Bing Krosbi - Bing Crosby

Bing Krosbi
1951 yilda Krosbi
Tug'ilgan	Garri Lillis Krosbi Jr. (1903-05-03)1903 yil 3-may Takoma, Vashington, BIZ.
O'ldi	1977 yil 14 oktyabr(1977-10-14) (74 yosh) Alkobendas, Madrid, Ispaniya
Dam olish joyi	Kalver shahri, Muqaddas Xoch qabristoni, Kaliforniya
Olma mater	Gonzaga universiteti
Kasb	Ashulachi aktyor komediyachi
Faol yillar	1922–1977
Turmush o'rtoqlar	Diksi Li ​ ​ (m. 1930; 1952 yilda vafot etgan)​ Ketrin Grant ​ (m. 1957)​
Bolalar	Gari, Dennis, Fillip, Lindsay (Dixie bilan) Garri III, Meri, Nataniel (Ketrin bilan)
Qarindoshlar	Larri Krosbi (aka) Bob Krosbi (aka) Denis Krosbi (nabira) Kris Krosbi (jiyani)
Musiqiy martaba
Janrlar	An'anaviy pop oson tinglash jazz
Yorliqlar	Decca Kolumbiya RCA Viktor Brunsvik Qayta takrorlash Kapitoliy Verve Birlashgan rassomlar
Birlashtirilgan aktlar	Ritm Boys Pol Uaytmen Al Jolson Bob umid Ella Fitsjerald Endryu opa-singillar Johnny Mercer Kalamush to'plami Rozmari Kluni Lui Armstrong Graf Basi Din Martin Frank Sinatra Fred Aster Devid Boui Sammy Devis Jr.
Veb-sayt	bingcrosby.com

Garri Lillis "Bing" Kichik Krosbi. (1903 yil 3 may - 1977 yil 14 oktyabr)^[1][2] amerikalik qo'shiqchi, komik va aktyor edi.^[3] Birinchi multimedia yulduzi Krosbi 1930 yildan 1954 yilgacha rekord sotuvlar, radio reytinglari va kinofilmlar daromadlari bo'yicha etakchi bo'lgan. U yetmishdan ortiq badiiy filmlar yaratgan va 1600 dan ortiq turli xil qo'shiqlarni yozgan.

Uning dastlabki karerasi, unga ergashgan ko'plab erkak qo'shiqchilarga ta'sir ko'rsatadigan samimiy qo'shiq uslubini rivojlantirishga imkon beradigan, ro'yxatdan o'tgan yangiliklarga to'g'ri keldi, shu jumladan Perri Komo,^[4] Frank Sinatra,^[5] Din Martin, Dik Xeyms, Elvis Presli,^[5] va Jon Lennon.^[5]

Yank jurnalining ta'kidlashicha, u Ikkinchi Jahon urushi paytida "chet el harbiy xizmatchilari ma'naviyati uchun eng ko'p ish qilgan".^[6] 1948 yilda Amerika so'rovnomalari uni "tirikchilikning eng qoyil odami" deb e'lon qildi Jeki Robinson va Papa Pius XII.^[1]:6[7] Shuningdek, 1948 yilda, Music Digest uning yozuvlari yozib olingan radio musiqalariga ajratilgan haftalik 80000 soatning yarmidan ko'pini to'ldirgan deb taxmin qildi.^[7]

Crosby g'olib bo'ldi Eng yaxshi aktyor uchun Oskar mukofoti uning ishlashi uchun Mening yo'lim bilan borish (1944) va uning davomi uchun nomzod bo'lgan Aziz Maryam qo'ng'iroqlari (1945) qarama-qarshi Ingrid Bergman, bitta belgini ijro etgani uchun ikki marta nomzod bo'lgan oltita aktyordan birinchisiga aylandi. 1963 yilda Krosbi birinchisini oldi Grammy Global Achievement mukofoti.^[8] U uchta yulduzga ega bo'lgan 33 kishidan biridir Gollivudning Shon-sharaf xiyoboni,^[9] kinofilmlar, radio va audio yozuvlar toifalarida.^[10] U uzoq vaqtdan beri do'sti bilan hamkorlik qilgani bilan ham tanilgan Bob umid, rollarda Yo'l ... 1940 yildan 1962 yilgacha bo'lgan filmlar.

Krosbi urushdan keyingi rivojlanishiga ta'sir ko'rsatdi yozuvlar sohasi. Nemis translyatsiyasi sifatining namoyishini ko'rgandan keyin g'altakning magnitafoni tomonidan Amerikaga olib kelingan Jon T. Mullin, u Kaliforniyadagi elektronika kompaniyasiga 50 ming dollar sarmoya kiritdi Ampex nusxalarini yaratish. Keyin u ABC-ni ko'rsatuvlarini lentaga yozib olishga imkon berishiga ishontirdi. U o'zining radioeshittirishlarini oldindan yozib olgan va tijorat yozuvlarini o'zlashtirgan birinchi ijrochi bo'ldi magnit lenta.

Yozib olish vositasi orqali u o'zining radio dasturlarini xuddi shu rejissyorlik vositalari va mahorat bilan yaratdi (tahrirlash, takrorlash, mashq qilish, vaqt o'zgarishi ) kinofilm ishlab chiqarishda qo'llaniladi, bu sanoat standartiga aylangan amaliyot.^[11] Dastlabki audio lenta yozuvi bilan ishlashdan tashqari, u videotasvirni ishlab chiqishni moliyalashtirishga yordam berdi, televizion stantsiyalarni sotib oldi, poyga otlarini ko'paytirdi va ularning egasi Pitsburg qaroqchilari beysbol jamoasi.

Hayotning boshlang'ich davri

Krosbi to'qqiz yoshda

Krosbi 1903 yil 3-mayda tug'ilgan^[12][13] yilda Takoma, Vashington, otasi Shimoliy J ko'chasi, 1112 da qurilgan uyda.^[14] 1906 yilda uning oilasi ko'chib keldi Spokane yilda Sharqiy Vashington shtati, u qaerda tarbiyalangan.^[15] 1913 yilda otasi E. Sharp prospektida 508-uyda uy qurgan.^[16] Uy uning tug'ilgan joyi yotoqxonasida o'tiradi, Gonzaga universiteti. Bugungi kunda uning hayoti va faoliyati davomida, shu jumladan Oskar mukofotidan 200 dan ortiq eksponatlar saqlanadigan muzey sifatida faoliyat yuritmoqda.^[17][18]

U etti farzandning to'rtinchisi edi: aka-uka Lorens Erl (Larri) (1895-1975), Everett Nataniel (1896-1966), Edvard Jon (Ted) (1900-1973) va Jorj Robert (Bob) (1913-1993); va ikkita opa-singil Ketrin Kordeliya (1904-1974) va Meri Rouz (1906-1990). Uning ota-onasi Garri Lou Krosbi edi^[19] (1870-1950), buxgalter va Ketrin Xelen "Keyt" (ism-sharif Harrigan; 1873-1964). Uning onasi ikkinchi avlod edi Irland-amerikalik.^[20][1] Uning otasi edi Shotlandiya va Ingliz tili tushish; ajdodlari Simon Krosbi hijrat qilgan Shotlandiya ga Yangi Angliya davomida 1630-yillarda Puritanlarning Yangi Angliyaga ko'chishi.^[21][22] Boshqa chiziq orqali, shuningdek otasining yonida, Krosbi kelib chiqadi Mayflower yo'lovchi Uilyam Brewster (taxminan 1567 - 1644 yil 10-aprel).^[1]:24[23] 1937 yil 8-noyabrda, keyin Lyuks radio teatri "s moslashish ning U meni sevmaydi, Joan Blondell Krosbidan qanday qilib o'z taxallusini olganini so'radi:

Krosbi: "Xo'sh, men sizga aytamanki, tizzadan o'tirgan kunlarda, men kichkina tayk, o'g'ilning oddiy bulonida bo'lganimda, Spokanada aytganimizdek, men ko'chalarni aylanib yurar edim. Har bir kestirib, qurol, maktabdan keyingi mashg'ulotim mening sevimli o'yinim "nomi bilan tanilganPolitsiya va qaroqchilar ", Men qaysi tomonda ekanligimga ahamiyat bermadim, politsiyachi yoki qaroqchi paydo bo'lganida, men ishonchli oltita otishni o'rganuvchini olib chiqib ketar edim va baland ovoz bilan xitob qilardim. bing! bing!, baxtsiz jabrdiydam yonboshlagancha qulab tushganida, men baqirardim bing! bing!, va men unga yana ruxsat berar edim, keyin do'stlari qutqarish uchun kelganlarida, ular kelganda o'q otishganda, men qichqirar edim bing! bing! bing! bing! bing! bing! bing! bing!"
Blondell: "Men sizni" Qotil "Krosbi deb chaqirishmaganiga hayronman! Endi menga yana bir hikoya aytib bering, bobo!
Krosbi: "Yo'q, shuning uchun menga yordam bering, bu haqiqat, mister De Mildan so'rang."
De Mille: "Men bunga kafolat beraman, Bing."^[24][25][26]

Ushbu voqea dramatik effekt uchun bejirim edi va haqiqat shundaki, qo'shni - Valentin Xobart uni "Bingvildagi Bingo" deb nomladi.Bingvil bugl "bu Garriga yoqdi. Vaqt o'tishi bilan Bingo Bingga qisqartirildi.^[1]

1917 yilda Krosbi yozda Spokanening "Auditoriya" da o'g'il bola sifatida ish olib, u erda kunning eng yaxshi harakatlarini, shu jumladan Al Jolson, kim uni reklamani libing qilish va parodiyalar bilan sehrlagan Gavayi qo'shiqlari. Keyinchalik u Jolsonning etkazib berishini "elektr" deb ta'rifladi.^[27]

Krosbi Gonzaga o'rta maktabini (bugungi maktabni) tugatgan Gonzaga tayyorgarlik ) 1920 yilda va Gonzaga universitetiga o'qishga kirdi. U Gonzagada uch yil o'qigan, ammo ilmiy darajaga ega bo'lmagan.^[28] Birinchi kursda u universitetning beysbol jamoasida o'ynagan.^[29] Universitet unga 1937 yilda faxriy doktorlik unvonini berdi.^[30] Bugungi kunda Gonzaga universitetida Krosbi bilan bog'liq ko'plab fotosuratlar, yozishmalar va boshqa materiallar to'plami mavjud.^[31]

Ijrochilik faoliyati

Dastlabki yillar

1923 yilda Krosbi o'zidan bir necha yosh kichik maktab o'quvchilaridan tashkil topgan yangi guruhga qo'shilishga taklif qilindi. Al va Maylz Rinker (qo'shiqchining ukalari) Mildred Beyli ), Jeyms Xiton, Kler Pritchard va Robert Pritchard, barabanchi Krosbi bilan birgalikda Musicaladers-ni tuzdilar,^[3] o'rta maktab o'quvchilari uchun ham, klub qatnashchilari uchun ham raqslarda chiqish qilgan. Guruh Spokane radiostansiyasida chiqish qildi KHQ, lekin ikki yildan keyin tarqatib yuborilgan.^{[1]:92–97[32]} Keyinchalik Krosbi va Al Rinkerlar Spokanedagi Klemmer teatrida ish olib bordilar (hozirgi kunda Bing Krosbi teatri ).

