi Sistin cherkovi xor, shuningdek, birinchi marta xor bo'lmaganlar (Komo) ular bilan qo'shiq kuylashdi.[172][173] Xor o'z rejissyori tomonidan yozilgan Rojdestvo madhiyasini ijro etdi, Domeniko Bartoluchchi, ularning taqdimoti doirasida "Masih tug'ildi" deb nomlangan. Komo sherigi Rey Charlzdan ushbu qo'shiq uchun ingliz tilidagi matnlarni yozishni iltimos qildi, bu qo'shiqni televizion ko'rsatuvlarda ham, Rojdestvo albomlarida ham ko'p marta ishlatgan.[172][174] Duradgorlar shuningdek, ushbu qo'shiqni birinchi Rojdestvo albomiga yozib qo'yishdi, Rojdestvo portreti.[172]

Maxsus

1967 yildan boshlab Komo o'zining televizion tomoshalarini qisqartirishni boshladi, asta-sekin Rojdestvo bayramiga bag'ishlangan mavsumiy va ta'til bayramlari bilan cheklanib qoldi.[119][175] Komo juda ko'p edi Rojdestvo 1948 yilgi Rojdestvo arafasida boshlangan va 1994 yilda, uning so'nggi Rojdestvo maxsus marosimi Irlandiyada qayd etilganida, televizion maxsus dasturlar. Ular ko'plab mamlakatlarda, shu jumladan Muqaddas er, Meksika va Kanada, shuningdek, Qo'shma Shtatlar bo'ylab ko'plab joylar, shu jumladan Virjiniya shtatidagi Uilyamsburg shahridagi Colonial America Christmas. G'azablangan Komoning buyrug'i bilan 1987 yilgi Rojdestvo bayrami bekor qilindi; The American Broadcasting Company (ABC) unga ta'tildan uch hafta oldin shanba kuni soat 22.00 gacha bo'lgan vaqtni taklif qilishga tayyor edi.[176] Perri o'z muxlislari uchun yillik bo'shliqni turli joylarda jonli Rojdestvo kontsertlari bilan to'ldirdi.[32][94][177][178]

Komoning Rojdestvoga bag'ishlangan so'nggi maxsus marosimi 1994 yil yanvar oyida Dublinda suratga olingan Point teatri 4500 kishilik auditoriya oldida, shu jumladan Irlandiya Prezidenti Meri Robinson va Komoning do'sti, aktrisa Mureen O'Hara. Perri Komoning Irlandiyalik Rojdestvo bayrami bilan birgalikda Irlandiyaning mustaqil prodyuserlik kompaniyasi tomonidan ishlab chiqarilgan Jamoat eshittirish xizmati (PBS) mahsuloti edi RTÉ. Komo, yoshi yomon va yomon ko'rinishda bo'lib, ro'yxatga olish uchun to'rt soat davom etgan shou paytida grippga chalingan.[175] Shou yakunida Komo Dublindagi tomoshabinlaridan odatdagidek talablarga javob bermasligi uchun kechirim so'radi.[179]

Dublinga tashrifi davomida Komo "Komo" nomli sartaroshxonaga tashrif buyurdi Tomas ko'chasi. Uning biznesini uning sharafiga nomlagan egalari, umrbod muxlislari, do'konning fotosuratlari va Komoga uni ko'rishga taklif qilgan maktublar yuborishgan. Do'konda Komoning sartaroshlar bilan suratlari hoshiyalangan. "Komo" 2002 yilda yopilgan, ammo uning nomi haligacha saqlanib qolgan Ozodlik.[180]

Shaxsiy hayot

Nikoh va oila

Uydagi Komoslar v. 1955. Divanda uning katta o'g'li Ronni va rafiqasi Rozelle. Uning qo'g'irchog'i bilan stulda uning qizi Terri, polda esa o'g'li Devid va uning otasi o'qiydilar.