Dastlab Krosbi "Uch Harmony Aces" nomli vokal triosining a'zosi bo'lgan, Al Rinker pianino pianino chog'ida plyonkada, filmlar orasida ko'ngil ochish uchun. Bing va Al bir necha oy davomida Klemmer teatrida yana uch kishi - Vi Jorji Krittenden, Frenk Makbrayd va Lloyd Grinnell bilan birga davom etdilar va ular kim tomonidan ijro etilganiga qarab "Clemmer Trio" yoki "Clemmer Entertainers" tomonidan taqdim etildi.^[33]

1925 yil oktyabrda Krosbi va Rinker Kaliforniyada shuhrat izlashga qaror qilishdi. Ular Los-Anjelesga sayohat qildilar, u erda Beyli ularni shou-biznes aloqalari bilan tanishtirdi. Fanchon va Marko Time agentligi ularni qayta tiklash uchun o'n uch hafta davomida yolladilar Sinxopatsiya g'oyasi Los Anjelesdagi Bulvar teatridan boshlab va keyin Lyov davri. Ularning har biri haftasiga 75 dollar ishlab topdi. Ning kichik qismlari sifatida Sinxopatsiya g'oyasi Krosbi va Rinker ko'ngil ochar sifatida rivojlana boshladilar. Ular kollej o'quvchilari orasida mashhur bo'lgan jonli uslubga ega edilar. Keyin Sinxopatsiya g'oyasi yopildi, ular Will Morrissey Music Hall Revue-da ishladilar. Ular Morrissey bilan o'z mahoratlarini oshirdilar. Ular mustaqil aktni taqdim etish imkoniyatiga ega bo'lgach, ularni a'zosi ko'rdi Pol Uaytmen tashkilot.

Uitmenga musiqiy tanlovlarini buzish uchun boshqacha narsa kerak edi va Krosbi va Rinker bu talabni to'ldirdilar. Shou-biznesda bir yildan kam vaqt o'tgach, ular eng katta nomlardan biriga qo'shilishdi.^[33] 1926 yilda haftasiga 150 AQSh dollari evaziga ijaraga olingan ular Whiteman bilan 6-dekabr kuni Tivoli teatri Chikagoda. 1926 yil oktyabrda ularning birinchi yozuvi Don Klarkning orkestri bilan "Men qizga aylandim" edi, ammo Kolumbiya tomonidan chiqarilgan yozuv bexosdan sekin tezlikda yozib olindi va bu 78 min / min da o'ynaganda qo'shiqchilarning balandligini oshirdi. Faoliyati davomida Krosbi Beyliga uni ko'ngilochar biznesidagi birinchi muhim ishiga aylantirgani uchun ko'pincha ishongan.^[34]

Ritm Boys

Uaytmen bilan muvaffaqiyatga Nyu-Yorkka etib borganlarida halokat qo'shildi. Uaytmen ularni qo'yib yuborish haqida o'ylardi. Biroq, pianist va qo'shiq muallifiga qo'shilish Garri Barris farq qildi va "Ritm Boys "Tug'ilganlar. Qo'shimcha ovoz ularni Nyu-Yorkning yirik teatrlarida osonroq eshitilishini anglatardi. Krosbi bir yil davomida Whiteman bilan gastrol safarlarida va u bilan birga ijro etish va yozib olishda qimmatli tajriba orttirdi. Bix Beiderbecke, Jek Teagarden, Tommi Dorsi, Jimmi Dorsi, Eddi Lang va Hoagy Karmayl. U ijrochi sifatida pishdi va yakka qo'shiqchi sifatida talabga ega edi.^[35]

Krosbi Ritm Boys-ning yulduz diqqatga sazovor joyiga aylandi. 1928 yilda u o'zining birinchi birinchi hitiga, jazz ta'sirida "ijro etdi.Ol 'Man daryosi. "1929 yilda" Ritm Boys "filmi paydo bo'ldi Jazz qiroli Uaytmen bilan, ammo Krosbining Uaytmendan tobora ortib borayotgan noroziligi Ritm Boys uning tashkilotini tark etishiga olib keldi. Ular qo'shildi Gus Arnxaym Orkestr Hindiston yong'og'i Ambassador Hotel mehmonxonasi. Arnxaym orkestri bilan qo'shiq kuylab, Krosbining yakkaxonlari shouni o'g'irlashni boshladilar, Ritm Boys 'harakati asta-sekin keraksiz bo'lib qoldi. Garri Barris Krosbining bir nechta xitlarini, shu jumladan "Sizning buyrug'ingizda" deb yozgan "Men taslim bo'laman azizim, "va"Muammolaringizni tushlar bilan o'rab oling." Qachon Mack Sennett 1931 yilda Krosbi bilan yakkaxon ovoz yozish shartnomasini imzoladi, Ritm Boys bilan tanaffus deyarli muqarrar bo'lib qoldi. Krosbi uylandi Diksi Li 1930 yil sentyabrda. 1931 yil mart oyida ajrashish tahdididan so'ng u o'zini karerasiga tatbiq etdi.

Yakkaxon qo'shiqchi sifatida muvaffaqiyat

Krosbi 1932 yilda

1931 yil 2-sentabrda Krosbi butun mamlakat bo'ylab o'z faoliyatini boshladi yakka radioda debyut.^[36] Yil oxirigacha u ikkalasi bilan ham imzoladi Brunsvik va CBS radiosi. Haftalik 15 daqiqali radioeshittirishni amalga oshirgan Krosbi xitga aylandi.^[37] "Hech qanday joydan, "" Yana bitta imkoniyat ",Sizning buyrug'ingiz bilan "va"Men million dollarlik bolani topdim (besh va o'n sentlik do'konda) "1931 yilning eng ko'p sotilgan qo'shiqlari qatoriga kirgan.^[37]

1931 yildagi eng yaxshi 50 ta qo'shiqning o'ntaligiga Krosbi boshqalar bilan birga yoki yakkaxon akt sifatida kiritilgan. Xonanda bilan "Baritonlar jangi" Rass Kolumbo qisqa muddatli bo'lib, "Bing Shoh edi" shiori bilan almashtirildi. Krosbi bir qatorda etakchi rol o'ynadi musiqiy komediya qisqa metrajli filmlar Mak Sennet uchun, Paramount bilan imzolangan va o'zining 1932-yillarda birinchi to'liq metrajli filmida rol o'ynagan Katta translyatsiya (1932), 55 ta filmdan birinchisi, u eng yaxshi hisob-kitoblarni olgan. U 79 ta rasmda paydo bo'ladi. U bilan shartnoma imzoladi Jek Kapp yangi yozuvlar kompaniyasi, Decca, 1934 yil oxirida.

Uning radiodagi birinchi tijorat homiysi edi Cremo purolari va uning shuhrati butun mamlakat bo'ylab tarqaldi. Nyu-Yorkdagi uzoq yugurishdan so'ng u film suratga olish uchun Gollivudga qaytib ketdi Katta translyatsiya. Uning tashqi ko'rinishi, yozuvlari va radio ishi uning ta'sirini sezilarli darajada oshirdi. Birinchi filmining muvaffaqiyati unga Paramount bilan shartnoma olib keldi va u yiliga uchta filmni yaratish uslubini boshladi. U Woodbury Soap uchun radio-shousini ikki mavsum davomida olib bordi, jonli chiqishlari esa kamayib ketdi. Uning yozuvlari depressiya paytida sotuvlar pasayganda xitlarni yaratdi. Audio muhandis Stiv Xofman "Aytgancha, Bing 1934 yilda Decca asoschisi Jek Kappning singllar narxini dollardan 35 sentga tushirish va bir tekis to'lov o'rniga sotilgan yozuvlar uchun royalti olish haqidagi aqldan g'oyasini qo'llab-quvvatlashga rozi bo'lganida, aslida rekord biznesni saqlab qoldi. Bing nomi va uning mahorati ovoz yozish sanoatini saqlab qoldi. Bingdan keyin boshqa barcha rassomlar Dekkaga imzo chekishdi. U holda Jek Kappda Decca ishini bajarish uchun jahannamda imkoniyat bo'lmas edi va Buyuk Depressiya fonograf yozuvlarini yo'q qilgan bo'lar edi. yaxshilikka."^[38]

Uning ijtimoiy hayoti g'azablangan edi. Uning birinchi o'g'li Gari 1933 yilda tug'ilgan, egizak o'g'il bolalar bilan 1934 yilda tug'ilgan. 1936 yilga kelib u o'zining sobiq boshlig'i Pol Uaytmanni haftalik NBC radio dasturining boshlovchisi sifatida almashtirdi. Kraft musiqiy zali, keyingi o'n yil ichida u erda qoldi. "Tunning ko'klari (kunning oltinlari bilan uchrashadigan), "savdo markasi hushtagi bilan uning qo'shig'i va imzo ohangiga aylandi.

Krosbining vokal uslubi mashhur qo'shiqlarni "kamar " bilan bog'liq Al Jolson va Billi Myurrey Mikrofonsiz Nyu-York teatrlarida orqa o'rindiqlarga etib borishga majbur bo'lgan. Musiqa tanqidchisi sifatida Genri yoqimli qayd etilgan Buyuk Amerika mashhur qo'shiqchilari, Amerika musiqasiga yangi bir narsa kirib keldi, bu uslubni "amerika tilida qo'shiq aytish" deb atash mumkin edi. Ushbu yangi ovoz mashhur epitetga olib keldi "kroner ".

Krosbi hayratga tushdi Lui Armstrong musiqiy qobiliyati uchun va truba maestro Krosbining ashula uslubiga ta'sirchan ta'sir ko'rsatdi. Ikkalasi uchrashganda, ular darhol do'st bo'lishdi. 1936 yilda Krosbi o'zining Paramount shartnomasida doimiy ravishda uydan tashqarida filmda ishtirok etish imkoniyatini qo'llagan. Bilan shartnoma imzolash Kolumbiya bitta film uchun Krosbi Armstrongning ekranga moslashishini istagan Tovus qushi oxir-oqibat bo'ldi Osmondan tinlar. - deb so'radi Krosbi Garri Kon, lekin Kon parvoz uchun pul to'lashni yoki Armstrongning "qo'pol, olomon bilan bog'langan, ammo sadoqatli menejerini kutib olishni xohlamadi" Djo Gleyzer. "Krosbi filmni tark etish bilan tahdid qildi va bu masalani muhokama qilishdan bosh tortdi. Kon taslim bo'ldi; Armstrongning musiqiy sahnalari va kulgili suhbati uning ta'sirini kumush ekranga kengaytirdi, bu unga va boshqa afroamerikaliklarga kelajak filmlarida suratga tushish uchun ko'proq imkoniyatlar yaratdi. Krosbi Armstrong o'zining oq taniqli yulduzlari bilan teng hisob-kitob olishini sahna ortida ta'minladi .. Armstrong Krosbining irqqa nisbatan ilg'or munosabatini yuqori baholadi va keyingi yillarda bu rol uchun minnatdorchilik bildirdi.^[39]

Davomida Ikkinchi jahon urushi, Krosbi janglarda qatnashgan Amerika qo'shinlari oldida jonli chiqish qildi Evropa teatri. U yozma skriptlardan nemis tilini qanday talaffuz qilishni va nemis kuchlari uchun mo'ljallangan targ'ibot ko'rsatuvlarini o'qishni o'rgandi. "Der Bingle" taxallusi Krosbining nemis tinglovchilari orasida keng tarqalgan bo'lib, uning ingliz tilida so'zlashadigan muxlislari tomonidan ishlatila boshlandi. Ikkinchi Jahon urushi yaqinida AQSh askarlari o'rtasida o'tkazilgan so'rovnomada Krosbi G.I.ga eng ko'p yordam bergan shaxs sifatida ro'yxatni egalladi. ma'naviyat, Prezident oldida Franklin Delano Ruzvelt, General Duayt Eyzenxauer va Bob umid.

1945 yil 18 iyundagi son Hayot "Amerikaning birinchi raqamli yulduzi Bing Krosbi ko'proq muxlislarni yig'di, tarixdagi har qanday ko'ngil ochuvchidan ko'proq pul ishlab topdi. Bugun u o'ziga xos milliy muassasa" deb ta'kidlagan.^[40] "Umuman olganda, uning birinchi rekordini 1931 yilda yaratganidan beri 60 000 000 Krosbi disklari sotuvga chiqarildi. Uning eng katta sotuvchisi" Oq Rojdestvo "bo'lib, uning 2 000 000 ta taassuroti AQShda va 250 000 ta Buyuk Britaniyada sotilgan."^[40] "O'nta qo'shiqchi va guruh rahbarlaridan to'qqiztasi har payshanba kuni kechqurun Krosbining translyatsiyalarini tinglaydi va uning yo'l-yo'rig'iga amal qiladi. U qo'shiq kuylagandan bir kun o'tib - har qanday qo'shiq - uning taxminan 50 000 nusxasi AQSh bo'ylab sotiladi va Krosbi yana bir bor ba'zi yangi yoki noma'lum ballada, uni "katta g'oz" deb atagan va bir kecha-kunduzda uni xitga aylantirgan ... Aynan Krosbining kelajagi na uning oilasi va na uning do'stlari taxmin qila olmaydi. U tarixdagi boshqa ko'ngilocharlarga qaraganda ko'proq mashhurlikka erishdi, ko'proq pul ishladi va katta auditoriyani jalb qildi va uning yulduzi hali ham ustunlikda, Decca bilan tuzilgan shartnomasi 1955 yilgacha. Paramount bilan shartnomasi 1954 yilgacha tuzilgan. yillar oldin har qachongidan ham yaxshiroq sotilmoqda .. Xalqning Krosbining ovozi va shaxsiyatiga bo'lgan ishtiyoqi befarq bo'lib tuyulmoqda, chet el askarlari va chet elliklarga u Amerikaning, xushchaqchaq, hazilkash fuqaroning o'ziga xos ramziga aylandi. bepul er. Ammo Krosbi kamdan-kam hollarda o'z kelajagi haqida o'ylashni bezovta qiladi. Birinchidan, u o'z qo'shiqlarini eshitishni yaxshi ko'radi va agar har kuni uning charchagan kunlari tong otadigan bo'lsa, u o'zini o'zi kuylash uchun mamnuniyat bilan ketadi. "^[40][41]

"Oq Rojdestvo"

Krosbi va Marjori Reynolds yilda Holiday Inn (1942)

Krosbining karerasidagi eng katta xit qo'shig'i - bu uning yozilishi Irving Berlin "Oq Rojdestvo, "u 1941 yilda Rojdestvo kuni radioeshittirishida tanishtirdi. (Radio dasturidagi yozuvning nusxasi Bing Krosbi mulkiga tegishli va qarzga berildi CBS yakshanba kuni ertalab 2011 yil 25 dekabrdagi dastur uchun.) So'ngra uning filmida qo'shiq paydo bo'ldi Holiday Inn (1942). Uning rekordi 1942 yil 3-oktabrda jadvallarga kirdi va 31-oktabrda 1-o'ringa ko'tarilib, u erda 11 hafta qoldi. Ko'p yillik bayram, qo'shiq Decca tomonidan yana o'n olti marotaba chartga qayta-qayta chiqarildi. U 1945 yilda yana uchinchi marotaba, 1947 yil yanvarida uchinchi marta birinchi o'rinni egalladi. Qo'shiq barcha vaqtlarning eng yaxshi qo'shig'i bo'lib qolmoqda.^[37] Ga binoan Ginnesning rekordlar kitobi, uning "Oq Rojdestvo" yozuvi butun dunyo bo'ylab 50 milliondan ortiq nusxada sotilgan.^[42] Uning yozuvi shu qadar ommabop ediki, uni 1947 yilda xuddi shu musiqachilar va zaxira qo'shiqchilar yordamida qayta yozib olishga majbur bo'lgan; 1942 yilgi asl usta qo'shimcha singllarni tez-tez ishlatib turishi tufayli shikastlangan. Ikkala versiya o'xshash bo'lsa-da, 1947 yildagi yozuv bugungi kunda ko'proq tanish.^{[iqtibos kerak ]} 1977 yilda, Krosbi vafot etganidan so'ng, qo'shiq qayta nashr etildi va Buyuk Britaniyaning Singles Chart ro'yxatida 5-o'rinni egalladi.^[43] Krosbi qo'shiqni muvaffaqiyatli bajarilishidagi rolini rad etib, "tomog'i yorilgan jekdav uni muvaffaqiyatli kuylashi mumkin edi" deb aytdi.^{[iqtibos kerak ]}

Harakatli Rasmlar

Bob Xope bilan Krosbi Baliga olib boradigan yo'l (1952)

O'tgan asrning 30-yillarida boshlangan qattiq o'n yillik sarlavhali musiqiy komediya filmlari ortidan Krosbi Bob Xop va Doroti Lamour ettitaning oltitasida Yo'l 1940 yildan 1962 yilgacha bo'lgan musiqiy komediyalar (Lamour yilda Joan Kollinz bilan almashtirildi Gonkongga yo'l va uzoq davom etadigan kameo bilan cheklangan), o'zlarini hech qachon rasman "jamoa" deb e'lon qilmagan bo'lishlariga qaramay, Krosbi va Umidni yoqish va o'chirish dueti sifatida mustahkamlash. Laurel va Hardy yoki Martin va Lyuis (Din Martin va Jerri Lyuis ) jamoalar edi. Seriya quyidagilardan iborat Singapurga yo'l (1940), Zanzibar tomon yo'l (1941), Marokashga yo'l (1942), Utopiyaga yo'l (1946), Rioga yo'l (1947), Baliga olib boradigan yo'l (1952) va Gonkongga yo'l (1962). Ular yakkaxon paydo bo'lganlarida, Krosbi va Xope tez-tez boshqalarni kulgili tarzda haqorat qilishgan. Ular sahnada, radioda, kinoda va televizorda son-sanoqsiz birga chiqish qildilar va "Yo'l" rasmlaridan tashqari filmlarda juda ko'p qisqa va unchalik qisqa bo'lmagan chiqishlarni, Turli qiz (1947) billing bilan birga uzoq sahnalar va qo'shiqlarning namunasi.

1949 yilda Disney animatsion filmi Ichabod va janob Toadning sarguzashtlari, Krosbi bayon va qo'shiq vokallarini taqdim etdi Uyqu ichi bo'shliq haqidagi afsona segment. 1960 yilda u rol o'ynagan Yuqori vaqt, bilan kollegial komediya Fabian Forte va Seshanba payvandlash u bilan Ikkinchi Jahon Urushidan keyin o'z faoliyatini boshlagan musiqachilar va aktyorlarning yangi yosh avlodi o'rtasida paydo bo'ladigan bo'shliqni bashorat qildi. Keyingi yil Krosbi va Umid yana bir kishi uchun birlashdilar Yo'l kino, Gonkongga yo'l, bu ularni ancha yoshroq bo'lganlar bilan birlashtirdi Joan Kollinz va Piter sotuvchilari. Kollinzdan ularning uzoq yillik hamkori Doroti Lamurning o'rniga foydalanilgan, chunki Krosbi bu rol uchun juda keksayib qolgan deb o'ylagan, ammo Umid filmni u holda suratga olishdan bosh tortgan va u buning o'rniga uzoq va puxta epizodik ko'rinishga ega bo'lgan.^[37] 1977 yilda vafotidan sal oldin u boshqasini rejalashtirgan edi Yo'l u, Umid va Lamur Yoshlik Favvorasini izlayotgan film.