1929 yilda 17 yoshli Komo Piknikda Rozelle Bellin bilan uchrashdi Chartiers Creek bu Kanonsburg hududidan ko'plab yoshlarni jalb qildi. Como, who attended the cookout with another girl, did not spot Roselle until everyone was around the campfire singing and the gathering was coming to a close. When it came Como's turn to sing, he chose "Siz bilganingizdan ko'proq," with his eyes on Roselle for the entire song.[28] The teenage sweethearts were married July 31, 1933.[34][48] They raised three children, Ronnie, David, and Terri, with traditional, non-show-business values.[23][33] Because Perry Como believed his professional life and his personal life should be kept separate, he declined repeated interview requests from Edvard R. Murrow "s Shaxsdan shaxsga.[5][181][182]

In 1958, the Comos celebrated their silver wedding anniversary with a family trip to Italy. On the itinerary was an audience with Papa Pius XII.[183] Como, who sat in a side wing of the Long Island church where he attended Sunday Mass in an effort to avoid attracting attention, was both puzzled and upset on returning home that photos from the visit made the newspapers throughout the world. A thorough check of both the Como and NBC publicity offices found that neither was responsible for the release of the photos to the media; it was done by the Vatican's press department. When Perry and Roselle became Knight Commander and Lady Commander of the Equestrian Order of the Muqaddas qabriston ordeni in 1952, it was a news item only after Archbishop Fulton J. Shin, who had been honored at the same ceremony, mentioned it some time later.[23][184][129][153][185][186]

Como suffered a debilitating fall from a stage platform in 1971 while taping Perry Como's Winter Show Gollivudda.[187] X-rays showed no serious injury to his knee, but by the next morning, it was twice its normal size. The ailing Como chartered a jet back to his home and doctors in Florida, where a second exam showed it had been seriously broken. His knee was re-set and placed in a cast with a recuperation time of eight months.[188][189] In 1993, he was successfully treated for bladder cancer.[48] Roselle died suddenly on August 12, 1998, at the age of 84; the couple had been married for 65 years.[48] Como was reportedly devastated by her death.[190][191]

Ommaviy shaxs

One of the many factors in his success was Como's insistence on his principles of good taste; if he considered something to be in bad or questionable taste, it was not in the show or broadcast.[192][75] When a remark made by Julius La Rosa about television personality Artur Godfri kuni Perri Komo Shousi was misconstrued, Como offered an on-air apology at the beginning of his next show, against the advice of his staff.[193][194][195] While his performance of "Ave Maria" was a tradition of his holiday television programs, Como refused to sing it at live performances, saying, "It's not the time or place to do it", even though it was the number-one request of his audiences.[196][197]

Another was his naturalness; the man that viewers saw on television every week was the same person who could be encountered behind a supermarket shopping cart, at a bouling, or in a kitchen making breakfast.[184][198][199] Birinchisidan Chesterfield Supper Club television show, if scripts were written at all, they were based on Como's everyday manner of speaking.[192][111] Though Como was widely known for his amiability, laid-back and easygoing style, he was not devoid of a temper, and it could be seen at times as a result of the frustrations of daily life. Mitchell Ayres, his musical director from 1948 to 1963 said, "Perry has a temper like everyone else. And he loses his temper at the normal things everyone else does. When we're driving, for instance, and somebody cuts him off, he really lets the offender have it."[200][201]

Bing Krosbi once described Como as "the man who invented casual."[202] His preference for casual clothing did not keep him from being named one of the Best Dressed Men beginning in 1946, and continuing long after Como stopped appearing on weekly television.[203][204][205] Como also had his own line of sports/casual men's clothing made by Bucknell c. 1950-yillarning boshlari.[206]

Xobbi

Perry was an avid and accomplished golfer; there was always time to try getting in a game of golf.[207][208] "Perry Como Putters" were sold by MacGregor, each stamped with a Como facsimile autograph.[209] His colleagues held an annual Perry Como Golf Tournament to honor him and his love for the game.[210][211] Como's guests on the October 3, 1962, broadcast were Jek Niklaus, Arnold Palmer va Gari o'yinchi. The four golfers played 18 holes for the cameras at Sands Point, Nyu-York, where the Comos made their home in the television years.[184][212] Como also enjoyed baliq ovlash and he could be found out on his boat almost daily after the family moved to Florida. Perry's catches would usually turn out to be the Como family's dinners.[207][82] Como also used his boat as a rehearsal hall with pre-recorded instrumental tapes sent to him by RCA Victor. Perry would work on material while he was waiting for the fish to bite.[213] Having enjoyed golfing and fishing in the North Carolina mountains for several years, Como built a vacation home in Saluda, Shimoliy Karolina, in 1980. He discouraged photos of his home, as it was his private place to get away from the celebrity life.[214][215][216]