U g'olib chiqdi Eng yaxshi aktyor uchun Oskar mukofoti uchun Mening yo'lim bilan borish 1944 yilda va 1945 yil davomiga nomzod bo'lgan, Aziz Maryam qo'ng'iroqlari. U ichkilikbozlik bilan shug'ullangani uchun tanqidlarga sazovor bo'ldi Qishloq qizi va uchinchi "Oskar" mukofotiga sazovor bo'ldi.^[44]

Televizor

Krosbi va uning oilasi, Rojdestvoda maxsus, 1974 yil

Yong'in teatri (1950) uning birinchi televizion mahsuloti edi. 26 daqiqali namoyishlar ketma-ket suratga olingan Hal Roach studiyalari efirda jonli ijro etish o'rniga. "Telefilmlar" alohida televizion stantsiyalarga birlashtirildi. U 1950 va 1960 yillardagi musiqiy estrada shoularining tez-tez mehmoni bo'lib, turli xil estrada shoularida, shuningdek, ko'plab tungi tok-shoularda va o'zining yuqori baholangan spektakllarida so'zsiz sonli marta qatnashgan. Bob Hope oylik NBC telekanallaridan birini o'zining "Bing bilan yo'lda" nomli uzoq muddatli intervalli sherikligiga bag'ishladi. Crosby ABC bilan bog'liq edi Gollivud saroyi shouning birinchi va eng tez-tez mehmoni sifatida va har yili uning Rojdestvo nashrida rafiqasi Ketrin va uning kichik bolalari bilan paydo bo'lgan va keyin davom etgan. Gollivud saroyi oxir-oqibat bekor qilindi. 1970-yillarning boshlarida u ikkita kech o'yinda maydonga tushdi Flip Wilson Show, komediyachi bilan duet kuylash. Uning so'nggi televizion ko'rinishi 1977 yil sentyabr oyida Londonda yozilgan Rojdestvoga bag'ishlangan va o'limidan bir necha hafta o'tgach namoyish etilgan.^[45] Aynan shu maxsusda u duet yozgan "Kichkina barabanchi bola "va" Yerdagi tinchlik "rock yulduzi bilan Devid Boui. Ularning duetlari 1982 yilda bitta 45-daqiqalik bitta rekord sifatida chiqarilgan va Buyuk Britaniyaning singl chartlarida 3-o'rinni egallagan.^[43] O'shandan beri u bayram radiosining asosiy mahsulotiga va Krosbi faoliyatidagi so'nggi mashhur hitga aylandi. 20-asrning oxirida, Televizion qo'llanma Krosbi-Boui duetini 20-asr televideniyasining 25 ta esda qolarli musiqiy daqiqalaridan biriga sanab o'tdi.

Bing Crosby Productions kompaniyasi Desilu studiyasi va keyinroq CBS televizion studiyalari, bir qator teleseriallarni, shu jumladan Krosbining ABC-ning muvaffaqiyatsiz sitcomini ham ishlab chiqardi Bing Krosbi shousi 1964-1965 yilgi mavsumda (yulduzlar bilan) Beverli Garland va Frank McHugh ). Kompaniya ikkita ABC tibbiy dramasini ishlab chiqardi, Ben Keysi (1961-1966) va O'chirish nuqtasi (1963-1964), mashhur Xoganning qahramonlari (1965-1971) CBS-dagi harbiy komediya, shuningdek unchalik taniqli bo'lmagan shou Slattery odamlari (1964–1965).

Qo'shiq uslubi va vokal xususiyatlari

Krosbi 1930-yillarning reklama fotosuratida

Krosbi Al Jolson bilan bog'liq chuqur, baland vaudevil uslubidan foydalanmasdan, mikrofonning yaqinligidan foydalangan birinchi qo'shiqchilardan biri edi.^[46] U o'z ta'rifiga ko'ra, "frazer", qo'shiqchi va so'zlarga ham, musiqaga ham bir xil ahamiyat bergan.^[47] Pol Uaytmenning Krosbini yollashi, shu bilan jazzga, xususan uning do'stiga ham tegishli edi Bix Beiderbecke karnay, bu janrni kengroq auditoriyaga etkazishda yordam berdi.^[48] Yangilikni kuylash uslubi doirasida Ritm Boys, u notalarni egib, jazzdan kelib chiqqan yondoshuvga mos bo'lmagan iboralarni qo'shdi.^[49] U allaqachon Louis Armstrong va Bessi Smit birinchi marta yozuvga chiqishidan oldin. Krosbi va Armstrong o'nlab yillar davomida iliq tanishlar bo'lib qolishdi, keyingi yillarda vaqti-vaqti bilan birga qo'shiq kuylashdi, masalan. Filmda "Endi sizda jazz bor" Oliy jamiyat (1956).

Yakkaxon karerasining dastlabki davrida (taxminan 1931-1934), Krosbining hissiy, tez-tez yolvoradigan uslubi kroning mashhur edi. Ammo Jens Kapp, Brunsvik va keyinchalik Decca menejeri, aniq vokal uslubi foydasiga uning jazzier uslublaridan voz kechish haqida gaplashdi. Krosbi Kappni xit qo'shiqlarni tanlaganligi, boshqa ko'plab musiqachilar bilan ishlaganligi va eng muhimi, o'z repertuarini bir nechta uslub va janrlarda diversifikatsiya qilgani uchun ishongan. Kapp Krosbiga birinchi raqamli xitlar bo'lishiga yordam berdi Rojdestvo musiqasi, Gavayi musiqasi va kantri musiqasi, va eng yaxshi o'ttiz xit Irland musiqasi, Frantsuz musiqasi, ritm va blyuz va balladalar.^[4][50]

Krosbi Al Jolsonning g'oyasini: frazemani yoki qo'shiqning lirik uzuklarini haqiqatga aylantirish mahoratini batafsil bayon etdi. "Men Sinatraga qayta-qayta aytardim, - dedi Tommi Dorsi, - siz tinglashingiz kerak bo'lgan bitta qo'shiqchi bor va uning ismi Krosbi. U uchun faqat so'zlar muhim, va bu siz uchun yagona narsa. ham. "^[51]

Tanqidchi Genri yoqimli yozgan:

[1930-yillarda] oktava B og'zidagi Bing ovozi bilan B tekisligida bo'lsa-da, mening qulog'imga ko'ra, qirq besh yil ichida klassik va ommabop baritonlarni tinglashda eshitgan eng yoqimli narsalardan biri, u sezilarli ravishda pasayib ketdi. keyingi yillarda. 1950-yillarning o'rtalaridan boshlab, Bing bariton sifatini saqlab, bas oralig'ida qulayroq edi, eng yaxshi oktava G dan G gacha, hatto F dan F gacha bo'lgan.Dardanella '1960 yilda Lui Armstrong bilan u past E kvartirasiga engil va oson hujum qiladi. Bu opera boshlarining ko'pchiligi tashabbus ko'rsatishdan pastroq va ular u erga etib borganlarida xuddi podvalda bo'lgandek jaranglaydi.^[52]

Ishga qabul qilish statistikasi

Oq Rojdestvo (1954)

Crosby's 20-asrning eng mashhur va muvaffaqiyatli musiqiy aktlari qatoriga kirgan. Billboard jurnal faoliyati davomida turli metodikalardan foydalangan. Ammo uning chartidagi muvaffaqiyati ta'sirli bo'lib qolmoqda: 396 ta yakka jadval, shu jumladan taxminan 25 ta №1 xit. Krosbi 1931-1954 yillarda har yili alohida charting singllariga ega edi; "Oq Rojdestvo" ning har yili qayta nashr etilishi bu qatorni 1957 yilga qadar uzaytirdi. Uning 1939 yilda faqatgina 24 ta alohida taniqli singllari bo'lgan. Statistist Djoel Uitbern da Billboard Krosbi Amerikaning 1930-yillarda va 1940-yillarda yana eng muvaffaqiyatli yozib olinganligi ekanligini aniqladi.^[53] 1960 yilda Krosbi 200 million disk sotganligi sababli "Birinchi rekord san'atkorlari" nomiga sazovor bo'ldi.^[54] Turli manbalarga ko'ra u 300 million sotgan,^[55] 500 million yoki hatto 1 milliard dunyo bo'ylab.^{[56][57][58][59]} Bitta "Oq Rojdestvo" 50 milliondan ortiq nusxada sotilgan Ginnesning rekordlar kitobi.^[1]:8

O'n besh yil davomida (1934, 1937, 1940, 1943-1954), Krosbi kassa savdosi bo'yicha eng yaxshi o'nta aktyorlar qatoriga kirdi va shu yillarning besh yilida (1944-1948) dunyoda birinchi o'rinni egalladi.^[37] U to'rtta qo'shiq aytdi Akademiya mukofoti - g'olib qo'shiqlar - "Shirin Leylani" (1937), "Oq Rojdestvo" (1942), "Yulduzda tebranish "(1944)," Kechqurun salqin, salqin, salqin "(1951) - va roli uchun Oskar mukofotini" Eng yaxshi aktyor "mukofotiga sazovor bo'ldi. Mening yo'lim bilan borish (1944).

2000 yilda o'tkazilgan so'rov natijalariga ko'ra, 1 million 777 ming 900 mingta chipta sotilganligi sababli, Krosbi barcha davrlarning eng mashhur aktyorlari orasida uchinchi o'rinda edi. Klark Geybl (1,168,300,000) va Jon Ueyn (1,114,000,000).^[60] The Xalqaro kinofilm almanaxi uni barcha vaqtlar bo'yicha birinchi raqamli yulduzlar ro'yxatida birinchi o'rinda ikkinchi o'rinda turuvchi sifatida qayd etadi Klint Istvud, Tom Xenks va Burt Reynolds.^[61] Uning eng mashhur filmi, Oq Rojdestvo, 1954 yilda 30 million dollar ishlab oldi (hozirgi qiymati 286 million dollar).^[62]

Krosbi London Palladium 1976 yilda

Kitobga ko'ra, u 23 ta oltin va platina yozuvlarini oldi Million sotish bo'yicha yozuvlar. Amerikaning Yozish sanoat assotsiatsiyasi 1958 yilgacha Krosbining rekord savdosi past bo'lgan paytgacha oltin yozuvlarni sertifikatlash dasturini o'rnatmagan. 1958 yilgacha oltin yozuvlar ovoz yozish kompaniyalari tomonidan berilardi.^[63]Krosbi 23-jadvalga kirdi Billboard bilan yozilgan 47 qo'shiqdan xitlar Endryus opa-singillar, Decca-ning rekord savdosi 1940 yillar davomida Crosby's-dan keyingi ikkinchi o'rinni egalladi. Ular uning 1939 yildan 1952 yilgacha bo'lgan diskdagi eng tez-tez hamkori bo'lganlar va to'rt million sotilgan singllarni ishlab chiqargan sheriklik: "Mama to'pponchasi," "Jingle Bells," "Meni panjara qilmang, "va" Janubiy Amerika, uni olib keting. "Ular birgalikda bitta film ko'rinishida bo'lishdi Rioga yo'l "Siz tilni bilishingiz shart emas" qo'shig'ini kuylagan va 1940-1950 yillarda radioda birgalikda kuylagan. Ular bir-birlarining ko'rsatuvlarida va boshqa dasturlarda mehmon sifatida qatnashishdi Qurolli kuchlar radio xizmati Ikkinchi Jahon urushi paytida va undan keyin. Kvartetning Top-10 taligi Billboard 1943 yildan 1945 yilgacha bo'lgan xitlar orasida "Vict'ry Polka", "Berlin shahrida issiq vaqt bo'ladi (Yanklar martga borganida)" va "Sizmisiz yoki yo'qsizmi (Ma "Chaqaloqmi?)" Va Amerika jamoatchiligining ruhiy holatiga yordam berdi.^[64]

1962 yilda Krosbiga berilgan Grammy Lifetime Achievement mukofoti. U ham radio, ham mashhur musiqa uchun shon-sharaf zallariga kiritildi. 2007 yilda u Xit-Parad shon-sharaf zaliga va 2008 yilda G'arbiy musiqiy shon-sharaf zaliga kiritildi.^[65]

Ommaboplik va ta'sir

Bing Krosbi

Uning dunyo bo'ylab mashhurligi shu bilan bo'lganki, u bilan suhbatda Doroti Masuka, Afrikada eng ko'p sotilgan afrikalik yozuvlar yorlig'i, u "Faqatgina Amerikalik taniqli kroner Bing Krosbi Afrikada mendan ko'ra ko'proq yozuvlarni sotgan", deb ta'kidladi. Uning buyuk mashhurligi Afrika boshqa afrikalik qo'shiqchilarni unga taqlid qilishga, shu jumladan: Dolli Rathebe, Dorothy Masuka yoki Miriam Makeba, mahalliy sifatida "Afrikaning Bing Krosbi" nomi bilan tanilgan, ammo ayol versiyasi.^[66]

Taqdimotchi Maykl Duglas 1975 yilgi intervyusida "Men dengiz flotida bo'lgan kunlarimda Ikkinchi Jahon Urushi, Hindistonning Kalkutta ko'chalarida, qirg'oq bo'ylab yurganimni eslayman, bu yolg'iz kecha edi, uyimdan va yangi turmush o'rtog'imdan juda uzoq, ruhimni ko'tarish uchun biron bir narsaga muhtoj edim. Ko'chaning bir burchagida o'tirgan bir hindu huzuridan o'tib ketayotib, hayratlanarli darajada tanish bo'lgan bir narsani eshitdim, men o'sha eski Vitrolalardan birini o'ynatayotgan odamni ko'rdim, xuddi karnay karnay bilan RCA singari, u Bing Krosbi qo'shig'ini tinglayotgan edi. "Ac-Cent-Tchu-Ate ijobiy". Men to'xtab, minnatdorchilik bilan tabassum qildim. Hind bosh irg'adi va javob qaytardi. Butun dunyo Bing Krosbini bilar va sevar edi. "^[67] Uning ulkan mashhurligi Hindiston ko'plab hind qo'shiqchilarini unga taqlid qilishga va taqlid qilishga undadi, ayniqsa KISI'IDRE KUMAR "Hindistonning Bing Krosbi" deb hisoblangan.^[68]

Tadbirkorlik

Shoshana Klebanoffning so'zlariga ko'ra:

Krosbi shou-biznes tarixidagi eng boy odamlardan biriga aylandi. U ko'chmas mulk, konlar, neft quduqlari, chorvachilik fermer xo'jaliklari, poyga otlari, musiqiy nashrlar, beysbol jamoalari va televideniyega sarmoyalar kiritgan. U asosiy aktsiyador bo'lgan Minute Maid Orange Juice Corporation kompaniyasidan ajoyib boylikka ega bo'ldi.^[69]

Dastlabki lenta yozuvlaridagi rol

Davomida Radioning oltin davri, ijrochilar o'zlarining shoularini jonli ravishda yaratishlari kerak edi, ba'zida hatto dastur g'arbiy qirg'oq vaqt zonasi uchun ikkinchi marta takrorlanadi. Krosbi Sharq va G'arbiy qirg'oqlar uchun bir kunda uch soatlik farq bilan ikkita jonli radioeshittirishni amalga oshirishi kerak edi.^[70] Krosbining radio karerasi 1945 yilda, NBC bilan radioeshittirishlarini oldindan yozib olishga ruxsat berishni talab qilgani uchun to'qnashganda, jiddiy burilish yasadi. (Radioeshittirishlarni jonli ravishda tayyorlash musiqachilar uyushmasi tomonidan ham mustahkamlandi va ASCAP, bu o'z a'zolari uchun doimiy ishni ta'minlashni xohlagan.) In Efirda: Eski zamon radiosi entsiklopediyasi, Jon Dunning nemis muhandislari deyarli professional eshittirish sifati standartiga ega magnitafon yaratganligi haqida yozgan:

[Krosbi] o'zining radioeshittirishlarini oldindan yozib olishda juda katta ustunlikni ko'rdi. Rejalashtirish endi yulduzga qulay vaqtda amalga oshirilishi mumkin. Agar u xohlasa, u haftasiga to'rtta shou ko'rsatishi va keyin bir oylik tanaffus qilishi mumkin edi. Ammo tarmoqlar va homiylar qat'iyan qarshi edilar. Jamiyat "konservalangan" radiodan voz kechishni istamaydi, deya ta'kidladilar tarmoqlar. Tinglovchilar uchun sehrli narsa bor edi, chunki ular eshitgan narsalar hamma joyda, shu lahzada ijro etilmoqda va eshitilmoqda. Komediyadagi eng yaxshi lahzalar chiziq uchirilganda va yulduz yomon vaziyatni qutqarish uchun aqlga tayanishi kerak edi. Fred Allen, Jek Benni, Fil Xarris va shuningdek, Krosbi bu borada usta edilar va tarmoqlar bundan osonlikcha voz kechmoqchi emas edi.

Krosbining qat'iyati oxir-oqibat rivojlanishning keyingi rivojlanishiga ta'sir ko'rsatdi magnit lenta ovoz yozish va radio sanoatining uni keng qabul qilishi.^[71][72][73] U professional va moliyaviy jihatdan o'z ta'siridan audioda yangiliklar uchun foydalangan. Ammo NBC va CBS oldindan yozib olingan radioeshittirishlarni rad etishdan bosh tortdilar. Krosbi tarmoqni tark etdi va etti oy davomida efirda qolmadi va homiysi bilan qonuniy kurash olib bordi Kraft bu suddan tashqarida hal qilindi. U 1945–1946 yilgi mavsumning so'nggi 13 haftasida efirga qaytdi.^{[iqtibos kerak ]}

O'zaro tarmoq, aksincha, 1938 yilga qadar ba'zi dasturlarini oldindan yozib olgan Soya bilan Orson Uells. ABC ning sotilishidan hosil bo'lgan NBC Blue Network 1943 yilda federatsiyadan keyin antitrest kostyum va an'anani buzishda Mutualga qo'shilishga tayyor edi. ABC Crosby-ga haftasiga har chorshanba kuni yozib olingan shou dasturini tayyorlash uchun haftasiga $ 30,000 taklif qildi Philco. U har dushanba kuni uchta 16 dyuymli (40 sm) yuborilgan 30 daqiqalik shouni translyatsiya qilish huquqi uchun 400 ta mustaqil stantsiyalardan qo'shimcha ravishda 40 000 AQSh dollari oladi. lak disklari 33-da har tomonga o'n daqiqa o'ynagan1/3 rpm.^{[iqtibos kerak ]}

Bilan Perri Komo va Artur Godfri 1950 yilda

Krosbi bir necha sabablarga ko'ra yozib olingan ishlab chiqarishni o'zgartirmoqchi edi. Bu golfga ko'proq vaqt ajratishi haqida ko'pincha aytilgan afsona. U o'zining birinchi yozuvini yozdi Philco radio vaqti dasturiga kirishi uchun 1947 yil avgustda Jasper milliy bog'i Radio mavsumi boshlanishi kerak bo'lgan sentyabr oyida golf bo'yicha taklifnoma. Ammo golf eng muhim sabab emas edi. U sifatli yozishni, xatolarni bartaraf etish qobiliyatini va G'arbiy sohil uchun ikkinchi jonli shou dasturini o'tkazish zarurligini va uning chiqishlari vaqtini nazorat qilishni xohladi.^[70] Bing Crosby Enterprises shou dasturini ishlab chiqarganligi sababli, u eng yaxshi audio uskunalarni sotib olishi va mikrofonlarni o'z xohishiga ko'ra tartibga solishi mumkin edi; mikrofonni joylashtirish elektrotexnika davrining boshidan beri studiyalarda muhokama qilingan. U endi CBS va NBC telekanallari o'zining jonli tomoshalari uchun talab qilinadigan gumbazni kiymasligi kerak edi - u shlyapani afzal ko'rdi. Shuningdek, u o'zining so'nggi sarmoyasi, dunyodagi birinchi muzlatilgan apelsin sharbati, Minute Maid savdo belgisi ostida sotilganligi uchun qisqa aktsiyalarni qayd etishi mumkin. Ushbu sarmoya unga IRS 77% stavka bo'yicha soliq to'lay olmaydigan bo'shliqni topib, ko'proq pul ishlashga imkon berdi.^{[iqtibos kerak ]}

Bing Crosby Enterprises xodimi Murdo MacKenzie nemislarning namoyishini ko'rdi Magnetofon 1947 yil iyun oyida - o'sha qurilma Jek Mullin urush oxirida, Frankfurt radiosidan 50 ta lenta bilan qaytib kelgan edi. Bu 1935 yildan boshlab Germaniyada BASF va AEG tomonidan qurilgan magnit magnitafonlardan biri edi. 6,5 mm temir-oksid bilan qoplangan lenta har bir g'altakka yuqori sifatli ovoz 20 daqiqani yozishi mumkin edi. Aleksandr M. Poniatoff buyurdi Ampex u Magnitofonning takomillashtirilgan versiyasini ishlab chiqarish uchun 1944 yilda asos solgan.