O'lim

Como died in his sleep on May 12, 2001, at his home in Yupiter-Inlet koloniyasi, Florida, six days before his 89th birthday.[217][218] He was reported to have suffered from symptoms of Altsgeymer kasalligi. Como's older son, Ronnie, and his daughter, Terri, could not agree on their interpretations of Como's 1999 living will and it became a matter for the courts in the year before his death.[219] His funeral Mass took place at St. Edward's Catholic Church in Palm Beach, Florida.[220] Como and his wife, Roselle are buried at Riverside Memorial Park, Tequesta, Palm Beach County, Florida.[221]

Hurmat va o'lpon

Mukofotlar

Como received the 1959 Grammy mukofoti for Best Vocal Performance, Male; besh Emmi from 1955 to 1959;[222] a Kristofer mukofoti (1956) va birgalikda Peabody mukofoti with good friend Jackie Gleason in 1956.[5] U tarkibiga kiritildi Televizion san'at va fanlar akademiyasi 1990 yilda Shon-sharaf zali[223][224][225] va oldi Kennedi markazining sharafi 1987 yilda.[9] Vafotidan keyin Komo uni oldi "Grammy Lifetime Achievement" mukofoti 2002 yilda;[226] u kiritildi Long Island musiqa shon-sharaf zali 2006 yilda.[227][228] Komo uchta yulduzga ega bo'lish xususiyatiga ega Gollivudning Shon-sharaf xiyoboni radio, televidenie va musiqadagi ishi uchun.[229]

Xizmatlar

In the official RCA Records Billboard memorial, his life was summed up in these words: "50 years of music and a life well lived. An example to all."[230] Bastakor Ervin Dreyk said of him, "... [o]ccasionally someone like Perry comes along and won't 'go with the flow' and still prevails in spite of all the bankrupt others who surround him and importune him to yield to their values. Only occasionally."[231]

Hometown honors

Canonsburg has always been very proud to be the birthplace of Perry Como; the local newspaper of the time, Canonsburg Daily Notes, seems to have been the first to write an article about him. Their edition of July 19, 1934, featured a photo and the following: "A young Canonsburg boy threatens to snatch the crown from Bing Crosby's head. Perry Como, son of Mr. and Mrs. Pietro Como of 530 Franklin Ave. is said to have one of the grandest baritone voices in the country." [232][233] The borough honored him three times over the course of his life.[234] The first of these events took place September 14, 1946, when Third Street, where Perry worked in the barber shop of Steve Fragapane, was renamed "Perry Como Avenue". Perry, Roselle, and Como's mother, Lucy, attended the ceremonies and banquet held at the State Armory.[181][232][235]

A second ceremony marking Perry Como Day took place August 24, 1977, but the most ambitious project began in 1997 – a statue of the singer.[12][24][236] The planned statue had the blessing of Como's wife, Roselle, who died the year before it was unveiled on May 15, 1999.[48] As part of the festivities, Como's stool and music stand from Perri Komo Shousi and the equipment he used at Steve Fragapane's barber shop were donated to the borough.[233] Como was not present at the unveiling because of poor health. The inscription on the base, "To This Place God Has Brought Me", was a favorite saying of Como's; the musical feature was added in 2002.[12][237]

The Como celebration crossed the Atlantic in August 2002. Palena, Italy, the birthplace of Como's parents, had a long-standing week-long festival in honor of the singer.[238] A smaller version of the statue was taken to Palena by the mayor of Canonsburg, Anthony Colaizzo.[239] Perry's son, David, and his wife were also in attendance when the town of Palena renamed a street for Como.[237] Dating from these ceremonies, there is a marble plaque on a Palena town wall stating that Pietro and Lucia Como, parents of Perry Como, emigrated from this village to the United States.[240]

Perry Como never forgot Canonsburg.[241][242] One of the things he did to give a helping hand to his home town was to convince RCA to open a record-pressing plant there.[243][244] Those who needed to raise funds for local projects like Boys' and Girls' Clubs found him always ready to do whatever was needed.[12][210][245]

In 2007, the local McDonald's qayta qurilgan. The building includes memorabilia of Como and Canonsburg native Bobby Vinton.[246] A children's playground in Canonsburg on Giffin Avenue is also named for Como.[247] In downtown Canonsburg, all of the tree grates are marked with information about the records that sold a million copies and the town clock hourly plays one of the hits of Como (141), Vinton (44), or the Four Coins (7), also from Canonsburg.[248][249][250]

Shuningdek qarang

Izohlar

  1. ^ Como's father was born in 1877 and died in 1945. His mother was born in 1883 and died in 1961.[16][17][18]
  2. ^ Como was not the seventh son of a seventh son nor was he one of a family of 13 children.[19]

Adabiyotlar

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