Krosbi Mullinni yozib olishni boshlash uchun yolladi Philco radio vaqti 1947 yil avgust oyida Germaniyada ishlab chiqarilgan mashinada xuddi shu 50 g'altakning I.G. Mullin radiostansiyada topgan Farben magnit tasmasi Yomon Nauxaym AQSh armiyasi signal korpusida ishlayotganda Frankfurt yaqinida. Afzalligi tahrirlash edi. Krosbi o'zining tarjimai holida yozganidek:

Tasmani ishlatib, men o'ttiz besh yoki qirq daqiqali shou dasturini namoyish eta olaman, keyin uni dastur ishlagan yigirma olti yoki yigirma etti daqiqagacha tahrir qilaman. Shu tarzda, biz yaxshi o'ynamaydigan hazil, gag yoki vaziyatlarni chiqarib, faqat shouning eng yaxshi go'shti bilan yakunlashimiz mumkin edi; katta o'ynagan qattiq narsalar. Yaxshi eshitilmaydigan qo'shiqlarni ham chiqarib qo'yishimiz mumkin edi. Bu bizga birinchi navbatda tushdan keyin qo'shiqlarni tomoshabinlarsiz yozib olishga, so'ngra studiya tomoshabinlari oldida yozib olishga harakat qilish imkoniyatini berdi. Eng yaxshi chiqqanini yakuniy transkripsiyaga qo'shdik. Haddan tashqari reklama libingi oxirgi mahsulotdan kesilishi mumkinligini bilib, bizni xohlagancha reklama qilish imkoniyatini berdi. If I made a mistake in singing a song or in the script, I could have some fun with it, then retain any of the fun that sounded amusing.

Mullin's 1976 memoir of these early days of experimental recording agrees with Crosby's account:

In the evening, Crosby did the whole show before an audience. If he muffed a song then, the audience loved it—thought it was very funny—but we would have to take out the show version and put in one of the rehearsal takes. Sometimes, if Crosby was having fun with a song and not really working at it, we had to make it up out of two or three parts. This ad lib way of working is commonplace in the recording studios today, but it was all new to us.

Crosby invested US$50,000 in Ampex with the intent to produce more machines.^[74] In 1948, the second season of Philco shows was recorded with the Ampex Model 200A and Scotch 111 tape from 3M.^[70] Mullin explained how one new broadcasting technique was invented on the Crosby show with these machines:

One time Bob Burns, the hillbilly comic, was on the show, and he threw in a few of his folksy farm stories, which of course were not in Bill Morrow's script. Today they wouldn't seem very off-color, but things were different on radio then. They got enormous laughs, which just went on and on. We couldn't use the jokes, but Bill asked us to save the laughs. A couple of weeks later he had a show that wasn't very funny, and he insisted that we put in the salvaged laughs. Thus the laugh-track was born.

Crosby started the tape recorder revolution in America. In his 1950 film Janob Musiqa, he is seen singing into an Ampex tape recorder that reproduced his voice better than anything else. Also quick to adopt tape recording was his friend Bob Hope. He gave one of the first Ampex Model 300 recorders to his friend, guitarist Les Pol, which led to Paul's invention of multitrek yozuv. His organization, the Crosby Research Foundation, held tape recording patents and developed equipment and recording techniques such as the kulgi treki that are still in use today.^[74]

With Frank Sinatra, Crosby was one of the principal backers for the Birlashgan G'arbiy yozuvlar studio complex in Los Angeles.^[75]

Videotape development

Mullin continued to work for Crosby to develop a video yozuvchisi (VTR). Television production was mostly jonli televizor in its early years, but Crosby wanted the same ability to record that he had achieved in radio. The Fireside Theater (1950) sponsored by Procter & Gamble, was his first television production. Mullin had not yet succeeded with videotape, so Crosby filmed the series of 26-minute shows at the Hal Roach Studios, and the "telefilms" were sindikatlangan to individual television stations.

Crosby continued to finance the development of videotape. Bing Crosby Enterprises gave the world's first demonstration of videotape recording in Los Angeles on November 11, 1951. Developed by John T. Mullin and Wayne R. Johnson since 1950, the device aired what were described as "blurred and indistinct" images, using a modified Ampex 200 tape recorder and standard quarter-inch (6.3 mm) audio tape moving at 360 inches (9.1 m) per second.^[76]

Television station ownership

A Crosby-led group purchased station KCOP-TV, in Los Angeles, California, in 1954.^[77] NAFI korporatsiyasi and Crosby purchased television station KPTV in Portland, Oregon, for $4 million on September 1, 1959.^[78] In 1960, NAFI purchased KCOP from Crosby's group.^[77] In the early 1950s, Crosby helped establish the CBS television affiliate in his hometown of Spokane, Washington. He partnered with Ed Kreyni, who owned the CBS radio affiliate KXLY (AM) and built a television studio west of Crosby's alma mater, Gonzaga universiteti. After it began broadcasting, the station was sold within a year to Northern Pacific Radio and Television Corporation.^[79]

Zotli ot poygasi

Crosby was a fan of zotli ot poygasi and bought his first racehorse in 1935. In 1937, he became a founding partner of the Del Mar Thoroughbred Club and a member of its board of directors.^[80][81] Dan ishlaydi Del Mar poyga yo'li at Del Mar, California, the group included millionaire businessman Charlz S. Xovard, who owned a successful racing stable that included Dengiz piyozi.^[80] Charles' son, Lindsay C. Xovard, became one of Crosby's closest friends; Crosby named his son Lindsay after him, and would purchase his 40-room Hillsboro, Kaliforniya estate from Lindsay in 1965.

Crosby and Lindsay Howard formed Binglin otxonasi to race and breed thoroughbred horses at a ranch in Moorpark in Ventura County, California.^[80] They also established the Binglin stock farm in Argentina, where they raced horses at Hipódromo de Palermo in Palermo, Buenos-Ayres. A number of Argentine-bred horses were purchased and shipped to race in the United States. On August 12, 1938, the Del Mar Thoroughbred Club hosted a $25,000 winner-take-all o'yin poygasi won by Charles S. Howard's Dengiz piyozi over Binglin's horse Ligaroti.^[81] In 1943, Binglin's horse Don Bingo won the Shahar atrofidagi nogironlik da Belmont bog'i in Elmont, New York.

The Binglin Stable partnership came to an end in 1953 as a result of a liquidation of assets by Crosby, who needed to raise enough funds to pay the hefty federal and state inheritance taxes on his deceased wife's estate.^[82] The Bing Crosby Breeders' Cup Handicap Del Mar poyezdida uning sharafiga nom berilgan.

Sport

Crosby had an interest in sports. In the 1930s, his friend and former college classmate, Gonsaga bosh murabbiy Mayk Pekarovich appointed Crosby as an assistant football coach.^[83] From 1946 until his death, he owned a 25% share of the Pitsburg qaroqchilari. Although he was passionate about the team, he was too nervous to watch the deciding Game 7 of the 1960 yilgi Jahon seriyasi, choosing to go to Paris with Kathryn and listen to its radio broadcast. Crosby had arranged for Ampex, another of his financial investments, to record the NBC teletranslyatsiya yoqilgan kineskop. The game was one of the most famous in baseball history, capped off by Bill Mazeroski "s uydan yugurish. He apparently viewed the complete film just once, and then stored it in his wine cellar, where it remained undisturbed until it was discovered in December 2009.^[84][85] The restored broadcast was shown on MLB tarmog'i 2010 yil dekabrda.

Crosby was also an avid golfer, and in 1978, he and Bob Hope were voted the Bob Jons mukofoti tomonidan berilgan eng yuksak sharaf AQSh golf assotsiatsiyasi in recognition of distinguished sportsmanship. U a'zosi Jahon golf shon-sharaf zali, having been inducted in 1978.^[86] In 1937, Crosby hosted the first 'Crosby Clambake' as it was popularly known, at Rancho Santa Fe Golf Club in Rancho Santa Fe, Kaliforniya, the event's location prior to World War II. Sam Snead won the first tournament, in which the first place check was for $500. After the war, the event resumed play in 1947 on golf courses in Pebble Beach, where it has been played ever since. Now the AT&T Pebble Beach Pro-Am, it has been a leading event in the world of professional golf. In 1950, he became the third person to win the William D. Richardson award, which is given to a non-professional golfer "who has consistently made an outstanding contribution to golf."^[87]

Crosby first took up golf at 12 as a caddy, dropped it, and started again in 1930 with some fellow cast members in Hollywood during the filming of Jazz qiroli. Crosby was accomplished at the sport, with a two handicap. U ikkalasida ham raqobatlashdi Inglizlar va AQSh havaskorlari championships, was a five-time club champion at Lakeside Golf Club in Hollywood, and once made a hole-in-one on the 16th at Cypress Point.

Crosby was a keen fisherman especially in his younger days but it was a pastime that he enjoyed throughout his life. In the summer of 1966 he spent a week as the guest of Lord Egremont, staying in Kokermut and fishing on the Derwent daryosi. His trip was filmed for Amerikalik sportchi kuni ABC, although all did not go well at first as the go'shti Qizil baliq were not running. He did make up for it at the end of the week by catching a number of dengiz alabalığı.^[88]

Shaxsiy hayot

Crosby's sons from his first marriage. From left: The four Crosby brothers – Dennis, Gari, Lindsay va Fillip 1959 yilda.

Bing, Garri va Nathan Crosby (1975)

Crosby was married twice. His first wife was actress and nightclub singer Diksi Li to whom he was married from 1930 until her death from ovarian cancer in 1952. They had four sons: Gari, egizaklar Dennis va Fillip va Lindsay. The Smash-Up: Ayol haqida hikoya (1947) is based on Lee's life. The Crosby family lived at 10500 Camarillo Street in North Hollywood for over five years.^[89] After his wife died, Crosby had relationships with model Pat Sheehan (who married his son Dennis in 1958) and actresses Inger Stivens va Greys Kelli before marrying actress Kathryn Grant, who converted to Catholicism, in 1957.^[90] Ularning uchta farzandi bor edi: Harry Lillis III (who played Bill in 13-juma ), Meri (best known for portraying Kristin Shepard televizorlarda Dallas ) va Nataniel (the 1981 U.S. Amateur champion in golf).^[91]

Crosby had numerous affairs with other women.^[92][93] Aktrisa Patrisiya Nil stated in her 1988 autobiography Men kabi that Crosby's Blue Skies co-star Joan Kolfild was in fact one of his mistresses and that she and her then-lover Gary Cooper shared a ship with Crosby and Caulfield in 1948.^[94] In his 1993 book "The Secret Life of Bob Hope," Groucho Marks o'g'li Artur stated that Crosby and Hope would trade girlfriends.^[95]

Crosby reportedly had an alcohol problem in his youth, and may have been dismissed from Paul Whiteman's orchestra because of it, but he later got a handle on his drinking. According to Giddins, Crosby told his son Gary to stay away from alcohol, adding, "It killed your mother" and suggesting he smoke marixuana o'rniga.^[1]:181 Crosby told Barbara Uolters in a 1977 televised interview that he thought marijuana should be legalized.^[96]

In later years, it was revealed that Crosby had ties with figures in the Mafiya yoshligidan.^[97][98] Unlike Frank Sinatra, however, Crosby was less willing to hint his Mafia ties publicly.^[97][98][99] FBI documents which were made public in December 1999 revealed that FBI deputy director Klayd Tolson discovered that Crosby liked to gamble at gambling dens which were operating illegally.^[97][99] As early as 1930, Crosby had a qimorga qaramlik which resulted in him at times owing mobsters thousands in gambling debts.^[97][99] In retaliation for not paying his gambling debts, Crosby received death threats and was forced to ask people, including Sinatra, for money so he could avoid being killed.^[97][99] The FBI documents also revealed that Jack “Machine Gun" McGurn, an alleged gunman in the St. Valentine's Day Massacre, was one of Crosby's golfing partners and that Crosby was friends with high-profile mobsters such as Bugsi Siegel va Frank Nitti shuningdek.^[99]

Irish Independent journalist George Gordon stated that Crosby "was so addicted to gambling and golf that he did not care who he consorted with."^[99]

After Crosby's death, his eldest son, Gary, wrote a highly critical memoir, Going My Own Way, depicting his father as cruel, cold, remote, and physically and psychologically abusive.^[100]

We had to keep a close watch on our actions ... When one of us left a sneaker or pair of underpants lying around, he had to tie the offending object on a string and wear it around his neck until he went off to bed that night. Dad called it "the Crosby lavalier". At the time the humor of the name escaped me ...

"Satchel Ass" or "Bucket Butt" or "My Fat-assed Kid". That's how he introduced me to his cronies when he dragged me along to the studio or racetrack ... By the time I was ten or eleven he had stepped up his campaign by adding lickings to the regimen. Each Tuesday afternoon he weighed me in, and if the scale read more than it should have, he ordered me into his office and had me drop my trousers ... I dropped my pants, pulled down my undershorts and bent over. Then he went at it with the belt dotted with metal studs he kept reserved for the occasion. Quite dispassionately, without the least display of emotion or loss of self-control, he whacked away until he drew the first drop of blood, and then he stopped. It normally took between twelve and fifteen strokes. As they came down I counted them off one by one and hoped I would bleed early ...

Men ko'rganimda Mening yo'lim bilan borish I was as moved as they were by the character he played. Father O'Malley handled that gang of young hooligans in his parish with such kindness and wisdom that I thought he was wonderful too. Instead of coming down hard on the kids and withdrawing his affection, he forgave them their misdeeds, took them to the ball game and picture show, taught them how to sing. By the last reel, the sheer persistence of his goodness had transformed even the worst of them into solid citizens. Then the lights came on and the movie was over. All the way back to the house I thought about the difference between the person up there on the screen and the one I knew at home.^[101]

Crosby's younger son Phillip vociferously disputed his brother Gary's claims about their father. Around the time Gary made his claims, Phillip stated to the press that "Gary is a whining, bitching crybaby, walking around with a two-by-four on his shoulder and just daring people to nudge it off."^[102] Nevertheless, Phillip did not deny that Crosby believed in corporal punishment.^[102] Bilan intervyuda Odamlar, Phillip stated that "we never got an extra whack or a cuff we didn't deserve."^[102] During an interview in 1999 by the Globus, Phillip said:

My dad was not the monster my lying brother said he was; he was strict, but my father never beat us black and blue, and my brother Gary was a vicious, no-good liar for saying so. I have nothing but fond memories of Dad, going to studios with him, family vacations at our cabin in Idaho, boating and fishing with him. To my dying day, I'll hate Gary for dragging Dad's name through the mud. U yozgan Going My Own Way out of greed. He wanted to make money and knew that humiliating our father and blackening his name was the only way he could do it. He knew it would generate a lot of publicity. That was the only way he could get his ugly, no-talent face on television and in the newspapers. My dad was my hero. I loved him very much. He loved all of us too, including Gary. He was a great father.^[103]

However, Dennis and Lindsay Crosby confirmed that Bing sometimes subjected his sons to harsh physical discipline and verbal put-downs. Regarding the writing of Gary's memoir, Lindsay said, "I'm glad [Gary] did it. I hope it clears up a lot of the old lies and rumors."^[102] Unlike Gary, though, Lindsay stated that he preferred to remember "all the good things I did with my dad and forget the times that were rough."^[102] When the book was published, Dennis distanced himself by calling it "Gary's business" but did not publicly deny its claims.^[102] Bing's younger brother, singer and jazz bandleader Bob Krosbi, recalled at the time of Gary's revelations that Bing was a "disciplinarian," as their mother and father had been. He added, "We were brought up that way."^[102] In an interview for the same article, Gary clarified that Bing "was like a lot of fathers of that time. He was not out to be vicious, to beat children for his kicks."^[102]

Crosby's will established a ko'r-ko'rona ishonch in which none of the sons received an inheritance until they reached the age of 65.^[104]

Lindsay Crosby died in 1989 at age 51, and Dennis Crosby died in 1991 at age 56, both by suicide from self-inflicted gunshot wounds. Gary Crosby died of lung cancer in 1995 at age 62, and Phillip Crosby died of a heart attack in 2004 at age 69.^[105]

Beva Ketrin Krosbi dabbled in local theater productions intermittently and appeared in television tributes to her late husband.

Nataniel Krosbi, Crosby's younger son from his second marriage, is a former high-level golfer who won the AQSh havaskorlari in 1981 at age 19, becoming the youngest winner in the history of that event at the time. Garri Krosbi is an investment banker who occasionally makes singing appearances.

Denis Krosbi, Dennis Crosby's daughter, is also an actress and is known for her role as Tasha Yar kuni Yulduzli trek: keyingi avlod and for the recurring role of the Romulan Sela after her withdrawal from the series as a regular cast member. She also appeared in the film adaptation of Stiven King roman Uy hayvonlari uchun seminar.

In 2006, Crosby's niece through his sister Mary Rose, Carolyn Schneider, published the laudatory book Me and Uncle Bing.

There have been disputes between Crosby's two families beginning in the late 1990s. When Dixie died in 1952, her will provided that her share of the community property be distributed in trust to her sons. After Crosby's death in 1977, he left the residue of his estate to a marital trust for the benefit of his widow, Kathryn, and HLC Properties, Ltd., was formed for the purpose of managing his interests, including his right of publicity. In 1996, Dixie's trust sued HLC and Kathryn for declaratory relief as to the trust's entitlement to interest, dividends, royalties, and other income derived from the community property of Crosby and Dixie. In 1999, the parties settled for approximately $1.5 million. Relying on a retroactive amendment to the Kaliforniya Fuqarolik Kodeksi, Dixie's trust brought suit again, in 2010, alleging that Crosby's right of publicity was community property, and that Dixie's trust was entitled to a share of the revenue it produced. The trial court granted Dixie's trust's claim. The California Court of Appeal reversed, however, holding that the 1999 settlement barred the claim. In light of the court's ruling, it was unnecessary for the court to decide whether a right of publicity can be characterized as jamoat mulki Kaliforniya qonunchiligiga binoan.^[106]

Kasallik va o'lim

Commemorative plaque in the Brighton Centre foyer

Following his recovery from a life-threatening fungal infection of his right lung in January 1974, Crosby emerged from semi-retirement to start a new spate of albums and concerts. In March 1977, after videotaping a concert at the Ambassador Auditorium in Pasadena for CBS to commemorate his 50th anniversary in show business, and with Bob Hope looking on, Crosby fell off the stage into an orkestr pit, rupturing a disc in his back requiring a month in the hospital.^[107] His first performance after the accident was his last American concert, on August 16, 1977 (the day singer Elvis Presli died) at the Concord paviloni yilda Konkord, Kaliforniya. When the electric power failed during his performance, he continued singing without amplification.^[108]

In September, Crosby, his family and singer Rozmari Kluni began a concert tour of Britain that included two weeks at the London Palladium. While in the UK, Crosby recorded his final album, Fasllar, and his final TV Rojdestvo uchun maxsus mehmon bilan Devid Boui on September 11 (which aired a little over a month after Crosby's death). His last concert was in the Brayton markazi on October 10, four days before his death, with British entertainer Dame Greysi Maydonlar ishtirok etish. The following day he made his final appearance in a recording studio and sang eight songs at the BBC Maida Vale studios for a radio program, which also included an interview with Alan Dell.^[109] Accompanied by the Gordon Rose Orchestra, Crosby's last recorded performance was of the song "Bir marta." Later that afternoon, he met with Chris Harding to take photographs for the Fasllar album jacket.^[109]

Crosby's grave at Holy Cross Cemetery in Culver City, California (incorrect birth year)

On October 13, 1977, Crosby flew alone to Ispaniya to play golf and hunt partridge.^[110] On October 14, at the La Moraleja Golf Course near Madrid, Crosby played 18 holes of golf. Uning sherigi edi Jahon chempionati chempion Manuel Pinero; their opponents were club president César de Zulueta and Valentin Barrios.^[110] According to Barrios, Crosby was in good spirits throughout the day, and was photographed several times during the round.^[110][111] At the ninth hole, construction workers building a house nearby recognized him, and when asked for a song, Crosby sang "Tunda begonalar."^[110] Crosby, who had a 13 nogironlik, lost to his partner by one stroke.^[110] At about 6:30 pm, as Crosby and his party headed back to the clubhouse, Crosby said, "That was a great game of golf, fellas. Let's get a Coke."^[110][112] About 20 yards from the clubhouse entrance Crosby collapsed and died instantly from a massive heart attack.^[113] At the clubhouse and later in the ambulance, house physician Dr. Laiseca tried to revive him, but was unsuccessful. At Reina Victoria Hospital he was administered the oxirgi marosimlar of the Catholic Church and was pronounced dead.^[110] On October 18, following a private funeral Mass at St. Paul's Catholic Church in Westwood,^[114] Crosby was buried at Muqaddas xoch qabristoni in Culver City, California;^[115] his tombstone incorrectly identified his year of birth as 1904 instead of 1903. A plaque was placed at the golf course in his memory.

Meros

One of three stars on the Gollivudning Shon-sharaf xiyoboni at 6769 Hollywood Blvd.

U a'zosi Milliy shuhrat teleradioeshittiruvchilar uyushmasi in the radio division.^[116]

The family created an official website^[117] on October 14, 2007, the 30th anniversary of Crosby's death.

Uning tarjimai holida Don't Shoot, It's Only Me! (1990), Bob Hope wrote, "Dear old Bing. As we called him, the Economy-sized Sinatra. And what a voice. God I miss that voice. I can't even turn on the radio around Christmas time without crying anymore."^[118]

Calypso musiqachisi Roaring Lion wrote a tribute song in 1939 titled "Bing Crosby," in which he wrote: "Bing has a way of singing with his very heart and soul / Which captivates the world / His millions of listeners never fail to rejoice / At his golden voice ..."^[1]

Bing Crosby Stadium in Front Royal, Virjiniya, was named after Crosby in honor of his fundraising and cash contributions for its construction from 1948 to 1950.^[119]

In 2006, the former Metropolitan Theater of Performing Arts ('The Met') in Spokane, Vashington was renamed to The Bing Crosby Theater.^[120]

2019 yil 25 iyunda, The New York Times jurnali listed Bing Crosby among hundreds of artists whose material was reportedly destroyed in the 2008 yong'in.^[121]

Kompozitsiyalar

Crosby wrote or co-wrote lyrics to 22 songs. Uning tarkibi "At Your Command " was no. 1 for three weeks on the U.S. pop singles chart beginning on August 8, 1931. "I Don't Stand a Ghost of a Chance With You " was his most successful composition, recorded by Dyuk Ellington, Frank Sinatra, Yolg'iz rohib, Billi bayrami va Mildred Beyli, Boshqalar orasida. Songs co-written by Crosby include:

1. "That's Grandma" (1927), with Garri Barris va Jeyms Kavano
2. "From Monday On" (1928), with Harry Barris and recorded with the Pol Uaytmen Orchestra featuring Bix Beiderbecke on cornet, no. 14 on US pop singles charts
3. "What Price Lyrics?" (1928), with Harry Barris and Matty Malneck
4. "Ev'rything's Agreed Upon" (1930), with Harry Barris^[122]
5. "At Your Command " (1931), with Harry Barris and Garri Tobias, US, no. 1 (3 hafta)
6. "Believe Me" (1931), with James Cavanaugh and Frank Ueldon^[122]
7. "Tunning ko'klari (kunning oltinlari bilan uchrashadigan) " (1931), with Roy Turk va Fred Ahlert, US, no. 4; US, 1940 re-recording, no. 27
8. "You Taught Me How to Love" (1931), with H. C. LeBlang and Don Herman^[122]
9. "Men siz bilan birga tasodifiy sharpa turolmayman " (1932), with Viktor Young va Ned Vashington, US, no. 5
10. "My Woman" (1932), with Irving Wallman and Max Wartell
11. "Cutesie Pie" (1932), with Red Standex and Chummy MacGregor^[122]
12. "I Was So Alone, Suddenly You Were There (1932), with Ley Xarlin, Jack Stern and Jorj Xemilton^[122]
13. "Love Me Tonight" (1932), with Victor Young and Ned Washington, US, no. 4
14. "Tushdagi valsing " (1932), with Victor Young and Ned Washington, US, no.6
15. "You're Just a Beautiful Melody of Love" (1932), lyrics by Bing Crosby, music by Babe Goldberg
16. "Where Are You, Girl of My Dreams?"^[123] (1932), written by Bing Crosby, Irving Bibo, and Paul McVey, featured in the 1932 Universal film The Cohens and Kellys in Hollywood
17. "I Would If I Could But I Can't" (1933), with Mitchell Parish and Alan Grey
18. "Where the Turf Meets the Surf" (1941) with Johnny Burke va James V. Monaco.
19. "Tenderfoot" (1953) with Bob Bowen and Perri Botkin, originally issued using the pseudonym of "Bill Brill" for Bing Crosby.
20. "Domenica" (1961) with Pietro Garinei / Gorni Kramer / Sandro Giovannini
21. "That's What Life is All About " (1975), with Ken Barns, Peter Dacre va Les Rid, US, AC chart, no. 35; UK, no. 41
22. "Sail Away from Norway" (1977) – Crosby wrote lyrics to go with a traditional song.

Grammy Shon-sharaf zali

Four performances by Bing Crosby have been inducted into the Grammy Shon-sharaf zali, bu 1973 yilda kamida 25 yoshga to'lgan va "sifat yoki tarixiy ahamiyatga ega" bo'lgan yozuvlarni sharaflash uchun maxsus Grammy mukofoti.

Filmografiya

Diskografiya

Televizion chiqishlari

Radio

• Bing Krosbi bilan 15 daqiqa^[125] (1931, CBS ), Unsponsored. 6 nights a week, 15 minutes.
• The Cremo Singer (1931–1932, CBS),^[126] 6 nights a week, 15 minutes.
• Bing Krosbi bilan 15 daqiqa (1932, CBS), initially 3 nights a week, then twice a week, 15 minutes.
• Chesterfield Cigarettes Presents Music that Satisfies^[127] (1933, CBS), broadcast two nights a week, 15 minutes.
• Bing Crosby Ko'ngil ochadi^[128] (1933–1935, CBS), weekly, 30 minutes.
• Kraft musiqiy zali^[129] (1935–1946, NBC ), Thursday nights, 60 minutes until January 1943, then 30 minutes.
• Bing Crosby on Armed Forces Radio in World War II (1941–1945; World War II).^[130]
• Philco radio vaqti^[131] (1946–1949, ABC ), 30 minutes weekly.
• Bu Bing Krosbi (The Minute Maid Show) (1948–1950, CBS), 15 minutes each weekday morning; Bing as disc jockey.
• Bing Krosbi - Chesterfild shousi^[132] (1949–1952, CBS), 30 minutes weekly.
• General Electric uchun Bing Crosby Show^[133] (1952–1954, CBS), 30 minutes weekly.
• Bing Krosbi shousi (1954-1956)^[134] (CBS), 15 minutes, 5 nights a week.
• Bing bilan Rojdestvo qo'shig'i (1955-1962), (CBS, Amerika Ovozi va AFRS ), 1 hour each year, sponsored by the Shimoliy Amerikaning sug'urta kompaniyasi.
• Bing Krosbi ishtirokidagi Ford Road Show^[135] (1957–1958, CBS), 5 minutes, 5 days a week.
• Bing Krosbi - Bibariya Kluni shousi^[136] (1960–1962, CBS), 20 minutes, 5 mornings a week, with Rozmari Kluni.

RIAA sertifikati

Mukofotlar va nominatsiyalar

Adabiyotlar

Iqtiboslar

Manbalar

Birlamchi manbalar

• Krosbi, Bing. Menga omadli qo'ng'iroq qiling (1953)
• Krosbi, Bing. Bing: Vakolatli biografiya (1975), Charlz Tompson bilan yozilgan.

Qo'shimcha o'qish

• Buxgalter, Robert. Bing Krosbining filmlari (Layl Styuart, 1977)
• Giddins, Gari. Bing Krosbi: Orzularning cho'ntagi - 1903-1940 yillarning dastlabki yillari (Back Bay Books, 2009) parcha.
  • Giddins, Gari. Bing Krosbi: Yulduzda tebranish: Urush yillari, 1940-1946 (Kichkina, jigarrang, 2018) parcha.
• Gilbert, Rojer. "Sevimli va taniqli: Amerikalik yulduzlar nazariyasi, Bing Krosbi va Frenk Sinatra haqida alohida ma'lumot." Southwest Review 95.1/2 (2010): 167–184. onlayn
• Morgeret, Timo'tiy A. Bing Krosbi: diskografiya, radio dasturlari ro'yxati va filmografiya (McFarland & Co Inc Pub, 1987).
• Pits, Maykl va boshq. Croonersning ko'tarilishi: Gen Ostin, Rass Kolumbo, Bing Krosbi, Nik Lukas, Jonni Marvin va Rudi Valli (Qo'rqinchli matbuot, 2001).
• Prigozi, Rut va Valter Raubichek, nashr etilgan. Mening yo'lim: Bing Krosbi va Amerika madaniyati (Rochester Press universiteti, 2007), olimlarning insholari.
• Richliano, Jeyms (2002). Biz eshitgan farishtalar: Rojdestvo qo'shiqlari haqida hikoyalar. Chatham, Nyu-York: Baytlahm kitoblari yulduzi. ISBN  0-9718810-0-6. Krosbining "Oq Rojdestvo" ni tayyorlashdagi ishtiroki haqidagi bo'lim va rekord prodyuser Ken Barns bilan suhbatni o'z ichiga oladi.
• Shofild, Meri Anne. "Temir cho'chqalarni marketing, vatanparvarlik va tinchlik: Bing Krosbi va Ikkinchi Jahon urushi - nutq". Ommaviy madaniyat jurnali 40.5 (2007): 867–881.
• Smit, Entoni B. "Katoliklarning ko'ngil ochishi: Bing Krosbi, 1940-yillarda Amerikada din va madaniy plyuralizm". Amerika katolik tadqiqotlari (2003) 11#4: 1-19 onlayn.
• Terri. "Sallanayotgan yulduz: nega Bing Krosbi unutilgan?" Sharh (Nov 2018), jild 146 4-son, 51-54 betlar.
• Tomas, Nik (2011). Yulduzlar tarbiyalagan: Gollivud aktyorlarining 29 bolalari bilan suhbatlar. McFarland. ISBN  978-0-7864-6403-6. Suhbatni o'z ichiga oladi

Tashqi havolalar

• Bing Krosbi kuni IMDb  
• Rasmiy veb-sayt
• Bing Krosbi da TCM filmlar uchun ma'lumotlar bazasi
• BING jurnali (ICC nashri)
• Bing Krosbi Virtual tarixda
• Zoot Radio, 360-dan ortiq epizodlarni "Bing Crosby Broadcasts" ning qadimgi radioeshittirishlarini yuklab olish.
• Bravo, Bing - Bing Krosbiga hurmat
• Bing Crosby yozuvlari da Amerika tarixiy yozuvlari diskografiyasi.